#<- REAL I WAS IN BALLET ONCE AND I WAS IN A LEOTARD SO U COULD SEE MY CHEST AND THE WORST DYSPHORIA I HAVE EVER FELT WASHED OVER ME | Explore Tumblr posts and blogs

jungshookz · 4 years ago

Note

omg mean mr. park trying so hard not to give ballet!y/n special treatment that he goes too hard in the other direction and makes her cry!!!! and he’s like well i can’t fix it here in front of all these people what do i do what do i do

➺ pairing; park jimin x reader

➺ genre; balletteacher!jiminiverse!!! except uhhhhhh jimin’s a little scary in this one not going to lie <3

➺ wordcount: 3.6k

➺ what to expect; “and take those goddamn leg warmers off.”

➺ optional readings: one; two; three; four

➺ note; this has been one of the hoTTest requests for a long time which doesn’t make any sense to me because whenever i get asked to write about this specific scenario i’m like?? you?? you WANT me to make y/n cry???? also i hope u don’t mind but i changed ur original request just a teensy bit because i didn’t want y/n to have to cry in front of everyone again otherwise she’s just going to be known as the class cry-baby and we should at least give her a tiny crumb of dignity

»»————-　♡　————-««

jimin… is getting soft.

which isn’t super great because he feels like his reputation as scary strict ballet instructor is going to go down the drain and disappear forever if he keeps going on like this

it’s not like he can help himself when his girlfriend is one of his students

(which… is still a secret, by the way. the two of you are surprisingly very good at keeping things somewhat professional. teamwork makes the dream work, right?)

the other day in class he literally had to pinch his arm to remind himself to stOP looking at you so fondly

he caught himself in the mirror with this dumb little smile on his face and his eyes all bright and twinkly as he watched you dance

and it certainly didn’t help that you smiled back at him before wiggling your brows knowingly

he can’t do things like that!

he has to be more careful!!

he has to toughen up!

he has to take a stand!

he’s going to have to pull out the big guns to prove to everyone that no, i don’t have any favourites, and no, i’m certainly not romantically attracted and in a very real relationship with one of you, not at all!

it just feels like no one really takes him seriously anymore??

especially after he gave all of you guys individual roses on valentine’s day

sometimes he thinks that maybe that was a little extra of him but he did genuinely feel bad about keeping you guys here when you could’ve been out spending the night with your significant others

anyways

his point is

he thinks that everyone is starting to fear him less and less with every passing day and he just can’t have that

and it doesn’t help that yoU very openly don’t take him that seriously in class because then everyone sees that as their opportunity to not take him seriously as well

it’s like suddenly you’ve labeled yourself as the ringleader of this circus and now he’s just one of your clowns

that’s not the way things should be!!!

hE’S the ringleader of this stupid ballet circus!!!!

the other week when he announced that your guys’ break would be over in approximately thirty seconds, you just turned around to look at him with big, pleading eyes and: “can’t we have five extra minutes of break time, mr. park? please?” and obviously he couldn’t say no to that because of your dumb stupid pretty googly eyes

and he thought that that would be the worst of it but nO

he was very wrong

because it got worse

people are starting to show up in sweatpants and hoodies instead of leotards and chiffon skirts and if there’s anything he hates the moSt on this planet, it’s people who don’t dress for the part

he hated watching all of you prancing around the room wearing grubby HOODIES

disgusting!!!

you can wear whatever you want outside of class, but he likes to think that he’s made it relatively clear that once you are in the confines of his classroom, the standards are higher than the heavens above

so, yes

he’s decided that today is going to be the day he grabs the reins and takes control once more

today’s break will be ten minutes and ten minutes only - with no extensions!

if he has to yell at someone today for messing up a move, you bet your ass he’s going to do just that - show no mercy!

he’s mr. park!

he’s in charge!

“i’m in charge.” jimin mutters to himself as he stands outside the classroom door

he nods firmly to himself before pushing the door open

“alright, ladies! let’s get ready to do some warm up exercises…” jimin announces loudly as soon as he steps into the classroom, a couple of the girls rushing to get up from the ground (it’s nice to see that some of you are still scared of him)

he pushes his sunglasses up to the top of his head when he notices that you’re continuing to gab away in the corner with lisa and the others

“uh, hello?” he clears his throat and you turn to look over your shoulder

“oh! hold up, mr. park, i’m almost done telling my story. so as i was saying-“ you turn back to the girls and jimin frowns

see?

this is exactly what he was talking about

when he used to walk into the classroom everyone would immediately get into neat rows of four

and now?

there are five girls who are lined up

five girls out of TWENTY

jimin pokes his tongue against the inside of his cheek as he approaches you slowly, “miss y/l/n, i mean it.“ he warns, his grip tightening around his iced coffee, “finish your conversation now, please.”

he raises a brow when you flat out ignore him and he notices lisa reaching over to smack your kneecap before subtly gesturing upwards to him

he doesn’t know if you’re doing it on purpose but you’re really starting to push it

your shoulders drop as you let out a sigh and you turn around to look at him

“well?”

you frown and your lips twist

“yeah, whatever- just gimme one more second, okay?“ you dismiss him with a flick of your wrist anD a roll of your eyes and his jaw drops in surprise

wha-

did you just-

did you-

did you just… flick your wrist at him?

and roll your eyes?

…

who exactly do you think you are?

jimin turns on his heel to go over to the cabinets that he usually puts his bag and his jacket in

he shakes his head and chuckles darkly to himself as the image of you flicking your wrist and rolling your eyes at him plays over and over again in his mind

are you serious?

did you actually do that to him?

in front of everyone?

wow

you really grew a pair since your ‘i’m 100% attracted to park jimin and i would love to sit on his face’ days, no?

what, you think that just because he’s your boyfriend that you get to get away with stunts like that?

how dare you!

outside of the classroom, yes, he’s your boyfriend, and yes, you can flick your wrist and roll your eyes at him all you want

but inside of the classroom?

jimin’s grip tightens around the edge of the cabinet door

absolutely fucking not.

the cabinet doors slam shut with a loud bang! and a couple of girls let out yelps of surprise at the sudden noise, “everyone get in line right now!”

your neck nearly snaps off from how quickly you turn to look and your eyes widen when you suddenly see everyone scrambling to get off the ground and to get in line

seriously??

you were almost done with your story :-//

you frown to yourself before getting up off the ground (and taking your time in doing so, because your knees are a little creaky this morning)

((you chose to snack on some crackers and dip instead of stretching before class because as far as you’re concerned, snacking is way more fun than stretching))

“y/n, let’s go-!“ lisa hisses and grabs your arm before dragging you up towards the front where you guys usually stand

“oh, would you relax?” you snort as you make your way to the front before moving into first position

you turn your head to let out a quiet yawn before turning back to face the front to see jimin looking directly at you

“am i boring you this afternoon, miss y/l/n?” he crosses his arms and you shrug sloppily in response

jimin tilts his head, “can you use your words like a normal human being, please?”

you let out a sigh and resist the urge to roll your eyes at him again

he’s so uptight today!!

he was fine this morning before you left to go to class

what’s his problem??

“no, sir.” you raise a brow, “you’re not boring me. are you going to spend the rest of the class asking me questions or are we actually going to learn something today?”

in your peripheral vision you see lisa’s eyelids flutter shut and her head lower a little bit

what?

that was a genuine question!

it was supposed to be a joke???

tough crowd today lol

everyone can practically feel the tension in the air when jimin doesn’t immediately respond and instead glares at you with nothing but pure rage behind his brown eyes

“would you like to say that again, miss y/l/n?”

“oh, would you look at that? another question for me.” you chuckle lightly and look around at your peers to see if anyone else is cracking a smile

but everyone’s looking at you with wide eyes filled with what you can only make out to be complete and utter… is that fear?

even seulgi shakes her head no when the two of you lock gazes

???

what is going on today???

you turn back around and jump in surprise when you realize that jimin is now standing directly in front of you

and for the first time in a long time, you’re starting to feel a little nervous

you shift uncomfortably in your position and make an effort to stand up a little straighter

maybe you should-

“get out of my classroom.” jimin speaks lowly and your eyes widen in surprise

…

what?

“i-i’m sorry, sir?” you stammer before shaking your head, “i don’t unders-“

“get the hell out of my classroom, miss y/l/n!” he snaps before taking a step back and tilting his head at you, “and take those goddamn leg warmers off. do you think anyone at the academy is going to take you seriously if you show up to an audition with bright blue, fuzzy leg warmers with sheep all over them?”

oh god

okay

he’s not kidding

this isn’t funny anymore

“n-no sir, of course not-!” you shake your head quickly before bending down to yank your leg warmers off, “i-i’m not- i would never show up to an audition wearing these-”

you stumble over a little as you struggle to pull them off and lisa quickly reaches out to help you stay balanced

“can’t even keep yourself up on one foot without falling over, huh?” jimin scoffs before crossing his arms, “what, did you just sit on your ass for the entirety of quarantine?”

“of course not, mr. park.” you swallow thickly and shake your head again as you get back up onto your feet, tossing the leg warmers to the side, “i’m so sorry, sir.”

and just when you think you’re in the clear-

“don’t be sorry, just be ready.” jimin snaps and you feel your entire face flush bright red, “now get out. miss kang, can you move up to the front please?”

you’re not even bothered by the fact that you’ve just been replaced by seulgi

you’re more bothered by the fact that he just used his phrase on you

don’t be sorry

just be ready

don’t be sorry, just be ready

that’s his phrase and he’s never once used it on you in the entire time that he’s taught you

he only uses that phrase when someone messes up really bad

and one thing you can say for sure is you very rarely mess up in class

he only uses that phrase when he’s angry!!!

“by the way, let this be an example to the rest of you, hm?” jimin paces up and down the front of the classroom slowly, everyone standing up as straight as pins as they look ahead, “every single one of you has been slacking immensely as of late and i won’t have it. the next person who shows up to my class wearing sweatpants and a dirty hoodie - well, i’m sure you’ll be comfortable out in the hallway. or maybe you’ll be comfortable not coming back to my class ever again.”

you lean over a little to peek over at jimin but quickly get back in line when he turns around

“miss y/l/n, i think i asked you to leave, did i not? i’m not going to ask you again.”

you jump when you feel seulgi tap on your shoulder from behind and she smirks at you in the mirror

“y-yes, mr. park.” your voice gives out halfway through and you turn on your heel to manoeuvre your way through the other girls to get to the door

“now that that’s been taken care of, this is what we’re going to do today…”

you shut the door behind you quietly

to say the least, that was…

humiliating!

sure, jimin’s always been a little (very) strict, but that was just plain mean

he yelled at you AND he kicked you out!

and you don’t think he’s ever been so harsh with any of the other girls before

you’ve seen him yell at the other girls but this felt more like a personal attack instead of criticism on dancing like it usually is

and you always thought he liked your leg-warmers

:-(

…

uh-oh

it doesn’t take very long for your nose to prickle and your eyes to start welling up with tears

you sit down on the bench and your chin starts to tremble as you think about what just happened

oh no

and now you’re going to cry?!

oh god

okay

no!

you can’t cry right now!

what if he comes out??

and sees you crying??

you cannOT cry in front of mr. park right now

the last time you cried in front of him was when you twisted your ankle but at least you had an excuse to cry because you were in physical pAIN

emotional pain is not the same as physical pain and therefore cannot be used as a legitimate excuse to start blubbering

you are not a cry-baby!!

your nose scrunches as you try your best not to let out a whimper and you blink quickly in an effort to make the tears go away but one single tear ends up rolling down your cheek

you reach up to swipe the back of your hand against your chin before putting your arms back down

what are you supposed to do now?

you sniffle before leaning your head against the wall and crossing your arms

whatever

if you have to stay out here for the rest of class, you’re just going to take a nap and try noT to think about mean mr. park

♡

“y/n… you feel someone shaking you gently and you shoot up from where you’re leaning against the wall

“wh- what-“ your voice is a little raspy from your sad-nap, “i wasn’t asleep-!”

you relax a little when you see that it’s just lisa

you take a quick glance around to see that everyone’s packing their bags, so it’s safe to assume that class is done for the day

“mr. park wants to talk to you.” lisa whispers and glances back towards the classroom door, “by the way- you were a real idiot in there, you know that?”

“oh, god.” you reach up to pinch the bridge of your nose, “i know, i know! i don’t- i mean, i didn’t think he was going to kick me out-“

“hey, y/n! smooth move today-“ you’re cut off when suddenly seulgi pops up behind lisa and you can’t help but frown at how pleased she looks with these conditions, “thanks for handing your status as favourite student over to me on a silver platter!”

“can it, seulgi.” lisa scowls before shoving her gently

“the view was super great from the front.” she whistles, “mr. park is a lot hotter up close.”

you’ve never considered yourself to be a violent person, but…

you would give an arm and a leg just to strangle seulgi for a good five minutes <3

lisa rolls her eyes and turns back to look at you, “good luck in there though, for real. you… you were real ballsy today.”

yikes

it takes you approximately one minute to muster up the courage to knock on the classroom door

you press your lips together tightly as your fist hovers over the surface of the door

just knock!

it’s not hard

just move your hand

you squeeze your eyes shut before tapping your knuckles against the door in three short beats

“come in.”

you swallow your nerves before pushing the handle down and opening the door slowly with a creak

okay

it’s fine!

you’re fine

class is over, which means mean mr. park is gone and nice boyfriend jimin is here, right?

…right??

you cautiously poke your head into the room

jimin’s busy packing up as well but his back is facing you which makes you feel a little better because if you’d opened the door and he was standing there staring directly at you, you probably would’ve immediately burst into tears

your poor sheep leg warmers are crumpled pathetically in the same spot where you tossed them

maybe you should just grab your leg warmers and run for the hills

“you… wanted to… see me?” you clear your throat and freeze when jimin turns his head to look over his shoulder

“yes, i did. shut the door and come here.”

okay, well

there goes your chance to run for the hills

you’re basically traPPEd in here now

you hesitantly shut the door behind you and you feel your heart starting to beat a little harder in your chest as you make your way over to the middle of the room

you keep your gaze downwards as jimin stands in front of you and you clasp your hands in front of you, twiddling your thumbs nervously

a moment of silence ticks by and you want nothing more than for the ground to cave and just swallow you up entirely

“you know why i had to do that, right?”

“because we’re… da…ting?” you offer weekly before lifting your head up to look at him

jimin scoffs before shaking his head, “no. you blatantly disrespected me in front of your peers, that’s why i kicked you out. your attitude today was completely unacceptable. completely.”

oop

okay

it appears that your theory about mean mr. park disappearing as soon as class ended was incorrect

to be fair… he is right

you have to admit that maybe you let the fact that you guys are dating cloud your judgement a little

obviously he’s not going to show you special treatment in class just because of that

you feel your insides twist when the realization sinks in that you were… kind of an asshole today

and you pride yourself on being a good student!

you immediately drop your head once more as your cheeks flush in shame, “yes, mr. park. i’m… i’m sorry for my poor behaviour today, sir. i disrespected you in your classroom and it won’t happen again.”

“it better not.” jimin nods, “apology accepted, miss y/l/n.”

you chew on the inside of your cheek anxiously

you’re not… too sure what you’re supposed to say now

you hear jimin let out a sigh before he speaks up again, “i’m… your boyfriend, which i know makes things a little confusing, but… you can’t act like that when we’re in class, y/n.” he hooks a finger under your chin before tilting your head up, “just because we’re dating doesn’t give you an excuse to act like a prick, baby.”

“i know. i’m sorry.” you respond meekly and nod in understanding

jimin’s eyes soften when he notices you starting to get teary-eyed

!!!!

now he’s starting to feel bad!!!

he’ll admit that maybe he was a little harsher than usual and it was probably a little more than embarrassing being called out like that in front of your peers, but he had to what he had to do!

you flicked your wrist at him!

and rolled your eyes!

double whammy!

“y/n…”

“i thought you liked my leg warmers.” you whimper quietly and jimin snorts in response

that’s what you’re getting upset about??

your leg warmers??

“why are you- why are you laughing??” you whine when he begins to giggle softly and you reach up to wipe at your falling tears (though now you can’t tell if they’re tears of sadness anymore because the sound of jimin’s giggling never fails to put you in a better mood), “you were the ones who chose these dumb sheep ones for me to wear today so h-how am i supposed to feel when you-“

“oh my god, you moron-” jimin immediately tugs you in for a hug and props his chin up on the top of your head, “i do like your leg warmers! they’re really cute!”

“that’s not how it seemed-” you sniffle as you bury your face into the crook of his neck and wrap your arms around him

“it was the only way i knew to show you that i was being serious!”

“you know how i feel about my leg warmers-!” you pull away with a pout and jimin quickly leans down to plant his lips against yours (mainly to shut you up about your leg warmers, but also to make u feel a little better)

he gives you a couple of sweet pecks before reaching up to cup your cheeks in his hands, “will pizza for dinner tonight make you forgive me for insulting your precious leg warmers, silly girl?” jimin hums as he wipes your tears away with his thumbs before leaning down to nudge his nose against yours affectionately

“…throw in some dessert and i’ll think about it.”

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onewfantaesy · 8 years ago

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Can you please write more about taes struggles In ballet au? Please and thanks you

okay so idk if this counts as a struggle per se, but it’s a scenerio i’ve been thinking about for a couple days now and it’s very like lmao not realistic if you imagine the high school Taemin goes to in this au as a big one okay so just think he goes to a small school okay like maybe 130 students per grade maximum okay

and just imagine Taemin going on a freshman class trip with like his high school class (and it’s not everyone because it’s optional but like maybe 45 students go), and like it’s just supposed to be a weekend of getting to know each other and all that fun shit, and they have random activities planned but the students don’t know what all of it is that’s planned

so they get there right and they’re having a good time no one’s being a complete dick to anyone, but it’s like shortly after the whole Taemin-nearly-getting-beaten-up thing, so the teachers/faculty wanted to make it a point that that sort of behavior is not acceptable

and so they have a couple anti-bullying things, but then on the last day there’s like a couple hour gap where none of the students know what they’re going to do

and they all get herded into this big room and Taemin’s ballet teacher is just standing in the room and Taemin sees his own ballet bag next to him on the floor and so he just scoots behind Ravi and just

“oh my god what the hell is going on omg”

and Ravi just “what’s ur problem omg” because he doesn’t get what’s going on

until one of their teachers says they’re going to have a ballet lesson for the next two hours or so

and Taemin just

wants to melt into the floor and seep down into the underworld when his teacher calls out his name and tells him to come to the front

so Taemin just slinks over after a moment of deciding between going up or just running away, and his teacher drapes an arm around his shoulders and pulls him close and just

“you’re going to be my assistant teacher today, Taemin”

and Taemin’s just grumbling like “this is very weird this is very unfair is this because I missed practice Friday and yesterday you said it was okay you knew it was for a school thing”

and like some of the other students are grumbling and complaining too, and one of the teachers says that if they really don’t want to do it, they have the option to instead idk watch a documentary on ballet and write an essay on it

so pretty much everyone (including the group that tried to beat Taemin up) stays, because they figure it’s not going to be a real ballet class

but then once they all decide to stay, the dance instructor tells them all that they need to change into the proper uniform for ballet students at his school because

“we have a strict dress code that students must abide by, so you will be provided with the proper uniforms”

and so lmao boys have their black dance tights and white shirts and girls have black leotards and pink tights (and they can wear a skirt or shorts over it if they’re uncomfortable or self conscious), plus ballet shoes for all of them

and Taemin is annoyed because like omg this is stupid they’re gonna hate him he’s gonna get jumped when they go to change in the bathroom

nothing ends up happening and everyone’s pretty whatever about it all because they mostly think it’s stupid

but Taemin does start laughing when they all go to the barre and have absolutely no idea what they’re doing, but he hides it behind a snort

also Taemin starts complaining about his hair to his teacher, who immediately just hands him a little black rubber hair-tie and just “Krystal sent this for you, along with backups”

and Taemin just takes it and hisses “bless her sweet soul” because she knows him so well what a pal and he ties his hair back

but anyways back to the lil ballet class

the teacher first makes Taemin demonstrate what they’re doing, and then he and Taemin go around fixing whatever mistakes people are making, and Taemin just smirks when he gets to his friends because he legit just pulls their legs or yanks them in the right direction

but when he has to correct people he doesn’t really know or doesn’t really like he just

is a lot nicer??

like one guy’s arms aren’t the right way and Taemin just

“here, you slack this one like that, and then hold this one out like this. one way to keep it up is just to imagine a table is there holding up your elbow, and that way it will never fall”

and Taemin’s teacher hears him say it, and so he tells Taemin to say it to the whole class

and Taemin just kind of is embarrassed a little bit because it’s something they learn when they’re younger or in a more beginners type of class, but he just

“pretend there’s a table there holding up your elbow and it won’t fall”

and it’s kind of grumbly but he just goes back to helping people

and then they start doing like Plie and Tendu and other barre stuff

then they move on to like center work, and it’s mostly just Taemin showing them how to do certain moves and then them attempting it and failing miserably, especially when they move on to the next parts of class

and lo and behold, Taemin breaks his hair tie half-way through class when he’s trying to re-tie his hair, and his teacher just laughs and hands him a new one

and idk i wanna say Taemin is capable of going on pointe, and it’s because his teacher is very adamant about all his students being able to do it, especially because he thinks it will make the boys appreciate the pain and effort the girls go through in order to do it

plus there’s only 3 boys in Taemin’s age/level group so they’re all just in one class with the girls, and sometimes they do separate off so the boys can go learn the classic male techniques while the girls learn what girls usually do

so towards the end, they’re all sitting down on the floor drinking water whatever, and Taemin’s teacher just

“are your pointe shoes in your bag?”

and Taemin just looks at him

so annoyed

and just

“i mean they should be”

“when was the last time you had pointe class”

“idk maybe a couple weeks ago why”

“go put on your pointe shoes”

“whyyyyyyyyyyyyyyyy i’m not supposed to have pointe class for another week at least”

“just go put them on”

so Taemin grumbles and gets up and goes to put on his pointe shoes and he’s so annoyed and some guy makes a comment like

“isn’t going on pointe a girl thing”

and Taemin’s teacher just

“all ballet students at my school learn to go on pointe. it’s a good skill to know, and it doesn’t impede anyone’s progress in other techniques”

so Taemin’s just grumbling and pulling on his pointe shoes and he’s so annoyed when he gets up and his teacher tells him that he’s some basic moves in pointe shoes

so Taemin’s just going on pointe like it’s nothing because he’s been doing this for a while now, and he’s a little unsure at first just because it’s been a couple weeks, but after a couple turns, he’s more sure of himself

and he’s just

so amazing

and people are just amazed

and then Taemin is told he can take off his pointe shoes and he’s so happy like ugh thank u finally it’s over

but then his teacher just

“you missed class yesterday you have competition next week time to rehearse”

and Taemin just

“uuuuuuuuuuuuuuuuuugh but there are PEOPLE HERE”

“and there will be people at the competition, so go put your other shoes back on and go through the routine you learned on Tuesday”

and he’s just going through his routine and rehearsing and it’s just

very cool to watch because Taemin is so serious about it and he’s so good at it and everyone is just

amazed???

Taemin is just amazing basically and i just want everyone in his lil freshman class to know that

#taemin #shinee #ballerino au #hello anon #i know boys dancing on pointe isn't like typical but i feel like taemin in this au would be the type to want to learn anyway #just because he wants to be able to do everything

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mtwy · 8 years ago

Photo

Rolling Stone

USA November 22nd 1984

The singer doesn’t have to thank any lucky stars for her newborn success. She’s been planning this baby for a long time. Madonna and I are face to face at a corner table at Evelyne’s, a cacophonous but spiffily appointed French restaurant in the heart of New York’s most newly gentrified neighborhood, the East Village. Things are changing rapidly in this part of town. Its Ukrainian meeting halls and no-frills eateries are under siege from the upscale crowd invading with their asparagus ferns and health-club memberships. Although in transition, many of the neighborhood’s blocks still have the same seediness they had when the teenaged Madonna Ciccone first plopped herself down in her own digs.

“The first apartment I ever had all by myself,” she recalls between sips of Campari, “was on Fourth Street and Avenue B, and it was my pride and joy, because it was the worst possible neighborhood I could ever live in.” Back then she was a struggling dancer, the girl from the University of Michigan who was “dying for attention – but the right kind, you know?” She has gotten it. Her sirenlike voice and ultrasultry video presence have yanked her from downtown obscurity. She has notched two Top Ten singles, “Borderline” and “Lucky Star,” and her album, Madonna, has gone platinum and is still high on the charts after a more than forty-week run, postponing the release of the already recorded follow-up LP, Like a Virgin, itself as chock-full of hits as its predecessor. Consider Madonna, though, and it’s easy to drift away from her songs and prattle instead about her videos. They have practically rediscovered what it means to project raw sex appeal: feverish tugging on her dress in “Burning Up,” as if she couldn’t wait to tear the garment off her body; her pouty-lipped antics for “Borderline”; and the upfront eroticism of “Lucky Star,” her breasts and bottom thrust at the camera, index finger teasingly tucked into her mouth. Still, her most important bodily part has been her naked tummy, exposed by her two-piece outfits, the curve of it oscillating through male minds everywhere. Now Madonna has a spacious loft in even-tonier SoHo, a movie deal (she’s currently making Desperately Seeking Susan for Orion Pictures), and an expanse of money and stardom winging her way. Which is why she can glance out the window of this restaurant and say, “Feels great to come back to this neighborhood and know I’m not as poor as everyone else.” That rub you the wrong way? Too bad – that’s her style. She’s in the same sans-midriff getup featured in her videos, but in person, she doesn’t adopt the coyly fetching approach you might anticipate. This is a woman who saves her sex-bomb act for the times when the meter’s running. And don’t let her oft-flashed “Boy Toy” belt buckle fool you. The men who have gotten close to her – tough guys a lot of them – have gotten their hearts broken as often as not. Throughout her life, there has been one guiding emotion: ambition. “I think most people who meet me know that that’s the kind of person I am,” she says. “It comes down to doing what you have to do for your career. I think most people who are attracted to me understand that, and they just have to take that under consideration.” Some have; some haven’t and have lived to regret it. “You’d think that if you went out with someone in the music business that they’d be more understanding,” she says, “but people are the same wherever you go. Everybody wants to be paid more attention to.” Madonna Louise Ciccone – she was named after her mother – had plenty of attention early in her life. Born in Bay City, Michigan, twenty-four years ago to a Chrysler engineer and his wife, she was the eldest daughter in a family of six: Daddy’s little girl. But her world shattered when she was six, as her mother succumbed to a long bout with cancer. The tragedy brought her yet closer to her father, and there have been few women in her life ever since. “I really felt like I was the main female of the house,” she remembers. “There was no woman between us, no mother.” Her little world altered just as dramatically when Madonna was eight, on the night her father announced to the family that he was going to marry the woman who had been the family’s housekeeper. Madonna was shocked. “It was hard to accept her as an authority figure and also accept her as being the new number-one female in my father’s life. My father wanted us to call her Mom, not her first name. I remember it being really hard for me to get the word mother out of my mouth. It was really painful.”

“I hated the fact that my mother was taken away, and I’m sure I took a lot of that out on my stepmother.” Perhaps smarting from what she took for rejection by her father, Madonna threw herself into the world of the fantastic. In eighth grade, she appeared in her first movie, a Super-8 project directed by a classmate, in which an egg was fried on her stomach (even then he knew). She watched old movies at revival houses. She acted in plays at the series of Catholic high schools that she attended. She danced to Motown hits in backyards. Indeed it was dance that became the consuming passion of her adolescent life. She’d take all her classes early so she could leave school and head into the big city to take yet more classes. She saw world-famous companies whenever they came through town. And her ballet teacher became what she calls “my introduction to glamour and sophistication.” He showed his charge a world she didn’t know existed. “He used to take me to all the gay discotheques in downtown Detroit. Men were doing poppers and going crazy. They were all dressed really well and were more free about themselves than all the blockhead football players I met in high school.” Rigid, but with a sense of humor, he became Madonna’s first mentor: “He made me push myself,” she says. By all accounts, she was a wonderfully talented terpsichorean, and he thought she could make it big. “He was constantly putting all that stuff about New York in my ear. I was hesitant, and my father and everyone was against it, but he really said, ‘Go for it.'” Boasting a solid grade-point average in addition to her dancing skills, Madonna graduated from Rochester Adams High School in 1976 and won herself a scholarship to the University of Michigan dance department. Once there, the seventeen-year-old Madonna – no less luscious in a short, spiky, black hairdo – pored through poems by Anne Sexton and Sylvia Plath (“any really depressed women”) and attempted to wreak all manner of havoc in her hoity-toity ballet classes. One former classmate of Madonna’s recalls a grim plié exercise – deep knee bends with the stomach held in and the posture perfect – that dissolved when Madonna emitted a huge belch. Or the hot day when the lissome lass moaned what a drag it was to have to take class in leotards, and why couldn’t she just wear a bra? “I was a real ham,” she says, chortling. “I did everything I could to get attention and be the opposite of everyone else. I’d rip my leotards and wear teeny little safety pins. And I’d run my tights. I could have gone to a nightclub right after class.” That’s exactly where she wound up one night: the Blue Frogge, the U of M’s pastiest preppie disco. She was dancing away – engulfed in right-assed white boys doing their John Travolta imitations – when around the corner came this black waiter. “He was real cute,” she recalls. “Someone all soulful and funky looking you couldn’t help but notice. First time in my life I asked a guy to buy me a drink.” And he did. The guy she’d picked up was a musician named Steve Bray, and he would eventually change her life. Bray – witty, sophisticated, cool – was a drummer in an R&B band that did the lounge circuit. Madonna became a regular fixture at their gigs. “She wasn’t really a musician back then; she was just dancing,” says Bray today. Aside from her beauty, Bray recalls being captivated by the veritable aura around this feisty, footloose female. It was unmistakably the aura of ambition. “She stood out, quite. Her energy was really apparent. What direction she should put that energy in hadn’t been settled, but it was definitely there.” “Those were good days,” Madonna recalls. “But I knew my stay at Michigan was short-term. To me, I was just fine-tuning my technique.” After five semesters, she turned her back on her four-year free ride and headed for New York City. Steve? Oh, yeah. “Looking back, I think that I probably did make him feel kind of bad, but I was really insensitive in those days. I was totally self-absorbed.” It wouldn’t be the last time. Every item ever written about Madonna touts her membership in the Alvin Ailey American Dance Theater. Not so. Soon after her arrival in New York, she apparently won a work-study scholarship and was later asked to take classes with the troupe’s third company, which is a little like getting a tryout for the sub-junior-varsity team. Still, it was her first encounter with people who were as driven as she. “I thought I was in a production of Fame,” she giggles. “Everyone was Hispanic or black, and everyone wanted to be a star.” Madonna was not to the minors born. She left Ailey after a few months and hooked up with Pearl Lang, a former Martha Graham star whose style Madonna describes as “a lot of pain and angst.” This was not a match made in heaven, and she left the company soon after. Living a hand-to-mouth existence in the city and continuing to ignore the pleas of her father that she cease this silly business and finish college, Madonna started scanning the trades for less limiting work: parts where she would not only dance but sing. And that’s when she met Dan Gilroy. He wasn’t drop-dead hip like the other guys she’d known; he was an affable, self-effacing fellow from Queens. He and his brother, Ed, were both musicians and had rented out an abandoned synagogue in Corona, Queens, where they lived and rehearsed. Madonna and Dan met at a party and hit it off – she spent a couple of nights at the synagogue. “He stuck a guitar in my hand and tuned it to an open chord so that I could strum,” she remembers. “That really clicked something off in my brain.” She cut back to only one dance class a day. While the relationship was still in its infancy, however, Madonna was given what seemed like the chance of a lifetime; to go to Paris and do background singing and dancing for Patrick Hernandez, a disco lunk who had lucked into a “worldwide hit” with the forgettable “Born to Be Alive.” She would be given a beautiful apartment, a maid, a voice coach, people to guide her career. “I was in seventh heaven.” she remembers. “I kept thinking, ‘I can’t believe it. Somebody noticed me.'” In Paris, everything was as promised, but she wasn’t happy. “I was like the poor little rich girl,” she recalls. The guidance was a joke. No one would talk to her in English. They said they wanted to turn her into the next Edith Piaf, but how could they if she hadn’t written anything? She felt lonely, miserable and confined. “Once again I was forced into the role of enfant terrible. All I wanted to do was make trouble, because they stuck me in an environment that didn’t allow me to be free.” So she’d order three desserts in a fancy restaurant and skip the entree. She took up with a Vietnamese kid with a motorcycle. She went to Tunisia with the Hernandez tour, club-hopped with some lively locals and went swimming in a one-piece body stocking. You see, she just wanted to be noticed. Of course, there was still this guy in Queens, batting out letters to his loved one. “He was my saving grace,” she says. “His letters were so funny. He’d paint a picture of an American flag and write over it, like it was from the president, ‘We miss you. You must return to America.’ He really made me feel good.” A walloping case of pneumonia persuaded her to come back. As soon as she hit stateside, she rang the synagogue. She spent the better part of a year there, writing songs for the first time and learning how to play a variety of instruments. “My intensive musical training,” she says with a sigh. “It was one of the happiest times of my life. I really felt loved. Sometimes I’d write sad songs and he’d sit there and cry. Very sweet.” In that nurturing atmosphere, Madonna and the brothers Gilroy started a band called the Breakfast Club, with fellow ex-dancer Angie Smit on bass and Madonna on drums. They would rehearse every day there; Madonna had yet to move in with her beau. “I stayed there so much, but I hadn’t really moved there yet, and I remember when I said, ‘Can I just live here, Dan?’ And he said. ‘Well, we have to ask Ed.’ And I said, ‘Ed! You have to ask Ed?'” The Gilroys had been honing their musical skills for a number of years, but simple craft is not the surest way to success in the music business, and Madonna had something that was more useful: moxie. Dan Gilroy recalls it well. “She’d be up in the morning, a quick cup of coffee, then right to the phones, calling up everybody – everybody. Everyone from [local record dealer] Bleecker Bob’s to potential management. Anything and everything.” “I was just a lot more goal oriented and commercial minded than they were,” says Madonna. “I just took over in the sense that I said, ‘What do you know? Teach it to me.’ I took advantage of the situation. I wanted to know everything they knew, because I knew I could make it work to my benefit.” Cold words? Perhaps. She knew what to do. “Immediately, when I started working with them, I started thinking record deals, making records and doing shows and stuff like that. And, of course, most of the people you have to deal with are men, and I think I just was naturally more charming to these horny old businessmen than Dan and Ed Gilroy.” As Madonna herself realizes, Dan Gilroy “had created a monster. I was always thinking in my mind, ‘I want to be a singer in this group, too.’ And they didn’t need another singer.” Dan found himself torn between his girlfriend – who wanted to sing more, who wanted the band to use her songs – and his brother, Ed. After a year, Madonna announced her intention to return to Manhattan and pursue a singing career. The romance – and the instructional period – were over. “I knew that with that kind of drive and devotion to getting ahead something had to happen.” Gilroy says. Was she more talented than her confreres? “No, she didn’t strike me as . . . well, she was fun, you know? She’d be working at this design thing that I was doing and she would kind of break into a dance in the middle of the day. An incredible attention getter. So that’s got to tell you something.” Yes, but given the tensions, was Dan glad to see her go? “Well, no,” he says. “I missed her very much.” He had taken her in and had taught her the skills she needed, and now she was leaving him. Most of the time she hadn’t even had to work a day job. “Ah, well, I was doing a job anyway, so having her there was just a bonus,” says Dan. “It was fun. It was a good year. And besides,” he jokes, “I have a palimony suit now, you know? Marvin Mitchelson, where are you? Of course, he doesn’t win too many of those, does he?” Back in the big city once more, Madonna quickly summoned a ragtag band around her. Good fortune struck in the form of a telephone call from her old Michigan boyfriend, drummer Steve Bray – he was coming to New York. “I found out that, oddly enough, she needed a drummer,” he recalls. “So I said, ‘Fine, I’ll be there next week.'” “He was a lifesaver,” says Madonna. “I wasn’t a good enough musician to be screaming at the band about how badly they were playing.” Times were very lean as they began working together, playing and writing songs. They moved themselves, their equipment and personal belongings into the Music Building, a garment-center structure that had been converted into twelve floors of rehearsal rooms. It housed the cream – if you can call it that – of the post-New Wave scene in New York. Nervus Rex was there, and so were the Dance and the System. “I thought they were all lazy,” says Madonna of that scene. “I felt a lot of affection for them, but I thought that only a handful of people were going to get out of that building to any success.” Bray notes that Madonna was not exactly the most popular person on the scene. “I think there was a lot of resentment of someone who’s obviously got that special something. There are so many musicians out there, but there are only a few who really have that charisma. The community out there kind of, I think, frowned on her about that. She had trouble making friends.” It didn’t matter much to Madonna, who felt that most of the groups there wanted only to hit it big among their pals. She wanted to be big nationwide, and the scene didn’t approve of such a desire. “It was like living in a commune,” agrees Bray, “very close-minded thinking – if you’re good in New York, if you can get regular jobs at CBGB’s or at Danceteria, that’s fine, you’ve made it. And that’s definitely not the case.” Her band changed names like socks: first they were the Millionaires, then Modern Dance and finally Emmy, after a nickname that Dan Gilroy had given Madonna. (“I wanted just Madonna,” says she. “Steve thought that was disgusting.”) By any name, it was a hard-rocking outfit that was continually beset by snafus, especially when it came to guitarists. “She was playing really raucous rock & roll, really influenced by the Pretenders and the Police,” says Bray with a sigh. “She used to really belt. If we’d found that right guitar player, I think that’s when things would have taken off … but there are so many horrible guitar players in New York, and we seemed to get them all.” The money was too short, and the band finally split up. Meanwhile, a manager heard a demo that Madonna had put together (it was an early version of “Burning Up”) and signed her up. As part of the deal, she was put on salary and moved out of the Music Building, ending up in spacious digs on New York’s Upper West Side. Madonna was quick to pull Bray onto the gravy train. Her new band – called Madonna – started playing the circuit yet again. Madonna’s notion of music, however, was starting to change. It was the heyday of urban contemporary radio in New York, and Madonna was captivated by the funky sounds emanating from boom-boxes all over town. She started writing material in that vein, but the band and her manager hated it. “They weren’t used to that kind of stuff, and I’d agreed with my manager to do rock, but my heart wasn’t really in it.” She would rehearse rock & roll with her band, then stay behind with Bray and record funkier stuff. There were fights, arguments, the band was pissed off. She’d come so far; how could she turn back now? But … “I finally said, ‘Forget it, I can’t do this anymore. I’m going to have to start all over.'” And so she did, with the loyal Bray once more at her side. During the day, she and Bray would write songs; at night, she’d hit the clubs: Friday night at the Roxy; other nights at Danceteria, the offical home for white hipsters with itchy feet and a sense of humor. It was fun, sure, but it was also a way to press the flesh, to work the room, to bounce up into the deejay’s booth, lay a cozy rap on him and slap a tape into his hand. At Danceteria, she caught the eye of Mark Kamins, a widely respected club deejay with ties to record companies. “She was one of my dancers, you could say,” says Kamins. “There was a crowd out there that came every Saturday night to dance.” Did he know she had other ambitions? “Hey, everybody does at a nightclub, but she was special.” He was impressed enough with what he saw to hit on the young woman now and then. She gave him a copy of her vaunted funk demo, a recording she and Bray had made that included a song called “Everybody.” “I was flirting with him,” she admits. Kamins and she started dating. He listened to the record and liked it. He put the song on at the club – just a four-track demo! – and people danced to it. He went into the studio with her and produced an improved version. And he went to Sire Records and single-handedly got her signed to a deal. Bray was jubilant – at last he’d get to produce Madonna for real. What he didn’t know was that Madonna had promised Kamins that in exchange for his work on her behalf he would get to produce her debut album. Executives at Sire and its parent company, Warner Bros., had already given their okay. Madonna, however, had a surprise for them both. Neither Kamins nor Bray would be producing Madonna. The job instead fell to former Stephanie Mills producer Reggie Lucas. Why? “I was really scared,” she says. “I thought I had been given a golden egg. In my mind, I thought, ‘Okay, Mark can produce the album and Steve can play the instruments.’ Uh-uh – Steve wanted to produce. “It was really awful, but I just didn’t trust him enough.” The pair had a bitter falling out. “Steve didn’t believe in the ethics of the situation.” “It was very hard to accept,” he says today. And what about Kamins? “Similarly, I didn’t think that Mark was ready to do a whole album.” Kamins got the word, not from the woman who had promised him, but from Sire. “Sure, I was hurt,” he says gruffly. “But I still had a royalty coming from the record.” Madonna was still performing, but not with a band. Instead she’d hop onstage at dance clubs and sing to backing tracks or lip-sync, enlivening her performances with the sort of lusty dancing that has now become her trademark. That’s where Lucas – unaware of the intrigue that had preceded him – first saw his newest act. “I wanted to push her in a pop direction,” he recalls. “She was a little more oriented toward the disco thing, but I thought she had appeal to a general market. It’s funny about that thing with Kamins. The same thing that happened to him pretty much happened to me on her second record, when they had Nile Rodgers.” And the rest was history, though it was a history that was a long time in the making. The LP’s first single. “Holiday,” was not an immediate success, but Madonna was content. “All I said was, ‘I know this record is good, and one of these days Warner Bros. and the rest of them are going to figure it out.'” It’s likely that her videos were the breakthrough, as Madonna perfectly merged her dance training with her knowledge of the randier things in life. How did she manage to put across such seething sexuality where so many have tried and failed? “I think that has to do with them not being in touch with that aspect of their personality. They say, ‘Well, I have to do a video now, and a pop star has to come on sexually, so how do I do that?’ instead of being in touch with that part of their self to begin with. I’ve been in touch with that aspect of my personality since I was five.” Keeping her in touch with that side of her personality off the set these days is master mixer John “Jellybean” Benitez. The pair met during one of Madonna’s stints at the Fun House, the disco where Jellybean first earned his reputation. They have stayed together for the past year and a half, but Madonna flinches at the suggestion that this is her most stable relationship. “Why does it seem like that?” she queries before giving a throaty laugh. “We’ve had our ups and downs, let’s not fool anybody.” Still, the relationship was serious enough for Madonna to bring him home and meet her parents. Why has Jellybean held on where so many have fallen by the wayside? Would you believe ambition? “We both started to move at the same pace,” says Jellybean. “My career has exploded within the industry, and hers has exploded on a consumer basis. We’re both very career oriented, very goal oriented.” Which may mean that the relationship is safe . . . at least for the time being. Our dinner is finished. Along the way, Madonna has coolly sussed out the room for us: Yes, that’s Rudolf of Danceteria in the corner with his girlfriend, Diane Brill. You know, she usually seems like she’s strapped in her clothes, don’t you think? Madonna’s been all but unnoticed, but that’s okay. In your hometown, coolness is its own reward. Elsewhere her influence is becoming pervasive. The Madonna clones are ratting their hair, putting on rosaries and baring their bellies from coast to coast. It is an indication of the peculiar state of pop stardom these days that Madonna has gotten only the most fleeting glimpses of her own fame. She hasn’t toured – won’t, in fact, until next year – hasn’t performed live in a long time. She hasn’t even left New York a lot. She can count on one hand the numbers of times she’s been mobbed. For now, the buzz of recognition is still easily dealt with, even on a trip uptown to Danceteria. “It’s like going back to my high school,” she coos in the cab, and her arrival does bring out that exact mix of admiration, excess cordiality and what-are-you-doing-here puzzlement. She gets a hug from graffiti artist Keith Haring and is kissed on the mouth by a nearly endless series of hepcats. (“Gotta be careful who you kiss on the mouth these days,” she says, wiping her lips.) There’s no gawking, no crush of unknowns, no autographs requested, but her presence clearly delights everyone else who’s there. She’s an unqualified success. But did she exploit people to get there? “I think that a lot of people do feel exploited by her,” says Dan Gilroy. “But then again everyone’s got so many expectations about a relationship with her. She’s very intense immediately with somebody, very friendly. Perhaps people feel, ‘This is what our relationship is about,’ and then if there is any cooling of that, it’s taken to be a rejection.” And what’s the final tally? In addition to reaping a chunk of royalties from Madonna and for the one song he produced on it, Mark Kamins says that his affiliation with her has given his career a shot in the arm. Reggie Lucas is inundated with projects. Steve Bray eventually patched it up with Madonna – “the relationship’s too old to have something like that stand in its way” – and shares writing credit with her on four of her new album’s songs. And Dan and Ed Gilroy of the Breakfast Club (whose first LP is due early next year) were able to find a new drummer to replace Madonna: Steve Bray, who has the final word on those whom Madonna has touched. “Exploited? People say that, but that’s resentment of someone who’s got the drive. It seems like you’re leaving people behind or you’re stepping on them, and the fact is that you’re moving and they’re not. She doesn’t try to be that polite. She doesn’t care if she ruffles someone’s feathers.” True, Madonna? She smiles. “C’est vrai.”

#1984 #rollingstone #magazines #thevirginera

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