#::background noise (dash commentary)
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automaton-otto · 8 months ago
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"Even before I died, I didn't see Dad often he was always out working. Mama always told me he was off doing something really important.
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"Whenever he came home he would shower me with gifts and love. When I was little, I didn't mind."
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"But now that I know that he and Mama are war criminals. It makes me wonder what exactly he was doing. I still remember the last thing he told me."
"Bye son!"
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"Huh...why do I feel funny?"
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badaboomx · 2 months ago
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Cause dancing's what I love (Bada Lee x Reader)
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PAIRING: Bada Lee x Fem!Reader SETTING: Street Woman Fighter 2 AU, Reader belongs to a made-up crew. Reader challenges Bada to a battle, but with a twist. WORDS: 1.4k
ⓘ Diping my toes into writing fanfic again after a bit. I hope you enjoy it.
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Gosh, this competition was TOO serious for your taste.
Battle after battle, you saw serious emotions and tension never ending. Old feuds surfaced and bubbled when people picked their opponents. Only one or two crews were actually having fun and having a gas, taking it as seriously as it should be taken, but even your own crew was caught up in the emotions of having been harshly (some say unjustly) critiqued by people who just didn’t get it. You guys won one, lost one, and now it was up to you to take the floor and challenge someone to a battle to stand your ground and show what you’re made of.
But when that mic landed in your hands you thought to shake things up a bit. Your feet moved almost by themselves and you got up on someone’s space. Someone that caught your attention.
The tall and elusive Bada Lee, the leader of Bebe, who had danced against Redy and wowed everyone with her cool swagger. But let’s back it up, why did you pick her?
Well, because when you walked in with your crew, she seemed to be… quietly surprised. If not quietly intimidated, perhaps with a dash of intrigue that she tried to hide well. The reaction of the dancers to you and your crew were mixed with respect and straight up disrespect on the hand of some of the rookies, but you dusted your shoulders and carried on.
However, from Bebe, some of the girls have made comments about you and your crew not being all that memorable, becoming noise in the background or something. Because you liked to kick stuff up, you walked up to their cubicle just as you heard that and looked around to find the girls who said it. Yet, your eyes landed on Bada who you could swear gulped as you approached, but didn’t move her gaze away. It intrigued you, like she was ready to face up to you even if you were quite a formidable foe on the dance floor. The girls who made those comments in question stared back with a quiet rage, and you were determined then to make an impression.
Most importantly, you were interested in getting that Bada to react.
“Dance with me, Bada,” you said to the mic clear and concise and the people cheered for this unexpected face-off.
Bada adjusted her cap and stood up, towering over you and putting that cool ‘idgaf’ face on as she walked over the stage.
Unfamiliar music blared from the speakers and you know it was her turn. The music overshadowed every cheer and every commentary, the world around you muffled as you observed your opponent. While she wasn’t predictable you knew and understood her style. She hit hard, her popping was unmatched and she stared at you right in the face. But something was different. While everyone else called each other out and taunted each other, Bada seemed to do more than just taunt. It was a tacit response to what you said earlier, and you understood the message.
“You wanna dance? Then let’s dance.”
She hit with precision, varied from smooth to rough, and made all those forty seconds count to her favor. The song was over and slowly transitioned to your picked song, the crowd around you cheering and your crew hyping you up to take that stage and tear it up.
The song choice was something your teammates didn’t expect, but knew what was coming after hearing just the first few notes. You were known for smooth and cool dancing, usually backed by a hip-hop track – or just plain energy backed by lively music that could make anyone smile. But you weren’t new to dancing to ‘I’m a Slave 4 U.’
Bada stood there a bit confused for a second, you could tell, her body instinctively moving to the beat like she was born to do so, but you were looking to break that cool facade of hers, to make her stumble and stutter.
So you came out of the gate swinging, embodying that slow and smooth swagger you were known for, but that dash of sensuality and that eye contact you held told everyone one thing. This wasn’t a battle for you, the way you smirked and smiled made it clear. Blending in the background and drama my ass, you were there to connect to your opponent, to get a personal victory even if you didn’t win the battle. You were about to make this fun for everyone watching.
You made sure to show off your moves, to show your versatility, using the space of the battle zone to your advantage and even facing the judges for the first few moments, and Bada could only predict one or two moves and remained cool, vibing.
But then you approached, got really close to her. Your hands on her shoulders, looking into the shadows casted by her cap, and glancing into those eyes who were fixed onto yours. You could read them in that split second, they were surprised, her body had tensed up at your touch for a second – unfamiliar. But she welcomed it just like a challenge.
‘Baby, don’t you wanna Dance above me.’
Your hands slid down her shoulders, trailing down her body as you both swayed to the rhythm, watching her lips twitch into a smile that she couldn’t contain, her arms raising and her hands landing on her head as if by instinct. Your hand grabbed a fistful of her shirt and pulled her closer, but it was not like she was pulling away either. You let go of her only to turn around and really lean against her, swaying your hips to the beat and matching. Just as you were wondering if you were breaking a rule, if you were pushing it, you felt that subtle presence of her hand on your hips, her body grinding against yours for a brief moment – like she was caught up in the moment, acting on impulse. It felt good, warm and safe, like the battle was no longer important. When you came to, you had grabbed her hand and intertwined fingers briefly before pulling away, noticing the various reactions from people all around you and even your crew who was absolutely flabbergasted, but when you turned to face Bada and finish off your set you couldn’t help but to notice the redness in her face and that slightly nervous exhalation, coupled with a smile she couldn’t shake.
Oh, she liked it, a lot. Just like you liked it a lot. And while she wasn’t visibly shaken, she was definitely taken aback.
The song was over, the announcer made sure you both heard that since it seemed like the battle had gotten way out of hand.
You both stood awaiting judgment but you knew exactly the verdict you were going to get. You didn’t really ‘battle’ as the others had, and Bada absolutely did more to showcase a true fighting spirit. You? You were just there to make the tall woman flustered, to give a strong memorable impression on people. You were doing it for fun, because you could. Confident and accomplished, you stood there without moving an inch but with a soft smile fixed on your lips; Bada on the other hand stood swaying, hands clasped together behind her, her eyes searching you every now and then but unable to stay looking at you, and not daring to not look at the judges as they thought out their votes.
Right as rain, Bada won the battle and the comments were as you expected it. Not feeling like you had to explain yourself, you merely bowed and looked forward to the next opportunity.
But when Bada turned to see you, the poor thing looked like she wanted to say something to you. However, the show had to keep going and she had to return to her cubicle to attach her second win for the night.
You didn’t mind, because once you were at your crew’s hideout, winding down from a long day of battles, a note slipped from under the door in the middle of all of you chatting your heads off about today’s event.
When you picked it up and read it, you couldn’t help your own smile.
‘Let’s do it again?’
And you didn’t need to know who signed it.
Part II here
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serasfanfiction · 9 months ago
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Part 1 | Part 2 | Part 3| Part 4 | Part 5| Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | Part 12
CW: For Valentino being Valentino. He doesn't do anything, but he does say some things.
oOo
The closer they came to V Tower, the more loud everything became.
Paper posters gave way to bulletin boards. Every street was lit with flashing signs and arrows, pointing the way to different businesses down the main strip. Advertisements were nearly plastered on every single available surface, competing with each other in a cacophony of bright colors and promises to make all of one's troubles go away, if only one bought the product.
Sinners wandered the streets, some glued to their phones as they typed out a text message, watched a video, or shouted at someone on the other end of a phone call. Some sinners loitered around various shops selling televisions, each screen showing an advertisement for the latest gadget VoxTek was selling.
The Vees made it ridiculously easy to learn their faces, as none of the trio were shy about plastering their likeness all over their wares. Vox was clearly unafraid to throw his reputation behind anything he supported, one advertisement proclaiming, "I'd buy it." Valentino left nothing to the imagination - figurative or literally - on what he was selling, with various larger than life posters that featured the moth scantily clad and in suggestive poses. Velvette was significantly more reserved, in comparison, with only a billboard advertising her perfume, named, Love Potion.
Quite frankly speaking, it was all a bit overstimulating.
Walking nonchalantly at his side, Alastor barely gave any of bombastic sights around him a second glance. He had made little commentary since they had set out from the hotel earlier in the day, falling silent as they had entered the Vees territory. Where all of this technology was practically invented yesterday, as far as Lucifer was concerned, Alastor had lived on Earth when most of the technology around them was still in its infancy stages. Advertising, likewise, was hardly new. Humans had been shouting at each other to buy this or to buy that since they'd first come up with the idea of selling a product. They may not have had flashing lights in the 1920s or 30s, but there had been posters, billboards, and radio ads.
Modern technology just made everything more... flashy.
Lucifer watched a group of sinners standing before an electronic shop, TVs stacked up in the window. Each TV was showing the same thing: an advertisement for the latest cell phone. He was a little surprised he still cared enough to be sickened as Vox straight up hypnotized the viewers into buying the phone. He shook his head in disgust a they passed group turned mob making a mad dash into the store. "Quite the salesman, Vox is," Lucifer commented, not trying to hide his judgmental tone.
Alastor snorted. He glanced at the group scampering out with their new cell phones as he drawled, "Vox has always had a... persuasive sales pitch."
It was Lucifer's turn to snort as they passed another poster of Vox, this time just the overlord and his VoxTech logo. His ever present slogan, Trust Us, curved around the logo. "You mean he hypnotizes people into doing what he wants." It was good to know in advance. No one had ever tried to hypnotize the Devil himself before and he wasn't keen to find out if it was possible.
"Hm," Alastor hummed in agreement. "Just so."
V Tower was easy to spot, even with all the noise going on in the background. The number of surveillance cameras also began to increase the closer they got to the trio's headquarters. Lucifer eyed one as it followed their trek down the street. "So much for keeping our arrival a surprise."
The redhead smirked, obviously pleased about something. Sing song, he assured, "I wouldn't be too sure about that."
The blonde sighed. He was walking right into it, he knew he was. He was going to do it anyway, because damn his curiosity. "Oh?"
Alastor twirled his staff around his fingers like a baton. "All the cameras we've passed so far have been laughably easy to take out." With a practiced hand, he caught the staff, it's tip pointing at the offending camera. As they passed it, the little button on the side of it blinked from green to red. "Vox isn't paying attention to his little toys. Dear me, he must be away from his surveillance room."
Lucifer squinted at the camera dubiously. "You can tell we're not being watched, by, what? The camera not coming back on?"
Alastor laughed, short and cutting. "Oh, it's more than lack of interaction." He leaned in close, as if he were parting with a juicy secret. "I can tell when Vox is watching." His smile was sharp and cruel and said everything about how pathetic he found the overlord in question. "His attention has a certain... desperation to it."
Lucifer wasn't certain which part of all of that to focus on first: the fact that apparently Vox had flat out stalked Alastor to the point Alastor knew when he was being watched or the fact that Alastor clearly found the whole thing hilarious.
Father, these sinner could be fucked up sometimes.
Lucifer grinned, unable to pass up the opportunity he'd just been handed to needle the deer demon. "Didn't do much about the camera that recorded the fight."
Alastor's expression soured around the edges. His ears flattened as he resumed his previous position, snide as he pointed out, "Yes, well, I was a bit distracted by doing all the work. You should try joining in next time."
Alastor hadn't let him get involved in any of the attacks, insistent that he had everything covered, and they both knew it. Lucifer had let him because he always half hoped someone would kill the asshole.
Lucifer let the conversation drop with little more than a roll of his eyes, his mind drifting as he processed this new information. If Alastor could indeed tell when Vox was watching (which, creepy) and had been surprised by one of the attacks being filmed, one could infer that Vox was keeping the hotel under a certain level of constant surveillance.
After returning from their day out, he had hauled himself up in his room as he scoured the news for mention of any attacks. Had tracked down the news reports Rosie had mentioned. There had only been a number written reports and many more reposted written reports, with a single video dedicated to the subject. The video itself contained footage from the first attack, despite the news articles having all been posted fairly recently. Judging from the general comments under the articles and the video, few people were interested in the hotel itself beyond wanting to know if it still stood or not.
They had been lucky the fight had forced the drone to retreat or risk being destroyed. Distance had rendered the video quality poor enough his bleeding hand wasn't visible for all of Hell to see. Everyone already knew angels could be harmed, killed even. It wouldn't do for anyone to get it into their pretty little heads that angel weapons might work on him or Charlie, however.
(Lucifer tried not to think about the main image he had seen, again and again, in those news articles. Tried not to think about how reverent Alastor had looked like as he reached his hand out to the Devil, as if he were the only God the sinner would ever be able to touch. The framing of the image had made it appear like it was something so different than it had really been.)
Light pressure on his shoulder drew him out of his thoughts. Out of the corner of his view, he caught Alastor withdrawing the hand he'd used to get his attention. It was a good thing he had, as it took a second for the sensor above the door to register their presence and trigger the door to open. He could only imagine what the media would have thought if a camera had caught Lucifer running right into the front doors of V Tower while lost in thought.
They stepped through the doors into a lobby themed in oranges and reds with purple accents. Hearts were definitely a motif, accenting arches and their support columns. Purple lanterns dotted every other column, more decoration than function. Lucifer took in the additional advertisements, some on the walls, some on a-frames. A large, flat screen tv displayed the VoxTek logo, but there was nothing currently playing on it.
There were a number of employees dotted around the lobby. A sheep sinner carrying a precarious stack of tablets raced off in one direction, while a horned rabbit sinner ran in another direction with an armful of clothing. A trio of sinners loitered off to the side, whispering back in forth in a frantic, hushed argument about what sounded like bottom lines and stocks. Near the back of the lobby, a blue and yellow sinner shouted about "messy actors" and "shitty wardrobes" as he frantically slammed his finger into the up button of the elevator.
At the center of the lobby, themed similar to the surrounding columns, was a welcome desk, currently being run by a white haired, fuchsia skinned sinner. Her tiny bat wings fluttered and drooped as she fielded calls. Distracted as she was, she failed to notice anyone had entered the lobby until Alastor and Lucifer had already reached the desk.
"One moment, please," she said to them, showing that she had at least noticed they were there. "Now where did Velvette say she wanted her calls sent to today...?" She bit her lip, finger hovering over one of a quite frankly insane number of optional extensions. Her eyes darted back and forth between two of them, before she shrugged and for all intents and purposes flat out guessed which one to send the line to. "Thank you for waiting," she said in a practiced, albeit polite monotone. "How may I... help..." She trailed off as she finally laid eyes on who had walked into the lobby, eyes going wide. She gaped as she recognized Lucifer but went completely blank as she took in Alastor's presence. The blonde was fairly certain that if he could read minds there wouldn't have been a single thought going through her head at that moment.
Lucifer fixed an equally practiced polite smile on his face. "Excuse me, miss," he began, only to pause when she failed to regain her senses, apparently still too flabbergasted by his companion. Brow twitching, he rapped his knuckles sharply upon the marble surface of the desk.
The noise seemed to do the trick, the sinner snapping out of her trance to jerk her head around. "Yes! Um." She swallowed, casting one last nervous glance at the Radio Demon. Between looking at Alastor and looking back at Lucifer, he could see her clawing her professional mask back on with the kind of experience that came from needing to remain calm when one's life was on the line. "How may I help you, sirs?" Her voice didn't even shake a little.
Noting the reaction and shelving the topic for later, Lucifer said, "Please let Vox know we are here to speak with him."
The sinner blinked, disbelief clear as day on her face despite her best efforts not to show it. "You..." Lucifer had the distinct impression the 'you' here was Alastor, even if she wasn't looking directly at him. "Wish to speak with... Vox?" Her tone suggested that had she not been speaking with Lucifer Morningstar, the literal king of Hell, she might have asked him if he was smoking something.
The noise, or lack there of, reached his ears. The general hustle and bustle of when they had entered had completely died down to be replaced by whispers and murmurs. Even without turning, he could feel all eyes on them. Lucifer glanced at Alastor, whose Cheshire Cat grin suggested he was internally laughing at all the fuss his being here was causing. His ears flicked to and fro as he followed different conversations.
Smile fixed in place, he affirmed, "Yup!" He waggled his fingers in the direction of her phone. "Now, please."
The receptionist stared off into the middle distance, the same blank look in her eyes he'd seen on soldier's who'd died at war. In the fatalistic tone of someone who didn't expect to have a job (or possibly be alive) in the morning, she said, "Whelp, this job sucked anyway."
Someone, a little too loudly, stage whispered, "Oh, I would not want to be in her shoes, right now."
Without turning, the receptionist flipped the person off with one hand while picking up the phone with the other. She pressed a seemingly random button as she put the receiver to her ear, a down right manic smile crossed her face.
Lucifer (and likely everyone in the lobby, as well) could tell the instant the phone was answered on the other end. A voice that matched the one's he'd heard in the advertisements bellowed, "WHAT DID I TELL YOU ABOUT INTERUPTING MY MEETINGS?"
Taking advantage of the fact that it sounded like Vox was a sinner who needed to breathe on occasion, the woman said, voice picture perfect cheerful, "The King of Hell and the Radio Demon are here to see you, sir."
A very long, audible pause, both on the phone and from the lobby around them. Then, "WHAT THE FUCK DO YOU MEAN ALASTOR'S HERE??"
Lucifer raised an eyebrow at the redhead, incredulous. Seriously? What kind of history did these two have that Alastor showing up at V Tower was causing this kind of fuss? It was almost enough to make him forget he had been totally overlooked in that last statement.
Around them, every camera in the lobby suddenly came to life, zeroing in on them. Lucifer could tell by their synchronous motion, someone was likely watching them. Alastor's whole posture changed as he turned on one of the cameras, head tilted just so and smile lazy as he waved at it.
As one, those very same cameras began to sizzle and pop as they were all taken out.
Lucifer noted the redhead looked far too pleased with himself for that to have been anything other than deliberate. He knew Alastor hated being recorded, but that was just petty. Turning his attention to the receptionist, it was only because of his heightened sense of hearing that he was able to hear Vox, voice considerably more in control and at a much more reasonable volume, telling her to send them down.
"At once, sir." She set the phone down at leisure, as if she hadn't just had her eardrums tested by her boss shouting in them. Still looking at something only she could see, she said, "Vox will see you now." She pointed behind her to a set of elevators. "Please use the elevator on the right, as this is the only elevator with access to Vox's personal office." Placing her hands on the desk in a deceptively casual way, she finished, "Please have a hellish rest of your day."
"You, too," Lucifer said on reflex. He watched her as they made their way around the desk, throwing glances over his shoulder after they'd passed it. Under his breath, he asked of Alastor, "Think the hotel needs a receptionist?"
They had a front desk, didn't they? And a land line? Maybe? There was no mail service in Hell and Alastor had to get communications somehow, seeing as he refused to touch anything more modern than a radio. He'd check on it when he got back.
"Ha!" Alastor side eyed him. "Come now, your Majesty, you don't want poor Husker to be out of a job, do you?"
Lucifer belatedly remembered that apparently Husk doubled as not just their bartender, but also as their receptionist. He guffawed. One the one hand, Husk was indeed an great bartender, even willing to be a patient ear for one's troubles, if he tolerated them. He was certainly an exceptional judge of someone's character. On the other, was he a good receptionist? No offense meant to the avian feline in question, but, not in the slightest.
Lucifer added the mental note to check in on the receptionist later to his growing list of things to do.
The elevator opened without them pressing any buttons, suggesting that Vox, the creep, had other ways of keeping tabs on them. Lucifer and Alastor stepped in, the former not thrilled with how tiny the elevator was. There was just enough room for the both of them to stand side by side with little to spare. Insult to injury, the most obnoxious elevator music he had ever had the displeasure to have inflicted on him played over head. There were no buttons to chose from, but there seemed to be none needed as the elevator began its decent on it's own.
Lucifer reiterated: what a creep.
More to fill the silence and distract himself from the growing need to destroy the speaker putting out that horrible noise, he asked, "You ever been here before?"
In the same way most people would say, 'I'd rather die, thanks,' Alastor scoffed. "Absolutely not! I'd never inflict such poor company on myself willingly." Still, it wasn't hard to notice the little ways Alastor was on high alert, very much aware of the fact that he had walked willingly into enemy territory. His ego didn't allow him to worry, but it still paid to be alert to potential surprises.
Thankfully, the elevator didn't take long before reaching its destination. This new room was vast, with a color scheme nothing like the lobby's. Where the lobby was warm shades of orange, red and purple, this room was all cool shades of blue, red, white. The room was dark, only illuminates by dozens upon dozens of screens, most glowing with white light, a handful with red light. Red light filtered up from what appeared to be a deep pit surrounding a bridge-like walkway. Attached at the end was a round platform and attached to the platform was a seat surrounded by even more monitors.
This wasn't an office. This was a surveillance room.
Walking down the walkway was none other than the founder of VoxTek, Vox himself, striding along with all the confidence of someone who was at the top of their industry and knew it. His smile was wide and Lucifer immediately pegged it as the fake kind he usually saw on car salesmen. "Your Highness! Welcome!" Vox greeted. When he was close enough, he offered his hand out for a handshake.
Lucifer eyed it, just long enough to make it look like he wasn't going to take it. He didn't expect anyone to actually bow to him in greeting, but something about this guy left him half tempted to push for it now. Taking the hand, he allowed Vox to shake it to be polite.
When it came time to greet Alastor, the TV demon merely gritted his teeth and said, voice dripping with venom, "Alastor."
Alastor didn't appear bothered in the least by the rude greeting. Matching vitriol with amusement, he merely said, "Vox."
Lucifer looked from Vox, to Alastor, and then back to Vox. Man, he was so sorry he hadn't asked for more details on these two before they'd gotten here. Predicting this could go on a while if they were left to their own devises, Lucifer pointedly cleared his throat.
Vox's smile smoothed out, salesman mask back on place. "Yes, of course. Now, your highness," the sinner held out his hand towards the bridge, indicating he'd like them to come into his "office" proper. Lucifer didn't fail to notice there was only one seat down that way and it was meant for Vox. "May I call you Lucifer? Lucifer--"
Oh, absolutely not. They were going to have to nip that in the bud. Even Alastor, who had somehow become his rival for his place in his daughter's life and literally lived down the hall from him, was smart enough not to call him by name.
"The word you're looking for is 'Majesty'."
Vox paused, body tensing. The fallen angel got the impression he wasn't used to being interrupted. "Excuse me?"
Lucifer effected a bored stance, one hand settled on his cane as he explained, deliberately just this side of hostile, "Your Highness is how you would address my daughter." He looked Vox dead in the eye, making it pointedly clear he was deadly serious and there was going to be none of this BS about who was calling the shots. "Your Majesty is how you address your king."
Vox interestingly grew more calm in the face of his king's ire. "Of course, your Majesty," he said, immediately correcting course. He offered they move the conversation to the platform again. This time, Lucifer nodded. He followed as Vox lead the way, noting how the TV demon never quite turned his back on them, seemingly uneasy having Alastor at his back, even this deep into what was his own territory.
Lucifer took the time spent crossing the bridge to exam the pit around them. While the red light obscured the bottom itself, he was able to make out what appeared to be a very large tank behind equally large glass walls. Swimming around without a care in the world were what appeared to be several glowing sharks. He followed one as it made its way from one side of the pit to the other, able to sense there was nothing natural in their design. These creatures may have appeared to be alive, but they were all circuits and wires, through and through.
When they reached the platform, Vox showed sense by not going for his chair. He did stop in the center of the circle, a subtle attempt to regain some control of the situation. "Now, your Majesty," he began, just sincere enough it was impossible to tell if it was fake or not. "Please, tell me how I and VoxTek can be of assistance today."
Lucifer watched him. Watched the way his face was turned to Lucifer, but his eyes kept ticking to Alastor. Noted the way his body was tilted ever so slightly in the redhead's direction, as if drawn by a magnet he couldn't resist. Vox may have been putting on a show of talking to Lucifer, but he very much only had eyes for Alastor.
Someone was obsessed.
Someone was obsessed really badly.
Something that felt suspiciously like possessiveness reared its head deep within his chest. Lucifer had no more of a claim on Alastor than Vox did, but Alastor had chosen to live under his roof and was his daughter's hotelier. Finicky to the last, with all the loyalty of a feral, stray cat, Alastor was theirs.
Smile all teeth, eyes gold on red, Lucifer raised his free hand until they were right under where Vox's nose would be if he had one. He snapped his fingers, once, twice, sharply.
Vox nearly went cross-eyed, as he zeroed in on the offending digits, leaning slightly back.
"I know Alastor is very eye catching," Lucifer drawled, voice deepening as he let his displeasure seep in. "But you are talking to me. Do you understand?"
The TV demon had the grace to raise his hands, not necessarily in surrender, but certainly in a pacifying manner. It was easy to see him cycling through possible responses, as he fished for the one that would deescalate the situation the fastest. "I apologize, you Majesty, for any offense," he settled on, tone so polite it reeked of falseness.
Lucifer let him have it because it seemed Vox was finally cottoning on to the fact that there was a larger predator in the room then either of the two sinners. The reluctant king withdrew a step, pleased when Vox's eyes followed him, with not a single glance at Alastor. Now that he had the CEO's full attention, he decided it was time to get this show on the road. "I have a message for everyone in the Pride Ring. I've noticed how many people have a TV or a cellphone. I've also noticed VoxTek's reach." Lucifer said this last part only because it was true. However they had managed it, VoxTek has even managed to make it's way into the other rings.
For the first time since they'd arrived, Vox's smile actually appeared real. It put into stark light how fake the one he had been wearing up until this moment had been. "We would be thrilled to feature you on one of our television shows, your Majesty." He was smart enough not to look at Alastor, although it was obvious the next part was directed towards him. "Our viewership ratings have been going through the roof over the last few years. Statistics show that almost every household in the Pentagram City has a TV these days."
It was a good sales pitch. It might even have been true. The hotel had even had a TV, although Lucifer had explicitly forbidden anyone from bringing one into the palace, the exception being the live-in servants' personal quarters. Regardless, Vox hadn't said that to try and sale anyone on anything, he'd said it to rub it in Alastor's face that Lucifer had chosen to pass his message along over Vox's medium, instead of Alastor's.
Although they hadn't discussed it ahead of time, Lucifer found himself saying, in all the casualness of it having been a given, "If Alastor wishes to broadcast the message simultaneously over radio for our viewers who prefer the medium, he's more than welcome to do so, but we're not here to discuss that." He was fairly certain, even without turning around, that Alastor hadn't given it away that this was news to him.
The idea was reinforced by the way that Vox's eye twitched before he could regain control over it. "Yes, of course we want it to reach all of the intended audiences." Hands coming to rest at the small of his back, the TV demon attempted to steer them back on course. "Now, about the content of the message."
Lucifer tilted his head to the side. "Does it matter what the content is? Unless you prefer I go somewhere else to do this." Something that was also true. Mammon may lack any talent of his own, but he knew a cash grab when he saw one. He jumped onto the bandwagon that was television sets, TV shows, and moving advertisements as soon as the technology had hit Hell. The only reason none of his products where seen in the Pride Ring was because Lucifer limited his exposure to sinners were ever he could. If he gave him the green light, Mammon would topple VoxTek within a matter of months, if not less.
Vox paused, sensing he was in troubled waters, but not quite sure from which direction. "No, no. We here at VoxTek simply prefer to make sure that all the content we put out is content we stand by--"
Lucifer leaned in. If his tail were out, it would have been thrashing. "Are you saying your king could say anything VoxTek wouldn't support?"
Vox's screen left eye widened ever so slightly, the sclera going from a solid red, to more hypnotic red and black. It was there and gone in the blink of his eyes. His voice sounded glitchy as he gritted out a, "No."
"May I suggest something, your Majesty?"
Lucifer broke off what was quickly becoming a staring match with Vox to turn his attention to Alastor. The redheaded sinner had been standing behind him, seemingly content to watch the drama unfold from the side as Lucifer took the lead. Considering their rivalry, Lucifer was a little hesitant to allow Alastor to enter the fray, lest he potentially make things worse. However, he did appreciate the fact that these two knew each other better than he knew either of them.
Giving away the floor, at least for now, Lucifer gave a single short nod, for him to proceed.
Alastor stepped up until they were side by side.
Unable to resist now that the redhead had center stage, Vox immediately shifted to face him, Lucifer all but forgotten. He frowned, almost all pretenses of being a businessman all but thrown out the window. "What are you doing here, Alastor?" He snipped at the redhead. "I know you'll take any opportunity to move up in Hell, but I didn't take you as a kiss ass."
Alastor smiled at him, as if he were a short sighted child. "We hadn't gotten to that part, have we?" He gave his staff a little spin, noting the way Vox's eyes narrowed as he took in it's repaired state. "His Majesty asked me to stand with him as he gave his address."
Vox snorted, doubtful. "You'd never agree to appearing on screen." He actually started to laugh at the idea, until he realized Alastor was completely serious. "Wait, you said yes?" Gaping, he turned on Lucifer, seeming in his shock to forget who he was talking to. "What the hell did you do to get him to agree to show up on TV?" He glared back and forth between then, baring his teeth as he asked, "What, are you two fucking or something?"
Lucifer narrowed his eyes, lip curling back. In one fell swoop, Vox had just reduced himself to less than scum on the bottom of his boots. The only reason they were continuing this conversation was because he didn't feel like dragging Valentino down to the Greed Ring. "Maybe you just don't know how to speak his language," he snipped back, mouth moving before he could think about what he was saying or how much it gave away.
Before Vox could think too deeply on it, the redhead cleared his throat. For all that he preferred to be an unseen voice on the radio, Alastor did how to play his audience in person. "Let me sweeten the deal," he said, his hand running down the pole of his staff, eyeing the TV demon as he did so. "If you agree to broadcast our King's message, I'll do that one little thing you wanted me to do when you asked me to join you." He pointed the microphone end at Vox, the tip perilously close to his screen. "From when you agree to the end of the broadcast."
Vox stared at the microphone. Slowly, he raised his eyes until he met Alastor's. Something that looked suspiciously like sadness peaked through his anger, although Lucifer was certain they weren't supposed to see it. "You'd really do that. For him?"
Alastor withdrew his staff, tucking it under his arm. With his free hand, he reached out until a single claw rested under Lucifer's chin. Encouraging him to look up at him, Lucifer let Alastor tilt his head up and around to meet that fond expression on the redhead's face. "As his Majesty said, he knows how to speak my language."
Vox's eyes widened, a dawning expression coming over him. Real horror followed shortly behind it. "Holy shit," he whispered, staggering back. Lucifer tore his gaze away from Alastor's just in time to see him drop into his chair as if his strings had been cut. Dragging a hand down his face, Vox said with absolute certainty, "You actually made a Faustian Bargain."
He said it like this was his worst nightmare came to life.
Beside him, Alastor practically radiated smug triumph. It was all the affirmation he needed to give.
All of the fight hadn't been been cut from Vox just yet. Unhappy as he was with this set back, Vox was already trying to figure out how spin this in his favor. An elbow resting on each arm of his chair, the knuckles of his joined hands pressed to his lips, he countered, "Alright, Alastor does his thing and I'll broadcast whatever you want." His grin took up most of his screen, all pretenses of friendliness dropped. "Give me an hour to prepare the studio for you."
Before Vox could run off, Lucifer placed one last little condition on him. "Vox. Make sure the other Vees are in attendance." At the TV demon's questioning tilt of his head, the blonde merely said, "I wouldn't want anyone to miss my message."
Whatever Vox thought of this was hidden behind his joined hands. Instead of bothering with any of the usual ways out of the room, Vox transformed into a bolt of electricity, disappearing into one of the monitors.
Silence descended over the room. Then, "You two have history."
Alastor snorted. "You know how to use your eyes, your Majesty. I'm impressed."
Lucifer ignored the sarcasm and the insult in favor of observing his companion. The redhead's brows were furrowed with concentration, eyes closed and the very air around him warped to a noticeable degree. To Lucifer, a creature who had existed before physical matter, picking up on the way Alastor was enhancing certain electromagnetic waves around him was child's play. Hoping to kill two birds with one stone - learning more about their shared history while figuring out what the sinner was doing - the little king gave into his curiosity and asked, "What did Vox want you to do?"
Alastor didn't answer for a moment, whatever he was doing taking quite a bit of his concentration. Lucifer patiently waited him out. Several minutes ticked by with nothing by the hum of the monitors and the swimming of the sharks to keep him occupied. Cracking open a single eye a slit, Alastor reached a point in whatever he was doing where he could split his attention. Lucifer noted the pupil of the visible eye was a dial.
"Do you know how the technology in that silly little device in your pocket works?" Alastor asked by way of response.
The only things Lucifer tended to carry on his person were his cane, which was in his hand, and his cellphone, in case Charlie tried to call him (rare that it was). His cellphone, which was indeed in his pocket. Fishing it out, he eyed it. He knew it worked. He knew how to work it. Did he really need to know more? Besides, it wasn't one of VoxTek's cellphones, which made him less wary of it. Confused as to where this was going, he said, "It works, isn't that all that matters?"
"Such a pedestrian response." Alastor hummed, his microphone coming over to point at the little device. "You device works because it's able to transmit data via radio waves." He used his staff to gesture to the room around them, his eye falling shut now that he no longer needed to see to engage in the conversation. "Vox's specialty is electricity. He can interact with anything that uses it."
Lucifer remembered the way the TV demon had disappeared into his monitor, a chill running down his spine as he imagined what all else he could likely interact with.
"Radio waves, on the other hand, are my specialty," Alastor continued. This fit with what Lucifer had observed both in the current moment and back at the radio tower. "Usually I simply use them to connect myself to any radio in Pentagram City, but I can also enhance them." His edges of his smile tightened. There was no strain in his posture, but Lucifer was suspicious they might see hints of it if this carried on too long. "When Vox wanted to introduce wireless technology to Hell, he suggested that we team up. He would create the technology and the demand, and I would enhance his reach." His expression sharpened into a sneer. "I had no interest in being a mere tool in elevating him to the top."
Judging from the short interaction he'd observed, Lucifer was suspicious Vox had wanted much more than just to use Alastor as a tool. Vox had done little to hide the depth of his anger and hatred, and no one reached that level of emotion without having swung in the opposite direction first. Lucifer wondered if Alastor had really turned Vox down because of his own lust for power or if Alastor had seen the way Vox had looked at him and hadn't been interested.
Since that question was more likely to shut down the conversation then receive an answer, resigned himself to never knowing. Either way, he supposed he should be happy that Alastor had turned Vox down. Lucifer didn't want to think about what they could have accomplished if they had somehow found a way to work together.
Instead, he went with, "So, you can interact with anything that receives radio waves, then. Not just radios?"
In response, his cell phone dinged. The screen lit up to the lock screen, showing he had a new text message. Though it should be improbable, there was nothing in the place of a sender's name. Lucifer silently frowned at it, suspicious of who was the sender, but unwilling to open anything he didn't know who it came from.
As if sensing his distrust, Alastor crooned, "Go on. I promise it's not spam."
Lucifer was still wary, but he unlocked his phone. If this was malicious ware, Alastor was getting him a new phone.
The text message was indeed not spam. When he opened it up, there were simply two words:
You suck!
Lucifer glared at the message. "So, what? How would this help Vox?"
Alastor wagged a finger at him. "I'm currently high jacking every TV and cellphone with it's WIFI turned on. 666 News has never been more popular than it is right now." He paused, as if searching for something. "I excluded most of the phones in the hotel, but I do have Angel's."
Lucifer whistled, giving credit where it was due. That was honestly incredible. Terrifying in it's reach, holy shit, but incredible. A thought crossed his mind, an unholy grin slowly spreading across his face as he wondered, "Wait, if I reply to this, will the message go straight to you?"
"Ha!" Alastor shook his head, using his microphone to bop the top of Lucifer's hat. An impressive feat, considering his eyes were still closed. "Sorry, but I'm merely a transmitter and an amplifier. My abilities don't work that way."
Lucifer straightened his hat, half tempted to try anyway, just to see if it were true. Perhaps he would another time.
He was interrupted from any further questions by one of the monitors coming to life over Vox's chair. A moment later, the sinner himself reentered the same way he had left. Vox settled back in his chair, legs crossed and significantly more calm than when he left. "The studio will be ready for you in half an hour." He glanced once at Alastor, who had opened his eyes upon the TV demon's return, before returning back to Lucifer. "Let's relocate there now, shall we?"
Lucifer nodded. Instead of leading them towards the elevator they'd come down in, Vox merely joined them in the center of the platform. It became apparent why when the very middle suddenly began to rise, revealing there was yet more ways in and out of the surveillance room. Once they were back in the lobby, he led them over to elevator on the left, only sticking with them long enough to press the button of the floor with the studio, before pulling back out of it. "I'll meet you up there."
The door closed, once again leaving just the two of them and that horrible elevator music.
Lucifer glanced at Alastor. He still looked fine, but he was definitely putting out a lot of power. Feeling concerned (Alastor had agreed to do this for him) and wary of insulting him, he asked, checking in, "You doing okay, still?"
Alastor's ear twitched, the widening of smile showing he wasn't insulted, but rather amused. "Oh, don't worry your little head, I'll be just fine, your Majesty." Eyes aglow with more than just the power it took to carry out his promise, he added, "But I expect a reward when we return to the Hotel."
Lucifer felt a jolt run up his spine. The chain around his neck didn't manifest, but he could feel it tightening ever so. Alastor was invoking their deal, officially giving him his 12 hour notice. He supposed he shouldn't be surprised, as Alastor had yet to actually invoke the deal since making it with him. Tilting his head so his hat hid his expression from both Alastor and the camera's gaze, Lucifer grumbled, "Should have known you'd do nothing for free."
The doors to the elevator opened, illuminating the redhead's sinister grin. A few sinners had paused to catch a glimpse of them as the doors opened, only to pale at the expression on Alastor's face. They quickly scurried off to carry out their tasks. Lucifer stepped through the doors, taking in the chaos in front of him. Numerous demons were running around, similar to the frantic energy he'd seen in the lobby, everyone getting the studio ready. A stack of papers and angry shouting from a blonde woman in a red dress (what was her name? It started with a K) suggested that something else had been planned for this hour, but had been cancelled due to Lucifer's abrupt interruption.
Lucifer might have felt bad, if it weren't for the fact that he knew without a shadow of a doubt this particular reporter was likely going to find some way to verbally eviscerate him later. He may not have remembered her name, but he did remember her particular brand of cutthroat journalism and the outright nasty things she had said about his daughter in the past. And her casual abuse of her co-reporter.
As if sensing she was being watched, the reporter turned her head a full 180 degrees, her smile down right unhinged and full of promises.
Not for the first time since landing in Hell, Lucifer almost wished he was still capable of creating Holy Water. There were some situations one just needed a spray bottle full of the hard core stuff for.
"Your Majesty," Vox pipped up, appearing from seemingly nowhere. The only reason Lucifer didn't jump was because he was still caught in a glaring match with a literal reporter from Hell. "This way, please."
Lucifer carried on glaring at her, right up until he physically couldn't. "I don't care who you've got sitting with me, I don't want her anywhere near me."
Vox followed his gaze, snorting when he saw who he'd been making a stink eye at. "Oh, no worries." He turned his own glare on Alastor. "I'll be copiloting right along with you."
Lucifer took in the two chairs. If he was sitting in one and Vox in the other, Alastor was going to be left standing. Judging from the gleam in the TV demon's eye, this was on purpose. Vox pulled out the seat on the right, the malicious reporter's coworker's usual seat, a smile so fake one would have to be blind to think it sincere spread across his screen. "Just a few more finishing touches, and then we'll be ready to begin." He turned on his heel and disappeared back into the bowels of the studio.
Lucifer blinked down at the seat. He could already feel the sheer number of eyes from the people in the studio, watching and waiting to see what he was going to do next. This was the first time almost every single one of them had ever seen him in person. He already hated everything about this. It was more than enough to make him want to retreat back to his room at the hotel and not come out for the rest of the month.
A gentle brush, an almost tickle, against the back of his neck, the feeling almost shockingly intimate, startled him. He inhaled sharply, not having noticed that he had stopped breathing. Instinctively, he turned his back on the growing crowd, his hand coming up to half way, before he aborted the motion. Turning to face him, Lucifer noted that Alastor appeared to have not done anything, standing in that default pose he favored. The only reason Lucifer could tell it had been him that touched him was from the way the redhead was watching him.
"Smile, your Majesty," Alastor murmured, voice pitched low and soothing. "The hardest part is almost over. I'll be with you the whole time."
How out of sorts had he been that even the Radio Demon was taking pity on him? That the reassurance was a comfort?
Lucifer breathed in slowly through his nose, breathing out even slower through his mouth. His racing heart began to calm, as he reminded himself that he had taken on far more terrifying beings than a room full of nosey sinners. This was all for Charlie and the safety of her dream, and for that, he could handle anything.
He dropped into the offered chair, the anticipation of a battle falling over his shoulders like a weathered cape.
A door opened off to the side, one that he hadn't seen anyone coming and going through. Stepping through were none other than Valentino and Velvette themselves. Velvette was typing away on her phone, muttering about an interruption to her photo shoot.
Valentino paused as he caught sight of Lucifer and Alastor. "Oh! If it isn't papito, himself!" The grin spreading across his face and choice of wording caused the blonde's skin to crawl. Sauntering over, Valentino nearly draped himself over desk, bringing his and Lucifer's faces far too close together. "You wouldn't want to hang around after this little show for some one on one time, now would you, mi pequeño rey?"
Lucifer had barely managed to do more than lean back in his chair, trying to escape the heavy stench of smoke and hard drugs that hung around the Overlord like a second skin, when a weigh settled heavily on his shoulder. He glanced up, finding that Alastor had stepped up beside him, hand placed in such a way that it wrapped possessively around shoulder and was beginning to snake around the back of his neck.
"Valentino." Alastor's filter was grating, a warning despite his pleasant smile.
Valentino lazily blew out a thin pink, heart shaped mouth of smoke. It hit Alastor in the face. His smile was filthy as he gave the deer demon a once over. "Don't be jealous, venado, my offer is still open to you, too."
The static glitch of a record screeching. It wasn't hard to pick out Alastor's distaste with everything from the offer to the Overlord himself. "Pass," he quipped back, shotting down the offer with extreme prejudice.
The pimp shrugged, viewing it as his loss. He turned his attention back to his original target. "What do you say, papito? We could--."
"Val." Vox's voice was barely recognizable through whatever filter he was using, the noise causing Lucifer to flinch as it grated at his ears.
Valentino pouted, somehow making it look aggressive. "Vox, querido, what have I said about using that tone with me?" He twisted around in a way that accented his figure. "Don't be upset because the Radio Demon's already turned you down."
"The show is about to start, Val," Vox pointed out evenly and sternly, despite the dig. Lucifer was beginning to pick up that when it was anyone other than Alastor, the TV demon might actually be able to keep a cool head. "How do you think it will look if we don't start on time?"
Valentino's pout to edge in the direction of a normal pout. "Spoil sport." He leaned back until he was facing Lucifer. He reached out, running a single finger along the underside of the blonde's chin. "Call me if you change your mind." Offer made, he thankfully, finally got off the desk and made his way back over to Velvette.
Lucifer was going to take a long, hot shower when he got back to the hotel. With acid. Regrow some nice, new skin that Valentino had never touched.
Alastor pulled him from his thoughts, giving the back of his neck a squeeze. Lucifer was almost sad for the loss of contact when he pulled his hand away so he could resume his prior position.
From where he stood, Vox watched the two of them, his expression unreadable. Several minutely later, the blue and black themed sinner dropped into his own seat, calling out to the cameraman as he did so. "How's the camera holding up?"
The cameraman peaked at Alastor, indicating this question was because of the redhead's tendency to take out anything with a camera around him. The sinner studied his monitor and then gave a thumbs up.
Vox clicked his tongue. "So," he gripped, irritation heavy in his voice. "You can be recorded without destroying my electronics."
Lucifer couldn't see Alastor from where he was standing almost directly behind him, could only hear the tapping on his fingers on his microphone. His taunt was malicious as he came back with, "We both know I can be photographed ...when I want to be."
The TV demon grimaced, the hit landing where it obviously hurt. He had little time to recover, as the cameraman began his countdown. As he hit zero, Vox's smile was back in place, just a lot less real.
"Top of the hour, folks!" Vox's voice was loud and boisterous, the rhythm and pace almost break neck. "Breaking news: in a rare interview, we're joined by none other than the King of Hell and the Devil himself, Lucifer Morningstar!" Vox leaned over, holding a hand out to indicate the fallen angel sitting beside him. "Please, give your people a little wave, your Majesty."
Lucifer resisted the urge to flip him off. Gave the camera a little wave with little enthusiasm.
Vox carried on, unphased, "Equally rare and unlikely to never happen again, fellow sinners, we also have radio talk show host, the Radio Demon himself, Alastor!"
Alastor didn't wave. He grinned straight into the camera, as if staring into the very souls of the views, eyes and teeth alight as reality itself threatened to warp around him.
The camera gave an alarming whine. The cameraman gave an alarmed cry as it threatened to give out.
Point made, Alastor seemed to remember he was supposed to be behaving. The camera stopped whining as reality returned to normal.
Vox's eye twitched. Smile strained along with his chipper tone, he said, "Your Majesty, I assume your being here is because of the attacks on the hotel your daughter is running?"
Lucifer gave him his own chipper smile. "You mean the attacks you only know about because of your voyeuristic habits?"
Vox laughed, a touch nervously. "You've clearly never dealt with the paparazzi, sire. One has to cross a few boundaries if they want to get the exclusive first."
Was that what he was going with?
Either blind to it or ignoring it, Vox glossed over Lucifer's offense, moving on to, "Please, tell us, do you have any idea who's behind the attacks? We're dying to know."
Lucifer highly doubted that. Or at least, doubted Vox cared. It was more likely he wanted the hotel to fail or get taken out, judging from his poorly concealed eagerness. He leaned his elbow onto the table, chin resting on his palm. "I'm not here to waste my time nor the listeners' with an interview." He took delight in watching Vox falter for the first time since the interrogation began. Over his shoulder, he called sweetly, "Alastor?"
Alastor's voice was just sweet and still more bloodthirsty. "Yes, sire?"
It was a show of how in tune Vox was with Alastor's moods that the TV demon was already beginning to sweat. He was doing a good job of hiding it, Lucifer would give him that. It was a pity he was sitting beside someone who could see right through him, when he chose to make the effort. Lucifer rose from his chair, the blue and black sinner nearly taking a screen full of wings as they manifested. "Be a doll and make certain Vox doesn't get any ideas. Like interfering."
"With pleasure." Alastor's words were nearly lost to his filter. The air around them crackled, the shadows in the corners of the room growing unnaturally dark. Vox dropped all pretenses of pretending he wasn't unnerved, leaning back as much to avoid the wings as to distance himself from the redheaded sinner.
Red and white wings fluttered, giving Lucifer the lift to make stepping up onto the desk look effortless. Papers flew everywhere and a few people made startled noises as they were hit with a few errant pages. His wings fanned out, allowing him to gracefully fall into a seated potion on the other side of the desk. He leaned to the side, placing his weight on the hand braced on the desk, head rolling until he was facing the other two Vees. "Velvette, if you value your life just sit there and look pretty for a bit."
Velvette narrowed her eyes to slits at him. "What the hell?"
Valentino waited to see what advice he had for him. When he received none, the pimp blew out a lung full of pink smoke. His expression turned sultry. "Nothing for me, pequeño rey?"
Lucifer didn't respond, not wanting to give the game away too soon. Relaxing his control over his form, he allowed the full extent of his corrupted, angelic form to appear on full display for all of the viewers to see. Far too many eyes focused in on not just the camera, but the cameraman and the sinners directly around him. Each of them instinctively shied away, hindbrains warning them they were out in the open and too exposed. Vox attempted to push his chair back, the area around the desk suddenly a little too hot, only to be stopped by the end of Alastor's strategically placed staff locking the chair in place.
Lucifer rolled his head back around, until he could easily stare into the camera. "Now, to clear up a few things: I could care less about sinner politics." He grinned in that way he knew looked off, even for a creature of Hell, leaning into the fact that he wasn't human and had never been human. "How you decide to throw away the one good thing you stupid, stupid little humans have going for you is up to you." His pupils were lost in a red glow as his temper spiked, the flame of hellfire blazing between his horns. " What I do take issue with is someone sending hitman to threaten my daughter over something as silly as potential lost contracts."
He slid off the desk, the sinners in front of him all collectively taking a step back. Only the cameraman stayed in place, too frozen to move. "Perhaps it's my fault, I've been away a while." He held out a hand, fingers searching until he found the particular contract he was looking for. "Perhaps it's yours for never reading the fine print." His hand closed around his desired target, a chain made of pink, translucent smoke, deceptively fragile, coming into being. One end led out the doors. The other end led off to the side, leading over to a certain Overlord.
Valentino's and Angel's contract.
The pimp held up his wrist, confusion evident on his face. "The fuck?"
Lucifer's grin was all teeth. He wrapped his hand around and around the chain until he had a nice, solid grip on it. Without warning, he viciously yanked on the chain.
Valentino was pulled so hard, his shoulder nearly popped out of its socket. The pimp yowled like a cat dropped into pool as he was sent crashing to the floor. Lucifer didn't give him the chance to recover, reeling him in like a particularly resistant fish, the Overlord shouting and cursing as he was dragged across the floor. The Devil gave no quarter, even when he had him where he wanted him, pressing his heel into Valentino's back and twisting moth's arm until it was just short breaking.
"You see," Lucifer carried on, tone bored and voice raised over the slew of insults being thrown his way, "There's this little clause in your contracts that say I have the final say in every single one of them."
"You little shit!" Valentino hissed, twisting in a way that should be impossible for someone who purportedly had a spine. "We had nothing to do with the attacks on that shithole your hija is running."
Lucifer pulled on the chain until he could hear the shoulder pop. The sinner's claws dug into the ground beneath him, glare baleful. "Maybe," Lucifer said, almost nonchalant. "But you're the lowest kind of sinner: the kind that profits on selling human flesh and locks people into contracts so they can never escape."
The moth demon snarled, composure gone. "Every one of those whores came to me willingly. I made them stars. They would be nothing without me."
The Devil peered down at him, unmerciful. All of Valentino's sins where on display for him to see and judge and he found him wanting. "Nothing gives you the right to abuse another human being."
Lucifer returned his attention to the camera. He wrapped his free hand around another section of the chain, pulling the links tight between his two fists. "Let everyone remember that your little deals mean nothing if I say so."
Without further ado, he pulled almost effortlessly on the chain, Valentino's strength that of a kittens next to his. A link, just off center, gave, pulling apart until it shattered. Each one of the links similarly followed suit, falling from his hand like crystalline shards. They vanished like the smoke they had originally appeared as before they could hit the ground.
Valentino's arm, free of the chain, fell to the floor with a heavy thud.
Lucifer stepped off his back, releasing him. Stepping around the desk this time, he held his hand out to Alastor. The Radio Demon blinked back at him, something delighted behind his gaze.
It looked a little like victory.
He took Lucifer's hand.
"The Hazbin Hotel and every one of its residents are under my protection," Lucifer declared into the stunned silence, voice projected loud and unearthly, raising the hair on ever sinner's head, save the one in front of him. He looked upon each of the sinners in the room, gaze coming to rest on the camera lens. "I will not have mercy upon anyone looking to cause my daughter anymore trouble."
To his right, a portal appeared. Without another word, he stepped through it, pulling Alastor along with him.
As everyone continued to stare, the portal vanished and they were gone.
tbc
Translations:
-Papito: Little daddy
-Mi pequeño rey: My little king
-Venado: Deer or venison. I chose this word as a way for Valentino to make a dig at the fact that Alastor's demon form is a type of food source.
-Querido: Darling, used if you love or like someone. Chosen as a shoutout to the affair they're clearly having.
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lorei-writes · 2 years ago
Text
In the spirit of satiating my curiosity. I have certain assumptions... but assumptions are one thing, and data is the other.
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spokenofwords · 9 months ago
Text
A Life of Panels & Pages
I’ve been into comics since I was a kid
Before all this Marvel/DC adaptation bullshit hit
Forget film and TV moving images, it’s all about the unified synergy of words and pictures
A literary super team up, creating fictions to rapture imaginations,
Through school uniforms and black tie work I’ve always had my head between pages
Forged with the intelligent craftmanship of artist/writer creatives,
These twenty-four-page-coloured bits of paper have shared space with me through the ages
But there are four landmark reads that bookmark my life in stages
The first comic I’d like to mention is the dystopian political page turner, Transmetropolitan
With a futuristic Hunter S Thompson as it’s main character,
I brought this comic with me, lucky, on hour plus long-haul journeys
To work as a customer service monkey, at a call centre company, the other side of city
Cattle cramped carriages and commuter silences faded into the background
With my imagination spellbound
Because these comics are more than just paper and ink
They’re linked to a safe space where my head can think
And wait for the darker things on my plate to dissipate,
My second selection is the zombie survival saga of The Walking Dead
Which swam in my slipstream across two different decades, as separate reading events,
I began reading when my hopes of a film career got dashed
Like blood over the windshield of a car crash
And on the rebound, found work with an obscene bar-and-grill team
Whose employment stunk, like a scorched-earth slaughter regime,
A neighbouring graveyard gave me garden harmony to read on my tea break
My back sunk, against the bark of a Maple tree’s trunk
Because these comics are more than just paper and ink
They’re linked to a safe space where my head can think
And wait for the darker things on my plate to dissipate,
The next time I picked up The Walking Dead was a million miles from home
In Melbourne, Australia, on a year off, alone
I was stuck between the termite crawling walls of a hostel
With new strangers coming-and-going with the consistency of a brothel,
Each room had bodies piled high overhead
So I’d find privacy in pages, with the curtain drawn to my bunk bed,
Some nights I’d escape on the city’s tram lines, comic under arm
To meet strangers on dates and stay out, till the day’s morning would wake
Because these comics are more than just paper and ink
They’re linked to a safe space where my head can think
And wait for the darker things on my plate to dissipate,
The next comic book is an anti-superhero commentary called The Boys
Which occupied a large portion of my young adult life, like background noise,
I bought the first two-ninety-nine issue on my first week of university
When the leaves dressed in an Autumn coloured burgundy,
For seven years, every month, this comic kept me company
Like the clockwork visits of a separated parent, mindful of custody,
Through sandpaper breakups on campus halls
And through hangovers wakeups on shared house kitchens floors
Because these comics are more than just paper and ink
They’re linked to a safe space where my head can think
And wait for the darker things on my plate to dissipate,
My final comic is the fantasy western known as Preacher
Whose sun-burnt pages encapsulate the perfect story for any reader,
I grew up reading this comic on my cousin’s acrylic carpet floor
After borrowing it from his extensive comic collection draw
While him and his collective crew played games of FIFA world tour
I’d be left in a corner and ignored, a cast out orphan, but delving deep into this comic’s allure,
And as I grew older, my love for this comic endured
Reading it has become an annual ritual of the tallest order
My usual plan is a Christmas read, as the snow paints the land
Wearing striped fingerless gloves to warm my hands,
Because friends and relationships come and go
But comics have never left me in a park on my own
For a Lone Ranger like me, prone to isolation necessity, our relationship is a lifelong fixture
I can always curl into a corner with pages between my fingers
To be enveloped in a resplendent world of words and pictures
Because these comics are more than just paper and ink
Their panels and pages are synched to the life blood coursing through my veins
So we travel in parallel lanes, through the pain and mundane of the day-to-day strains
And journey forward into gale force winds and rain, until the end of my life’s reign…
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the-grim-heaper · 2 years ago
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"Damn.... Angels are really goin' through it."
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"Couldn't be me tho."
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ludxs · 4 years ago
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"How's the weather down there?"
He doesn't think he needs to say anything else.
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luckynatured · 4 years ago
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Hilbert might seem somewhat calm (if not a little surprised) on the outside, but on the inside he’s having a Small Crisis(tm). 
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radiovisual · 4 years ago
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@anxechoxinxhell
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"I'm shocked you'd deign to grant him even that much, your Majesty--He thrives on the attention regardless of where it comes from, or why, so why bother giving him any more that he already gets? It's almost like you're trying to reward him for being a piece of shit--as if he hasn't already got things good enough already!"
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deisbookofdemons · 5 years ago
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“...?”
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automaton-otto · 8 months ago
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"Mine's not."
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"Fuckin' love my dad."
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"My dad's awesome."
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verumheart-a · 5 years ago
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{🖤}- “Cowards...”
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manslain · 3 years ago
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momo here doing this fool’s tags.
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spokenofwords · 1 year ago
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A Life of Panels & Pages
 
I’ve been into comics since I was a kid
Before all this Marvel/DC adaptation bullshit hit
Forget film and TV moving images, it’s all about the unified synergy of words and pictures
A literary super team up, creating fictions             to rapture imaginations,
Through school uniforms and black tie work I’ve always had my head between pages
Forged with the intelligent craftmanship of writer/artist creatives,
These twenty-four-page-coloured bits of paper have shared space with me through the ages
But there are four landmark reads that bookmark my life in stages
The first comic I’d like to mention is the dystopian political page turner, Transmetropolitan
With a futuristic Hunter S Thompson       as it’s main character,
I brought this comic with me, lucky, on hour plus               long-haul journeys
To work as a customer service monkey, at a call centre company, the other side of city
Cattle cramped carriages and commuter silences faded into the background
With my concentration spellbound
Because these comics are more than just paper and ink
They’re linked                   to a safe space where my head can think
And wait             for the darker things on my plate to dissipate,
My second selection is the zombie survival saga of The Walking Dead
Which swam in my slipstream, across two different decades, as separate reading events,
I began reading when my hopes of a film career got dashed
Like blood over the windshield of a car crash
And on the rebound, found work with an obscene bar-and-grill team
Whose employment stunk, like a scorched-earth slaughter regime,
A neighbouring graveyard gave me garden harmony to read on my tea break
My back sunk  against the bark of a Maple tree’s trunk,
Because these comics are more than just paper and ink
They’re linked                   to a safe space where my head can think
And wait             for the darker things on my plate to dissipate,
The next time I picked up The Walking Dead was a million miles from home
In Melbourne, Australia, on a year off, alone
And stuck between the termite crawling walls of a hostel
With new strangers coming-and-going with the consistency of a brothel,
Each room was piled high with bodies overhead
So I’d find privacy in pages with the curtain drawn to my bunk bed,
Some nights I’d escape on the city’s tram lines, comic under arm
To meet strangers on dates         and stay over, till the day’s morning would wake
Because these comics are more than just paper and ink
They’re linked                   to a safe space where my head can think
And wait             for the darker things on my plate to dissipate,
The next comic book is an anti-superhero commentary called The Boys
Which occupied a large portion of my young adult life, like background noise,
I bought the first two-ninety-nine issue on my first week of university
When the leaves dressed in an Autumn coloured burgundy,
For seven years, every month, this comic kept me company
Like the clockwork visits of a separated parent, mindful of custody,
Through sandpaper breakups on campus halls
And through hangovers wakeups on shared house kitchens floors
Because these comics are more than just paper and ink
They’re linked                   to a safe space where my head can think
And wait             for the darker things on my plate to dissipate,
My final comic is the fantasy western known as Preacher
Whose sun-burnt pages encapsulate the perfect story for any reader,
I grew up reading this comic on my cousin’s acrylic carpet floor
After borrowing it from his extensive comic collection draw
While him and his collective crew played games of FIFA world tour
I’d be left in a corner and ignored, a cast out orphan, but delving deep into this comic’s allure,
And as I grew older, my love for this comic endured
Reading it has become an annual ritual of the tallest order
My usual plan    is a Christmas read as the snow paints the land
Wearing striped fingerless gloves to warm my hands,
Because friends* and relationships come and go
But comics have never left me in a park on my own
For a Lone Ranger like me, prone to isolation necessity, our relationship is a lifelong fixture
I can always curl into a corner with pages between my fingers
To be enveloped in a resplendent world of words and pictures
Because comics are more than just paper and ink
Their panels and pages are synched     to the life blood coursing through my veins
So we travel in parallel lanes, through the pain and mundane of the day-to-day strains
And journey forward into future gale force winds and rain, until the end of my life’s reign…
0 notes
the-grim-heaper · 2 years ago
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What the fuck is all that noise? Who is pissing? A cat? Someone out here tryin to get kittens or summin'? What the fuck is going on with the Producers? What-
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................................He's going to hide back in his garbage heap. People be wildin'.
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dweemeister · 4 years ago
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The Stalking Moon (1968)
By the late 1960s, the American Western’s zenith had passed, and the genre was reinventing itself. Bonnie and Clyde (1967) unleashed a wave of films in all genres depicting violence more openly and graphically; meanwhile, the rise of the Revisionist Western (1962’s Ride the High Country, 1966’s The Professionals) led to the deglamorization of the genre’s protagonists and their sense of morality. Released by National General Pictures (NGC), The Stalking Moon reunites producer Alan J. Pakula, director Robert Mulligan, and Gregory Peck – no longer a dashing young man – a six years after To Kill a Mockingbird (1962). Though the team is a throwback, the mindset of The Stalking Moon fits squarely within a Revisionist Western. Mulligan’s dialogue-light film incorporates elements of atmospheric thrillers and, in its tensest moments, seems to resemble a proto-slasher. As a hybrid thriller-Western, The Stalking Moon – once the narrative pieces are in place – is a sharp-edged, gorgeously-shot affair.
On Sam Varner’s (Peck) last day before retiring from the U.S. Cavalry, his regiment surrounds and arrests dozens of Apache warriors. Among the group is a white woman, Sarah Carver (Eva Marie Saint), and her half-Indian son (Noland Clay; Clay’s ethnicity/race is unclear). That afternoon, Sarah pleads for an immediate escort from the Cavalry’s camp instead of waiting for five days for an official military escort. The boy’s father, Salvaje (Nathaniel Narcisco in redface; Narcisco’s ethnicity/race is unclear), is a ruthless assassin and, according to Sarah, almost certainly in pursuit of their son. The Cavalry commander rejects Sarah’s request, but Sam agrees to take them to a remote train station. At the station, disaster strikes, and Sam invites Sarah and her son to stay with him at his rugged, mountainous ranch in New Mexico. Sarah and her son find the personal adjustments to live on Sam’s ranch difficult, but they have help thanks to ranch hands Ned (Russell Thorson) and Nick Tana (Robert Foster, whose character is a half-Indian scout). But even in this ranch, protected on three sides by treacherous rock formations, Sarah and her son have not yet eluded the violence to come.
Mulligan also appears to make comments on how the United States treated the American Indians of the West, but ultimately never does so. The Stalking Moon never highlights indigenous perspectives, declining to even give Sarah’s son a name or expressive space. These perspectives only exist through implication – the wars of the American West are going poorly for the tribes, and white settlers are moving ceaselessly westward and are cementing themselves in these lands. Sarah and Salvaje’s child, being of mixed race and approximately eight or nine years old, would almost certainly be the target of sociopolitical discrimination and the suspicious gazes of many a stranger. Never discussed by any of the characters is the possibility of such behavior towards the child; if Mulligan and screenwriters Wendell Mayes (1959’s Anatomy of a Murder, 1972’s The Poseidon Adventure) and Alvin Sargent (1977’s Julia, 2004’s Spider-Man 2) attempted to insert subtext regarding the child’s treatment, they do so far too subtly.
Salvaje himself is a largely faceless antagonist who never exchanges any dialogue, let alone a grunt, a cry of pain, a primal exclamation. Like numerous American Western movies too numerous to name, this is a reinforcement of stereotypical depictions of American Indians in Hollywood – anonymous, without specific bearing to the lead characters. Is he pursuing his son to reclaim him or the murder him? The movie never says. To Salvaje’s credit, he is a physical menace that could easily overtake an aging Sam Varner. More often than not during the Western’s heyday, indigenous Americans – whether individually or as part of a collective – would be all too easily slaughtered in a hail of protagonists’ gunfire or explosives (in part because of their antagonistic anonymity). Such developments would serve The Stalking Moon, which is partly a thriller, poorly. Thus, Salvaje is an aversion of the too-easily-killed Indian trope, but his complete lack of non-violent interaction with any character and empty characterization beyond his capacity for violence and vengeance uphold the trope of the anonymous indigenous menace. His physicality and obvious threat to the protagonists serve thriller genre; his nature as a blank slate killer is a legacy from American Western narrative traditions (and now largely a relic to that tradition’s contemporary practitioners).
Now in his 50s when he made The Stalking Moon, Gregory Peck – if only because of Hollywood’s obsession over age – was reaching a point in his career where opportunities for lead roles inevitably begin to decline (but not his influence, as Peck was currently serving as the President of the Academy of Motion Picture Arts and Sciences). The Stalking Moon will, on paper, appear to be typical material for Peck. His Sam Varner, when no one else will tend to Sarah and her son’s safety, will take the initiative even though this decision, at best, is an inconvenience or, at worst, might cost him his life. As it is so often with Peck, his screen presence – assuredness of posture, the timbre of his voice, and calming persona – engineers a great performance. Even with a screenplay that avoids providing dialogue-driven details about his character’s life, Peck makes Sam Varner another entry in his long filmography of upstanding heroes.
The screenplay also consigns Eva Marie Saint to playing her character as a trauma survivor whose apprehension is pervasive. If one is seeking a role where Saint is able to display the fullest breadth of her acting range, The Stalking Moon is certainly not that movie. But for how the screenplay portrays her character, this is a capable performance from Saint alongside child star Noland Clay as the boy (this film remains Clay’s only screen credit).
Cinematographer Charles Lang (1947’s The Ghost and Mrs. Muir, 1959’s Some Like It Hot) and editor Aaron Stell (1958’s Touch of Evil, To Kill a Mockingbird) pay lip service to the Western genre with luxurious takes of the mountains and rock formations that mark their landscape photography. With on-location filming in Red Rock Canyon and Valley of Fire State Park in Nevada, the low-to-the-ground, slightly upward-angled camera shots suggest that Sarah and her son, while making Sam Varner’s ranch house their new home, have nowhere to escape to. Dry shrubs line this small, sloped canyon with somewhat steep angles that make even walking without ascending or descending hazardous. Yet Lang and Stell’s collaboration truly impresses during the action setpieces – most notably in a scene where Gregory Peck, in a darkened room, awaits the entrance of the man who has been hunting the people he has been protecting. Before the naming and identification of the slasher subgenre of horror film, The Stalking Moon – noting its selective cinematography and editing in its tensest moments – relies on numerous lighting and staging techniques that the likes of The Texas Chainsaw Massacre (1974) and Friday the 13th (1980) would later adopt. Though shot and edited like a thriller, much of the film has scenes of people-watching: adults observing children, children observing adults, people noticing small behavioral details otherwise glossed over in a less patient movie. These moments of observation substitute for the dialogue and are as important as the most critical pieces of dialogue in the film.
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An unconventional score from composer Fred Karlin (1970’s The Baby Maker, 1973’s Westworld) is a restrained effort, making use of a full orchestra but rarely employing the aural grandiosity that an orchestra is capable of. Repeated often throughout The Stalking Moon is the opening motif whistled in the main titles, with the sparse melodies – usually performed by the whistler or a limited number of woodwinds and/or brass – suggesting the vastness and emptiness of the American West, even in the days of westward expansion. Karlin’s music has an unsettling quality that permeates into The Stalking Moon’s most joyous scenes. When Sarah and her son arrive and Sam’s residence for the first time, the cue “Sarah’s New Home” opens with solo triangle before the entrance of a lone flute. The occasional dissonance from the triangle conflicts with the flute – a subliminal, harmonic message (in addition to the various string harmonics used throughout) that Sarah’s dangers have not passed. So often in modern film composing, a director will relegate the music as background noise or the composer themselves will dispense almost entirely of melody. In the latter, numerous modern film score composers have reasoned that melody cannot serve action films or thrillers, so they will compose a wall of amelodic texture instead. But, as Karlin so ably demonstrates in his score to The Stalking Moon, the juxtaposition of memorable melodies and effective action scoring is more interesting dramatically and musically.
Today, The Stalking Moon’s influence has been limited in part due to NGC’s dissolution and sale to Warner Bros. in 1974. For anyone willing to dive into this relatively undiscovered piece of American Western, few of the film’s immediate contemporaries adapted its thriller-influenced cues for their own purposes. Its depiction of American Indians is not as egregious as other Westerns and it appears to make some sort of attempt at commentary, but many of the damaging preconceptions of indigenous Americans make their way into the film’s screenplay. Yet considering the undemonstrative approach that Robert Mulligan takes for his film, The Stalking Moon is a serviceable Western torn between the passing of eras for the genre.
My rating: 7/10
^ Based on my personal imdb rating. Half-points are always rounded down. My interpretation of that ratings system can be found in the “Ratings system” page on my blog (as of July 1, 2020, tumblr is not permitting certain posts with links to appear on tag pages, so I cannot provide the URL).
For more of my reviews tagged “My Movie Odyssey”, check out the tag of the same name on my blog.
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