#// old women yuri for pride month enjoy
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#Nyxnami#izanami persona#nyx avatar#nyx persona 3#tb spamdoddles#cw suggestive#// old women yuri for pride month enjoy
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Happy Pride Month! What are some good and queer feminist-friendly(preferably shoujo and josei) yuri anime that you can recommend?
You'll have better luck with manga than anime when it comes to yuri. Anime-wise, Bloom in You got a good adaptation of most of it's manga, but you'd have to go to manga to finish the story. The Kase-san and the Morning Glories OVA is also very sweet and cute.
Sweet Blue Flowers also has a good adaptation (gets a little heavy and the main relationship is unresolved though. You can read the end in the manga, but honestly the manga itself is kind of middling due to Shimura's pacing issues and how abruptly it ends.)
And there's of course the old standby of Revolutionary Girl Utena and...yup, that's it.
(Dear Brother is very important in shoujo, yuri and anime history, but it full on wants to backpedal the gay stuff at the end and is steeped in tragedy so it's not going to be for everyone. And Yuri Kuma Arashi is definitely EXTREMELY mixed.)
Hoping Yuri is my Job gets a good adaptation when that comes out! And the Young Ladies Fighting Games one (though I haven't read enough of that series to know if it goes beyond subtext)!
For manga, my favorite completed yuri include Bloom into You and Goodbye, My Rose Garden. There's also some oneshots that had a pretty strong impact when I was younger, particularly Pieta by Nanae Haruno, which goes into issues of abuse and suicide. Yuri-adjacent, but Sex Ed 120% is a worthwhile little series with both lesbian and bisexual main characters in relationships that covers a lot of general sex ed stuff but also talks about LGBTQ history.
(Also, for general content across the LGBTQ spectrum I emphatically recommend Our Dreams At Dusk, which explores the queer community in general with gorgeous art- it's extremely heavy though, dealing with suicidal ideation, homophobia, transphobia and so on).
Ongoing yuri I'm enjoying include How Do We Relationship?, (adult romance and EXTREMELY messy) Doughnuts under the Crescent Moon (adult romance too, sweet so far) Yuri is My Job, the Kase-san And... series (it's starting to drag a bit, but I do appreciate that it followed them into college) and though there's only one volume out, Catch These Hands is about a romance between former delinquent girls who are all grown up now and I love that shit. I super recommend the Otherside Picnic light novels for those who want some fantasy-sci-fi-horror with their yuri. The manga for it is good too, but the English release is excruciatingly slow.
Light novel wise, A Lily Blooms in Another World is a decent one shot and I'm in Love with the Villainess is my problematic fave.
I honestly don't keep up with demographics as much as I used to. Bloom Into You was published in a shonen mag, but the author is a woman and its a manga that really takes care with the queer experience- since it's been well documented that women are more than half the audience for a lot of shonen mags, I feel like the lines are starting to blur with less mainstream titles.
You can see my yuri tag for more stuff!
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i noticed that you like to write a lot of heartrender husbands from fedyor’s side of things (which makes sense cause fedyor is fun!) but i have to ask in the modern au, what was ivan thinking the whole first two months 😂??
like was he carrying the joke the whole time? did his brain short circuit around fedyor?? was he worried about what fedyor was thinking or did he just think he was shy? Did he think the first date went well ☠️?
This was supposed to be lighthearted, but then there came Feels. So here is Ivan's backstory in Phantomverse. Content warning for mentions of an abusive relationship, familial homophobia, implied sexual manipulation, and dark themes. Nothing graphic, but duly noted.
Also on AO3.
Brighton Beach, 2015
It’s safe to say that Ivan Ivanovich Sakharov Kaminsky did not ever, not in a thousand years, not in a million, imagine himself ending up here. At one point, even Moscow would have been a stretch, and that was obviously still Russia. The fact that he would be walking down a sidewalk in Brooklyn, under the elevated tracks of the Q train that rattles and bangs overhead, on a cool spring morning to do his shopping at the Brighton Bazaar – in, should this somehow not be clear, America – and then returning to his apartment and his husband is, quite frankly, something out of an alternate-Ivan timeline. One from the Twilight Zone, or whatever they are calling that kind of thing these days. Sometimes when he thinks about it too much, he gets afraid that it is in fact a dream. That no matter how long it has gone on and how good it has been, it will suddenly and inevitably end. After all, he is Russian. Sunny optimism has never been accused of forming a notable facet of the national character, and Ivan himself would never be described as the hopeful type. But God, for this, he does.
He reaches the bazaar – a bustling blue-awninged international supermarket with three-quarters of its signs written in Cyrillic – and steps inside, grabbing a basket and pulling a scrap of paper from his pocket to double-check his list. He knows what he needs, but he likes the tidiness of writing it down, and he proceeds into the crammed aisles, passing customers speaking English, Russian, Ukrainian, Uzbek, Yiddish, and several other languages he can’t identify by ear. Brighton Bazaar stocks all the Russian products necessary to satisfy even a homesick expat like Ivan, and he enjoys being able to navigate the store with ease and read all the labels at first glance. He can get by in English, if he’s pressed, but it’s easier to leave it to Fedyor, who is fluent, and in here, he can conjure the illusion that he will walk out on the street and be back where he truly belongs. He likes Brighton Beach a great deal more than he ever expected to, but it’s no replacement for the real thing.
Ivan collects his purchases, along with a few special extras, and takes them to the counter. He is greeted in Russian by the checkout clerk, who knows him well for always turning up at the same time every Saturday morning with military precision. As Semyon Pavlovich Kuznetsov (who is called Syoma by his friends, but he has not clearly stated that Ivan can use the diminutive and therefore Ivan does not) scans his items, Ivan consents to exchange a few gruff words of small talk on the weather (nice) how the Mets did last night (badly) and the old guy who apparently died of a heart attack two days ago in the Russian bathhouse on Neck Road (making Ivan glad he did not choose said day to attend). It’s this weird Russian-American hybrid of things, since Semyon is the teenage grandson of a Red Army veteran who fought at Stalingrad, but he was born and raised in Brooklyn, loves American video games, and is fully fluent in American pop culture. It startles Ivan to realize that while this kid speaks Russian perfectly, he has probably never done so in Russia outside of a few visits back to the old country when his family can afford it. That is a very personal question to ask one’s grocery clerk, however, and he does not.
And then there’s that other thing, which he would definitely never be asked in Russia, especially not these days. Semyon hits the button to tally up Ivan’s bill, informs him that he owes $56.77, and then says cheerily, “How is Fedyor?”
Ivan concentrates on digging the exact amount out of his wallet in cash, since he never had a credit card when he lived in Russia and is still somewhat leery of them. “Fedyor is fine,” he says curtly, in the tone that makes it clear that he understands this question is an expected part of an American social interaction, but that is all the information he is willing to venture. “Here is the money.”
Semyon accepts it, counts it into the till, and rings the transaction through, handing Ivan his bags and his receipt. “Have a nice day, Mr. Kaminsky!”
“Thank you, Semyon Pavlovich.” Ivan accepts his purchases and leaves the store, taking a deep breath of the salty, sunny air and the wind whipping off the seafront. It’s still a little too early in the year for there to be many bathers on the beach, though there are always people strolling on the boardwalk. It’s only a few minutes to the apartment, which is just off Brighton Beach Avenue and overlooks the Atlantic Ocean. Ivan buzzes into the old brownstone, takes the stairs to the third floor, and as he unlocks his front door and lets himself in, wonders, yet again, at the sheer impossibility that his life has led him here.
Ivan is the third of five boys, but he was the one who was named after his father. It was not, of course, because they had some special hope for him to be the great inheritor of paternal pride, but a simple matter of logistics. His oldest brother, Roman, was named after their paternal grandfather. His second-oldest brother, Oleg, was named after their maternal grandfather. When Ivan arrived, only then was it proper to name him after Ivan Romanovich, Ivan Sakharov senior, since rushing too fast to glorify yourself as an individual, rather than your community and your ancestors, could be seen as running contrary to the collectivist ideals of the great Soviet Union. By the time his two younger brothers arrived, his parents were hard pressed for ideas; Yuri (for Gagarin) and Vladimir (originally for Lenin, though that has obviously acquired a different connotation those days) were clearly obtained by putting the names of national heroes into a hat and picking.
Five children was quite a lot for a Soviet-generation family, and Ivan doesn’t know anyone else his age with that number of siblings. After all, more children meant more time standing in line at Municipal Grocery Store #5 for food that has to be shared among more mouths, more worries about how to clothe and educate and accommodate them, more chances for one of them to go terminally astray and betray the family honor. Ivan wonders sometimes if his parents only really wanted Roman and Oleg, but decided to keep going as a matter of gaming the system, so much as it was able to be gamed.
By the early 1980s, the aging, decrepit, dying USSR, run by aging, decrepit, dying men, was in the grip of a demographic crisis so extreme that it was a contest between worrying about which one would end them faster: crazy President Reagan with his finger on the nuclear button, or the whole country just keeling over of old age. The idea of what a family even meant had been under constant challenge since the heady days of the Bolsheviks, who denounced marriage as a construct of bourgeoisie oppression and preached for free love and sexual liberation. Then it went hard back in the other direction during Stalin and the Great Patriotic War, holding up the traditional nuclear family as the highest ideal and offering rewards to mothers who had multiple children. Then it lurched away again. Abortion and contraception had been legal and freely available since the days of the revolution and most Soviet women made good use of them. Plus, of course, the obvious difficulties of maintaining a sizeable family when it was increasingly impossible to obtain even basic supplies and foodstuffs. It just made no sense.
Desperately trying to counter this slide toward self-inflicted obsolescence, the late-stage USSR came up with a number of incentives to boost the birth rate by any means necessary. They allowed mothers to refuse to list fathers on the birth certificate, to avoid social shame if he was married, foreign, a drunkard, or otherwise unsuitable, and beefed up programs to support single women with children. They also went back to the old-school plan of granting extra stipends, housing privileges, and state recognition to families that had more than two children, and Ivan himself was the third of his. It doesn’t take a genius to deduce that he was almost surely conceived for the tax benefits.
Not, that is, that it didn’t work. When Ivan was born in 1984, the family lived in a tiny apartment on the tenth floor of a building with no elevator (or rather it did have an elevator, but it was always broken), crowded in with three single young men who were at the very bottom of the list for being assigned housing. By the time his youngest brother, Vladimir, was born in 1987, they had been moved to a small house of their own on the outskirts of Krasnoyarsk, not far from the bus that his father took two hours a day out to the mine. The cynical old joke in the USSR was that the people pretended to work and the government pretended to pay them, though in Ivan Romanovich’s case, the work was backbreakingly real, even if the money wasn’t. He would come home exhausted and filthy after a sixteen-hour shift and yell at Galina Sakharova to feed him, bark at his sons, and then fall asleep in front of the television, only to get up the next morning and shuffle off again.
Ivan Ivanovich has spent a lot of time after he left home trying to understand what that kind of life would do to a man, mostly because he didn’t do it while he was there. Of course he didn’t. He was a child, and it was simply what he was used to, the only way the world could possibly be. On the night of December 26, 1991, as Mikhail Sergeyevich Gorbachev signed the United Soviet Socialist Republics out of existence with a single stroke of the pen, Ivan remembers his father crying and swearing and throwing things at the wall, the heavy yellow-glass ashtray that always seemed unbreakable, perched on the kitchen table to collect the detritus of his constant cigarettes, smashed to bits just like their country, their sense of self, their security. It wasn’t as if life in the USSR was so wonderful. It was just the only thing they knew. Beyond that, there was nothing but the terror of the utterly unknown.
At any rate, the world didn’t end. The oligarchs moved in and began snapping up Russia’s newly privatized economy. Ivan Ivanovich, of course, had no goddamn clue about this either, aside from overhearing his father curse about it some more. He trudged through secondary school and left at eighteen, without even trying to proceed onto university. Those weren’t for someone like him, he knew that. Instead he got a job at the ever-troubled Krasnoyarsk Aluminum Plant, and went straight to work on the factory floor.
It was around this time that the one disruption in his otherwise humdrum life, the one thing that stopped him from just settling into the same miserable existence as his father and going on like that forever, became too impossible to ignore. And that was the fact that no matter how much Ivan tried to squash it down, push it aside, or otherwise pretend it didn’t exist, he could no longer deny the fact that he was attracted to men, and only to men. He bought some of the cheap porn magazines from the tabak, tried to flip through them and get something out of the girls in heavy eyeliner and bleached-blonde hair, spilling out of their scanty lingerie, and just… didn’t. He wasn’t even interested enough to try a conversation with a real flesh-and-blood woman (not that Ivan had ever gotten through a conversation with another human being, especially a woman, without disaster) and see if it was different in the flesh. Nothing about the experience, even imagining it, appealed to him at all. But men…
He knew it wasn’t right, just because – well, you knew that sort of thing, you didn’t have to ask about it, you didn’t let on. But nonetheless, something, somehow, must have given him away, because one evening after the end of his shift, one of his coworkers cornered him in the back. His name was Konstantin and he was a few years older, big and bluff and constantly smelling like machine oil. He stood there, folded his arms, and said, “I will give you five hundred rubles if you suck my dick, Ivan Ivanovich.”
Ivan didn’t know how to answer. He had never spoken to Konstantin about anything aside from the job. He didn’t like him, he wasn’t attracted to him, and he didn’t want his filthy fucking rubles. He wanted to go home and take a shower.
And yet. He wanted to know. So when he went home, it was with five hundred rubles in his pocket, and a strange, indefinable feeling of something both excitement and shame. He looked it up later and found that it was barely seven American dollars, barely enough to buy a sandwich in this place he now lives. Then after that it became – not a relationship, not exactly. But he had done it once and Konstantin knew that he was at least theoretically willing, and there was no getting away from it now. Soon enough it became something of a regular thing, and then Konstantin wanted to try other stuff and not always pay, and if Ivan ever protested, Konstantin would threaten to get him fired from the factory or tell his family what they were doing. Ivan knew that he couldn’t let this happen, and besides, this was a relationship, or so he would tell himself. It was rough and it wasn’t very enjoyable and he didn’t like the way it made him feel, but it was probably the best he was going to get, here in this place, so he had no choice but to put up with it.
Until one night when his older brother came to pick him up from work, which he didn’t usually do. Something about it set off Ivan’s alarm bells, but he got into Roman’s battered old Zhiguli anyway. They didn’t head back toward the house. Instead they headed for the country, the narrow, crumbling road that led into the vast forests of Krasnoyarsk Krai. The city was often voted one of the most beautiful in Siberia, surviving even its long periods of grim industrialization with something of its soul intact. It wasn’t as cold as Yakutsk or Oymyakon, the places where it stayed at sixty below zero all winter long and boiling water froze when you tossed it out the window. Winters only got down to a few degrees below, and in Russia, that was par for the course. Ivan loved his hometown, and he was used to the outdoors. He was a sportsman, a natural athlete. He played hockey, bandy, football, rugby, and basketball (surprisingly popular in Russia). He swam and boxed. He was tall and tough and muscled and most people never bothered him. But when the car coasted to a halt in the middle of nowhere and Roman turned off the headlights, he was still terrified.
His brother said, “I hear you’re doing things, Vanya.”
Ivan didn’t answer.
“I hear you’re doing things with men.” Roman reached over and grabbed him violently by the shoulders, pinning him against the seat. “Disgusting things. I will not have one of those in the family, do you hear me? Do you hear me? If I find out that you have done it ever again, even once, I will make sure that you pay the price. Are you listening? Say that you understand.”
“Yes,” Ivan said. “I understand.”
What he really understood was that he was going to leave, when he had barely been out of Krasnoyarsk Krai in his life. Going as far as Novosibirsk for a shopping trip was unusual, and once, in school, he went to Georgia, which was the first time he had left the country (though of course, it used to be the country). But he knew that he could not stay here anymore, and in a moment of welcome serendipity, that was also when his conscription notice arrived. At the time, every Russian man over the age of eighteen had to serve two obligatory years in the armed forces (though it has since been lowered to one, of which Ivan does not necessarily approve), and his number had come up. So he quit his job, did not say goodbye to Konstantin or tell him where he was going, packed his few boxes of things, and moved four thousand kilometers and four time zones west to Moscow.
Ivan arrived in the capital trying not to present himself as a wet-behind-the-ears country boy, to act like he knew what he was doing, to show he was much tougher and meaner than any of these spoiled, pampered little children whining about how hard it was when they trudged into headquarters and presented their army notices. In that, he had a genuine advantage; he had worked hard for his whole life, he had already been through whatever could possibly endured with a father and four brothers, and he found the strict routines, harsh discipline, and predictable tasks of the army comforting. Everyone was scared of him, he didn’t need to try (though he did), and that was also gratifying. He worked hard and pleased his commanders, who tried to entice him to stay on as a full-time professional serviceman. There were many opportunities for a man of his talents, and more money than Ivan had ever dreamed of. As for his personal life, as long as he was scrupulously discreet and kept turning in good results, they would not trouble to enquire too closely. That was already better than from what he had expected with Konstantin. Once again, he thought it would be the best he got.
That was where, therefore, he met Aleksander Ilyich Morozov.
Morozov was his opposite in many ways – rich, well-spoken, well-educated, the son of a legendary KGB commander and the inheritor of comfort and privilege even in the lean last days of the USSR. He was about Ivan’s own age, but he had a self-possession and a gravitas that made him seem older. He had started training for a career in the Russian security services practically from childhood, and he had pegged Ivan as a particularly promising recruit. “You should come with me,” he said. “We would find an excellent career for you.”
Ivan was never sure how to respond when Morozov started talking like this. He admired the man and was admittedly attracted to him – not just the dark, elegant handsomeness, but the manifest air of being a person who mattered, who made the rest of the world sit up and take notice and play by his rules – and while he knew that Morozov was ruthless, he wasn’t bothered by that and was willing to do the same when it was called for. Ivan didn’t see the world as some nice candy fairy place where good deeds were always rewarded and violence was always wrong, not least since he knew full well that it didn’t work like that. He didn’t have time for these idiots who thought they would get out there and hold hands and change the world with the power of sunshine and kisses or whatever it was. He didn’t.
Then there was one night when Morozov was at Ivan’s apartment, and they had been drinking and making big plans for ruling the world behind the scenes, and Ivan forgot himself entirely and leaned over the table and kissed him. He tried to pull back almost at once, but Morozov didn’t resist. In fact, he leaned in and put a hand behind Ivan’s head and kept him there, and in that moment, Ivan knew that while this might not be personally objectionable for Sasha (his sexuality was undiscussed but evidently fluid), that wasn’t the reason he was going along with it. It was because he knew instinctively that it was a perfect way to control Ivan, to harness his attraction and his weakness and his willingness to go along with whatever Sasha wanted, and in that, despite all the big plans they had put together and the way Ivan had dreamed of his life changing, it was just Konstantin all over again, and Ivan was straight back at the factory on his knees, small and cornered and powerless. It was visceral and it was wrong and it wasn’t the best he would ever do and he wasn’t, he wasn’t taking that.
They pulled back and Sasha made an enquiring noise, like he wanted to know if Ivan was interested in sealing the deal, and instead Ivan ordered him to leave right now, get out. That was the end of their friendship; they never spoke to each other again, and when his third year in the army ran out, which he had already taken voluntarily, he left. He got a job at some Moscow industrial plant and it was there, through the friend of a friend, he met Nadia Zhabina. And it turned out that she was queer (the first time he had ever heard the word spoken in a good way, something he wanted to be, something he didn’t mind accepting, rather than as an attack), and it turned out after that that she had a friend she wanted him to meet, only it clearly meant that she thought they should go out. Like. On a date.
Ivan flatly shut her down. He did not date, he did not want to date, he did not think he would be good at dating, he did not want to meet some pansy city boy from Nizhny Novgorod who he would immediately dislike, and he was not going to do it, the end. Only Nadia really seemed disappointed, and maybe it was not the worst thing to try a little. This would backfire terribly, he would get over it, and move on with his life.
In Ivan’s opinion, the first date with Fedyor Mikhailovich Kaminsky was, at least on his own behalf, a modest success. He was unavoidably late, thanks to the bus running behind schedule, but he introduced himself, his hobbies, and made it clear what sort of person he was and what he was interested in. He even sent a polite follow-up text with an invitation to meet again. There. No questions, no confusion, everything very straightforward and clear. Nothing to complain about. That was how you did a date, yes?
It turned out, however, that Fedyor Mikhailovich was either very reticent, or perhaps confused, or maybe he did not even know that they had been on a date and Nadia had not clearly explained to him. Burned by his experiences at home, knowing how easily word could get out to the wrong people, Ivan did not want to bring up the subject explicitly, but he had to admit to a considerable confusion. Maybe Fedyor actually liked to just mince around Moscow city parks together, like something out of a Tolstoy novel, or to sit on his couch and watch bad American action movies together. (Later, Ivan learned that Die Hard is actually something of a cult classic, but it’s still slightly lost on him.) That wasn’t bad, because Ivan – to his great bafflement and wariness – liked spending time with him. Fedyor wasn’t like him at all, but they clicked nonetheless. He was the exact kind of idealistic activist that Ivan had long disdained, but it was different with him. When Fedya talked, he liked to listen, to dream about a world that really did work that way. It didn’t, but it felt closer.
Besides that, he was cute. He was well-put together. He was charming and vivacious and could talk to people that they met, while Ivan stood scowling with his hands in his pockets and wondered how long this was going to take. He really desperately wanted to kiss Fedya (and for that matter, do other things to him), and he found himself thinking about it a lot. But what if it was like with Sasha again, and it was either Ivan opportunistically taking it for himself, or Fedya selfishly trying to keep him there, to use him for his own purposes? Maybe Fedya was the idiot. He had to know they were together, right? Or were they together? Ivan suddenly wasn’t sure. Damn it! Why didn’t Fedyor subscribe to the school of just being clear about things? Ivan himself had nothing to do with the problem.
But then there came that night, and Fedya cooking dinner and stumbling through trying to ask him if they were maybe something, and in that moment, Ivan found it all so hilarious that the only thing he could do was sit there and let the whole thing play out. Then it turned out, of course, that they were together, and that Fedyor kissed him just as deliciously as Ivan had imagined, and maybe Nadia Zhabina was not so wrong after all.
Maybe she was not wrong in the least.
Ivan takes his supermarket bags to the sunny kitchen of the mostly-remodeled apartment and sets them down. Fedya has picked out all the colors and wallpapers and furniture and paint, and Ivan has done most of the work, since he is gainfully employed as a handyman and repair-person and he doesn’t want to pay some American to half-ass a job that he can do better. The apartment is really quite lovely now. The living room has been done in a pale, springy green, the white plaster moldings washed and repaired, all the junk of the previous owner finally cleared out except for one or two collectibles that they decided to keep. There’s a bookshelf and a desk filled with Fedya’s work things, a couch and a television and a coffee table and new curtains. The bedroom is big and airy, with a ceiling fan and new carpets. Framed pictures and art pieces hang on the wall. It looks like a place where real people live.
Ivan makes breakfast, cooking and stirring and brewing the coffee, and puts it all on a tray. It’s Saturday, so of course Fedya is still asleep, and Ivan pads through the apartment to the closed bedroom door, balancing the tray on his hip long enough to open it and cast a strip of light inside. It takes a moment, but Fedyor rolls over, groggy and tousled and very, very cute with his bed-headed dark hair and squinting eyes. “Vanya? What smells so good?”
“Happy birthday, my love.” Ivan sets the tray on the bedside table and leans down to kiss him, as Fedyor makes a happy humming sound and throws his arms around Ivan’s neck, cuddling against him like a barnacle. “I have made you breakfast.”
(His younger self was wrong, and he has never been so glad of it.)
(This was the best, this is the best, this was waiting for him, this kind of happiness could happen for him, and he is grateful beyond all words that he fought for it and believed it until it did.)
#ivan x fedyor#heartrender husbands#fivan#ivan kaminsky#a phantom in enchanting light#pel asks#anonymous#ask#fivan ff
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Bookshelf Briefs 2/2/21
All Sean, all the time.
The Ancient Magus’ Bride, Vol. 13 | By Kore Yamazaki | Seven Seas – The series is still striking a good balance between, on the one hand, the world of magic and the supernatural, which is by its nature secretive, distrusting and filled with nasty murder and betrayals, as we see with Lucy’s backstory. And on the other hand we have Chise, who is not quite on the levels of a Tohru, but still tends to be kind to others and have them want to be kind right back to her. She also has connections the school does not know about, as when Lucy finds out that Chise and her brother Seth are far better connected than she expects. Elias is still there, but the “Bride” part of the story has faded into the background in this arc, and honestly I enjoy it better now. – Sean Gaffney
A Certain Scientific Accelerator, Vol. 11 | By Kazuma Kamachi and Arata Yamaji | Seven Seas – It’s become fairly clear that, while Index is a giant magic vs. fantasy battle novel with harem elements, and Railgun prides itself on its action and strong women, Accelerator’s spinoff is dedicated to the darkness, to try to see how horrifying we can get Academy City. As we see here, and indeed in previous volumes, there seems to be no bottom to the nefarious experiments on Academy students that are performed in the name of Science. And while Accelerator may still be calling himself a villain, he’s also making sure that other “experiments” that are suffering get rescued. Well, hopefully—the arc isn’t over yet, and a happy ending is not guaranteed. – Sean Gaffney
The Dark History of the Reincarnated Villainess, Vol. 1 | By Toka Akiharu | Yen Press – This falls into the ‘great idea, execution not so much’ bin. The premise is lights out—not only is our heroine the villainess, and doomed to be murdered… but it’s her own junior high story! What’s worse, she was at an age when “dark” was sexy, so the heroine is always threatened with rape, which she has to stop so as not to get killed. Unfortunately, the manga itself falls prey to Hakusensha Syndrome, which is when the art in a book is so busy and the textual asides so thick that it gets very messy. It was sort of nostalgic, as it reminded me of the old CMX/Tokyopop days, but this could have used a bit more room to breathe. – Sean Gaffney
Mama Akuma, Vol. 1 | By Kuzushiro | Yen Press – This was pretty much exactly what I wanted it to be when I first heard about the premise. A demon who takes pride in always filling every request is summoned… by a fourth-grader who wants him to be her mama. This is hard. He takes on the form of her late mother… no, not that. She wants him to fill the role of a mother, mostly as her dad is rarely home and her older brother is, well, a teenager. The reason it’s heartwarming to read is that, by dealing with her, the demon is gradually starting to realize that all the time he fulfilled those wishes of death and destruction, it was NOT what his clients really wanted. Now he can learn about humanity. And also bond with her family. Definitely reading more of this. – Sean Gaffney
Murcielago, Vol. 16 | By Yoshimurakana | Yen Press – Perhaps making up for the last volume, there are TWO scenes of lesbian sex in this volume, though Kuroko is not in either of them. She’s busy wrapping up the circus case, where the perpetrator is not all that much of a surprise, but there’s also a second antagonist who gets a bit more to do, and allows us to very briefly see behind Hinako’s mask… if it is a mask. We also get a funny chapter about chestnuts, which if nothing else tells you what ‘kernel’ in Japanese is a euphemism for. The series is still filled with blood, gore and nastiness, but I feel as it’s gone on Kuroko has become less evil and a lot more goofy. Which honestly I’m pretty OK with. Recommended for those who like violent lesbians. – Sean Gaffney
A Sign of Affection, Vol. 3 | By Suu Morishita | Kodansha Comics (digital only) – There’s a minimum of drama or angst in this series, but I don’t care, because it does sweet and adorable so well. The relationship between Yuki and Itsuomi finally becomes official in this volume… and yes, then he immediately leaves the country for a month or two, because that’s what he does. But she’s content to wait and send him sign language videos, and he is telling her what it’s like in Cambodia and the like. The lettering in this volume is also fantastic, occasionally reversing and getting bigger and smaller to show that Yuki is not quite able to make out with lip reading what others are saying. This is getting print soon, and quite right. It’s become one of my favorite shoujo series. – Sean Gaffney
Whisper Me a Love Song, Vol. 1 | By Eku Takeshima | Kodansha Comics – Well, this was cute as a button. Now that it’s no longer the only sort of yuri there is, I do like to dip into the occasional high school girls romance. Here we have Himari, who is cute, excitable, and prone to misstating things and Yori, whom she meets substituting for a band’s singer, who is seemingly more reserved. Himari immediately confesses to Yori, who is blown away and falls hard for Himari. There’s just one problem… Himari meant she loved Yori’s singing. Now Yori’s determined to make Himari realize Yori likes her romantically, but… that seems a high road to climb. This is pretty adorable, and doesn’t get as annoying as series like this can. Plus I love one of the bandmates, who has sleepy eyes, a weakness of mine. – Sean Gaffney
By: Sean Gaffney
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