#// imo these two need more interaction than the filler ep can give me

[gravityquirked-blog]

   tbh i want a katsu/chako interaction where hes just fuckin talking shit to her abt smth stupid like ‘ YOU DONT FUCKIN KNOW ME, NOBODY FUCKIN KNOWS ME’

   & then chako proceeds to look down & away from him & then lists off shit like where he was born, his phone number, & his social security number & shit like that

   hes just like ‘EVEN IF THAT SHIT IS TRUE HOW WOULD YOU KNOW ABOUT IT’

   in turn she looks up at him, all smiley & holds up his wallet like the sneaky bitch we know she is

[kinetic-elaboration]

July 20: Thoughts on The 100 2x04, Many Happy Returns

It’s literally been five months since I did one of these…

The wasteland was a pretty cool concept and I’m sad that they kinda pulled back on it later. Like, when characters can get from point A below the wasteland to point B above it without apparently passing through it at all, it makes it seem like the area is actually not that big after all. Is it, like, just NYC? And maybe the metro area? Also, again, as usual, floored by the costuming on this show. Amazing.

So Zoran is the first human Jaha meets on Earth. A kid and a mutated human.

Clarke is so intensely pragmatic. She legit doesn’t care if people once tried to kill her, as long as they aren’t trying to kill her now. I don’t really see this as forgiveness, but rather an ability to forget the past that isn’t useful to her. Also lol @Anya for saying Clarke is weak, like who broke who out of the Mountain hmmm?

“Everything is Grounder territory.” Murphy telling the truth. And even if some parts of the world aren’t Grounder territory, how the hell would Bellamy know?

Murphy, canonically a terrible runner. Rewatching these early eps just reinforces his glow up since then. (Not in terms of running, but in terms of, like, haircut.)

The wreckage of the Factory crash is so devastating, following the trail of bodies to the crash site. I still wish we’d found out what happened to everyone else. I guess we’re supposed to assume the rest of the stations exploded before impact? But still. I feel some bitterness.

This saving Mel story is entirely, 100% about keeping Bellamy, Finn, and Murphy stuck for most of an episode, allowing Octavia to find them, and then forcing Bellamy to come back to Camp Jaha rather than continue searching for Clarke—so he can, you know, run into Clarke. It’s pure filler. And imo not even very interesting filler since I’m not really like a rescue/adventure story person. I can’t even figure out how Mel ended up stranded along the side of the cliff. Was she climbing up and then got tired? Also, on a related note, at what point do they, Bellamy in particular, realize which station this is? Is it immediately obvious from the wreckage, or only from the identity of the survivor? Because this is Bellamy’s home.

All that time they were talking, Sterling was there in the background, doing whatever. Honestly though shame on Bellamy a little for letting Finn convince him not to save Mel.

Totally forgot they built an electric fence at Camp Jaha. Then, began work on a radio beacon.

I can’t even pay attention to the Clarke and Anya scenes because I’m too attracted to both of them. Less so in the mud. Which is 100% gratuitous given that uh, I don’t think the Mountain Men who almost never go outdoors and are currently wearing big ass gas masks on their faces can smell shit.

Bellamy and his adventure squad are such dumbasses. Huh, let’s tie this thin rope with a single knot around a stump and then just watch our friend use it to scale the side of a mountain. Nothing can go wrong there. I mean there are fucking four of them just standing around watching when they could be, uh, securing the rope? Anyway RIP Sterling, cause of death: idiocy. (Slash the narrative’s need to put Bellamy in the hero role at this point, and to up the ante on his heroism, and to waste some time.)

To be more fair, I think this is semi-important for Bellamy’s characterization, an early version of ‘save who we can save today.’ He’s at a sort of crossroads at this point, not really a leader anymore like in S1, but sort of a leader, and he needs to figure out what sort of leader he’ll be.

Monroe’s “Sterling was one of us” warms my heart because it speaks to my “the 100 were a distinct social group” theory, which I wish (again lol) had been more important to the show and for longer.

Murphy does fall in, though, pretty fast. After Monroe says the ‘one of us’ thing. Which is actually pretty impressive given that a few days ago he was blasting a hole in the dropship and running away with all their ammunition.

This must be such a trip for Jaha, like, he is aware that forest exists still, because of transmissions from the 100, but he’s in the middle of the fucking desert, and this is all he knows of Earth, whatsoever. Also, again, these sets are perfect, I love them so much.

How did the City of Light become a legend among the Grounders? It’s made from the Alie 1 chips…. Didn’t Becca, like, not like those? I’m assuming of course that literally any of this was ever thought out or ever made sense.

“I have no room for hate.” You know what I’m just gonna say it: I think this is true. This is really how Jaha lives the rest of his life. I think people forget since he wasn’t really himself for most of S3, and even in S2 his mission to the City of Light seemed kind of nutty (and boring). But “I have no room for hate” both describes him pretty well, and is rather a lovely thing about him. If only he hadn’t been so obsessed with the COL, tbh. Searching for it was a bad idea from the very beginning and it was also, I think, a rather cowardly idea.

I forgot that this was where the concept of radiation disfigurement came in and was explained. Is that really how it works? Like random mutations, even generations after the event, from non-mutated parents? Lol I have no idea. That said, Sienna kind of looks like she has some scarring on her face, too.

Here is Jaha finding someone who left her people for her son, whereas he sacrificed his son for his people. Does this also change his mind on things going forward? Connect to his insistence on the COL, at the expense of a chunk of his people?

I miss this thing where characters knew other characters even though we’d never seen them interact before, because, like, a history exists and then the show acknowledges it. That was fun.

I shipped Raven/Wick and I don’t regret it, even though fandom’s toxicity basically killed it for me in a lot of ways. They had a good rapport. More importantly, he might literally be the only man to not take shit from Raven and to actually be brave enough to challenge her.

 Engineering is such a damn good set.

This is a weird episode because our two mains have pretty much the least important, or at least least-interesting, story lines. They’re basically just being moved into position to reunite at the end of the ep, and that’s it.

Clarke: “I just need something sharp and sterile [to remove the tracker from your arm].” Anya: bites it out with her teeth.

Why do they bother putting trackers on the Grounders? Do they escape often?

Murphy’s not only helping with the rescue mission, he’s at the head of the line.

Bellamy’s legs appreciation.

Murphy: “Don’t you worry, Bellamy, I won’t drop you.” I mean…you did once try to hang him. But by-gones I guess. I do believe at heart Murphy just wants to be part of the crew.

I think the Raven and Wick scenes are my favorites of this episode. I have two uninjured legs and I wouldn’t climb that thing; Raven is a brave bitch. And when she has to give up and come down, probably the saddest moment of the ep, along with finding Factory station. Some of this is relevant to my big bang.

 After literally all this, Finn’s still like ‘Bellamy, just drop that rando’ lol. No, bitch, don’t do this half-assed. Stop being a wimp and pull them both up.

Before it’s revealed that the horn is Octavia, this really does look like Bellamy and the No Good Very Bad Day lol: first Factory is found destroyed, then Sterling dies, then you almost die when your fake rope breaks, then someone starts shooting arrows at you, then acid fog rolls in, like, what now universe??

I guess another purpose of this story line, being fair again, is that Murphy and Bellamy are now officially friends again. Like Murphy has proven himself completely trustworthy as of that little nod between them.

“She blew the horn” is s obviously ADR to explain what exactly is happening here. Which is helpful, even though she’s clearly carrying the horn.

Blake sibling reunion!

“Three mechanics made it to the ground.” I mean… you’d think it would be more than that… what with the entirety of Mecha making it. Or was that station mostly casualties? I don’t know, this still doesn’t make sense to me, how they split up people between stations. Season 2 implied it was random, Season 3 implied it was by home station.

“Your leg’s messed up and that blows. Figure out a way to work around it.” Legit question: is there anyone else who would have said that to her?

I really, truly miss Wick tbh. One of the few characters with a sense of humor. (And yet again: he was good for Raven.)

They’re really playing fast and loose with the rules about language in this verse huh? Warriors speak English, no everyone speaks English, no English is for friends only I guess?

Jaha just wants to be a dad. Like, do I think he was a good parent… I dunno. Is he a better parent than anyone else on this show? At this point I would have to say yes. (No, Clarke does not count as a “parent” jfc.)

Ruthless Clarke ftw.

Jaha making a chess board just breaks my heart. Just let him be a dad!!

It’s been such a freaking long time since I watched this, I can’t remember if Octavia had braids in the last ep or not, like how long she’s had them. And it’s really bugging me, because someone else must have put them in, and I’m trying to figure out who that might be.

Also, where did she get the horn? I guess the implication is it was Lincoln’s… I can’t really remember. Wouldn’t it still have been on his person when he was captured?

Octavia went off the rails but at this point I’m still very fond of her.

The map Finn gives Bellamy lists ‘statue’ (Lincoln Memorial?), ‘twin trees’ (???), ‘Ark’ (Alpha Station??), and ‘amusement park’ AND amusement park is very close to Ark so my question is why didn’t they use that amusement park for something interesting??

Bellamy knows he shouldn’t let Finn go off alone but then, what can he do? Finn never really adhered to his authority. And I don’t think he feels like he can flex that right now, like it’s sufficiently established in this new order.

But he does arm Murphy. Which says a lot about how much he has decided to trust him, but also how little he trusts Finn. I forgot about this split in the character groups, though I should have remembered it, since of course this leads directly to the massacre.

“Parting, such sweet sorrow, right?” is an interesting quote from a kid who can’t spell ‘die.’

Aw, Clarke goes back to the dropship. I forgot about that. But then of course she doesn’t realize… anything. She doesn’t know the Ark is down, she doesn’t know what happened to the few of her friends who were on the outside. And her face when she sees the message to her, and only her name is still visible…

Blah blah blah fight sequence.

Creepy skeleton parts on the ground.

 I think this could have been the start of an Anya/Clarke friendship of some sort: Clarke earns her respect by fighting well, Clarke’s people protect Anya, the alliance forms… too bad they had to kill her.

And Clarke figures out where Alpha is based on Raven and Wick’s balloon.

“We fell from Earth in a football stadium. I think they already know we’re here.”

BUT the balloon is also what sets off Byrne, and gets her so worried about Grounders she authorizes the ‘shoot on sight’ command that kills Anya and almost Clarke. On the one hand, this is a nicely wrought story line. On the other hand, they shouldn’t have killed Anya, so. A wash.

Was Byrne’s worry about the balloon warranted though? I can’t decide.

Zoran, such a kind soul.

How can there possibly be a bounty on Sky People (side note: Jaha’s reaction to that name like ‘huh well I guess that is what we are’) that people all the way out in the dead zone would know about? Like… they’ve been on Earth for like a month. And the war has only been going on for part of that time, arguably. If it even is a war.

Trent Lane voice: Betrayal, yeah, stab in the back, betrayal…

Too bad “To survive, we do what we must” didn’t end up in like the fandom lexicon. It’s a pretty good variant on the theme. Plus Jaha’s just so… like he’s been fucked over but he can’t even be mad, because he gets that she’s doing it for her son and he wishes he had that chance. Watching his scenes again, I really feel like he was underrated and I miss him a lot.

I wonder what happened to Zoran and family. Were they absorbed into the hive? More generally, what happened to people seeking the CoL before ALIE could get it properly running with Jaha’s help? Did they all just… die in the desert?

Alpha Station at night is so beautiful.

And Clarke is so happy.

And this is SUCH A SETUP FOR CLARKE AND ANYA TO BE FRIENDS OMG, Anya should have brokered peace with Lexa, there was such an obvious role for her… Her death was 100% random attempt at shock, this show’s #1 worst quality, which is saying a lot.

I mean shot in the back while she’s walking away these Sky Guards are incompetent.

RIP Anya.

I really thought the Bellarke reunion was in this ep for some reason. But then I also knew Anya died right at the end—for more Shock Value ofc—so I don’t even know. I remember the scenes but nothing of their order I guess.

[dramayeoja]

Goblin ❣︎ 도깨비

Kim Shin, an undefeated war general, is ultimately killed by a jealous young king named Wang Yeo. After death, Shin is revived by the gods—but his revival is by no means miraculous. He becomes a 도깨비 (dokkaebi, goblin), and is cursed. He will have to pay for all the lives he took in battle by living alone in immortality, witnessing everyone he's ever loved, die. Remaining lodged in his chest is the very sword that killed him. There is only person who can see that sword, and draw from his heart so that he can finally rest in peace: his bride... whom he's yet to meet.

Things get spoilery under the cut—you've been warned! ;)

Chipper, yeah? Haha so, right off the bat, the premises of Goblin remind me of like, a much more morbid version of the legend of King Arthur. You know, a man draws a sword from stone to prove himself the greatest king in all of Britain? Yeah. Just to be clear: this is a good thing (imo). Like, I personally think this is just such a cool idea for a drama 😍

Let's jump right in. I'm gonna be honest and say that, at first, I felt a little turned off at the female lead, Eun Tak, being nineteen (in the beginning of the show), meanwhile the male lead, Shin, is 900+ years old (but physically looks to be in his thirties). It just... rubbed me weird. But hey, the Twilight series (both the books and the movies) is exactly the same—high school girl, century-old man, bananas yet somehow romantic storyline... And I loved me some Twilight as a young adult. So I mean, I have no right to judge, really. Plus, Eun Tak soon turns twenty anyway. So that's an improvement I guess 🤷🏻‍♀️ We follow her character into her late twenties, nearly thirty. So things are definitely fine by then haha! 👍

Don't let that previous bit make you think I didn't enjoy Goblin—I LOVED it. That detail is just a lil funky to me, is all. Back during my Twilight obsession days, I was nearly twenty myself, and the thought of being pursued by an older man was exciting. Hell, I mean, it still is! But now that I'm two years shy of my 30th Birthday, I feel differently sometimes. I think, LAWD get that girl away from that man, she too young for him LOL. I am definitely getting old... Enough about Twilight now, apologies! I'm only using it for the sake of conveying similarities seen in Goblin 🙏 Let's talk cast!

Kim Go Eun as Ji Eun Tak and Gong Yoo as Kim Shin

Eun Tak is a bubbly young woman with limitless energy! While still in her mother's womb, Mama Ji was involved in a hit-and-run incident which, sadly, took her life. During Mama Ji's dying moments, she prayed to anyone above that her child's life be spared. Sat on a rooftop from afar, beer in hand (lol), Shin hears her prayers, as he is a god of sorts. He appears before Mama Ji, and shows mercy to her unborn baby. Eun Tak grows up with the ability to see/speak to ghosts. Said ghosts tell her constantly that she is the goblin's bride. How do they know? A strange birthmark on the back of Eun Tak's neck tips them off. Eun Tak unfortunately was taken in by her abusive bitch of an aunt, who jabs Eun Tak every chance she gets. Her cousins are assholes. Eun Tak's aunt really only keeps her around in hopes of collecting Mama Ji's savings (intended for Eun Tak) one day. Sad, right? I mean, isn't Eun Tak being born without her mother enough as it is? Life can be so cruel 😔

Lee Dong Wook as Grim Reaper/Reaper/Wang Yeo

This is Grim Reaper (or Reaper for short), portrayed by the handsome Lee Dong Wook. His character is just this strange, not at all tech-savvy man with a constant deadpan facial expression. Said facial expression provokes so many giggles during funny moments, and drives home the longing and desperation during sad times. We learn quite a ways in that he, in his previous life (again, just in case: spoiler), was Wang Yeo G A S P ! The young king that is essentially responsible for Shin's death, as well as all the misdeeds that were done to Shin's family. Again, this is something I don't want to spoil. Well, more, anyway 😆 You gotta see it!

Yoo In Na as Kim Sun/Sunny

Kim Sun, or simply, Sunny (she loves to spell her name for people lol, S-U-N-N-Y!) is the second female lead. Yoo In Na is so gorgeous that one look at her makes you feel like such a potato hahhah. 🥔 This fact about her beauty bleeds over into the show itself—every time another character meets Sunny, the camera does this slow motion pan into her lmao. She really is that pretty! Sunny's personality comes across so odd at first... Having watched all of the episodes now, I feel the intention of Goblin's creators was to make her seem like a soul searching for something it has lost in a previous life. idk if that makes sense, but yeah. She has this way about her, like she's disconnected from others, and is sifting through the haziness to find this thing she feels she's lost.

Yook Sungjae (my BtoB bias 😍) as Yoo Deok Hwa

Sungjaeeee ahhhh 💘💘💘 I had to gush, sorry! Hehe. Meet Deok Hwa: unofficial nephew of Shin. Deok Hwa is a third-generation chaebol (heir to a family-owned corporation) and spoiled man-child, always seeking his credit card hahaha 🤣 But I love him so much. Between Gong Yoo, Lee Dong Wook, and BtoB Sungjae? Man, I'm dying over here! Deok Hwa's true identity is revealed later in the show, which if you haven't seen it yet, I won't spoil it. Just watch. But his ending sucked. Like where did he go? Everyone else's endings got tied up neatly except for his. What gives, man? 🤔 Edit: I was actually reading an online conversation about what happened to Deok Hwa online—someone jokingly said he was reincarnated as BtoB Sungjae LOL 💯

Other various comments

AMAZING OST 😍😍😍

Good pace, episodes drag at times. A little confusing in the beginning, but you get there eventually. Maybe this is just me though, viewers who are a little more keen than I will likely catch on sooner ;) My mom was a little confused as well, and actually said at one point, "This should be called the 'what-the-hell-is-going-on' show," hahaha. Like I said though, we quickly moved on from this, and loved all the things. There are actually, I think, three (?) specials that were made to aid viewers in making sure they understand the complex events and relationships clearly. I haven't watched them yet, but want to!

Quite repetitive tbh, as there are unnecessary flashbacks often. Probably for two reasons: the obvious of reminding you what's what, but also to create suspense. Typical duration of most tvN dramas seems to be about 16 episodes, so it's possible these flashbacks and things are, for lack of a better word, filler. I don't know how rigid or lax tvN is about having a drama set at 16 eps, but I get the idea this is their preference. Seeing as so many of their programs on average last that long, I feel this must be what they want. Such has the potential to affect the writing, either positively or negatively.

A continuation of the previous bullet: I think Goblin's creators oversimplified the plot at times. I'm unsure if this is due to possible pressures to meet a specific requirement(s), or what. I'd rather forgo ALL restrictions and let creativity flow, let the story be told without pressure to fill a specific amount of time, etc. but TV production is weird. And contracts are weird. tvN might not to blame for these issues, could simply be that storytelling isn't always easy, man. I'm a writer myself, it's hard! I'M being redundant now lmfao! Anyway, yeah ~

Absolutely LOVED all the scenes that were filmed on location in beautiful Québec City, Canada 🍁 Tall, romantic trees, the fall foliage, historic buildings... sigh. Now all I need is Gong Yoo chasing me and we're all set! ;D

In addition to Shin being revived, my crush on Gong Yoo has been revived as well LOL. He fine 🔥 A classic K drama crush, can't go wrong with GY👌

Gong Yoo is always stellar at doing kiseu (kiss) scenes, and in Goblin, he does not disappoint. He really goes at it 🙈 which is preferred vs. the typical person kissing a stone statue that you see so often. He even did a lift kiss with Kim Go Eun that was reminiscent of THEE Coffee Prince kiss he did with actress Yoon Eun Hye! 😍

I never saw it coming, how the sword would wind up being removed from Shin's chest. I worried what the writers were going to do, how would they approach this, and just wow. The way things turned out is such a relief. It also told me that Shin's love for Eun Tak is true. I mean, I didn't need that scene to occur for me to know that, rather it just adds extra oomph that yes, Shin really does love Eun Tak. He didn't want her to suffer knowing she was responsible for his "death," so he thought quick and used her hands WITH his hands asdfghjkl. How dumb (bc noooo now you're gonna die) and amazing he is at the same time 💜

I love how Shin made his way back to Eun Tak after passing away, it was such a powerful scene. I could really feel his struggle, and kept yelling at my TV for him to stand up lol!

Devastated that Eun Tak died 😭 I really thought as many times as she'd cheated death before, she would somehow continue cheating death again and again for the rest of her days. But no... What a selfless person, Ji Eun Tak. Her being reincarnated as Park So Min gave me some closure. Not the closure I wanted, but closure.

The relationship between Shin and Reaper is ADORABLE. Whenever they interact with each other, they just have this great dialogue. Shin pings, Reaper pongs, Reaper pings, Shin pongs. It's great 😄 I still laugh about the slow-mo scene of them returning from the market with green onions HAHAHA 😂

I love Sunny & Reaper ~ However, their history as Kim Sun & Wang Yeo in their past lives is so very sad. I don't even know where to start RE: my feelings on this 💔 imo, their ending kinda sucked. I just wasn't satisfied with them having had this complicated, tragic story, only to be reincarnated in this fashion that I ultimately found to be just... idk, disappointing 😩 Again, closure, but not the closure I wanted.

I thought Reaper, the other grim reapers, the name cards, the depiction of what happens immediately following death with the brewing of the tea, the afterlife, etc. was all very creative. We really don't know what awaits us when our time comes—it's interesting to wonder if it's anything like it is in Goblin 🍵

Can't stop thinking about Goblin, even though I'm now watching Thirty but Seventeen & Mr. Sunshine! I'm emotionally cheating lol halp.

Photo credits: tvN & AsianWiki

Yo yo! I'm sorry I took so long to watch + write up this review! It's been a long couple of weeks for me, I wasn't always able to watch when I wanted. It was maddening 😆 But I have finally watched, and feel like the most accomplished person on the planet hahaha. xoxo 💜

[bandedshadows]

Voyager review.

This is long overdue (I was caught up with life stuff and had to stop liveblogging), but I actually finished watching Star Trek: Voyager last week. 

Judging by the length of this post, HOLY SHIT, do I have a lot of feelings.

TL;DR: I’ll give it a 7/10. 

My verdict: 

Voyager had a number of truly extraordinary moments sprinkled among clusters of average to very low points. 

I still loved Janeway a lot, even though there’s notable issues with her characterization. (Kate Mulgrew’s gr9)

Seven’s introduction gave the show a much-needed kick up the next level, but they ended up overdoing it imo.

Some characters are more developed than others, but I found the crew to be generally likeable. 

Continuity? What’s that?

prime directive... prima directa... primal dialga... perma dry roof... pearl digestive... prophylactic dental... partial deposit... parking at disneyland...

I still enjoyed Voyager very much, but oh boy, did this show have many, many flaws. I also took it upon myself to read up on Voyager’s behind-the-scenes issues for context, and jfc, the production is even messier than the text. Put two and two together and it’s obvious why the show took the course it did. 

I’ll go into detail behind the cut. It’s very long. Spoilers ahead :).

[CUT]

I’ll start with the negative points:

The ‘Endgame’ episode was... abrupt. It was still emotionally impactful, but it wasn’t the most graceful way to tie things up. Correct me if I’m wrong, but the show was given fair warning that the 7th season was going to be their last? If that’s the case, I expected more pre-finale plot development before this out-of-pocket Deus Ex Machina plot of future!Janeway pointing out a shortcut to the Alpha Quadrant. Or at least all the Borg encounter episodes could’ve added up to building Voyager’s path home. Endgame’s resolution is acceptable, but it really should’ve been spread out for the last half season. 

The serial, episodic format of Voyager ultimately led to all the aspects in which it fell short. Particularly in continuity and character development. There were bad episodes, average, above average, and then there were GREAT ones. 

But, it’s always Schrodinger’s cat on whether the next episode is going to be watchable or not, as well as which Janeway is going to show up.  

At times, Janeway would be stringent when it comes to the prime directive. Other times she unquestionably abandons Starfleet protocol to be a good samaritan. One day she backs out of complicated situations in order to prevent any losses of life. Another day she’s adamant in achieving her goals even if means accruing some casualties on the way. She gave Harry shit for sleeping with a girl from an alien race without getting medically checked, but then makes out with Devore!Spencer Tracy-lite Bashyk next episode. 

Over the course of the show, Voyager had many episodes that were forgettable. I found myself having to skip a lot of the holodeck fillers (Fair Haven is the worrrrrrssttt), some of the bottle episodes where the crew get first contact with alien races that would predictably betray them, and at times near the end, my fatigue of Seven and the Doctor can get me to tune out of their more unimpressive episodes. 

But then there’s also episodes where they delve deep into character development, but they never acknowledge the character’s growth in any subsequent episodes. The better episodes of Voyager often feel like missed opportunities for more in-depth exploration. B’Elanna undergoing depression was a great plot point that they could have explored more. The episode they did on her about her self-hate for her Klingon half was great but how she came to terms with her Klingon identity felt incomplete. Her character always fascinated me, but I seriously needed more.  #JusticeForB’ElannaTorres

The episode “Mortal Coil”, for example, explores Neelix coping with the loss of his belief system after experiencing death. HIs usual positive outlook was compromised because he realized there’s no heaven and he’s questioning the point of living. Neelix is far from my favourite, but I kind of relate to what he went through. Before the next episode started, it looked like he’s headed to a darker path. Perhaps this change will interfere with his approach to being the morale officer, or he’d don a more assertive aura in future eps. Then he’d be a more interesting character. But NOPE, next episode he’s back to his old sunny self. Missed. Opportunity.

I’m going to echo what I said in this post I made awhile back. I do love Seven’s character, I truly do, but the balanced family dynamic of the crew was special. She didn’t have trouble integrating into the cast, but she pretty much hijacked the show from then on. She’s a great, well-developed character but I found myself longing for the others to get as much depth as she did. 

I just read up on the Jeri Ryan/Brannon Braga stuff,  the beef between Mulgrew and Ryan, the writers willfully shortchanging the actors they don’t like (Beltran, Wang getting less focus episodes), the intense working conditions, and just... the general toxicity of the environment (not to mention Rick Berman’s an ass). I see how the behind the scenes conflicts could’ve influenced the show and now that’s just... really irresponsible.

Now, for the positives!

The writing of her character is flawed, but I thought Captain, *ahem* ADMIRAL Kathryn Janeway was a splendid captain. We wouldn’t know which Janeway showed up each episode, but I love all the versions lmao. Before I binged Voyager, I was already defensive of her from a symbolic standpoint, being the only female captain to lead a show and all. But it turns out that defensiveness was justified. Janeway is both strong, yet fragile. Authoritative, but warm. Adventurous and scientific, but can also get reclusive. She was overly curious, stubborn, and indecisive, but ultimately handled her woes with grace. She proudly demonstrates her iron will, but her empathy for others always prevailed. Her character arc took many paths and turns (intentional or not) but I enjoyed how the character was conducted as the leader of the ship. I felt a different affection she particularly shows to her crew that I don’t think other Trek captains ever did. 

If anything, I have to credit Kate Mulgrew for masking the inconsistent writing quite well. Janeway came off as layered and multi-faceted instead of mischaracterized. 

As for the rest of the cast: they each have their own quirks and they all helped prompt the dynamic of the team. A number of them fell flat towards the end, like Kim & Chakotay, (but I guess it was for the best because of the racist elements of the Chakotay character and Kim’s infantilization. I really wish the writers got more creative with them though.) But either way, all the chracters contributed to the crew in their own way. Each one of them did have a standout episode. They all took a while to find their footing at the beginning, but they all eventually grow into it. 

Now, when Voyager has a great episode, it’s REALLY, REALLY GREAT. 

By far my favourite episode in the entire show is the “Year of Hell”. There’s been plenty of episodes where the crew undertook mishaps but always came out unscathed. But in the “Year of Hell”, this conflict took the crew to dark, new places that really challenged their limits. They were plunged in a darker place of total despondence and desperation, where they got in each other’s nerves, they sacrificed things they love, and the situation tested their hope and will for survival. The desperate situation made for compelling interaction between the characters in how their dynamic changed after their morals were compromised. I also enjoy the laid back nature of Voyager, but I do wonder what it would’ve been like if the whole show had been like this?

Other favourites were: 

Living Witness-- a poignant examination of the nuances behind historical remembrance. An issue that is still relevant today. At first I was going to be annoyed if the point of the story is to clear Voyager’s good name, but later on, The Doctor says that the obsolete Voyager’s reputation is irrelevant to the creating peace between the two factions. *cough*Japan downplaying wartime aggression to clear their name*cough*

Timeless-- just a well-done episode. Yes, once again, they dabble into alternate timelines, but this episode brings such emotional weight and splendidly tackles the issue of survivor’s guilt. Kim’s finest moment. Also, Geordi my king!

Deadlock-- Another space-time episode, but the duplicates really posed a formidable challenge to the crew. It was also a testament to their nobility and sacrifice.

Scorpion-- the game-changer for the show. Also, Seven’s first appearance!

Equinox-- again, this episode featured the crew encountering a real moral dilemma. One of the few episodes that treated the prime directive with a non-simplistic, nuanced approach.

Resolutions, The Chute - ‘cause I’m shipper trash.

Anyway, this was tiring to write. I’m thinking of taking a break from sci-fi shows for a while, then maybe I’ll rewatch TNG or BSG again. Voyager was the only Trek I haven’t watched chronologically and it was nice to witness ‘new’ Star Trek again. This is really long, but I spent over 120 hours watching this, sooooo...