#// which yes - we the AUDIENCE already know bc

[demonsfate]

altho it's sometimes said that jun told jin "everything" about kazuya & his family before ogre attacked. i... still don't think he knew he had the devil gene ever. i don't know if jun disclosed things about kazuya being a devil. just because... it's never mentioned in any of jin's bios that jin is aware of the devil gene, or the devil gene even being brought up at all. plus, jin seemed pretty shocked in tk4, resorting to "hating" the devil gene that ran through his blood. when he didn't have this vicious response to it before. so yeah... whilst jin might've been told about kazuya being his father, i still don't think he was exactly given details. (especially not details about his father being an evil devil bastard) i think he was most likely just told "oh yeah, your family are actually the prestigious mishimas" and maybe told vague details that his father had to die over something but like. it's also clear that jin didn't know they were evil or about their tendency to betray or hurt each other. because again... why would he be so surprised and taken off guard by heihachi's betrayal?

so yeah, even though some sources state that jun "told jin everything." i still... don't actually think she told him much. i think she told him enough that he'd go to heihachi if anything happened to her and that's it.

[thatdeadaquarius]

About your language brainrot. I see your "Reader's writing can't match tyvat's long and flowery writing" and bring you "Tyvat isn't used to books over 50 pages long so a short story to the Reader is a whole dictionary to tyvat readers".

Seriously, have you seen how thin the books are? They don't wrote novels, they write short chapters formatted in the way really old stories are. As in, summarizing all the events down into one smooth story then adding a few quotes. Fanfiction writers are insane. They will willingly sit down and write hundreds of words at a time. To them, a proper modern day story of maybe, oh 10k words or so, would probably be like the Oddessy itself.

If we were to combine the two headcanons. It would end up as many historians being intimidated by this insanely long written scripture in the language of the forgotten.

I'm going to take this a step further and say that if the creator asked some people to proofread their things, it would establish a hiarchy of who is able to actually finish the book the creator read and who isn't.

NOW THIS, THIS IS MY FUCKING JAMMMM

I'm so sorry this is so old!! u probably all know this by this point that I've really slowed down as the year has gone on, but I graduated university and then got my first job so its been pretty crazy!

Sun: Reader (you/they/them)

Orbit: Headcanons-ish

Stars: dash of all the book/nerds of Genshin, heavy on Sumeru?

Comets & Meteors: Content Warnings: Cussing, 16+ Mature Audiences, Spoliers for Sumeru Archon Quests/Scaramouche, & Trigger Warnings: mention of shipping/characters shipping themselves with you.

Comment if any missed, please.

☆

FULL STOP.

THE AKADEMIYA, FONTAINE RESEARCH INSTITUTE, HAVE BEEN WAITTTINNGGGG ON YOUR ASS LMAO

You fall from the fucking sky like a 5 star, or pop out of the Irminsul or whatever

and immediately are mobbed by scholars. LMAO jkjk (not really, bc that's what it’d feel like)

can you even imagine the dread older stories(”the classics” to them), that was instilled in the poor students around Teyvat??

id like to think ur works are the most preserved over the thousands of years of Teyvat archeologists excavating them, in comparison to other authors (teyvat just likes you more, suck it William Shakespeare)

also, bc I cant resist language differences/world building I'm sorryyyy 😭 😭

the vocab of Genshin lang vs. ours, has significantly less vocabulary like their actual dictionary is 1/3 the size of ours type of energy

(Omfg all ur fanfics being considered like insanely long realistic romantic classics or tragedies like Jane Austen-level, and only the richest and biggest play companies put on plays about ur stories bc the script goes on for hours)

(ur plays only get put on for rlly big events bc of this, like Lantern Rite or like a Summer/Winter festival/your birthday, which is, yes, an international holiday)

dude the sheer power move of anything you’ve written being essentially “Journey of the West” to them, like Damnnn.

endless like adaptations, plays, Teyvat-short stories condensing it, (THEIR OWN FANFICTION ABOUT UR STORIES)

the power is, in fact, going to your head every time another scholar both deflates at how long ur stuff is, but also lights up bc they get to read it

speaking of scholars… you know who snatched you up first. you know. you don’t even need to read the next line.

Alhaitham.

sneaky bastard he is, absolutely manipulated, mansplained (and manwhored bc he knows he’s handsome, cheeky little shit) his way into getting you to sit down with him and interview you about both translating other classics, your own, giving your own analysis of others works and ur own, and picking ur brain apart of how/why you wrote urs, etc. its fucking endless,

Kaveh had to come rescue you bc u were starving to death after getting stuck with the Haravatat scholar in his office for nearly 7 hours of interrogation discussion about literature

and Alhaitham wasn't even nearly done, he’d informed you as you left that he already had another appointment for later conversation scheduled (how?? you don't even know ur own schedule??? you have a schedule???) and was looking forward to more of your “creative and enlightening input” :)))

(you’re never going to escape him, not even Nahida herself can save you from his stubborn ass)

On another note, Xingqiu is quaking when you agree to autograph his copy of your stories (of which he has all hard covers of the first edition translations)

Zhongli/Rex Lapis is known for having a near-lifelong passion for searching for your works specifically, and learning how to translate them better into Teyvatian vernacular

like the same way he can absolutely speak on Rex Lapis facts/rocks/adepti info, is the same confidence he speaks about knowing ur work lol

(yes he did also ask for several autographs and another sit-down talk about the works, tho a lot more sneaky then Alhaitham bc he just casually gets u guys into it during dinner)

Barbatos/Venti has written some of the most famous songs based on your stuff, he has his favorites too,

but he always claims the best songs are any that have been written in the story, like either when a character sings something, or there are like quotes from songs ur fanfics are based on lol

(he also demanded to hear what they actually sound like from you, yes, you have to sing them for him lol)

Venti also can surprisingly drunkenly ramble the entirety of at least one of ur stories, like, word for word lmao

(Diluc gave in and did give him a drink on the house for that one, just once, Venti doesn’t remember it lol)

(I forgot to mention, u guys still speak the same language, just like, different versions of it)

ur works being one of the few things all the Archons can freely talk about with each other, like it’s neutral ground bc they’re all fangirling about it lmao

Furina and Neuvillette have had like,, fierce debates over the decades about character dynamics and the general drama of ur stories, they’ve gotten into it enough they’ve stopped talking to each other for a couple days a few times lol

Albedo, Sucrose, Kokomi, Yae Miko, Ei, Raiden, have read every single work they’re gotten their hands on in Teyvat (it took them like a literal year or longer)

Albedo drew you fanart for every single story, bc he’s hyperfixated on everything related to you ngl,

Kokomi had commissioned smaller pocket versions of ur works (which later got popular thanks to Yae Miko) both the OG and the Teyvat shortened versions

THE HARBINGERS ARE THE MOST DOWN BAD LMAO

Childe has literally tried to recreate battle scenes from ur works lmao

and gets especially riled up about fighting someone who resembles any characters from them (esp villains, what a cutie)

You cannot fathom the amount of research throughout Teyvat that has been secretly or indirectly funded by Pantalone/Tsaritsa

from the experts to analyze them, to funding play companies to act them out, to actually excavating places to get more of ur stuff unearthed

(the Harbingers absolutely are the first group of people that got to read several of ur stories first bc of this, like the world’s most exclusive secret book club lol)

Scaramouche used to clown on Childe all the time about how he was too impatient to even “sit down and read the King’s classics”, and he was downright insufferable when he found out about Tartaglia’s habit of recreating battle scenes/that being what motivated him to fight sometimes lol

that being said, Wanderer surprisingly never forgot ur stories.

Even when his memories were wiped for a bit, he found comfort in these fantastical epics still sticking around, even when his old names did not

(he mayyyy or mayyy nottt have secretly namedhimselfafteroneofthetragicprotagonistsherelatesto- )

oh btw, Nahida also found joy and comfort in ur stories when she was trapped, they also helped her literally grow as a person bc she had ur stories to help her sort of process the world/what life was like outside of her dreaming prison 🥺💔❤️‍🩹

◇

OMFG

ANYWAY FULL TONE SHIFT LMFAO-

the ABSOLUTE SPIRAL-RED-STRING-CONSPIRACY-THEORY-BOARD ENERGY IF THIS WAS A BLUNT LANGUAGE AU LMAOOOO

like specifically how Teyvatians like to give all the context ever thru their words, but older deities/beings like you just do simple phrases that can have deeper meanings (whereas teyvat just explains all the meanings behind their words)

STOP there’s like an official display at the Akademiya and Fontaine Institute of red string theory boards 😭😭 (look what you’ve done to themmm LMAO)

for like every story of urs, INCLUDING THE FANFICS STOP

IMAGINE THE SHIPPING WARS IF U EVER WROTE ONE THAT WASNT EXPLICIT OR LIKE ONE OF THE MAIN ROMANTIC INTERESTS HAD CHEMISTRY WITH OTHER CHARACTERS HAHAHAHAA

that's actually what Akademiya scholars argue about the most viciously, it’s like politics you can’t just bring up ships from ur stories casually in regular convos 💀

(poor Cyno has to deal with a shipping war once a year bc someone always makes the mistake of reading ur work for the first time (without being told to not talk to others abt ships lol) and it starts an all out brawl in the cafeteria every time LMAO)

Also yes.

Cyno is a fanboy.

(he has read Creator x Reader-insert fanfiction.)

(As have most of the characters mentioned, and those not lol)

…

(I'm gonna make a whole Creator x reader fanfic post one day i stg lmao)

☆

an iced coffee? for me?? :0

ok but real talk…

wtf do you guys wanna see for new years!!

i didn't do a inktober/october days thingy bc i felt too unprepared (and bc id wanted to post that 1000+ followers eldritch au for Halloween)

but now i kinda wanna, at least for a few days :o

ill post a poll in a minute, so check it out!! but still, please feel free to comment some ideas here! :)

Safe Travels Deafening Dreamer,

💀♒

If you wanna join a taglist, DM me what for! "Pspspsss, please tag me for [All SAGAU posts, Only SAGAU Language AUs, diff fandom, etc.]!"

(If you ever wanna drop, just DM me! "No more taglists/[specifically this AU/fandom] please!")

♡the beloveds♡

@karmawonders / @0rah-s / @randomnatics / @glxssynarvi / @nexylaza / @genshin-impacts-me / @wholesomey-artist / @thedevioussmirk / @the-dumber-scaramouche / @chocogi / @fallen-starr / @areaderofbooks / @devilangel657 / @esthelily

[usertoxicyaoi]

also! a very good desi gl movie that hit the bollywood mainstream that i would reeeeally rec is ek ladki ko dekha toh aisa laga (2019) available on netflix!

The Absence of India in Discussions on Queer Asian Media

So, yesterday @lurkingshan tagged me in an ask she got from @impala124 about the absence of India when we're talking about queer Asian media. I was intially just going to reblog it with my thought, but as it kept growing I figured it'd be best to just make my own post. Please read the ask linked above first so this makes sense.

*cracks knuckles* this is going to be the most fun I've had writing a post in ages. (For a little background, I'm a queer Indian, born and raised)

So, this is a very interesting question on a subject I've been rotating in my head for the past several months. There's a lot of different variables that contribute to the noticeable lack of discussion on Indian and South Asian queer media in general, so I'm just going to talk through the ones I've noticed a little randomly.

Talking about Asian media in general, it's well known that the mass popularity of kpop and anime has contributed massively to the increase in popularity of Asian media. If you've been in the Asian media fandom for any amount of time at all, you'll have noticed that media from Korea, Japan, and China gets by far the most attention from international audiences; all East Asian countries. There may be several reasons for this, but in particular, it's no secret that the fetishization of East Asians is a massive proponent in the popularity of media from these countries, while there's no such interest in South Asians. If we shift our focus to queer media specifically, media from these three countries is still extremely popular, with the addition of Thailand and the Philippines to some extent; both South East Asian countries. From what I've seen, there's very little international interest in media from South Asian countries (although, if we're talking about India specifically, I can't exactly say anything. Bollywood has not been good lately). If we talk about queer South Asian media, the scope of interest falls even further. If you'll notice, MyDramaList, one of the most commonly used websites for finding and tracking Asian shows only allows for East and South-East Asian shows. So, that's one reason—there's just not much international interest in Indian media in general. As Shan said in the initial post, it's partially because of a difference in priorities. Korea is notorious for using media to gain global standing, the role of the 'soft power' of Thai bls in the recent bills for equal marriage in Thailand has been widely discussed, the list goes on. Could racism also play a part in the massive gulf of interest in media from East Asian versus South Asian countries? Probably. But I'm not going to get into that too much.

Moving on, there's obviously a massive lack of queer media in India. I think this is greatly exacerbated by the fact that it's very hard to support the people making queer media beyond buying and/or streaming their work. The majority of people engaging with Indian queer media are queer Indians, and a lot of us have to do so in secret because of the society we live in. This means that creators that have to push through several obstacles to publish their work often receive little incentive to continue doing so because of the lack of engagement. Because of the lack of media, international fans are less likely to become interested in queer Indian media, and the cycle continues.

I will say though, contrary to what Shan said, I think Indian media, particularly anything that came out post 2019 might actually be on the easier end of the spectrum when it comes to access. This may simply be bias, so forgive me if I'm wrong here, but from what I've seen, a lot of queer Indian shows are in fact available on streaming sites, and at most you'd need a vpn to access them. I think the two main things that actually hold back queer Indian media from becoming more popular are a lack of noise and it's relatively lower quality.

The main way we find out about new shows in this space is through either word of mouth (well actually, post) or because we follow production houses known for producing media. Because of the sparse nature of both the media and the consumers, there's very few people who learn enough about the media to want to give it a shot. For example, there's a film on netflix called Badhaai Do (hindi for Congratulate Us) that I've been meaning to watch for a while. It centers around a lavender marriage and I've heard a lot of good things about it, so I was slightly surprised to see that most of the people on tumblr I interact with who have been engaging with queer media for far longer than me had never heard of it. There's also a, Indian BL from 2017 called Romil and Jugal that I've written about before here, and I would've never learned of it's existence if not for a friend hearing about it from another friend of hers.

Because there's so little queer indian media, it's natural that the quality leaves much to be desired. The main issue is, because the queer asian media market has become so saturated lately people are becoming a lot more selective with what they watch, and for good reason. This means that queer media from india is simply unable to grow and improve over time, leaving it stagnant. Back in 2016-2018, the overall dearth of queer media from Asia meant that a lot of people were willing to watch shows that were average or even worse. Thailand particularly seems to have benefitted from this, being able to grow and evolve its queer media due to the successes of shows like SOTUS, 2gehter, TharnType and more even recently, KinnPorsche. Queer Indian media will have a much, much harder time with this because of all of the factors I've talked about and more, meaning that it is much harder for queer media to evolve. Honestly, though I haven't been able to watch/read much queer media from India, the stuff I have seen is really quite decent, it's just that it tends to fail in comparison to some of the brilliant stuff we're seeing from other countries. A while a ago, I bought four queer books by Indian authors, and of the three I've read so far, I'd genuinely recommend two, albeit one with quite a few reservations (I'll be writing about them sometime in the future, just haven't found the time yet). While talking about this with @neuroticbookworm, she brought up the excellent point of how Indian media in general has just been of fairly poor quality lately. It seems to me that a lot of it is catered to more conservative audiences, which results in people like me becoming disillusioned with Indian media and simply moving onto things from other countries. It has been a long time since I've watched anything worthwhile come out of Bollywood. So, it becomes even harder for queer Indian shows to be found at all; a majority of their target audience has already forsaken Indian media as a lost cause.

So, those are a bunch of reasons because of which there's not a lot of discussion about queer Indian media in fandom spaces like Tumblr. Something else I'd like to point out is, it's very hard for queer shows in India to gain much traction whatsoever. Live television slots are ruled by the infamous Indian serials, the majority of the audience being people in their late thirties and older, particularly women. And while homophobia is just as prevalent amongst the youth of India as it is amongst older generations, younger people are far more likely to be engaging with queer media, in India at least. This means that it would be near impossible for queer shows to air on live television the way they do in countries like Thailand and Japan. The majority of Indian youth use global streaming services to watch shows, hence the greater concentration of queer shows on service platforms. (Romil and Jugal is something of a dark horse here—I don't believe it was ever aired, but it was produced by a producer who has a few decently popular serials under her belt and is available on an Indian steaming service—another reason I'm determined to research how tf this show ever came into existence) If we talk of movies, the industry is limited by the iron fist of Bollywood, another reason it's very hard for queer movies to be produced and why they're generally found on streaming sites.

There's just not a lot of people who have the balls it would take to make a queer Indian show/movie and push it to the Indian public beyond a streaming service. I mean, we're all seeing what's happening with the Love in The Big City drama right now, and believe me, public backlash in India would be the same, if not much worse. And if no one in India is watching these shows, why would anyone in any other part of the world? There's barely any public figures that would be willing to participate in such a project, so queer media stays underground. Currently, Karan Johar is the most popular—and one of the only—out celebrities in Bollywood, and, well, he's treated as something of a laughing stock by the public. He has one or two queer adjacent shows under his belt as a producer, but once again, they're barely known and available only on Netflix. There was a movie called Dostana in which he played a straight guy pretending to be gay but, well, that speaks for itself. And well, I can't exactly blame him for it, knowing how the Indian entertainment industry is.

To talk a little more about the specific comparison between India and Korea, I think you're fairly accurate in saying that the two countries seem to be roughly on par in terms of homophobia, although that's an extremely vague statement that's rather hard to either prove or disprove. While the difference in international attention towards Korean and Indian media is certainly a major component of the difference in discussion about the queer media from these countries, there's obviously other things that go into it as well. There's this video I watched some time ago on the progression of queer representation in K-dramas that's quite well researched. It's an hour and a half long, so in case you don't have the time to watch it (though I do recommend it), it basically talks about some of the dramas with queer rep that have aired on Korean television and their impact. While it's hard to gauge the level of impact of these shows on the availability of bls and gls in Korea, they certainly had an effect, if only telling the queer population of Korea that they are seen and heard. To my knowledge (although I may be mistaken), no such queer rep has ever aired on Indian television, meaning that there's nothing to push creators to put queer media out there. There have been old movies and shows that depict queerness, but none of them ever reached the sort of the scale where they may have some sort of impact on the industry. As I mentioned earlier, the widespread popularity of K-dramas (and k-pop) does make it easier for creators to make queer media since there's a much higher chance of the shows being successful thanks to the international audience. Bringing back Love In The Big City, the success of the book abroad and the high probability of the show being well received internationally is probably one of the reasons it was able to be produced amongst domestic backlash.

Now, I've been talking a lot about how it's difficult for queer Indian media to gain any sort of international recognition with domestic attention. However, it's not necessarily the case. Here's where I start rambling (I say, as if this post isn't verging on 2k words). It's been proven that the presence of the international market allows for greater creative freedom in spaces beyond television. The best example comes from Korea's very own 'soft power'; K-pop. There's a K-pop group called Dreamcatcher that debuted in 2017 with a rock sound and horror concept that was extremely rare in kpop at the time. They succeeded mainly by focusing most of their promotions to the foreign market, knowing that their concept would not be well liked in Korea. And they succeeded. Today, Dreamcatcher has a sizeable fandom and has even been growing in popularity in Korea, with the Korean public warming up to their genre and having influenced other girl groups to try out similar sounds. We've already talked about the lack of international attention for Indian media, but there's also the issue that the producers of queer Indian media aren't marketing to foreign audiences, which remain ignorant.

That's all I have, this is so long good lord. All in all, there's a bunch of factors that feed into each other creating a cycle which means that, unless there's a break somewhere, queer Indian media will remain unrecognized. I'm excited to see what other people have to say, because this is a topic close to my heart and I'd definitely enjoy seeing more discussions around it.

[ramons-elevator]

Bad mentioned on his stream that all the dead eggs lives impacted how different we treat the eggs on the server and I realized that EVERY egg death changed history on the server and how we treat the eggs.

Juanaflippa- Obviously her second death made everyone very weary with the beds (and the admins bc i believe they made the beds harder to break). But her third death with sweeping edge and how everyone needs to be careful around the eggs with swords.

Tilin - Their death kinda goes hand in Juanaflippa about how NOT TO USE SWORDS around the eggs. But also Charlie went into eggxcile because of Tilins death and that snowballed into Gegg. Also helped with Luzu’s character and how he switched to Arin and with the computer/Code.

Chayanne- Technically chayanne lost their first life to neglect BUT the nightmare Phil, chayanne, and Tallulah had i believe introduced ‘nightmares’. Also it made the admins disable some born in chaos mobs and made Philza even more paranoid about the island than he already was.

Bobby - his death was the first permadeath we had since the trio died. It hurt a lot and made Forever realize that his death could have been prevented. Thus making Forever build the Ninho and make everyone very cautious of everything.

Ramon - same with Chayanne’s were his first death was to a Blaze but his nightmare was significant. It made the admins make solid ground rules about certain things and make sure everyone knows the rules about reinforced bases.

Leo- Her death with whales made everyone realized how fucking beefy and super dangerous the whales are. Also that you shouldnt just AFK anywhere. That you should try to be in a safe place before AFKing.

Dapper - His first death was SUPER significant. It made people realize that the code is learning and adapting. Thus made Bad, Forever, Cellbit, and Etoiles go to Luzus computer and explode it. Which lead to Forever getting pieces of the computer and getting the motivation to try to bargain with it. Which lead to Cellbits betrayal and enderchests getting banned. It also gave the most insane book by Cucurcho which is “Perfect for you or for me?”

Richarlyson- His first day nightmare gave us that the eggs have first day immunity. Then his actual death showed us that uhh fuck bulls and that Mike blames himself for Richas death to this day. Also gave us Imortalyson and kinda Richarlyson’s mindset of ‘fuck it we ball’. All he has ever known is one life.

Trumpet - THE MOST IMPORTANT DEATH ON THE FUCKING SERVER HOLY SHIT. Yes Trumpet died from neglect but his death lead to the Theory Bros. For those who dont know, Bad went to Maxs house to comfort him about Trumpets death and one of the ways he tried to get Maxs mind off of Trumpets death is talk about how weird the island is. Thus Bad and Max theorizing about the island and the rest is history. Also it lead to Max and Bad interacting more and kinda making Max talk to more people around the island.

Tallulah - Her nightmare with Phil and Chayanne has significance as stated above. But her death with the Code is significant because it was the first time Forever saw an egg’s death. It deeply upset him and made him a lot more serious about the eggs. Also again made Philza more paranoid.

Pomme- She hasnt died yet but her nightmare I would say is pretty significant. Kinda with Ramons nightmare, it helped give the players, admins, and audience some more rules on things and what the admins can/cant do. It also made everyone realize “Holy shit theres a weapon that does 50000 damage and will one shot you and destroy your armor” which is terrifying on its own.

Everything is so significant on this fucking island and every egg is extra significant to this island. No death is taken in vain. They truly shaped the island and everything we know about it

[buttercup12233]

I just wanna get a little bit into this one comment right here bc those are actually one of my exact issues with Alastor as a character and I can't believe I never acknowledged this. His manipulation tactic fucking. Suck. Ass.

Yes, Alastor was able to manipulate Husk into signing a contract, but when it comes to Charlie...how do I even explain this.

His attitude towards Charlie has changed which I began to notice. I rewatched the hh pilot and began to compare Al's relationship with Charlie compared to how their dynamic is in the show. And let me tell you, Al was waaaaay more nicer to Charlie in the pilot. In the show, he straight up calls Charlie 'delusional' with 'daddy issues'. And I said wtf? Didn't he call her a 'charming demon bell'? Why is he more bitter towards Charlie? The princess of hell? To me, that's so out of character. It would've made it more interesting to see Al have a completely different personality to add on more onto his plans.

I believe what was originally going FOR Alastor was that he was supposed to act professional and act like a gentleman to the main cast before his true intentions were shown later on. I wish that route took THERE because in the pilot, his evil intentions were rarely shown. He was more trusting. His manipulation towards Charlie was less obvious. But now, in the show, we as the audience know he will betray Charlie at some point. The way Alastor does it too makes me gag in disgust. He's just overall mean, rude, and a dickhead. You can't really call him mysterious or enjoy him as a character bc how you know he just wants power. We already know what he's going to do. Even though he was not supposed to be this predictable. And that's boring.

[takamimami]

takamimami Celebrates 100 Followers!!

EVENT CLOSED: RULES AND PROMPTS UNDER CUT (event end Oct 11th)

What better way to celebrate a milestone than with these three goofballs?!

Seriously though, I want to thank everyone who has liked, followed, reblogged, and interacted with any of my works I've posted on this blog. Let me start off by actually introducing myself:

Hi! My name is Tia/Angel/Princess/any pet name you want to call me :3 - I am a 27-year-old loser who shamelessly obsesses over people I will never meet. I pride myself in trying to be an open book, so I am always open to chatting about anything from anime, video games, music, books - but I need to come with my own CW because I am unhinged 87% of the time (srynotsry). I once saw this post that said something like 'Create pieces that you are the target audience for' and that is 100% my motto when it comes to writing, so the fact that anyone enjoys what I create is amazing bc it means I'm not as crazy or alone as I once thought I was <3 (ew that was oddly sappy). This blog is technically a side blog where I post my writings, so if you really wanna be friends, consider following/interacting with me on my main page @limitlesstildil

EVENT RULES UNDER THE CUT - PLEASE CONSIDER LIKING/REBLOGGING THIS POST TO SPREAD THE LOVE :3

Supernova Captains 100 Follower Event:

RULES:

The rules are pretty easy: submit an ask here and choose a prompt from the lists below, and then let me know which of our lovely captains you want me to write about for you!! ALL WILL BE WRITTEN AS X READER FICS - SO PLEASE SPECIFY IF YOU PREFER F!READER, M!READER, OR G/N!READER!!

Be mindful of what prompt you are choosing - Smut prompts will be NSFW - Fluff Prompts will be SFW - and Angst will be SFW unless you request otherwise :3 NOTE: you can select choose for me to write a prompt for all three captains, but the blurbs will be smaller (5-600 words each) than if you just choose one of them. Single character pieces will be roughly 1.5k words - give or take (and also depending on my self control :3) ALSO: please feel free to include any ideas/pet names/headcanons you would like me to include/lean into - I want to personalize them for whoever is asking as much as possible so do not hold back when it comes to letting me know what you're in the mood for :3 HAPPY REQUESTING <3

PROMPT LIST:

SMUT 🔞

“Don’t act innocent when we both know where your mouth was two minutes ago.”

“We should probably leave, before we start a scandal.”

“My tongue still remembers the way you taste.”

“Jealousy seems to be a great motivator for you.”

“I could make you feel better.”

“I know I should care about the reason why you’re naked in my bed, but I will just enjoy it for a moment.”

“Your hand feels so much better than mine.”

“Your moans will wake everyone up and I’m oddly fine with that.”

“Your eyes are already saying yes, now I just need your mouth to tell me the same.”

“How about we get really dirty before we shower, so that it’s actually worth the effort?”

“Oh, you’re such a tease!”

“Hmm, is that a threat or a promise?”

“I want to ruin you.”

Our bodies fit so well together.”

“Make me shut up then.”

FLUFF🍬

“How come you always end up under my blanket?”

“Have I told you I love you today?”

“I would like my good morning kiss now.”

“You getting so flustered is one of the cutest things I’ve ever seen.”

“I think I know what that smile means.”

“You give the best hugs.”

“You’re enough for me.”

“Wait, we have a few more minutes.”

“You’re just the cutest.” “You’re the only one who is allowed to say that.”

“Do you think they will like it?”

“Sweet of you to think of me.” “I always think of you.”

“You make me a better person.”

“Everything alright?” “I just missed you.”

“I wouldn’t want to be here with anyone else.”

“Come on. Let’s go home.”

ANGST🥀

“I shouldn’t have left.”

"Please don't talk about yourself like that."

“No, this can’t be real!”

“We tried our best.”

“Please, let me in.”

“Can’t you understand why that hurts me?”

“I asked you not do this, but you did it anyway.”

“Don’t touch me!”

“I’ve always been alone.”

“It hurts, but I’ll live.”

“Please, tell me you're ok.”

“Sleep doesn’t come that easy without you.”

“I don’t really care anymore.”

“No, I’m actually not ok.”

“You just can’t help it, can you?”

[writingsofwesteros]

Daemon and his twin/little sister fucking some where and Aegon and Aemond thinking their being sneaky watching them (they prob in semi public somewhere, bc i feel like daemon likes being watched just as much as he likes watching, and his twin loves being watched lol) but the twins of course know their there, and Daemon can’t help putting on a show for every audience lmao

AN: Hi, I hope you like it x

NSFW

“Daemon..” Your moans easily flooded the council room as he pushed you down. The dress pushed down to your hips. Your soft, ample breasts brushed against the table as your body moved up and down. His own hard cock was pushing deeper inside your weeping pussy. An act he had wanted to do for the whole of the feast.

His hand moved onto your arse and began to palm you. “Good girl..” He whispered his praises loudly as his smirk only widened. He knew the two Princes had followed and were now watching the passionate moment. Not that you knew it; not yet anyway. The Rogue Prince would tell you at the right moment.

Your walls were fluttering around him already. His hand moved into your locks and pulled you back. Your bouncing breasts on full display now as he had you against his chest. His mouth was soon on your neck once more; marking you for all to see. The sight of his cock moving in and out of your pussy was on display too.

His hand snaked around your middle as he hotly mouthed at your neck. Your mouth watering scent moving over him. “Fuck, have you been this wet all night?” Daemon asked; louder than needed. “Yes..oh gods, Daemon.” You whimpered out. Your locks are in a mess as they fall down some more.

Daemon's thrusts continued at a rapid pace now as he pushed against your spongy spot again and again. He tapped your clit again and again with his hand; moaning as your walls fluttered around him. The sounds of your wetness echoed around the room; much to his enjoyment and your own.

His hand roughly cupped your breast once more and began to squeeze. The milk dribbled from them as he smirked into your neck. He knew the Prince had the most mommy issues than anyone he’d ever known. And Daemon was a dick enough to tease him. For a moment, he thought he heard a grunt. 

“We have an audience.” Daemon whispered into your ear, finally telling you the truth whilst his thrusts never slopped. You whined in confusion as your soaked walls fluttered around him. His hand moved around your neck and subtly turned you. It was then that you noticed the two brothers.

You gushed around his cock at the realisation. The sound echoing around the otherwise silent room. Daemon pushed you back onto the table as his hand came down on your arse. He grabbed you; pulling your cheeks apart to watch his cock fiercely moving in and out of your weeping pussy.   

His hard cock was covered in your cream as he pushed deeper. The sound of skin slapping together echoed around the room as you reached for anything to hold. “Oh gods..” You cried out as he pushed against your spongy spot that had you squirting around his cock before you realised it.

Daemon chuckled and only fucked your harder. He placed one of your legs on the table with you, which allowed him to sleep deeper inside you. His fat head pushing against your spot some more. “Oh…I..Daemon..” You cried out. Tears of pleasure falling down your cheeks now. He was in no mood to stop.

His hand moved to your hair now and pulled. Your head moved with your bouncing breasts on full display once more. “Gods, I hate this place.” Daemon spoke to nobody as you cried out complete nonsense. Your mind softens under his attack. Your eyes became hazy with the intense pleasure.

It seemed never ending as his hand snaked around your middle. His slender fingers moving over your completely drenched pussy. He pinched your clit that had your walls fluttering around him. Daemon’s moans of pleasure began to sound out. His own stomach tightening as his thrusts became sloppy.

His fingers were completely soaked by your own wetness and his hand slowly moved to your arse, spreading your cheeks before slipping two fingers inside your arse. “Oh fuck, Daemon!!” You cried out his name again and again like a prayer whilst the rogue Prince only chuckled in delight. 

The princes watching could only stare. Their mouths open as you shake under their uncle’s touch. You tightened around him so well as his thrusts never stopped. He pushed deep for his cum to flood you whilst his fingers teased you without mercy. Your soaked walls began to quiver around his sensitive cock.

“Fuck,” Daemon couldn’t handle it as he leaned away. His softening cock soaked with your wetness as he moved to his knees. “Good girl.” He purred as his fingers continued to tease you. It was not long before his hot mouth moved to your weeping pussy. His tongue collects both of your cream.

“Oh gods…I” You wiggled as he pushed his face into you. His mouth is engulfing your soaked pussy. Your eyes rolled back at the feeling as your legs began to shake now. Your stomach tightening as the painful climax was reaching you. You were slowly losing consciousness as he pulled it from you.

You squirted and he harshly sucked on your clit; his tongue moving to gather up and take all that you gave him. His fingers gently removed themselves from you as you finally breathed. Daemon couldn’t help but press a soft kiss to your clit and watched you jolt at the small touch of his.

His touches became gentle now as he heard the shuffling of fear. Daemon had nearly forgotten about their audience. “I love you.” Daemon whispered into your ear as you only hummed; burrowing into his chest as you tried to calm down; your heart racing wildly as your body was so sleepy.

“We should get some rest now.” Daemon hummed and gently moved you to sit up. Your hands moved into his locks already as you leaned close and rested your head on him. “Hmm, we cannot rest here.” He chuckled as his hands moved up and down your sides whilst he pushed up his pants.

His lips found yours once more in devotion and love. Your tongues met as he danced with yours. You hummed before looping your arms around his neck and keeping him close for a moment. “We should go home.” You whispered into his ear; softly mouthing at his neck as your eyes fell shut.

[magpod-confessions]

(look at me go, not asking anonymously for once lol)

“the web is underrated” “the buried is underrated” “the dark is the most underrated” 

yes. you are right, i agree. but they are all underrated. none of the fears get the attention they deserve.

-the dark and the end are almost completely forgotten about due to their perceived simplicity.

-the buried, the flesh, the hunt, etc are so unexplored, no one bothers to look any deeper into them.

-the desolation is not just fire, but no one ever tries to represent it some other way.

-don’t get me started on the whole spiral-distortion thing (perhaps i will make this a future confession bc oh boy do i have a lot to say).

with all of them people seem to be scared of diverging from the explicit canon representations.

no one seems to care about the fears anymore. THE fears. you know, the one thing that makes tma so special? i’ve lost count of the number of times i’ve seen someone say “after listening to tma i can never look at things the same. i always categorise them by the entities”

that’s all they are treated as, categories. perhaps this is an odd way to describe horrific manifestations of our deepest fears, but i think they are beautiful concepts. i could spend hours thinking about each one and the ways they bleed into one another, i probably have. 

yeah, at this point smirke’s 14 are old news, but there are always new angles to explore. we saw that in season 5 of tma, and we are seeing it now in tmagp (though the fears are of course different). why did we stop talking about that? (i wasn’t actually on tumblr when tma was happening so idk. maybe no one ever cared) 

talk about the fears, put your ideas for unconventional statements or avatar or whatever out there, there’s an audience (me at least). say stuff about how different fears crossover, or some new aspect of one. “but surely people would have already said this at some point” respectfully, i don’t give a shit. if i come across mutliple posts analysing a similar aspect of the vast, i’m going to be fucking overjoyed. because much of the fears is up to intepretation, they have slightly different meanings to different people, so every single person’s interpretation adds value and adds something unique. i see a little of this, but not enough.

we should keep discussing the fears. i don’t know why we ever stopped.

(sorry this is so long and rambling, i hope you can see the points i’m trying to make.)

🗣️ i’d love to hear your thoughts on this

Literally this. Agree with all of it

Some things:

The Desolation can be natural disasters, including floods, storms and earthquakes. Water is just as destructive as fire

The Dark can be not knowing something. It overlaps with the eye yes, but it still counts

The Corruption is shown to be a response to loneliness, not the opposite of it. Its being so lonely you seek out community, no matter how dangerous it may be. Every single corruption statement has references to loneliness

The Spiral says its a liar, but its never done that, only changing your perception of reality to make what it says true. It is delusion not manipulation

The Slaughter is never portrayed outside of war, which is strange because sheer unhinged violence has so much variety

[ryin-silverfish]

LMK S5 trailer, Chinese pantheon infodump, and some ideas

…Man, normally, I feel the urge to write fix-it AUs after rewatching episodes and coming across particularly bizarre theories and takes, not before the new season's even out.

Thanks, S5 trailer.

Consider this your spoiler warning, because the rest of this post will all be my personal opinions about a few major story beats that were revealed + the rough outline for a fix-it AU.

It's also a bit ranty, and features some criticisms of the general narrative, so if that's not your cup of tea, feel free to avoid this one.

Li Jing becoming JE/the regent of the Celestial Realm is just hilariously absurd. I mean, it makes a teeny tiny bit more sense than the "Nezha will be the new JE" fan theory, but that's not a very high bar.

1) In-universe, he had done a grand total of nothing while shit was hitting the fan, and only showed up after it was all over. Which, tbh, isn't too far from his role in FSYY. No, wait, at least in FSYY, he killed Luo Xuan via a pagoda to the head, after the guy had all his fire-based magical treasures neutralized and taken away by Princess Longji.

Yeah, congrats, LMK's Li Jing, you've somehow become even more useless than your FSYY and JTTW counterparts——which is a true feat.

2) Even if someone's making him JE/regent, it wouldn't be the Ten Kings. To put it simply: the Underworld doesn't have that authority. They are the most pathetic of all divine bureaucracies, who pretty much only show up to get pushed around and revive the occasional dead guy in JTTW (and I still love them).

Like, they ain't no Hades or Satan. Just the 10 judges of the Dead People Supreme Court. To heavily paraphrase Di Ting in the original JTTW novel:

"How much power do Underworld gods really have? (幽冥之神，能有多少法力)" "...Certainly not enough to stop a rampaging demonic macaque who's as strong as SWK, if I say the truth out loud in here and piss him off. Just send them to the Buddha, please."

An analogy: if the Celestial Host is the imperial court, the Underworld is the ministry in charge of judicial processes and prisons. They don't even have authority over the imperial censors who answer directly to the emperor, let alone the power to determine a successor to the throne during a major crisis.

If this was to make the tiniest bit of sense, Li Jing would be the one commanding THEM, not the other way around. Or if it's Bodhisattva Ksitigarbha himself giving orders to Li Jing…for some reason.

But we know that ain't happening bc of the show's strange aversion to showing Buddhist deities on screen, not to mention it would be very OOC for Ksitigarbha, whose job is granting relief and salvation to souls in the Path of Hell, not judging and punishing them like the Ten Kings.

3) If you must make Li Jing the emperor/regent, you have a more mythos-accurate and obvious choice than the Ten Kings, considering you already got the Four Divine Beasts involved!

Yes, I'm talking about their bosses, the humanoid "directional + elemental gods": Lord Father of the East (Wood), Queen Mother of the West (Metal), Emperor Zhenwu of the North (Water).

No South though...because our mythos can't agree on a single directional god of the South, but for shit and giggles, just imagine Zhurong, Yandi, Huaguang, and the Star of Fiery Virtues all sitting on the same narrow bench, staring awkwardly at each other.

Maybe we can have Ziwei, Great Emperor of the Central Sky and North Stars, who is one of the Four Sovereigns(四御) in Daoism (two of which could also be an alternate choice, but maybe a bit too obscure for foreign audiences).

He commands the stellar deities and heavenly bodies——which the Four Divine Beasts would technically fall under, as guardians of the four quadrants of the sky, each in charge of 7 Lunar Mansions.

4) But if you already have these deities, why the hell would any of them make Li Jing the regent? Wouldn't it be more likely for them to create a Celestial Council of Regents themselves, with Devaraja Li Jing under their command as the leader of what's left of the celestial army?

Like, you can still have them, or one of them, going after the gang and ordering Li Jing to put the fillet on SWK.

I can see Zhenwu the Demon-Vanquisher doing that, since the fillet isn't too different from what he did to Huaguang and a lot of the demons he subdued in JTTN: feeding them magical water/fire pills that would corrode/ignite their insides whenever they tried to resist.

(Yeah, compared to that, the fillet would look like the lenient option, since it's just pain and won't actually dissolve/cook you alive from the inside out...)

And it wouldn't be bc he thought SWK was to blame for the Brotherhood's epic fuck-up...somehow. Like, what even is that logic?!

I mean, I can kinda see the Ten Kings doing it as a pre-emptive "Don't blame us for our shitty security, blame that guy over there!" move...except they are no longer answering to any higher authorities who'd hold them responsible at that point!

"What about Li Jing?" You may ask. Yeah, WHAT ABOUT LI JING? Why does Li Jing have to get involved in this?

If he's forcing the Ten Kings to pass judgement on the gang (which surely doesn't look like it in the trailers), why's he enlisting the help of the weakest faction and not, y'know, his celestial soldiers and other gods?

If the Ten Kings get Li Jing to be their enforcer...well, how the Eighteen Hells did they manage that? What could the Ghost Supreme Court and their crappy prison-torture chamber-soul customs office complex even offer Li Jing as a bribe?

And if their goals were to avoid responsibilities by blaming someone else, how stupid did they have to be to actively involve/create a higher authority who can punish them once the cat gets out of the proverbial bag, instead of, I dunno, just stay where they are and keep their head down???

So in my fix-it AU, it's more of a "Better safe than sorry" scenario, where every demon working for the new Celestial Council must prove their loyalty via swallowing the water/fire pill, now that even more dangerous demons have escaped and are running around in the aftermath of S4.

And Great Sage and company are not exempt from that new law either——"If you are truly righteous and Not Like Them and not planning to rebel, what's there to be afraid of?"

Horrified by the Demon-Vanquishing Mansion's 16th century standards of "justice" and "mercy", they naturally would not have any of it, and thus the conflict begins.

Not only would this show the fallout of Azure's misguided rebellion——that, in trying to make a better world, he had made it 120% worse for both humanity and demonkind in less drastic and more realistic ways aside from dooming reality to irreversible destruction, it would also help with the major show-not-tell problem about Celestial cruelty bc the "good guys" in power saw no problem with this kind of shit.

If you want your lawful antagonists who take Order to its extremes, the warrior sovereign in black leading an elite army of demon-hunters + penal legions made of "reformed" demons would be a better choice than the Ghost Supreme Court, don't ya think?

(Fun fact: in Zaju plays, Zhenwu was often said to be the boss of Nezha and Erlang, so him commanding Li Jing wouldn't be too out of place either.)

Now, you may ask, why do I even care? After all, isn't it clear that the show is neither mythos-accurate nor trying to be, considering the JE got K.O.ed by a Bodhisattva's cat of all things?

Not to mention the season's not even out yet, so why jump to conclusions so quickly? Maybe the actual episodes will have explanations that make sense. Relax.

...Cause I don't mind less-than-stellar animations if the story's good, and since I keep noticing the less-than-stellar animations, it clearly isn't good enough.

Also, it's not like it's only the implications that are absurd——my problem is with the whole premise of "Li Jing becoming the new JE/Regent" and "The gang is prosecuted by the Ten Kings for bullshit reasons, even though these guys should not, and never have the power to enforce anything over SWK."

I don't like calling narrative choices "wrong" per se, and prefer to see it on a gradient of "least to most narrative potential". When it comes to adaptations, if the option that is faithful to the original work will result in a less interesting story, then I'll happily take the one that isn't as faithful and takes creative liberties, but makes a better story.

And here, I feel like being faithful to the Chinese mythos inspirations will add to the narrative potential instead of subtract from it, and the idea they come up with kinda...goes against how Chinese pantheons work, in a very simplified and "westernized" manner.

Mostly bc I am a Chinese Underworld mythos lover and think they deserve better than being ominous Hades/Grim Reaper knockoffs. And out of all the possible Chinese gods, Nezha's asshole dad is the least qualified or interesting candidate to fill in the power vaccum left by JE's death.

[thechargrey]

Something bothering me after s3.e4. Zava's right, a lot. The first thing the guy says is that gender is a social construct! Hell yeah!

We all expected to hate him, expected him to be a Jaimie s1, and then he barges in to the scene saying all this stuff that we agree with. This episode where he talks about how we should name ourselves feels a bit "yes, king."

Except that it's not.

Zava does not ask Van Damme why he's Zoreaux because he wants Van Damme to look deeper, he does it because he was corrected by Van Damme on his name. Zava was wrong, and rather than admit that and move on Zava constructed a narrative in which he was right by using ideology that we already agree with.

It's a distraction technique. It's a massively toxic trait that is most often used by narcissists. It becomes impossible to argue with someone doing this, because you agree fundamentally with what they're saying, and the moment that you do you've fallen into a trap where the narcissist does not have to change their behavior or recognize their wrongs.

This particular situation is a small one, but it hints at something much bigger. The fact that Zava couldn't admit he was wrong over a more minor thing is a big red flag to me. Zava said what he said to protect his hero/idol status, and because he is the kind of man that cannot admit to his mistakes.

This also isn't the first time. His introduction is him sitting at Rebecca's desk. Which is clearly very creepy, but when he's called to answer to why he's there he distracts us by saying "gender is a construct." When he first speaks to Ted he simultaneously says the things all coaches want to hear and what he really means. "I am an empty vessel filled with gold. I am a rock, mold me." He's claiming he'll listen to Ted, but also very clearly saying that he will do what he wants in the end. He simultaneously says Will is the most important person and insults him by saying he's 11. We're used to himbo characters and seeing the best in people, but that just makes it all the easier to be taken in.

The writers are clearly using Zava to illustrate a new type of toxic male character we haven't yet seen on the show as of yet. And they're simultaneously demonstrating just how convincing narcissists are. They're so easy to like because they say the right things. Many of the fans of the show like Zava, and that's on purpose.

And the writers have also already told us exactly what Zava's going to do.

When Zava is first mentioned, Rebecca and Higgins talk about how he switches teams constantly. Now that we know Zava's character it's easy to connect the dots as to why that is. The moment people on the team wise up to who Zava actually is and stop hero worshiping him is the moment Zava skips town. He doesn't care what kind of situation that leaves his team in, because he's only ever been on a team of 1.

So what we'll see is that Zava will continue to use progressive words to prove himself right while being steadily more wrong and offensive. At some point that will cross a line where the team can no longer ignore it, and it will break the illusion of what Zava's been doing the whole time for both the team and the audience. Zava will immediately leave Richmond. And bc this is a tv show it will be at a moment where Richmond needs him the most.

[ihopesocomic]

My Pride is weird bc the gore for shock value is really the only thing "adult" about it. As far as plot and characters and themes it fits right in with YA xenofiction - yes, even "mature themes" like abuse and oppression are often covered in children's media like Wings of Fire and AtLA, that's not exclusive to adults. I feel like MP was actually intended for the same type of audience, but they added the unserious bobblehead disclaimers at the last minute bc they realized angry parents might come after them if their kids watched a Lion King-style YouTube video that turned out to be super violent and bloody.

Its really hard to tell who the audience for MP was outside of "people who were already fans of Tribble's warrior cat/cotw content". Can't be for children, cuz there's warnings (well "warnings" in the form of cute widdle bobbleheads with little fun quips from the characters)

Like is this for teens? I mean I know teens like a lot of crappy stuff (not me tho, I've always had impeccable taste /sarcasm)

Is this for adults? Cuz the messaging and writing is almost unfathomably immature. The messaging was so bad, people still don't understand what's so "problematic" about it. They think RJ and I are just mad because ableism and homophobia is in it. Like why do we have to keep explaining things to people. If people used their brains, or consumed literally anything else, they'd arrive to the conclusion themselves. After all a ton of the opinions we expressed in our video were already expressed by lots of other people beforehand and they didn't need us to tell them what to think lol

Even the violence was immature, which I can say because I love me some creative violence in my movies/shows. There's science behind violence, so you'd think a show that prides itself as being a "more mature Lion King" and believing itself to have a more realistic portrayal of lions, it would have realistic violence, but nope.

The violence in this show is sometimes hilariously censored, like for some reason Barkmane's body was completely blurred out when they had no qualms about showing Starmane and Quickmane's body, their injuries were not even indicative to anything based in reality

Karabi's throat was slashed open and her voice actor was just groaning (not the voice actor's fault, this is the fault of the director) and I dunno, I feel like I've seen enough slasher films to know a convincing dying noise when I hear one, but I don't expect people working for me to know what that sounds like so as a director it would be my responsibility to... you know... direct.

And Sharptongue's death, like I still don't know what was supposed to even be wrong with her. She just started having a coughing fit and died off-screen.

AND YET MP somehow manages to be really fucked up in its mediocrity?? Because it just shrugs off child death like the characters do. And Tangle's death was used for a joke.

It's not like resources aren't out there, people have been posting videos of lions killing each other on youtube for years lol

"Adult shows" that are easily outshined by kids shows in maturity are fascinating to me, and they're more commonplace and I don't know why. At least two other "adult shows" have so little respect for the intelligence of their audience that they put in a shit ton of information that adults get mad when they have to think about things. And/or they are so embarrassingly safe it's almost like they're made specifically to cater to kids.

I mean the fuckin Lion King straight-to-video sequel had an effective abusive family dynamic, so what's the excuse here exactly. (I mean I know the answer, it's because Tribble pulled heavily from Warrior Cats and didn't improve upon it.) - Cat

[horizon-verizon]

The showrunners just continue to steal from TV Daenerys’s characterization and final storyline to improve their Rhaenyra (a self righteous Targaryen woman with delusions of grandeur ? Groundbreaking), but she remains completely boring and forgettable. Dust in the wind.

And even though TV Daenerys is radically and entirely different from her book counterpart (as much as I love Emilia Clarke), TV Daenerys’ daddy didn’t tell her she’s special, unlike Rhaenyra, Daenerys realized she’s special when she brought back dragons from extinction and walked out of fire utterly unharmed, please can people stop compare her to any of the mid characters from HOTD ??

Speak it again, anon, bc what?! It's quite obvious that they are trying to inject as much a literal magic layer of significance in Rhaenyra's story as magic was in Dany's Or they are trying to make Rhaenyra more "important" in the Targ lineage & "interesting" to those who loved Dany (which is most of the fandom, lets' bfr) to promote the show. And yet at every turn they have also excused D&D's atrocious illogical writing of Daenerys' core traits and convictions behind the ol' "GRRM has not finished his series".

We know that there are only 2 books left of this series and Dany is still very NOT like her show counterpart's more...demanding isn't the right word but for now, we'll go with it. Based on this fact alone, people are so much more willing to believe that Dany will turn a 180 somewhere in these last 2 bks and destroy KL or do something akin to Mad!Aerys "bc Targs are crazy and she seeks to be a white savior while profiting from slaves". That this extreme turn for her will not happen for someone like Jon Snow who literally came back from the dead after nearly all under his command killed him. That they don't feel it rather be Cersei, not Dany, who'd blow up KL despite all the comparisons and actions she has similar to Aerys in the text, word for word verbatim. No it has to be Dany, bec she is a "foreign invader" come to ruin the good town of Westeros with her slave-owning ways.

Ryan Condal recently said as much about the D&D defense on BigThink:

Besides, there were a lot other instances where it's clear the real reason why they demolished her was to move on from the project and they just didn't like Dany. Go on over to ozymalek/PhoenixAshes' Youtube and search through to see how they broke it all down.

And yes, Dany actually showed/has very good reason to believe her singularity and even this pseudo-religious quality from her revitalizing dragons, effectively patching up a lot of the magical balance of the world by doing so.

What's also pretty cool is that bk!her still doesn't think of herself as a "god" the way Euron Greyjoy is kinda heading towards/is already at.

So it's so fucking weird how they are trying to re-capitalize on Dany's effect and show!character (and before that, her nonviolenet ADwD arc about the pits) for their false version of Rhaenyra bc apparently we can tolerate and even like ambitious, vengeful, cruel, or just selfish men like Euron, Robert B, Robb (not evil, but went to war for his own ends and his armies also raped indiscriminately), TYWIN [Rains of Castamere, everything else], etc. BUT a woman who has even just the mere self-concern to want to claim back a throne that was DEFINITIVELY usurped?! Nah, apparently, that's too much. She's unsympatheziable.

For a woman, she HAS to be "unselfish", trying to prove a point to men--dead or alive--of her strength 24/7, but unable to settle with an idea of her own "strength" or worthiness, and thus eventually be lead into semi-unintentionally building some strange "cult" around dragons from Westerosi religiosity to feel in control & for people to sympathize with her. She HAS to--as one Twitter user said--have a problem with her gender identity so as to attribute "womanly" stuff as "weak" to want the same things as what a man are granted.

If the audience is stupid, does that mean you should be as well and perpetuate MORE sexist stereotypes/frameworks? No; HotD is for the money and comes form a place of ignorant "women guide violent men" narrative, no matter much it claims it is "feminist" or how lore-knowledgeable Condal says he is.

We all know this is a media company and Condal is more businessman than creator and that you need sorta both a business/production sense as well as a creative spirit for TV/film. Problem is that Condal is inevitably and attempting to build an ethos and ethical narrative while also treating the org stories and GoT as material to re-market through his own "vision" of what he'd personally like to see as a ASoIaF story.

Just bc this is a huge media company doesn't mean whatever they say is "God" for the actual story they were tasked to adapt! You can enjoy that and still recognize nothing about it or most of it informs the orig story or "proves" anything of it WITHOUT bringing up good reasoning and comparisons as to how-why!

Much of the characterization/writing/plot decisions he makes are not about feminism or making the characters palatable for others but to--like with a lot of censorship--just make it so that as many people as possible are watching and are comfortable with the most popular but incorrect ideas of what ASoIaF & feminism or sexism is about, etc.. those of which have already been in fandom and larger life/online circulation for YEARS.

Therefore, there is much superficiality as well as what could have been fleshed out and nuanced ideas or directions the current writing HotD has AS WELL AS Condal's/Hess' own biases written into the very fabric of this show that mark it as just ASoIaF "fanfiction" instead of a strict "adaptation". I know people get annoyed with the fanfic allegations, but if you have an "adaptation" that no longer has most-to-any of the core ideas, themes, characterizations, EVENTS, etc. as its original, you call that a fanfic, not an adaptation. Just bc it came from a prestige major studio/company and had a lot of money thrown at it, doesn't make it actually an adaptation.

If the author themselves--even though they should know better bc look what happened with Dany, Euron, Cersei-Jaime, etc.--say something is egregiously wrong with how they written a certain thing in the show, it is not actually using the orig lore and therefore it is more fanfic than adaptation:

Dany--unlike any other Targ, which includes Rhaenyra--has a relationship with 3 separate dragons even though she will only ride one. Vermithor should NOT have been as "docile" with Rhaenyra as they were in the show (saw another clip online, still haven't watched the episode). There is still a reason why Jace tried to get her out TWICE, why Viserys was upset at Aemond for going down to the Dragonpit alone, why Rhaena nearly died trying to bond with some, , why Nettles approach and SUCCESS with Sheepstealer is so amazing, why Baelon bumping a dragon on the nose gave him the moniker "Baelon the Brave", etc. Dragons are damned dangerous to anyone who aren't their rider! And Rhaenyra's "specialness" was evident in the plethora and rise of dragon eggs....you want to show her as such? Have dialogue about the trajectory of dragon eggs laid compared to now vs 40/30/20/10 yrs ago!

Yes, most of the Targ women are connected and esp through magic and fertility & expressed "Targaryen woman's strength" and agency in unique but still related ways. But as rhaenin-time once said:

HotD thinks it's somehow an improvement to insist that actually, no, they're all just (by circumstance) variations of a "generic targ girl" template.

You could have even have Rhaenyra stumble on something a GoT character later finds but not have her go into that deep about it bc she's focused on the war/usurpation if you really want to stick with the whole oversimplified "distracted by selfish stuff" going on. Point is, Rhaenyra's significance was meager compared to Dany's SPECIFICALLY when we talk about active and participatory spiritutality/magic. Passively and more subtly, Rhaenyra dying spelled the end of dragons...so be subtle about it and stop with the whole "religious cult" nonsense that really is just a continuation of the whole Dany-is-a-facist nonsense we got in the final season of GoT. "Targ madness" and all that.

Of course they won't bc this is Condal's "vision", but hey, got things off my chest.

[bikenesmith]

haven't had much to say for The Death March of X, primarily bc it was mid + ultimately felt like a futile exercise outside resurrection of magneto . but the krakoa finale-funeral pissed me off. im too exhausted by the whole thing to muster emotion about what i and everyone else has discussed ad nauseam for months (corporate interests squashing creative storytelling, frankly insulting attempts at appeasing a mourning audience).

i'd already given up on squeezing any thematic cohesion out of this very slowly sinking ship but i wanted a crumb of cherik reunion, a crumb of old man yaoi, and they couldn't even deliver that!? copy-pasted/adapted from my twitter...

charles sold his soul for an idea he ascribed himself to because he and erik were doing it TOGETHER. but erik "deserted his post" & it all went to shit. yet here erik wrings his hands over choices his absence enabled + is somehow surprised that charles dgaf anymore? ridiculous

the split between krakoa cherik was not just about ideology itself. it was about emotions, and the emotions that krakoa wrought them. the guilt, pain, loss, exhaustion, the unbearable weight of responsibility... but no, please do waste the first pages they've had together in well over a year on erik blandly rehashing Xavier's Dream 2.0/This Is How Xavier's Dream Can Still Win

charles + erik are just people. they are not myths or paragons, no matter how often they pretend otherwise. they are not ideological idols or effigies. they are just flesh + blood — & they are their MOST fleshy + bloody w/ each other. i saw little of that in this issue.

ironically the exchange that seems the most "real" to me also aggravates me the most.

its like erik is on a complete other planet than charles here. how does erik not KNOW that yes, that IS all he has left??? it's a far cry from erik's implicit understanding of charles in x-men: red & resurrection of magneto

erik, who recognized the "no-place in [charles'] heart" long before anyone else did, is surprised to find said no-place swallowing charles up. and does nothing about it.

what did he mean by being "on his way"? on his way to do what? say nothing of substance + let charles lobotomize himself? LMFAO.

(despite dropping the ball on erik as well as erik in relation to charles, we did get some great solo charles moments.... this sums up so much about him perfectly, and also feels very connected to the ROM panel shared earlier. "desperate desire to be loved"....)

anyway i hope for better writing when charles is inevitably broken out of mega-prison and woken up from his mega-coma. that's really all i'm interested in w/ this blatant return to the status quo beyond storm's solo and jean's solo, which actually seem poised to be legitimately groundbreaking for both characters.

[arttrashking]

Hi I've been wanting to ask does mk still get to know mei and red son and do you spicynoodles or dragonfruit more I'm fine with both ships but I like dragonfruit more since we see in the show that red son and mei are spending time together and we see red son blush

Yes MK will gain his friends still and because it’s my au and I’m my own primary audience really- it’s a spicynoodles since I’ve always felt Mei was for the girlies or aro in my headcanons really but I adore seeing other people’s interpretations of the characters but I find he more of a teasing older sister vibes than romantic in my own eyes which I’m satisfied with

I’m a sucker for a smitten Redson who demands to be betrothed cute strong demon with monkey king powers and I just love playing with MK just wanting to move slower with developing a relationship (maybe that’s me making him a little demiromantic lol) and Redson’s just already smitten with him

Redson is more partial to tradition, the way things are set and follows those beliefs bc that’s how he’s raised-

Now Mei I love to have as a complete and utter opposite to him. Being raised in a stuffy and restrictive household just made her want to rebel more and more- her parents love her just are worried about her but Mei just wants to show she can do things her own way ‘

MK is their middle ground of being quite adventurous but also open to some older things to understand them- he’s just open to both his friends’ views and so the compromiser (a plot point for later teehee)

Mei just absolutely finds joy in making Redson’s courting attempts to MK more embarrassing or difficult to accomplish both to test is he’s good enough for her best bestie and to fuck around with her buddy

(Edit: keep in mind I’m not trying to express what ship I think is canon in the show personally I don’t think romance should be a focus in the canon ever- this is pertaining to my AU and only that and just to get ahead of any more asks or comments about “well I think dragonfruit is gonna be canon because-“ don’t bother because this isn’t about the canon it’s about my au. Dragon fruit is a cute ship I just also want to do what I want with my au and ship my ships in my au)

[nalyra-dreaming]

Hi there! I keep seeing this notion that Louis is so out of his mind possessive over Lestat that he would kill Lestat before he lets him be with others. I was wondering where that notion stems from because I don’t recall seeing that indicated in the show at all besides the line I wanted him dead, I wanted him to myself. This line could have been referring to the conflicting feelings within Louis and was a more eloquent way of saying I hate you but I love you and not literal because he was telling Claudia they shouldn't kill Lestat shortly after this scene. I love the notion of Louis being possessive over Lestat to an unhinged degree, we do know he was jealous, but wasn't part of the struggle between Loustat that Louis feigned indifference by refusing to verbalize how much the ongoing “relationship” with Antoinette bothered him? He dug his heels in so deep that he refused to demand Lestat stop seeing her, and he refused to kill her or request Lestat kill her as well, so I'm genuinely confused on where the idea that Louis would kill him just so no one else could have him but Lestat would die for him in the fandom. I never perceived their dynamic to be this way in the books either that I can recall. Quite the opposite, actually. I'm aware he did “kill” him in the show, but that was solely to appease Claudia and not out of possessiveness or jealousy. Am I missing something other than fanon? Thank you for answering!

Hey!

(Is this bc of this post?^^)

I do think the "I wanted him dead, I wanted him to myself." carries more weight than you give it here. Yes, he is trying to stop what is already in motion, but this is not the only indication of Louis being possessive of Lestat after all, which the expression ultimately indicates. Possessiveness.

Otherwise "Come To Me" would not have worked the way it did. And it would not have resulted in the situation it did. Tongue first and all.

Louis expresses this possessiveness often in more subtle ways - looks, initiating kisses in front of audiences -

and sometimes in not so subtle ones - hate sex, open jealousy, revenge cheating, screaming matches.

... Taking his annoying husband by the waist and away from soldiers.

But does that make it less?

Also I strongly disagree that he "killed him to appease Claudia"... I don't think that at all. If the scene holds (and I am not 100% sure since Claudia's diary does not match the shown scene, and they said they would revisit Murder Night and that has not happened yet) - then Louis did it because he had to do it - because it was "until death do us part" for Louis, and very personal. But that might change with s3 still, as said. As such... this is definitely a take born from the show, granted.

Louis is a much more passive character in the books - until he snaps of course. But even there he is the one who goes to hold Lestat's hand through the procedure to disconnect, for example.

When Louis gives Lestat the promise to come and stay with him he uses Ruth1:16, a very powerful and famous passage, one of commitment. It is a statement, also - not a question.

Louis knows that he can literally lay down this commitment when he is ready to do it.

For me that might not spell "possessiveness" in the first impression of the word... but then again, he knew he could. You know?

It's a level of possession of each other that surpasses simple... jealousy or possessiveness. Imho.

The book Louis does not make a show of his possessiveness - because he does not need to. Lestat returns to him, again and again (anyways).

However, that does not mean it doesn't bleed through, imho, in the way Louis fights for Lestat, especially when Lestat himself can not. Louis, begging Maharet in Memnoch at the locked doors, to get in. Armand, telling of how Louis neglects his hunger, seems thin and emaciated because he is guarding Lestat instead.

As per Lestat dying for Louis if need be - yeah. I second that.

He would.

I mean, he goes to the trial and takes to take the blame even in the version we already saw in the show. And he goes, broken and weak to Armand to plead for them in the book. He tries.

And you know how he tries to/accepts to sacrifice his own life later for the other vampires in Blood Communion, and that wasn't even Louis directly.

If it had been necessary for Louis?

Absolutely. Not even a question.

[young-royals-confessions]

Just pitching in since I see so much discourse about will they or won’t they that I think we kind of lost the essence of the story: I mean yes, Netflix is promoting the whole are they going to be endgame or not, tune in to find out but I think that’s just a generic marketing tactic.I’ve honestly been ignoring it.

Also, Lisa doesn’t strike me as the type of writer that would push only her own personal agenda or politics to a tv show, especially one that has critical acclaim as yr. That’s not what true storytelling is about. Please bear with me (apologies in advance for the long response !) but here’s my v long winded reasoning:

The theme has always been love v. duty & the monarchy is the enemy. Wille is on a Hero’s Journey - he is ultimately the Main Character; the Young Royal. What’s great about The Hero’s Journey is that it’s easy to follow and makes for great storytelling despite its predictability. I think some people here may have touched upon this so I am simply expanding:

As a viewer, we follow Wille and get to know him. He’s a likable character and we easily root for him and feel for him when we learn about the power dynamics in play; specifically how he feels caged as a prince. Then we enter into a Call for Adventure: him falling for Simon and the high stakes he enters when his brother passes and he is now Crown Prince.

This, then, propels the story forward, given the stakes are stacked up and it’s not looking good for Wille, especially after he/we find out August was the offender for sex tape leak.

After that, we enter into The Refuse to Call for Adventure; i.e, the hero (Wille) realizes he must face the challenge. We also step into the Meeting the Mentor, which is Boris, who helps Wille learn how to stand up and ultimately fight for himself (and Simon). While I see others thinking that W might push everyone away, including skipping his appts with Boris, I do not think that’s the case. Boris was set up to be the Mentor that W needs to realize the challenge he’s been facing and we may continue seeing him open up to Boris.

This will then allow W to “Cross the Threshold” and reinforce the central theme and conflict of the story - if W continues to stay with the monarchy and his obligations as Crown Prince, he cannot choose Simon. Love or Duty? Which will prevail?

S3 crosses that threshold and produces tests and obstacles that would make the fight for his relationship w S so much more complicated (basically everything we saw in the trailer). This stage in the Hero’s Journey is meant for the audience to doubt the Hero - Wille. It’s already a testament as we are debating if W is going to denounce his title or not just from the 2 mins of what we saw from the trailer. It’s intentional. We need to doubt in order for the central theme to drive home and also portrays the monarchy to be the overarching enemy of this story, without Lisa forfeiting her own political statement.

We enter the next stage of the Journey - which is the Cave - meaning the Hero and protagonists need to regroup and prepare for a counter attack (generally speaking) because the tension is continuing to rise and there are outside forces that wish to disturb the Journey (in this case, public opinion? paparazzi? Hillerska shutting down?).

Next, we enter the Ordeal - which makes the Hero break down bc he enters a mental barrier and is pushed to a corner. However, the Hero, typically comes out stronger after this stage in storytelling.

Ultimately, we reach the end: The Reward. The Hero makes the “attack” or choice and defeats the enemy/antagonist.

Imo, with how everything is set up, I do think it’s set up for W and S to be together in the end at least the end of the show (everything else after is obviously left for the audience member to interpret).

I have no doubt that W & S are going to come up on top and still be together in the end bc like some people mentioned - what would be the point? It was never a question whether they would end up together. The question is if Wille, our Hero in this story, would make the final choice and choose between love or duty. I think Wille would choose love. What better way of making history, especially with everything that’s been happening in real events, then choosing love? That would make for a strong ending.