#//drawing split was also really good anatomy practice lol//

[m1lkyw4yw1sh3z]

We've never drawn Split or Poob so we figured now would be as good a time as any to change that, since the fic we're writing involves them-

Feat. some small headcanons about their designs :)

[herrscherofmagic]

i've spent nearly 47 hours over the last ten days drawing nothing but kiana (and hov)

yeah.

anyways, since I've had about enough of drawing Kiana for the rest of my life (/hj) I'm gonna put a pause on this project; but I'll turn it from a sprint into a marathon and try and work on it occasionally instead of all at once

I want to draw other things again x-x

Close-ups of the drawings below, as well as the reference image set, and some other misc. thoughts

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Portraits drawn from imagination

Started the process by trying to draw Kiana's head from imagination; then after each drawing I'd pause, look at some references, see what mistakes I made, then put away the references and drew from imagination (and referring to previous drawings) again. I also took breaks at two points to practice drawing eyes & hair before going back to drawing Kiana

For the last 4 portraits, I'd draw a head from imagination as a warm-up to a drawing session, and then do another head much later on instead of doing it immediately. Around halfway through this "phase" I started the other phases at random points, and finished this portion of the process in the first ~10-15 hours of drawing time. The rest of the time was split across the other exercises

Also I gave her an angry expression because I felt it was the easiest for me to do from memory since I've drawn HoV more than just "Kiana" herself. I also used a boring level 3/4 view without much perspective because it forced me to really make sure I was doing everything accurately and with care.

Basically my thinking was that if I could make a boring level 3/4 portrait look good enough, then I'd have no trouble getting it to look good in other perspectives. That seemed to be true when I got to the stage where I was doing expression practice and had to deal with more head tilt and other perspectives, lol

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Studies of still images from screenshots of gameplay, character art, and stills from animated shorts

Did rough sketches first, then drew with solid color over the sketches on a separate layer. not much else to say here, lol

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Full-bodies

Started with an anatomy model loosely based on the proportions of Kiana's in-game model, and then two attempts at doing full-body drawings from imagination before realizing that it's bloody insane to try and do that much detail from imagination and I have much better things to do with my life than that x-x

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Color studies

yaaaay color! yippee!

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Action sketches/"gesture" drawings

"Gesture" is in quotes because I was way too slow with these for it to really count as proper gesture drawing, imo. But the intention was to start with gesture, and I got closer to that as I went on.

It's way too tempting to start adding detail so I had to metaphysically slap myself with a frying pan to keep myself from getting derailed by that >.>

To get references for this, I did screen recording of gameplay on the PC with OBS studios, then used DaVinci Resolve to play back the recordings.

On PC, when using the mouse controls you can hold the camera fairly still when doing an attack sequence, making it awesome for getting unique angles. For instance, when I recorded Void Drifter's attacks, I was able to get at least 4 different PoVs of her attacks: from the left, the right, behind & above, and in front & below.

Unfortunately, though, it was a bit of a hassle to get good recordings because I had to go into an actual combat stage to record it instead of being able to use an empty testing stage.

With DaVinci Resolve I could "split" clips to make cuts in the timeline that let me easily mark the spots where different attack sequences started, and I could also easily play it in .5x speed to help me figure out how the animations were going from one set of frames to another.

Plus if you close the program after saving, when you open it up again it remembers which frame you were last on and takes you straight there, making it easy to continue from one day to another.

I used White Comet, Herrscher of the Void, and Void Drifter attack animations here, but I also did recordings of Knight Moonbeam and Herrscher of Flamescion, and I might give those a try someday.

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Facial expressions practice

Started with the set of rough sketches (first image), then did some expression practice from imagination (second and third images) to try and get used to how the proportions of the face change slightly with movement of the eyebrows/eyelids/jaw, since the shape of the eyes and mouth is especially important when doing stylized faces (like the anime style that HI3rd uses)

Then this morning I started working through the original rough sketches and developing them one-by-one, getting through 8 before I decided to call it quits and wrap up the project for now

So the facial expression practice pretty much the culmination of all my practice. All the practice with proportions, the contours & forms of the hair, monochromatic shading, line quality, shape design, etc.

This was also one of the few times I've ever taken stylized references and actually adapted them to some extent instead of directly copying them!

This is especially noticeable in the hair, where I used a more standard style for the hair, in contrast with the variety of hairstyles and shapes used in the various manga references (i.e. black-and-white Escape from Nagazora Kiana's messy hair vs the neat and solid hair in the colored Gratitude Arc, AE Invasion, and Moon Shadow Kiana)

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Reference images

[ligiawrites]

Why is your drawing so pretty 😍? And do you have any tips to draw as pretty as you do🥺?

aww, thank you, anon! ♥

All right lol. I don't know if you want just a short little tip or something else, but drawing/painting, like writing, is something I'm thoroughly passionate about, so I'm gonna be """a tad""" serious about it.

TLDR: I'm not an expert; I'm still learning. I suggest: brushing up on your knowledge of the basics, using references for specific stuff, taking notes, practicing, asking for feedback, and being patient/careful with yourself. Extra: image about how art is a cycle. xD

First, I still have a lot to learn and improve, so I don't think I'm a good target to aim for in terms of my ability to draw hahaha! Instead, please surpass me. :3 Also, please take what I'm saying with a grain of salt. My experience comes from being a self-taught artist who still struggles a lot.

This answer got *really* long, so I'll just have to split it here lol a.a

Sooo... I never had any formal education in arts except from 6 months of "The basics of classical drawing" at my Game Design course at uni, N years ago, so what I've been doing—and I'm seeing nice results—is to go back and learn everything from 0. I try to watch online classes on youtube as I work (you can find a lot of high quality, free content for artists there; I can suggest some if you want--I have a secret list of tutorials I saved over the years) or to listen to art critiques/redraws; I also read stuff about art, I try to understand how my favorite painters work/used to work, and I try to look for those really long videos of artists explaining their choices and their thought process as they paint. This last one is especially helpful if you already have a grasp of the basics.

Besides that, I also ask for feedback from the people whose brains I could passionately make out with (saying your trust people's judgment just doesn't have as much flair).

General tips:

- References are great. :) Even better is to first decide *what* you'll study with it. Is it the pose? The muscles? The expression? How the light interacts with the planes of the face? Focus on what you wanna practice and try not to overwhelm yourself by doing everything at once! ♥

- I'm a nerd, so when I'm watching something, I'll often jot down things I wanna try/I find interesting. It helps you build your own art cookbook! :P Good practice.

- Actually practice/try the things you write!

- I use sticky notes A LOT. For EVERYTHING. It's nice to have a visual reminder of the things I learned. Here are some of the notes I still have around after my last really long studying session:

(my post-it about studying anatomy is one of my favorite things ever, and so is my pink flamingo mug :3)

- Consume a lot of art! It's good to build your own visual library.

- I try to keep in mind that I'm still learning and improving and that I need to be patient with myself. :)

- Finally, self-confidence and balance between work/rest won't simply _happen_ as you improve. Pace your practices, stretch, eat/drink, and spend time with people you love. You have to work on yourself and your health too, not only on your skills. ♥

Extra: Steenz (link) ((she's amaziiing!!!)) posted this image here, and it's the truth™:

And if you're still here, thank you for reading my rambling, hahaha. I know I'm not great yet, but maybe I will be one day. I'll be cheering for you too, anon. :3

My brain might not be sexy enough to make out with, but if you ever need feedback on one of your pieces (and if you don't mind receiving it from a struggling, shy, cute thang like me), just send me an ask and I'll answer it privately if you want. :) ♥

Much love, from artist to artist.

[billiejean485]

Karmiro Kiss

https://www.deviantart.com/billiejean485/art/Karmiro-Kiss-800793669

(Text from DA:)

First of all, I'd like to state something: I don't usually upload art such as this often or at all, and I rarely even show it to anyone. Reason? Been bullied a hell of a lot for it in younger years, so I learned to keep things like these to myself. However, I am pretty sure the Karmiro fans would appreciate it, and I am having a really hard time finding artwork devoted to this ship myself (kudos to Iamaddictedtocoffee and KenKic4Ever - you guys are IMO the best I could find), and I honestly wanted to contribute.

Second thing I wanted to mention is that - although the show itself made me a huge Karmiro fan, this particular piece/sketch came as an inspiration from reading Arctimon's fics. My God - for the past 6 years I've been having a really hard time finding quality fanfics (I got older, and my standards became very high), and their in particular are among those rare that make me cling to it like an idiot, rereading it until I know it by heart (still in the process of achieving that btw XD). I haven't left a review yet, but, I can say here that that level of quality English, original ideas and great imagination is not something that you just stumble upon in the fan fiction world easily. I'm blown away. Still am. Still haven't read everything, so I won't drop that mentioned review yet. But, Arctimon, if you're reading this - you have my huge support, and I'm a really big fan.

Now on to the rant on the art aspect of this sketch.

I don't have much experience in drawing a kiss, and still learning to do that. What killed me even more here is just the position (that I probably didn't even figure out well) of the two - if you have that steamy kiss where both sides try to pull each other into it, and a couple with height differences between a girl and a boy such as Hiro and Karmi, everything gets complicated. The arm position is probably off (because yours truly was lazy enough not to reference anything). I hope at least I got their faces right - I haven't drawn either of the two enough for practice. Oh, and Karmi's hair was ridiculously difficult for me; it should be simple, but nope.

Ah, yes, and the Baymax sketch in the bg - the body probably should have been a bit bigger, but 'anatomy' wise I think it's okay. I just placed him in the wrong spot. And I have a feeling that it made perspective make no sense (he's speechless, btw XD).

Okay, and two last things.

I love the fact that Hiro is the shorter one in this relationship and is probably standing on his toes somewhat here, while Karmi has to bend down and/or pull him up. It's so relatable and heart-warming. :D I remember how all that went in those years of life (14~16). Wish we'll manage to see him grow, but who knows. Also, depends what Disney plans for the sequel of the movie, if they're even planning it (it got them an Oscar, so chances are high).

But one thing that saddens me in that is that - for most characters that appear in TV shows that are based on the movie there is like a rule that they don't appear in the movie's sequel. Which brings me to the second thing.

Even though I ship them with all my heart, I see little possibilities for these two to become something more than friends (there is more chance for that happening with Hiro and Megan, although the whole Karmutie stuff has led us on to believe otherwise up until she showed up). It seems as though Hiro and Karmi's relationship was made only to reach some "good friends" climax and that that's the whole point of it. Even Karmi's crush on hero-Hiro looks more like something that came as a product of her loneliness rather than actual need for a romantic interest in her life (I think she'd be a lot more invested in her relationship with 'Captain Cutie' if this wasn't the case). And when you take into account that this is a show aimed at kids... it all makes sense. Kids don't like romantic stuff, nor do they need it. But what do they need? Learning more about friendship, especially with that girl or boy they tend to fight a lot and don't get along well. It's a perfect reason to make you think that that there will never be anything more in this relationship. But it gets on our older fans' nerves because - naturally, the characters are not kids, they're teens. Things function differently here. I mean, okay - Karmi and Hiro may not be each other's type (debatable) in the end, but you can't tell me they don't care for each other at it's base, and that they will learn to get their rivalry out of the way to make a clear path for that. And when that happens, everything's possible.

But coming back to the first thing I brought up - the characters from the TV show rarely, if ever, make it to the sequel of the movie. Which means, whatever happens with these two, they will probably split up. It's saddening, and I wish things would change there. Hey, seeing Karmi in the sequel would make who knows how many of us happy. And not just her - bunch of other characters too. Or at least give them an honorable mention.

It's because TV shows get made for kids that nothing from it gets transferred to the sequel of the movie, which gets made for audiences of all ages. If there's something I wish would change, it's that - having TV shows dumbed down for kids. And with that I mean - seeing characters a lot older act like they're children. What the heck is that teaching the little kids? That reality will never be like they saw it on TV?

Kudos, and a really big KUDOS to the shows that are tackling this particular thing. It's good and it's healthy. If you wanna make something for kids, make it really appropriate for kids. Don't tug on the nerves of us older people, because - whatever the world says, there will always be those older ones that watch cartoons, ages ranging from older teens to who knows how old. We don't like watching those dumbed down things, no matter how profitable it is for you, content-makers, to target it only for kids, who will get you the most money. Yeah, it's harder to make such stuff, we know, but it's not impossible. At least show a little effort.

But, concerning that, I can't complain on BH6's TV show anymore. The second season was fantastic so far, and those 'dumbed-down' elements were reduced to the bare minimum. I just hope it stays that way.

... Well, this was a whole lot that came out of me just because of posting one silly fangirl drawing. XD Hope some of you actually managed to read this.... Too bad all of this is going to get dumped in the Scraps' section (please make a Sketch section, DA!), like most of my uploads do.

I live and breathe sketches. lol

Oh well - thanks for coming to my Ted Talk. XD I'm really done this time.