#/hi hi! Dfghk

[iizvmi]

@kowaindar0u ( yamatonokami ! ) / starter

❛    I  met  your  former  master.     ❜      he  made  his  entrance  with  his  own  type  of  punch  line,  straight  to  the  point  and  with  no  space  for  deviations.      as  soon  as  he  returned  from  his  “kiwame”  (  as  they  called  it  )  he  almost  made  a  beeline  straight  to  him  in  order  to  tell  him  about  that  particular  detail  of  his  trip.      but  heavens  bless  horikawa  kunihiro  who  waited  for  him  in  the  right  place  at  the  right  time  to  welcome  him  back…      how  could  he  skip  his  presence  after  that?      as  to  why  yamatonokami  yasusada  crossed  his  mind  when  he  recalled  details  about  his  trip,  he  thanked  the  blue  haori  they  both  carry  in  honor  of  their  previous  masters. but  still,  despite  the  cool  excitement,  he  couldn’t  help  but  feel  slightly  hesitant.   (  talking  about  former  masters  was  always  a  soft  spot  no  matter  how  many  upgrades  one  can  have  )        izuminokami  tilted  his  head  a  little  and  closed  his  eyes  as  he  grinned.      ❛    heh,  imagine  my  surprise  when  I  found  that  you  were  not  so  wrong  after  all  ––he  was  strong…   nonetheless,  hijikata  san  was  stronger.     ❜

[ladytauria]

find the word game

tagged by @kieran-granola! thank you <333

i found all but one of these in 'the sweetness of honey' draft but i decided to check other wips too dfghk

cat (JayTim)

from an alternate draft of 'another night'

Jason enters the Nest looking like something the cat dragged in. He’s dripping wet, hair plastered to his head. A bruise blooms high on his cheek, a fresh cut mars the corner of his mouth. He’s limping slightly and his boots squelch with every step. He looks exhausted. Tim’s heart pangs in sympathy. “Rough night?” he asks, closing his tabs. His report will keep. Jason snorts. “You can say that again.” He drops his helmet on his workstation far rougher than normal before peeling off his gloves and tossing them down too. He kneels. His fingers shake as he undoes the laces of his boots, and he curses under his breath. Tim approaches. “Let me help,” he offers.

sleep (JayTim)

from the sequel to 'empty promises'

Then Jason swallows, and says, “You—uh. You asked about the job?” He almost takes it back—asks Jason how he’s been sleeping, instead; if he reaches for Tim in his sleep the same way Tim has been reaching for Jason. He almost tells him to forget the job, forget the argument. Just come home. Almost.

wet (JayTim)

from chapter 6 of 'the sweetness of honey'

Jason smooths the glob of cream over his skin. Tim shivers; his skin pebbling. Jason watches his nipples pucker, harden, wetting his lips before glancing at Tim’s face again, where Tim watches him through half-lidded eyes. Jason’s flush spreads. Down his neck, over his collarbones. His pussy throbs in time with his pulse—it’s tempting, so tempting, to grind down on Tim’s bulge. He doesn’t. Jason’s arousal isn’t important. What’s important is taking care of Tim, of caring for him even as half as well as he’s cared for Jason.

magic (JayTim)

from 'teenage fantasies side a' in which tim talks jason through one of the fantasies he had about robin ;) it's finished, but i'm waiting to post until i have side b, one of jason's teen fantasies, finished~

Jason can picture it. Being fifteen again, when Robin was losing its magic. When he looked around Gotham, seeing not the people they’d saved—but the one’s they hadn’t. The ones they failed. He’s fighting with Bruce more and more, questioning everything. Even school doesn’t offer an escape. And Dick—well. Dick is great, but busy. Distant. And always fighting with Bruce. He’s lonely. He doesn’t think he’d realized how much, then. And then— There’s Tim, looking at him with bright eyes and flushed cheeks, faintly awestruck and painfully earnest. In Jason’s mind, he’s not 12, 13 as he would have been, but 14. 15, even. Younger than him, but not young.

no-pressure tagging -> @thesandsofelsweyr ; @n1ightw1ng ; @deepwithintheabyss ; & @zeroducks-2

your words are -> glow, dusk, purple, and bright

[all-souls-matinee]

8. The Woman in Black (2012)

dir. James Watkins

Runtime: 95 minutes

Availability: Amazon Prime

That’s right, double feature, I’m back with a bad remake that I loved just as much as the bad original (and the good news is they’re bad for very different reasons.)

I actually shouldn’t be calling this a remake, because while the plot is nearly identical to that of the old tv movie, it is directly based off Susan Hill’s book rather than a rehashing of a screenplay (e.g character surnames were changed for the tv movie, here they’re back to what they were originally.) The two are also the same length, but with the benefit of a writer’s room the 2012 adaptation has much better pacing and its two biggest changes are putting more focus on the woman in black’s ‘curse’ and on Arthur’s friendship with Sam. 

The original movie has two child deaths barely onscreen, just enough to provide ‘evidence’ that there is a ghost and a curse. Film Council decided it’s go hard or go home time, and this one has three children die horribly as a precursor to the opening credits as well as a slightly modified and much more grisly version of the woman’s modus operandi. It’s a lot but it works; the deaths up the stakes and give the movie bookends to each section (including a very solid and scary third act with one of my favorite scenes ever), and Sam’s own child has died so he and Arthur actually have a reason to meet. Their chemistry is then off the charts; these two become ride-or-die for each other within five seconds and are constantly “we gotta talk about the CURSE” we gotta talk about the GHOST.” Both of these changes also fix the boring solipsism of the original (which now that I think of it would have worked better as a radio play since most of it is just a guy sitting at a desk listening to wax cylinders), but we still get the slow creepy atmosphere and the mystery element and the scares.

Sometimes a movie is the best thing you’ve ever seen and quintessential 21st century horror that’s redefining the genre... and it also has 60% on rotten tomatoes and middling to bad reviews and it kind of sucks. We can have both things. The writing is trash, there are one billion jump-scares, and it is a summer horror blockbuster made to make money (just a very posh and restrained and artful one. they were thinking about releasing it in 3D after all.) There’s also the issue of everything I gave the original 1985 movie props for ...not being there any more. The woman is now a demon rather than a ghost, and Arthur isn’t as fleshed out since the angle they chose for his kindness was ‘sad man sad because of childbirth deadwife.’ Luckily, Daniel Radcliffe singlehandedly saved cinema with his acting, and I’m ending a recommendation for an objectively bad movie with another compliment I don’t care.

Trigger warnings: suicide, arson, drowning, poisoning, i think that’s all? again, the death toll is like quintuple that of the original

[tomio]

hi beloved mutual 🌹 here’s a friendly reminder that your original content is incredible!!! let’s spread some support by sharing this message to 10 other blogs whose creations you love, and don’t break the chain ❤️✨ have a great day/night and remember that you’re loved!!!

thank u an omg!! :’)) it means a lot that you thought of me dfghk your creations are just so good!!! i’m sending this right back ❤️💗💕💖