#&. i don't want to think about it ( past thread );

[leavemetrappedinacage]

EVERYTHING WAS A MISTAKE — i. cheater.

⤷ summary: Leaving home isn't hard, coming back to home is, you're determined to find your sister, but Gojo has many things to say to you.

⤷ pairing: yandere!satoru gojo x fem!vampire!reader.

⤷ warnings: angst, abuse (physical assault), a bit of gore, blood, abusive behavior, it's implied that Gojo has assaulted reader other times in the past, gaslighting, mentions of cheating, mentions of death, psychological violence (Gojo is manipulating the reader into thinking that everything is her fault), spoilers (JJK0).

⤷ more information about story: here.

⤷ notes: this chapter is a bit hard to read (it was hard to write too), if you are in an abusive relationship or have just come out of one reading it may cause triggers, so please stay safe. 🤍 (I forgot to post the chapter yesterday, sorry. 😭)

⤷ word count: 2867.

Human lives are bubbles floating on the surface of the water, fleeting, but the life of a vampire is perennial, like the Pinus longaeva, which will last for millennia if it is not uprooted. You let go of Satoru's clothes, to whom you were clinging tightly until recently. The words he said to you seem like a bad joke, but the part of you that knows him knows that he wouldn't lie about such a serious matter. A million possibilities run through your head and none of them seem right. Your older sister is the current head of the clan, she succeeded your mother after her death, she is also married to Satoru's older brother and is therefore part of the Gojo clan by marriage, no one in their right mind would harm her, unless they wanted to provoke a war that they would never win.

In the past, after you broke one of the clan's three taboos, your sister came to understand your side of the story, and although you confessed your sins out of your own mouth without showing remorse, she knew you well enough to know that you would never commit a crime of this proportion unless it was truly necessary, you were hot-headed, not a serial killer. However, there was a limit to her influence, your sister had to withdraw from the investigation not long after, the other investigators claimed there was a conflict of interest and personal motivations on her part because you belong to the same lineage, although you knew very well why they wouldn't allow her to investigate, you comforted her by saying it was all a mistake.

You accepted the death sentence so that her and her family's reputation wouldn't be tarnished by her crimes, but when you found out what they would do with your corpse after your death, you had no choice but to run away. You escaped from prison and left everything behind, so you would never see your family again and would forever be an outcast, but you knew that Gabi, your beloved sister, still had hope.

You fall to the ground on your knees, your heart breaks into a million pieces that you may never be able to put back together, the tears flow endlessly, but you don't make a sound. Your sister once told you: "One day, I will die, and you will be the last member of our family. And when that day comes, you'll miss me so bad when I'm gone, Y/N!" She said it laughing, you didn't care because she was the head of the clan, and just like your mother, she would die of old age with three children or more, but now those words blowing in the wind have taken on a new meaning, as if she knew deep down that it would happen. You put your hand on your chest and lean forward until your face touches the carpet, you open your mouth to scream, there's no strength left in you to do so, only a bitter taste of defeat in your mouth.

Satoru gets down on his knees in front of you and hugs you, you don't pull back because it's the only comfort you can have right now, you cling to him like you're clinging to your last thread of hope, you allow yourself to cry because it's the only thing you can do right now. He's never seen you react like this, you never cry, you didn't shed a single tear at your own mother's funeral, you were like a beacon in the middle of a stormy night, strong and resilient, no one has ever been able to shake you, so seeing you so vulnerable makes him feel he needs to protect you. He lifts your face with both hands and wipes the snot off with the sleeve of his shirt, you're a wreck, but you muster the strength to get up. Now with a clear head, you know you have to solve this problem, no matter what.

"I'm going to kill them all." You mutter, the glow you're carrying fades and gives way to a gloomy aura, you turn away from Satoru, you're planning how to kill these people, there are too many of them and only one of you, but you've been in a similar situation before, so you think it won't be a big problem. "Thanks for warning me, but I don't want you to meddle this time, it's a matter of fa-"

Satoru suddenly interrupts you. You don't have time to associate what happened right away, it was so fast, only then do you realize that he's hit you, you touch your cheek and it's hot and tingling, your ear is ringing as if a bell is inside your head, and it feels like one of your eyes has popped out of your skull because you're not seeing well. You're so bewildered that he has to hold you so that you don't fall to the ground again.

"I don't know what the hell you're thinking, but stop. Now." He gently grabs your face and presses down on your right eye with his thumb in order to put it back in place, and you stand there as if you were a doll being carefully repaired. "You're a hothead, aren't you? God! Are you thinking of killing someone else? I hope not, I don't want to have to do it again." He scolds you, he doesn't like the idea of having to hit you, but you always cross the line, it's so annoying. "If you make a single slip-up, everyone's efforts will be for nothing, your sister's life is at stake and we still don't know the intentions behind the kidnapping, so. Stop. Acting. Impulsively." He spoke slowly and nodded, waiting for you to agree. "Answer me."

"But-"

"Answer." Somehow his aura seemed to pressure you, it's always like this, he says he doesn't want to hit you, but if you keep doing things the way you want, he'll hit you again and again until you stop, you shrug and he sighs. "Y/N... answer me, I won't do it again, so be a good girl and say you won't do anything."

"I won't act on impulse, I promise."

"Yes, yes. I knew you were still a good girl." His tone of voice has changed, the pressure on his shoulders is also gone, he pushes back a lock of hair and kisses your forehead, it's almost as if he's someone else. "I'd love to spend some time with you here, but we have to go now."

"Now?" You hear a pop, Gloria and the children are still waiting for you, you can't leave without saying goodbye, you look around the room for the bread basket and find it completely ruined, you let out a breath of air through your nose. "I couldn't go and see any of you anyway."

"Who are you talking about?" Satoru grabs you from behind and buries his face in your neck, you're tense and stiff, it would be bad if he found out about Gloria, he's not the kind of person who tolerates jealousy. But fortunately he doesn't seem to know, he sees the basket of bread on the floor and remembers the children you greeted earlier. "I didn't know you liked children so much."

"Oh, yes, of course?! So you were stalking me at that time too?" He replies with a 'mhmm', you roll your eyes. "You're awful." You let out a dry, mirthless laugh. "Oh, I never had a chance, did I?"

"I'm glad you know your place." He's so overbearing and arrogant, yet if you had only half the power he has, you'd act like it too. "I'll help the children later if you behave yourself on the journey back."

"Really?" Your shoulders relax, you lean in to look at him, he nods in agreement and you're relieved, but everything has a price...

"But you'll owe me one." He whispers unassumingly. "Two, actually." He holds up two fingers, you choke. "Or have you forgotten that I'm going to have to take you in secret?"

"I thought you were going to give me up! I even thought I would need Suguru's help."

"Of course not!" He shouts, irritated, an icy chill shakes your body, you lower your head and he continues shouting. "What kind of monster do you think I am? I would never hurt you, Y/N. I... I... forget it." He pushes you away and massages his temples, then stops abruptly and runs his hand over his face as if he's just remembered something. "Oh, one more thing, Suguru is dead."

"WHAT?"

"I killed Suguru, he committed some crimes, but nothing compares to the fact that he hid you from me." Satoru lets out an infamous chuckle, you can't believe what he's just told you, but given the circumstances, you know he's not lying, the only person who knew your whereabouts was Suguru. "You remember when you abandoned me, don't you? Didn't you think about me? How I might feel?"

"You weren't the only one I left behind, and-" You start to speak, but he signals you to shut up and stop making excuses he doesn't want to hear.

"But as far as I know you haven't abandoned Suguru, have you?" You feel the air get heavy and Satoru's shadow covers you, he seems much bigger than you or you're feeling too small, you don't know, you go back and grope the tree, there's nowhere to run, you close your eyes and wait, maybe for the next slap or something worse. "He told me everything before he died... so we have a lot to talk about, Y/N."

Mistrust is like a deadly poison that eats away at you from the inside, it makes love grow cold, but it also gives birth to a weed called resentment. There's no fixing something that's been broken, when you put the pieces back together, the cracks and scars of the breakage will be there forever, it will break again if you fill it with water. There is no way to mend the heart of someone who has already been betrayed or abandoned.

Satoru look at you with a fake smile, the corners of his mouth are twitching, a bad sign, there's no escape for a change, there's only the two of you on this deserted house, even if there was someone here no one would come to save you, there's no place you can use to hide, but there's no way and no reason to hide when the Six Eyes are looking for you. You open your mouth, but give and accept that there is no other option but to stay quiet, he seems satisfied with your decision, the smile on his face widens.

"Satoru..."

"You cheated on me." He repeats with tears in his eyes.

"WAIT, WHAT? I never cheated on you." You choke, you don't know if he's making it up or Suguru said something that made him get it all wrong. "I don't think this is the time or the moment to talk about it."

"But I do." He retorts. "You disappeared for ten years, Y/N. DAMNED. TEN. YEARS!" He puts a lot of emphasis on that. "You didn't try to contact me during that time, you didn't even make an effort to make me try to understand your side, but..." He paused dramatically. "There was enough space for Suguru to continue in your life. Do you know how painful it was to find out from him that you'd been in contact and seeing each other for all those years?" He frowns and laughs like a maniac. "What about me, Y/N? I was alone in the dark for ten years. I had no news of you, I didn't know where you were, how you were or if you were even alive, but he knew because he told me before he died." He scratches the back of his neck and bites his lower lip. "You didn't even bother to break up with me."

"You turned your back on me first! You spent weeks ignoring me before everything happened and-"

"Because YOU were hiding things from ME!" He shouts and points at you accusingly. "I never knew your side because you didn't trust me enough to open up to me, your own boyfriend." He uses both hands to point at himself, the veins in his neck and forehead bulging, he's furious. "But Suguru knew, because you told him everything, didn't you? You even asked for help to escape."

You choke, you don't know if Suguru revealed all the details to him, but your mind goes blank like a blank canvas for lack of arguments, you can't retort, because what he's saying is the truth, at no point did you consider the possibility of trying to contact him, you didn't explain why you killed all those people in the first place, you just accepted the fact that he hated you and decided to walk away without saying a word. Who told you he hated you? Did he really think you were a monster? The fine line between what was true and what wasn't was so thin that you couldn't tell the difference anymore.

"I forgave you for killing those people and for running away, but this..." He points at you and for a portrait of you and Suguru on the bedside table, then makes a cutting sign with his hands, shaking his head frantically. "I'll never forgive that. Never."

"I'm sorry."

"It's too late to say you're sorry." Satoru reaches into his pocket and pulls out a black blindfold. "You never really loved me, did you? You loved him, I was just... an idiot. That's the truth. I was just a substitute for him."

You see the tears streaming down his face, he brushes them away with the back of his hand as if he doesn't want you to see him cry, you feel your stomach lurch, you don't have the courage to approach him, it's bad enough to know that everything that happened in the past was a big misunderstanding, to be abandoned and in a way betrayed, you can't measure his pain. And although you have your share of the blame for his suffering, he has to understand that you were on the run, many came after you to kill you, familiar faces, you have a lot of traumas to carry, and you don't want or need to carry the weight of this ill-fated relationship, but you can't help it.

"I expected a little loyalty from you. But you're one of them." Satoru refers to the fame of vampires and their multiple partners, but you're not like the others, you really only loved him, but he's so blinded by hatred that he can't see. You love him so much that you trusted him with your life. "You... you cheating bitch, I did everything for you, I... I even tried to forgive you for it, but then you started thinking about going after him? HAHAHA, I'm really stupid."

"I'm not a cheater. I've NEVER cheated on you." A lump forms in your throat, you can barely defend yourself against these unfounded accusations, based on jealousy and paranoia, you sniffle and wipe away tears that wanted to escape from your eyes. "I swear, I never did that, I-" 'love you' You continue the sentence mentally.

You endured everything in silence for fear of sharing the burden with someone else, because you are afraid to lose everyone, but you also believe that if you had been honest from the beginning, he would have understood you, and maybe your sister wouldn't have had to go through what you're going through now, but now it's too late to be honest.

"You just used me and are still using me for your own gain, you just want to ensure your sister's safety and leave. Like everyone else... I'm just a tool for you."

"That's not true, stop it."

The truth hurts, and he's telling the truth, from the beginning you thought of him as a tool to find your sister, but not everything is true, you also want to spend time with him, since finding him again has ignited something inside you, but you don't have the strength to go against him. You take a step forward and he moves away, you reach out to touch him and he rejects you, it's so painful that you'd rather he hit you, you grab his hand and he's so cold, so distant, as if an abyss were separating you. You open your mouth to beg for forgiveness once again, but you feel a stinging pain in your head and heart, a buzzing in your ears makes you dizzy and makes you scream hysterically, your nose and ears began to bleed non-stop.

"Y/N?" Satoru's voice becomes distant and his image blurs. "Y/N?! Are you all right?"

"I... I... I feel... so... sorry... I... will... tell you... everything..." Your vision suddenly darkens.

The last thing you hear is Satoru's voice shouting your name.

[ekaeb]

My theory so far on what's going on with the Bright Queen re: Essek.

The gist of it: It's canon that Essek isn't being actively pursued by the Dynasty. His name is on a list somewhere and he had to flee his position in Eiselcross 7 years ago, so he is a person of interest, but we don't know what all the Bright Queen knows. She could know everything down to what socks Essek wore during his beacon heist and how long he and Caleb's last make out sesh was, or she could want him arrested on suspicion of telling Ludinus den Thelyss' recipe for frost worm stew. I think it's somewhere in between, possibly with some religiousness sprinkled in. Either way, if he is on her mind, Armageddon isn't really the time or place to arrest someone. Especially not an extremely powerful someone you'd want in the vicinity if the fight came to you.

The longer version:

I think that the Bright Queen, at a minimum, knows where Essek lives and who with. To me, it makes sense that she's had eyes on the Mighty Nein, especially Caleb due to him being an outsider with a non-insignificant knowledge of dunamancy, regardless of their association with Essek. We don't know why exactly Essek had to flee, or what information the Dynasty has on him. He's said that he might be able to get in contact with other Dunamancers if they can look past his past transgressions. That could be referring to him stealing the beacons, working with the assembly, and/or something else we don't know about. What I'm thinking is based on the assumption that at a minimum Essek is suspected to have been working with the assembly. I feel like if they thought/knew he stole the beacons, they would be actively looking for him.

I don't think the Bright Queen has Essek on her mind, at least not right now. She has a whole country to worry about on a day to day basis, and the potential end of Exandria as it is now to focus on. Essek is a loose thread on a large quilt. Essek is very important to the audience because we care about him. We know he's significant to the story. We know he stole the beacons and why. We know he worked directly with Ludinus and Trent. We have information that the Bright Queen most likely doesn't, so it makes it feel like he should be a much bigger blip on her radar than he probably is.

Now, I do think she knows where he is and is aware of his Seth persona. He lives with Caleb and works with Beau, so it wouldn't make sense to me if she wasn't(20 bucks says she has at least one Lens member posing as their neighbor.). There are a lot of possible reasons for why she hasn't had him captured yet. It could be that he just isn't her problem anymore. It's been over 7 years, what's done is done, and he doesn't seem to be actively making things worse for the Dynasty. He's still an Arrest on Sight if he's caught in the Dynasty, but he isn't an issue right now.

Another reason could be that he changed a lot since then. The Mighty Nein seem like genuinely good people who overall want to do good in the world in the most chaotic way possible, and the Bright Queen seems to admire that. Essek started coming out of his shell once they came into the picture, and by the end of the campaign had helped save the world simply because he cares for the people who were doing it to get their friend back. This is another instance of not knowing what the Bright Queen knows, but if she is keeping tabs on things, then she would know to an extent how dramatically Essek's changed from the egotistical, selfish, self centered prodigy that she knew him as. Back when campaign 2 ended and Matt gave more info on the Luxon, a lot of people were talking about how similar Essek's story is to it. Essek refused fundamental aspects of the culture he was born in, which led to a long period of loneliness and searching. He found something he loved (Dunamancy) and dedicated his whole being to it to the point that it eventually tore his life apart, but in doing so he found a new light. He found the Mighty Nein, who helped him put the pieces back together again, but better. Matt said Essek started to question who he was once he started to love the Mighty Nein. He asked himself, "Who am I?" and the Mighty Nein answered back, "Essek, our friend."

This combined with the religious and cultural beliefs of the Dynasty make me hope that the parallels wouldn't be lost on her. Essek is carving his own path, but needed a healthier and more accepting environment to do so. By the law, he should be prosecuted for his crimes. He should be arrested, put on trial, and punished accordingly. From an individual perspective, he's grown so much since he was Shadowhand Essek Thelyss, that I'd hope she'd think it was worth seeing where he goes.

Either way, I don't think expending the resources to capture him right now would be logical. It's all hands on deck, so expending the time, resources, and potentially soldiers to arrest a highly powerful mage and send him back to the Dynasty for legal proceedings isn't really possible with the current situation.

[thegirlwhorideslikeasamurai]

Thank you for sharing your thoughts! <3

To be honest, I don't know. The stories I'm reading and those I have read have a quite consistent audience that writes many (and even quite a lot of detailed) comments while these stories are being updated. But I usually read in other fandoms, so I can't tell if the demographic of these fandoms is generally more supportive of their writers or if these writers just know how to engage their audience. However, when I look at the stats of a couple of stories in the YOI fandom that started around the same time as CYHMH (summer 2022), I'm not so sure that it's just fandom demographics. Back then, there was one new story that had 10 chapters out with like 200 comments and I even saw one that had only 2 chapters out but already 300 comments. So, even back then and a long time before the movie cancellation, it was pretty much still possible to excite readers (For the record: I didn't look around for too long to protect my mental health, so the data I have to base my impression on is very incomplete.) Now that I know that many fans are very vocal about wanting more canon content, including some in-between-the-episodes stuff which CYHMH has in abundance, I'm genuinely puzzled. Having heard about the success of other novelisations and sequels, I doubt that's just about original content.

Interestingly, the movie cancellation didn't impact my stats at all. At that time I had a long-wished for uptick in engagement (supposedly due to the fact that I had resumed posting the improved & beta'ed version, but I'm not sure of that) and that uptick held on until about two months after the cancellation. It made me hopeful that I had finally found a steady audience. Interestingly, shortly after the eros-off ice chapter [about 2 months after the cancellation], comments and hits/chapter dropped massively and basically back to the low level they had been at in 2022.

The story has 477 comments (I'm counting the threads, not the total number), which is about 10 comments/chapter on average. From the outside that looks really good. However, a lot of that is from either readers who discovered the story later and made an effort to comment each chapter plus the success it had during the first half of this year. And don't get me wrong, I'm so happy every time a reader takes their time to comment on chapters that had been posted long ago because many readers seem to think that writers don't care getting feedback for these although most of us crave that. In many cases that finally got me the kind of feedback that I would have desperately needed to keep going in 2022, and if I had gotten that back then, the long break wouldn't have happened. Because no matter how much I appreciate these later readers (they're 3 in total, including you and I love every one of you <3), I also need some support and engagement when I post these chapters to keep staying motivated and not being on the verge of quitting writing again because just sharing them had made me feel so miserable.

Right now, there's still some engagement left. But knowing my experience with writing a series for my last fandom (before AO3), engagement drops with every instalment. So if, at this point, there is already so little excitement for my take on the ending of the show and my take on a continuation, I just know from past experiences that it will go down even further for the sequel. And for me, that really begs the question of whether I want to expose myself to another bout of losing my joy for writing and contemplating quitting it because I've already been there often enough.

At this point, I'm just at a loss about what to do. I feel like I did already everything that I could and it's still nowhere near enough: I did tons of research for this story, especially regarding Japanese culture and figure skating. I conducted a meticulous canon analysis to ensure that the characters are in-character and that everything that I add is a logical extension of canon to make sure that this story "feels" like YOI. I worked with a beta-reader because English is not my first language and in those chapters I've posted in 2022 it really showed. I respond to every comment and thank the commenter. And I post previews with little success, at least here on tumblr (not sure what the people on twitter do with them). There's hardly anything I could still try and it's not working.

Okay, I need to get this out of my system.

I have planned to post the sequel to my YOI novelisation in exactly a month from now. My beta said that the sequel feels like an actual continuation of YOI and a friend is even drawing a cover picture, which is just so amazing. But the more I think about it, the more it seems like I'm bound to regret releasing this story a couple of weeks later.

I won't lie. CYHMH had the total opposite of a dream start. I even paused the story for an entire year to get a beta reader because I failed to keep my audience interested and concluded that it was obviously bad. Or maybe it only did so poorly because it can't compete with other novelisations. I don't know and I don't want to know because if I learned the truth, I would probably shoot myself.

The story has 600+ kudos, but that's not reflected in the hits/chapter at all despite all the improvements I've made. The number of hits/chapter which had skyrocketed for a brief time span earlier this year (aka after I resumed posting the improved version) has decreased by 75% since June and hasn't recovered since. Often, I lose bookmarks and subscriptions within hours after posting a new chapter, which couldn't be a more obvious feedback.

I see this loss in interest also reflected in my chapter announcements and previews (not they had ever been great to begin with). Often, I'm the only person reblogging them because rarely anyone else does. On the other hand, my post that I would postpone the latest chapter due to the US elections was so popular and the contrast to the reactions when I finally posted that chapter was so huge that I wonder if people just want me to shut up and stop posting. To be honest, not posting would save me a lot of time and spoons because, let's be frank: writing for a mostly silent audience is just not it. (I have a little bit more engagement on other socials, but the downwards trend is the same there.)

There are only three chapters of CYHMH left to post. The story is at its climax and seeing the lack of interest and enthusiasm so close to the end is just so fucking disheartening after putting so much work into this story which I call my love letter to YOI. Maybe I don't write the kind of stories that inspire the majority of its readers to gush about it, but a part of me had been hoping for at least some people to be thrilled that the chapter was finally out. Or to be at least excited about the sequel. And I can't decide whether my writing just sucks that much to most people, if you're just silent because you only talk about my stories in some exclusionist fic club, or whether a sequel is just not wanted or needed due to the fandom being already saturated with that kind of story.

Would you guys prefer that I stop posting? If you really want to read my YOI sequel or just anything for that matter, I beg you to tell me and to support me.

[torgawl]

instead of just cross eyes and star eyes distinguishing dynasties in khaenri'ah, why do some khaenri'ahns cover one eye specifically? there’s many things that seem interconnected regarding the lore:

crimson moon turning around to look like an eye; irmin the one-eyed king; the unknown god’s cubes containing eyes in their design (same ones present in the cataclysm as well as the crimson moon), her glitching looking like arlecchino’s, and the four pointed star pattern that appeared when she showed up to the twins; forbidden knowledge and nibelung’s influence; fischl's auge der verurteilung aka eye of condemnation (crimson eye) and her skin's description "o holiest of sovereigns, high princess of immernachtreich (kingdom of evernight)!".

kaeya's note about the alberich saying "i saved this one memento from the fire 'father' made while he wasn’t paying attention. this was in violation of our principles. our clan's affairs should never be recorded" and "though we could not restore khaenri'ah to life, we of the alberich clan should lead lives as those who blaze like fire, rather than those who wallow in the embers [small piece of burning or glowing coal or wood in a dying fire]", father being in quotation marks and references to fire and ashes; the orphanage in khaenri'ah that wanted to house children from destroyed worlds and non-threats that leaked into the kingdom, in hopes of finding beings from beyond the sky who could transcend the gods; perinheri's first memory being transversing something like a chimney, filled with ash and being asked if he wasn't dead just for him to see the eye (crimson moon) and being told he was reborn; dust and the blood of of dragons (or dragon-like beings like durin and elynas) being connected to rhinedottir and the art of khemia; fire as rebirth and life but also, the balemoon blood specifically being connected to loss of memories and loss of memory being equivalent to death (not physical);  despite the orphanage never being able to find that transcendal person, it had many unusual individuals who became knights of the kingdom.

irmin as the first divine halberd (that once pierced the axis mundi [cosmic/world axis, world pillar, center of the world, world tree, etc.] and connected the nine worlds), the prinzessin der verurteilungas (fischl) as the last one; fischl and kaeya comparing themselves to one another and their parallels to irmin and odin; der ring des nibelungen, in which the dwarf (or nibelung) alberich creates a ring capable of controlling the world, using gold he stole from the rhinemaidens (or rheintöchter "rhine-daughters"). the conflict that arises over the ownership of this ring eventually leads to the destruction of the gods and their home, valhalla.

irminsul (irmin + sul) meaning great pillar and being a reference to the yggdrasil, the tree that supports the universe; the description of the item silver twig – collected in the center of the world - talking about a sage that hanged himself upside down in the irminsul tree to gain knowledge of the runes and the cosmos, then going into a secret kingdom down its roots [also a reference to hanged man in tarot that symbolizes wisdom, divination, sacrifice, prophecy, etc.]; odin who hung himself upside down from the sacred world tree, yggdrasil, for nine days and nights sacrificing his eye and throwing himself on his spear (gungir) as a ritual sacrifice in order to obtain secret wisdom; memories, fire and crimson moon hand in hand with the irminsul, king irmin and the concept of fate; the fake sky, the stars and being able to see fate but also fate being a means of the heavenly principles to control the world (neuvillette calling it puppet strings); khaenri'ah, a supposed godless nation but the crimson moon dynasty revering the moon (and hilichurls worshiping istaroth); the crimson moon having an eye on humanity and always being present associated with punishment and destruction (fall of gurabad, remuria and the catclysm).

crimson moon's semblance (arlecchino’s weapon) implying the crimson moon sought vengeance (“few survived the utter destruction of their kind, hiding in the shadows where the sun did not shine, longing for the crimson moon to decree their desire for vengeance be repaid”); the design of the weapon and arlecchino’s boss attacks resembling the double helix present in deathly statuette material dropped by abyss heralds, abyss lectors and shadowy husks, which has a single red eye. it apparently whispers "see, my child. all that lies under the throne of heaven shall be destroyed by upheaval. the eternal peace of the pitch-dark void shall embrace us all.” as you gaze at it.

the abyss order being founded by chlothar alberich and pierro being the first harbinger; the "sinner" – the crystal in chains from the chasm, protected by an abyss herald - not being a god but still worshipped by the abyss order. the voice stating to chlothar and the traveler’s twin that he "[knows their] fate well" and urged them to become a "transcendent one" saying he would "shed a tear at the end of time... as i gaze back upon your life". he also imbued chlothar with the power of the abyss, which alleviated his worsening conditions. the “sinner” refered to chlothar as “dear creature”; dainsleif, pierro and kaeya being examples of khaenriahns who hide their right eye; dainsleif being called “bough keeper”, bough is a branch of a tree, but also his constellation being a snake ring like ouroboros – representing the eternal renewal cycle of life, death and rebirth; the loom of fate being an operation of the abyss order first encountered during "a herald without adherents" quest.

“the threads of your fate lie in my hands” a quote by fischl connecting to the weaves of fate; fischl stating that if she does not obtain the divine halberd “...this world and everything in it is going to burn in hellfire” (legend of the shattered halberd vol. ii). some other excerpts of the book also include: “but unbeknownst to him, this was the greatest cursed sword of all, that had once burned the entire world to cinders: laevatain [in norse mythology, a weapon crafted by loki and the only capable of defeating the cockerel viðofnir, inhabiting the top of yggdrasil], the sword had extinguished after the world was burned, but... it burned bright once more. ‘the whole world... destroyed again...’ weiyang [fischl] fell unconscious as she spoke” (vol. iv), and, "the world is beyond repair. it shall be born anew from the ashes of the last” (vol. vi); dainsleif saying “none will escape the flames. see for yourself” but also neuvillette’s character story including “the puppet strings glossed as "divine rules" would one day be burned away by the fires of judgment” when talking about constellations; burning away the old world, project stuzha by the fatui and the image of dottore burning the irminsul; nahida saying fontaine's prophecy was engraved in the irminsul, implying the tree also contains the history of the future; sibylla, a prophetess who guarded the irminsul in an ancient city located in what later became the high seas (referred to as abyssal depths). she sacrificed her life for the sake of creating phobos, remus' grand symphony, but her lack of a will ultimately caused the project to fail, as her vague desire to "grant happiness to all in the world who are called humans" caused phobos to attempt to satisfy everyone's desires — including destructive and selfish ones — and set remuria towards the course of its self-destruction (possibly tying concepts of will and fate together); thinking of dottore's plan, it would make sense to burn the tree that holds memories with a fire able to erase them (arlecchino's balemoon powers) so that the world can be born anew breaking away from the shackles of fate.

there’s also the improvisation kaeya does during the play in his hangouts. "do you believe in fate? if fate decreed your life was to end in tragedy, what would you do?". he then throws a prop and we interact, choosing if we would face our fate bravely or challenge it and rise above it. kaeya then goes on saying "then so must it be! yes, so must it be! i shall discard this intaglio and rid myself of the shackles of fate", "fate means to send the machinations of war to every corner of the land to fan the flames of conflict till they ungulf the entire world… fate would see my sword tainted with the blood of innocents, that the bright banner of my homeland might fly in every nation known to mankind. but i shall not bow to the will of fate i am no pawn in heaven’s plan. i, qubad, will spend the rest of my days in a foreign land, 'till i breathe my last in a place far from home" and finishes the play with "but i must walk this path, or freedom dies by my hand. goodbye, my tribe and kin. farewell, sweet land of my birth". the prop we get from kaeya, the intaglio, symbolizes the noble origins of prince qubad in the play and the blood-red jewel (blood, red... funny, uh?) is said to be a crystallization of the question kaeya asked us about destiny. furthermore, an intaglio can be a type of engraved gem or metal signet ring.

[angorwhosebabyisthis]

honestly it's been really healing being back to actively contributing things and writing out thoughts on tumblr the last week or so, because while twitter tends to be easier for me to write out Thoughts on without getting overwhelmed, the environment in the twitter fandom circles i'm interested in is not only infested with antis but cliqueish in a way that is caustic to the fucking soul if you try to express a thought that's more than three sentences long--a hundred times over if you're autistic in slightly the wrong way--and it's incredibly reassuring to come back to an environment where the very kindest and most inclusive people toward you are not clearly thinking the r-slur the entire time they interact with you lmao

[ikkaku-of-heart]

Ikkaku's Scars Headcanon

Not sure if I've ever made an official headcanon about it, but Ikkaku has several scars. They're faint and well-healed thanks to Law's medical skills, but they are visible if you look closely. There are two sets of scars that are the most significant/memorable:

The ones on her back are from when she was captured and tortured by some of Joker's henchmen. Law and the Hearts thankfully rescued her, and after much healing, she was able to get a new narwhal tattoo (the old one got ruined by the lashings) to cover the ones on the right side of her back. She's not ashamed of these scars and will tell anyone who asks about how her amazing captain saved her and fixed her up, and they're a sign she survived a hellish ordeal.

The other most notable scar is on her left side, just under her breast. She got it from her oldest brother, Commodore Ushi of the Marines. It was during the time when Law was a shichibukai, so the Hearts were supposed to be under the World Government's protection. Instead, Ushi decided to gain the Celestial Dragons' favor by capturing and returning Jean Bart to Saint Rosward, and Ikkaku fought him to protect her crewmate. She got stabbed in the side for her troubles. Ikkaku nearly bled out and Law had to replace her spleen and left kidney. She doesn't like to talk about this scar as much, as she feels guilty about the circumstances and how Jean Bart could have been sold back into slavery because of her fucked up family feud. This scar is not covered by any tattoos, however, and is more visible than most others as it's the freshest.

[ruinakete]

A small letter could be find at the threshold of her rooms: it was finely decorated with handmade purplish flowers, with a very quirky drawing of what it seemed like a lizard-like creature - seemingly a wyvern - and at the center of the paper, a brief text written in a hasty calligraphy, almost as if she was in a hurry or as if she was very tense in writing this. The text was the following:

《 The glance you gave me that evening was fulminating: I was raptured by your words and your attention for the most amazing creatures among all animals - wyverns. You are like one of them: alluring, fleeting and majestic. 》

On the back of the letter, a signature; the Red Dragoon Knight [ wanted to send it as anonymous, but I couldn't ; v ; ]

NEVER HAD MAGE DRAGON ENTERED HER DEN WITH CAUTION, at least, not with the degree she held now; standing at the threshold with an unwavering, bland gaze, accentuated with emotion only by the arch of a brow. it could not be a student. there was a specific box she had set up outside her office for letters from students, as most were pity stories to twist at her heart until she lessened the strict drop of their grade; in which, none worked, and the repeated offers ceased whatever patience she held towards her pupils.

so, if not a student━━━or at least, a student who followed her manner of organization━━━then a fellow instructor or sister / brother of the church. possibly. most likely. she would have to waste away her time actually giving the letter her time of day. unfortunate but the promise of frequent downtime had not been in the admittance papers so she ought to not complain.

poised claws raise the letter to her face, lips pursed and throat humming a low grumble; the barest of factors announcing her minimal curiosity. on instinct, zephia's gaze had followed the spaces of the paper, singling out the presses of ink and their curved letters before registering the intricate, yet amusingly quirky decor of flowers and wyverns.

the letter was read in seconds.

the mage dragon's skin reddened after a minute.

she sighed, turning over the paper to divert her attention unto anything else━━━if not the signature placed carefully there. sangria eyes narrowed and her lips twitched into the beginnings of a grimace, a curt disgust so glaringly opposed to the abnormal heat rising to her neck and ears.

that evening? how utterly vague. she spoke to plenty this past week, not to exclude the many others who sought her out at different periods of the day.

You are like one of them: alluring, fleeting, and majestic.

as if she was not one of the closest beings to a pure-blooded wyvern!

the door to her room was slammed shut by her hand, given hardly a glance as zephia gripped onto the letter, half a mind to toss it into a fire. away and gone, it would be! but that only meant evidence of the stranger's advance would be destroyed... no, that wouldn't do. instead, after a trained breath, mage dragon carefully folded the letter and set it on her desk. though the stranger had an acute taste and a highly respectable eye for wyverns, their worship of her would be best in person rather than through ink.

another sigh. she turned from her desk, rubbing at her temple, "lord sombron, give me strength. to be fooled by a glance yet cower behind words... tsk."

[kuoddo]

Today will be the day that I will muster up my courage and draw someth- oh hey look the final Sonic Prime episodes dropped!

[sternbilder]

ok so today I had one of the most fascinating and enlightening discussions maybe of my life and I need to share bc it blew my MIND (warning: long)

here's the context. there is a friend I have. they are a pretty good friend of mine that I've known for many years now and I appreciate them as a person very much. lately I have noticed that they've been texting me fairly frequently. which, from my point of view, is once every couple of days. not because they had something specific to say, but just saying hello or asking how my day was.

I'm sure this was well-intentioned, but this was starting to get a tiny bit grating for me. we just met up in person literally two days ago! and you had texted me not long before that, too! nothing new has happened since then! my day has been quite boring, actually! I thought, in my mind, as I swiped away the notification—and immediately felt like an awful friend.

I knew from past experience that responding to the message would invite an immediate and not easily escapable conversation that, due to my poor multitasking skills, would distract me from work or require me to context switch away from whatever else it was I was doing at the moment—cooking, doing chores, watching TV—and worse, amount to little more than idle chit-chat about the same boring quotidian complaints as usual. I am not one of those people who thinks they're above small talk or don't see its social value, but I found myself thinking, am I the one who is being not normal here in not enjoying having this specific kind of interaction MULTIPLE times a week with the SAME person?

so recently, I've been finding myself routinely avoiding opening this particular friend's messages for fear of hurting their feelings if they saw that I had left them on read for a prolonged period of time. I had even gone so far as to avoid posting in a group chat in which we're both participants so that they don't realize that I have, in fact, been online, just not responding to them, specifically. my hope was that after enough slow responses, this friend would eventually get the hint and give up on trying to maintain a steady steam of conversation, but somehow this has not worked so far.

this was starting to weigh on my conscience. I realized that I will have to eventually fight my conflict-avoidant tendencies and just confront this friend directly, for the sake of both my sanity and our friendship. but how to do this gently? tactfully? without implying that I don't value their friendship or that I perceive them as needy or annoying? that was the tricky question. because I know that my friend isn't doing anything wrong! if anything it is probably me that is weird and antisocial and I probably just need to work on my social skills!

but not wanting to feel like a total asshole and hoping to go in with an informed and reasonable mindset (knowing full well that my understanding of social norms isn't always the keenest), I asked a different group chat for their opinion, hoping to gain some perspective on what boundaries they generally considered normal and acceptable to exercise. I phrased my question thusly:

how many friends* would you say you have where you text on a regular basis (say, multiple times a week) 1:1 just to say hi, about nothing in particular *explicitly a friend, not a family member or SO

y'all. the responses were eye-opening.

there were four people who participated in this discussion, all four of whom were in different camps and had wildly different experiences:

0, and assumed most others were the same

0, but assumed most others were not the same

multiple, and assumed most others were the same

multiple, but assumed most others were not the same

1 was me; in retrospect, I am realizing that because I had assumed that these kinds of interactions were not typical, I had interpreted my friend's gesture as something much more significant than it probably was in their mind, which is to say something that they just happen to do with everyone they know and like—which created a sort of pressure in my mind not to let them down and caused a sense of intense anxiety when I found myself struggling to reciprocate. I am absolutely floored at the revelation that it is apparently normal and common for people to have MULTIPLE friends (not even partners!!! or family!!!) that they are talking to on a constant ongoing basis at any given time, and at the possibility that I was treating my friend's feelings with kid gloves when it REALLY wasn't that hashtag deep for them.

2 clarified that they never initiate these kinds of chats, but when others initiate with them, they're fairly comfortable with simply letting these kinds of pings go unanswered, assuming the other person will just move on to someone else without taking it personally.

3 confessed to me that they once tried to do something similar with me, and eventually gave up, but had felt a bit hurt and rejected at my lack of enthusiasm, because they assumed that I was doing this with other people, just not them specifically. they sympathized very strongly with my friend.

4 also recalled that they had at one point tried something similar with me, but sort of got that I wasn't one of those people who would be receptive to this style of communication and wasn't particularly bothered by this, agreeing with 2 that the expectation is not that the recipient HAS to respond, and that my friend should probably pay closer attention to the face-saving social cues I was sending by not responding or responding slowly.

but yeah, the takeaway from this conversation is that people's preferences and experiences and expectations when it comes to digital communication are WILDLY varied, and because both communication technology and the social conventions surrounding them are changing CONSTANTLY (just a few examples: are read receipts good or bad? what about typing indicators? online status? are emoji reacts or gifs/stickers an acceptable substitute for an actual reply? group chats vs. 1:1 DMs? synchronicity and formality of various communication methods like email and chat and video? are phone calls are still socially acceptable?) there are either no agreed-on norms or different camps of people have vastly different understandings of what the norms are

among the other highlights/a-ha moments of this discussion:

Friend 4 asked another friend who is even MORE extraverted than they are what their # was and they reported somewhere in the ballpark of 20-40 people in any given week which is absolutely buckwild to me (importantly, all four of us in the original group happen to be software engineers, a class of people notorious for their lack of sociability, so I have no confidence that I have captured a representative sample size even within this particular group—the numbers both 3 and 4 gave were still both in the single digits, though they are definitely the warmest and friendliest of the bunch)

I realized that one difference between me and 3/4 was that we fulfill our social needs quite differently? specifically, I mostly connect with friends over group chats, of which I have a handful that are quite chatty and at least one or two that I'm actively posting in on any given day. I also typically have at least one, often multiple, real-life social plans every week! I am, in fact, very satisfied with my social life, to the point where it is almost maxing out my social quota (especially recently now that I've started dating someone)! but anyway—I find group chats to be my ideal form of day-to-day communication because there's less urgency and pressure for any individual person to contribute if they're not feeling up for it, and ALSO in the case of group chats where at least one member is a straight man (which is the majority of them for me, and I call out straight men only because they are the only demographic I have historically had this issue with) there is less room for platonic interactions to be undesirably misinterpreted as romantic

3/4 expressed that they prefer 1:1 conversations because they feel more personal and they can be more vulnerable about sensitive topics, which I would generally agree with—though in several of my group chats, I personally do feel comfortable enough with all the members to share things about myself with the entire group just by virtue of having known everyone for a long time and having built group camaraderie, but they seemed to not be comfortable with this without having previously established a consistent 1:1 pattern of day-to-day communication (or maybe they meant they were uncomfortable with the group forum itself, even if they were cool with sharing with everyone individually)?

they also expressed that for them, frequent unsolicited checkins and 1:1 attention from a friend would feel exciting/flattering/validating for them, whereas for me it would feel overwhelming, especially if we weren't THAT close

I do use 1:1 DMs also, but for a very different set of use cases: 1) if I haven't caught up with someone in a while (read: weeks or months), in which case we'll often just not text super long and make plans to call or meet in person instead, or 2) if I have something specific to say, like "here's this meme/song/piece of news I think you'd like to see" or "I need advice on X" or "guess what happened that made me think of you" or "I heard X happened, are you OK?"

I found that whereas I have a very clear distinction between communication preferences with a friend (someone I talk to on a regular basis but don't have a constant line of individual communication with) vs. a significant other (more or less willing to do this, unless they preferred not to), such a boundary between a platonic and romantic relationship does NOT exist for all people which boggled my mind

but yes anyway. I am learning so much about the way people view socializing in the digital age and I am so curious to know more and I kind of wish more people talked about this more openly (specifically among friends! because in my experience this is something that is fairly common to sort out explicitly in a romantic context) because I think this is probably the kind of thing that no one talks about because people are either afraid of potentially hurting feelings or everyone is just kind of assuming by default that their takes are universal without realizing that no actually, many people have strong opinions on this that are the polar opposite of theirs

but my gut feeling is that there is a lot of completely unnecessary friction that could just be resolved if only we could agree that it's cool to be more upfront about what our communication preferences are without worrying about that being taken extremely personally by the other party? bc idk, every single person I talked to about this today was like holy shit this was a whole fucking revelation actually, I can't believe I hadn't thought about this before thank you for bringing this up

[thetruthof]

So? It didn't even bother him he's totally fine he doesn't even think about it anymore what are you talking about he's completely over it and he's fine now it didn't even affect him he barely remembers it anymore it's such a blip he doesn't even care he's fine-

It will never not be funny how aa1 phoenix is like

The most tragic event of my life was when I was 7 and people thought i stole someones pocket money 😭

And in trials and tribulations he is like

Yea so my ex tried to kill me once in collage

[soaps-mohawk]

Summary: Task Force 141 operates successfully without an omega, at least that’s what Price has been saying since its formation. Two alphas and two betas balance the pack just fine, and they have the numbers to prove it.

It works for a while, until the Omega Initiative is born and the 141 find themselves having to adjust to the sudden addition of an omega to their pack. Fresh out of an institute, you’re hardly fit for their secretive, dangerous world, or so Price thinks. 

As each member of the team gets closer to you, things begin to come to light, not only about you but about the decision to force you into their lives.

Maybe, just maybe, Price was wrong and the 141 does need an omega after all. 

Pairings: Poly 141 x reader, Price x Gaz, Ghost x Soap

Warnings: Alpha/Beta/Omega dynamics, NSFW content, explicit smut, fingering, oral (m and f receiving), knotting, biting, claiming, mating cycles, Alternate Universe, a/b/o typical classism and sexism, age differences, military inaccuracies, canon typical violence, blood, weapons, language, no use of Y/N, brief torture, hurt/comfort, let's be real this is so unrealistic but it's a/b/o you're not here for accuracy.

Chapters containing smut are marked with a *

Updates are posted on the weekends, either Saturday or Sunday PST

This fic can also be found on my Ao3 -> HERE

I will no longer be using a taglist for this fic, please follow THIS BLOG and turn on notifications

**This fic is currently in progress**

NAVIGATION PAGE

CRCB DIRECTORY

Part 1 - The Omega

Chapter 1 - The Introduction

Chapter 2 - Adjustments

Chapter 3 - Speak Their Language

Chapter 4 - You Can Be Useful

Chapter 5 - What I Want *

Part 2 - The Bond

Chapter 6 - One Step Closer *

Chapter 7 - Sweet Strawberry

Chapter 8 - The Thing About Ghost

Chapter 9 - Save Me

Chapter 10 - Treat Me Gently*

Part 3 - The First Heat

Chapter 11 - It's Coming

Chapter 12 - Fire In My Veins*

Chapter 13 - Piece Me Back Together*

Chapter 14 - The Aftermath*

Part 4 - The New Normal

Chapter 15: Bonnie*

Chapter 16: Big Brown Eyes *

Chapter 17: Alone

Chapter 18: Don't Let Me Go

Chapter 19: Daddy Issues

Chapter 20: The New Normal *

Chapter 21: Crime and Punishment *

Chapter 22: I Won't Be Gentle

Part 5 - A Pack of Five

Chapter 23: Regrets

Chapter 24: The Last First Time *

Chapter 25: Animals *

Chapter 26: Fuck *

Chapter 27: Drown In It *

Chapter 28: Two Is Company, Three Is A Party *

Chapter 29: There's Something Wrong With My Omega

Part 6 - The Tragedy

Chapter 30: Butterfly's Wings

Chapter 31: Forced Proximity

Chapter 32: The Tragedy

Chapter 33: Ghosts of the Past

Chapter 34: The Whole Truth

Part 7 - The Aftermath

Chapter 35: Threads

Chapter 36: To The Sea

Chapter 37: The Silence

Chapter 38: Shattered

Chapter 39: Life

Part 8 - The Next Chapter

Chapter 40 - Where Do We Go From Here

Title card made by the beautiful @141wh0re

[jadevine]

Preindustrial travel, and long explanations on why different distances are like that

Update March 1, 2024: Hey there folks, here's yet another update! I reposted Part 2a (the "medieval warhorses" tangent) to my writing blog, and I went down MORE of the horse-knowledge rabbit hole! https://www.tumblr.com/jadevine/741423906984951808/my-post-got-cut-off-so-i-added-the-rest-of-it Update Jan 30, 2024: Hey folks, I've posted the updated version of this post on my blog, so I don't have to keep frantically telling everyone "hey, that's the old version of this post!" https://thebalangay.wordpress.com/2024/01/29/preindustrial-travel-times-part-1/

I should get the posts about army travel times and camp followers reformatted and posted to my blog around the end of the week, so I'll filter through my extremely tangled thread for them.

Part 2 - Preindustrial ARMY travel times: https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask

Part 2a - How realistic warhorses look and act, because the myth of "all knights were mounted on huge clunky draft horses" just refuses to die: https://www.tumblr.com/jadevine/732043691180605440/helpful-things-for-action-writers-to-remember

Part 3 - Additional note about camp followers being regular workers AND sex-workers: https://www.tumblr.com/jadevine/740604203134828544/reblogging-the-time-looped-version-of-my

--

I saw a post on my main blog about how hiking groups need to keep pace with their slowest member, but many hikers mistakenly think that the point of hiking is "get from Point A to Point B as fast as possible" instead of "spending time outdoors in nature with friends," and then they complain that a new/less-experienced/sick/disabled hiker is spoiling their time-frame by constantly needing breaks, or huffing and puffing to catch up.

I run into a related question of "how long does it take to travel from Point A to Point B on horseback?" a lot, as a fantasy writer who wants to be SEMI-realistic; in the Western world at least, our post-industrial minds have largely forgotten what it's like to travel, both on our own feet and in groups.

People ask the new writer, "well, who in your cast is traveling? Is getting to Point B an emergency or not? What time of year is it?", and the newbies often get confused as to why they need so much information for "travel times." Maybe new writers see lists of "preindustrial travel times" like a primitive version of Google Maps, where all you need to do is plug in Point A and Point B.

But see, Google Maps DOES account for traveling delays, like different routes, constructions, accidents, and weather; you as the person will also need to figure in whether you're driving a car versus taking a bus/train, and so you'll need to figure out parking time or waiting time for the bus/train to actually GET THERE.

The difference between us and preindustrial travelers is that 1) we can outsource the calculations now, 2) we often travel for FUN instead of necessity.

The general rule of thumb for preindustrial times is that a healthy and prime-aged adult on foot, or a rider/horse pair of fit and prime-aged adults, can usually make 20-30 miles per day, in fair weather and on good terrain.

Why is this so specific? Because not everyone in preindustrial times was fit, not everyone was healthy, not everyone was between the ages of 20-35ish, and not everyone had nice clear skies and good terrain to travel on.

If you are too far below 18 years old or too far past 40, at best you will need either a slower pace or more frequent breaks to cover the same distance, and at worst you'll cut the travel distance in half to 10 or so miles. Too much walking is VERY BAD on too-young/old knees, and teenagers or very short adults may just have short legs even if they're fine with 8-10 hours of actual walking. Young children may get sick of walking and pitch a fit because THEY'RE TIREDDDDDDDDDD, and then you might need to stay put while they cry it out, or an adult may sigh and haul them over their shoulder (and therefore be weighed down by about 50lbs of Angry Child).

Heavy forests, wetlands and rocky hills/mountains are also going to be a much shorter "distance" per day. For forests or wetlands, you have to account for a lot of villagers going "who's gonna cut down acres of trees for one road? NOT ME," or "who's gonna drain acres of swamp for one road? NOT ME." Mountainous regions have their traveling time eaten by going UP, or finding a safer path that goes AROUND, so by the time you're done slogging through drier patches of wetlands or squeezing through trees, a deceptively short 10-15 miles in rough terrain might take you a whole day to walk instead of the usual half-day.

If you are traveling in freezing winters or during a rainstorm (and this inherently means you HAVE NO CHOICE, because nobody in preindustrial times would travel in bad weather if they could help it), you run the high risk of losing your way and then dying of exposure or slipping and breaking your neck, just a few miles out of the town/village.

Traveling in TOO-HOT weather is just as bad, because pushing yourself too hard and getting dehydrated at noon in the tropics will literally kill you. It's called heat-STROKE, not "heat-PARTY."

And now for the upper range of "traveling on horseback!"

Fully mounted groups can usually make 30-40 miles per day between Point A and Point B, but I find there are two unspoken requirements: "Point B must have enough food for all those people and horses," and "the mounted party DOESN'T need to keep pace with foot soldiers, camp followers, or supply wagons."

This means your mounted party would be traveling to 1) a rendezvous point like an ally's camp or a noble's castle, or 2) a town/city with plenty of inns. Maybe they're not literally going 30-40 miles in one trip, but they're scouting the area for 15-20 miles and then returning to their main group. Perhaps they'd be going to an allied village, but even a relatively small group of 10-20 warhorses will need 10-20 pounds of grain EACH and 20-30 pounds of hay EACH. 100-400 pounds of grain and 200-600 pounds of hay for the horses alone means that you need to stash supplies at the village beforehand, or the village needs to be a very large/prosperous one to have a guaranteed large surplus of food.

A dead sprint of 50-60 miles per day is possible for a preindustrial mounted pair, IF YOU REALLY, REALLY HAVE TO. Moreover, that is for ONE day. Many articles agree that 40 miles per day is already a hard ride, so 50-60 miles is REALLY pushing the envelope on horse and rider limits.

NOTE: While modern-day endurance rides routinely go for 50-100 miles in one day, remember that a preindustrial rider will not have the medical/logistical support that a modern endurance rider and their horse does.

If you say "they went fifty miles in a day" in most preindustrial times, the horse and rider's bodies will get wrecked. Either the person, their horse, or both, risk dying of exhaustion or getting disabled from the strain.

Whether you and your horse are fit enough to handle it and "only" have several days of defenselessness from severe pain/fatigue (and thus rely on family/friends to help you out), or you die as a heroic sacrifice, or you aren't QUITE fit enough and become disabled, or you get flat-out saved by magic or another rider who volunteers to go the other half, going past 40 miles in a day is a "Gondor Calls For Aid" level of emergency.

As a writer, I feel this kind of feat should be placed VERY carefully in a story: Either at the beginning to kick the plot off, at the climax to turn the tide, or at the end.

Preindustrial people were people--some treated their horses as tools/vehicles, and didn't care if they were killed or disabled by pushing them to their limits, but others very much cared for their horses. They needed to keep them in working condition for about 15-20 years, and they would not dream of doing this without a VERY good reason.

—

UPDATE January 13: Several people have gotten curious and looked at maps, to find out how a lot of cities are indeed spread out at a nice distance of 20-30 miles apart! I love getting people interested in my hyperfixations, lol.

But remember that this is the space between CITIES AND TOWNS. There should never be a 20-mile stretch of empty wilderness between City A and Town B, unless your world explains why folks are able to build a city in the middle of nowhere, or if something has specifically gone wrong to wipe out its supporting villages!

Period pieces often portray a shining city rising from a sea of picturesque empty land, without a single grain field or cow pasture in sight, but that city would starve to death very quickly in preindustrial times.

Why? Because as Bret Devereaux mentions in his “Lonely Cities” article (https://acoup.blog/2019/07/12/collections-the-lonely-city-part-i-the-ideal-city/), preindustrial cities and towns must have nearby villages (and even smaller towns, if large and prosperous enough!) to grow their food for them.

The settlements around a city will usually be scattered a few miles apart from each other, usually clustered along the roads to the city gates. Those villages and towns at the halfway point between cities (say 10-15 miles) are going to be essential stops for older/sick folks, merchants with cargo, and large groups like noble’s retinues and army forces.

Preindustrial armies and large noble retinues usually can’t make it far past 10-12 miles per day, as denoted in my addition to this post. (https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask )

[voyter]

CRIMINAL ! ... halloween special

pairing. jeon jungkook x fem!reader

your boyfriend ends up loving your costume idea for the two of you more than he initially lets on.

word count. 5.4k words warnings. jk and oc have matching costumes. vmin being the kings of halloween parties. slight crack. smut. roleplay dynamics. light bondage (handcuffs). oral (fem!receiving). handjob. unprotected sex (be safe girlies). switch!jungkook. switch!reader.

ana's notes. happy (late) halloween !!! this was originally supposed to be posted on the 30th but it wasnt finished .. so i was going to post it on actual halloween day but i got busy LMFAO IM A MESS !!! initially i wanted to do a kinktober but my ass couldnt even keep up with this so AINT NO WAYYY LMFAO IDK HOW YALL DO IT. BUT DONT FEAR ITS HERE NOW !! i had sm fun writing this, hope you love it as much as i do !! keep your comments positive or say nothing at all xx

For the past three years, Jimin and Taehyung have hosted their annual Halloween party. It's the one event they take seriously, spending hours planning the perfect invite list, décor, and food. Friends and acquaintances eagerly anticipate the night, knowing it'll be full of unforgettable moments, laughter, and chaos. Jimin and Taehyung always go all out, making their Halloween gathering the event of the season.

You and Jungkook have a tradition of matching costumes. The first year, you went as Harley Quinn, and Jungkook went as the Joker. That one's still one of your favorites — especially with Jungkook's green hair and tatted up face. He looked so good that night. The second year, you went for something bloodier: you, a sexy victim, and Jungkook as Ghostface. It was thrilling, especially when he made the night even better by fucking you with the mask still on. By the third year, you went classic as Mr. and Mrs. Smith, and Jungkook couldn't take his eyes off your tits spilling out of your corset. This year, you decided to skip the fictional characters and go with something a little simpler — but still hot. You were dressed as a cop, or rather, a slutty cop, and Jungkook was the prisoner.

"Don't you think this is a little basic?"

“Do you know how many people I’ve seen at these parties dressed as vampires and cats?” you retort, adjusting your costume and checking yourself out in the mirror. “Trust me, baby, no one cares.”

Jungkook, clad in an orange jumpsuit, glares at you through the mirror. "I just hate orange," he says monotonously.

You turn around and face him, giving him a smirk. "You'll survive. Besides, you make anything look good."

He smirks, leaning down to capture your lips in a heated kiss. Your arms snake around his neck, fingers threading through the hair at his nape. His hands roam from your waist to your ass, squeezing the soft flesh in his large palms, pulling you closer. But just as things start to heat up, you push him back with a playful grin.

"Not now," you say, breathlessly. "We have to be there in a few."

Jungkook huffs in frustration, but doesn't argue. And even though he's not thrilled about his costume, the way his gaze darkens tells you he's already imagining what's to come later tonight. He knows he'll get you out of that outfit later. 

When you and Jungkook walk into the party, it’s all familiar faces. Laughter and cheers erupt the moment they spot you two, with Jungkook’s arms handcuffed behind his back, the bright orange of his jumpsuit standing out in the crowd. You guide him confidently by gripping his arm, playing the role of the stern cop escorting her prisoner.

Jungkook looks equal parts annoyed and amused, his usual cocky attitude momentarily restrained by the handcuffs, though the way his lips twitch hints at his playful frustration. The room seems to buzz with energy as people start teasing him the moment you step through the door.

“No fucking way you agreed to this!” Jimin exclaims, eyes wide in disbelief as he takes in the sight of Jungkook in handcuffs. Without missing a beat, he grabs the camera hanging around his neck, the polaroid already set and ready to capture every costume of the night. “Oh, I have to take a picture of this. Tae, hold my drink!”

Without waiting for a response, Jimin thrusts his red solo cup into Taehyung’s chest, some of the liquid sloshing out and soaking into Taehyung’s blazer. Tae rolls his eyes but doesn’t complain, knowing this is typical Jimin behavior.

Jimin hurriedly pushes his sunglasses up into his hair and pulls out the polaroid camera, eyes gleaming with excitement as he positions himself in front of you. You smirk, grabbing your belt, keeping your expression serious like a true cop on duty. Jungkook plays along, tilting his head to the side with a playful pout, his lips pursed like he’s posing for a dramatic mugshot.

With a click, the camera flashes, capturing the moment perfectly. A second later, the familiar buzz of the camera sounds as the polaroid slowly rises from the slot at the top. Jimin pulls the photo out, shaking it lightly as the image begins to develop.

“Had no choice,” Jungkook grumbles. “Whatever girlfriend wants, girlfriend gets.”

Taehyung laughs, shaking his head. “Bro, you’re so fucking whipped,” he teases.

“Fuck off,” Jungkook mutters, though he can’t hide the small smile tugging at his lips. “What are you two supposed to be, anyway?”

Jimin looks genuinely offended at the question, pulling his sunglasses back down over his eyes as if that alone should make it obvious. “Hello? Men in Black!”

He points his plastic gun at Jungkook. Beside him, Taehyung pulls out a shiny MIB card.

“Aw, I was really hoping you two would take my advice and go as Dumb and Dumber,” you pout, crossing your arms dramatically.

Jimin and Taehyung exchange offended looks, grimacing at your suggestion.

Jimin puts his plastic gun back in its holster with a flourish, shaking his head. “Respectfully, fuck you,” he replies, a teasing glint in his eyes.

You playfully lift a hand as if to strike him, your expression mock serious. Just then, more people start to stream into the home, their laughter and chatter filling the air.

“Well, since we are so extremely popular, we’ll meet back up with you guys soon.” Jimin says, turning to Taehyung, “We’ve got more people to greet.”

“Don’t get freaky in any of the bedrooms! I swear on my life I will kill you both,” Taehyung exclaims, shooting a warning glance over his shoulder as he follows Jimin into the crowd.

You roll your eyes, amusement dancing in your gaze.

"Alright, baby, can you take the handcuffs off now, please?" Jungkook whines, eyebrows knitting in genuine discomfort. "My arms are starting to hurt in this position."

"Keep begging like that, maybe I will," you tease, enjoying the playful power dynamic between you two.

Jungkook smirks, leaning in closer to amp up the charm. "Oh, please, officer? I promise I'll be such a good boy,"

You scrunch your nose in exaggerated disapproval. "Never do that again," you reply, trying to sound serious but unable to suppress the smile tugging at your lips.

He chuckles, the sound warm and inviting, as you turn him around, your fingers brushing against his wrists. The thrill of the moment sends a rush through you as you unlock the cuffs with the small key, the metal clinking softly as you release him.

He turns around, his hands sneaking around your waist and pulling you closer, the warmth of his body igniting a spark of electricity between you. You smile up at him, feeling a thrill at the proximity.

“Shouldn’t have done that,” he says, his voice low and playful. “Now who knows what kind of crimes I’m gonna commit again?” He looks down at you, a mischievous smirk playing on his lips, his eyes glinting with mischief.

“Careful, prisoner,” you warn, narrowing your eyes playfully. “Don’t forget, I’m watching you tonight.”

He holds his hands up in mock defense, a grin spreading across his face. “I promise to behave… for now,” he replies, the challenge in his tone clear as he leans in just a little closer.

You can feel the heat radiating off him, and despite your attempt to keep things light, the air feels charged with unspoken tension. “You’d better,” you say, trying to maintain an authoritative tone but failing as a smile breaks through. “I don’t take kindly to rule breakers.”

“Oh, I know,” he replies, lowering his voice in a conspiratorial tone. “But I can’t help it if I’m naturally inclined to break the rules when I’m around you.” With that, he leans in, brushing his lips against your ear as he whispers, “What if I promised to make it worth your while?”

A shiver runs down your spine at his words, and you step back slightly to meet his gaze, your heart racing. “You’re incorrigible,” you say, shaking your head, but your smile betrays your amusement.

“Only for you,” he quips, and the way he looks at you… you just know this Halloween night was going to be wild.

You stood corrected.

A few drinks into Jungkook's system, and any pretense of annoyance about the costume was long gone. His hands seemed to find your waist every chance they got, fingers tracing the curves of your hips with a needy grip. His lips, once teasing, were now constantly seeking yours, trailing kisses from your neck to your lips whenever you were within arm's reach.

Even in a crowded room, Jungkook's attention was locked on you, his dark gaze following your every movement. And each time you caught him staring, he'd flash you a cheeky grin before pulling you into another heated kiss, making it clear just how much he was enjoying your costume — and the power it had over him.

Getting a drunk Jungkook home was a damn task. The moment you got him in the car, he was all over you. As you navigated through the quiet streets, his fingers slid up your thigh, kneading it with a firm grip that sent sparks of heat racing through you. Each touch made focusing on the road harder, especially when he leaned over the console, his lips grazing your neck in a series of lazy, warm kisses.

"Jungkook, you need to calm down," you warned, trying to keep your focus on the road as his kisses sent shivers down your spine.

He huffed, not wanting to stop but eventually relented, throwing himself back into his seat dramatically. He crossed his arms like a child who'd been denied his favorite toy, his lips forming a deep pout.

You glanced over at him, biting back a smile as he sulked in his seat. "Aw, I’m sorry baby. Almost home, then you can do whatever you want," you teased, knowing full well that his patience would snap the second you both stepped through the front door.

Like a bunny, his ears seemed to perk up at your words, his pout disappearing instantly. He sat back in his seat with a huge grin plastered on his face, the sudden shift in his mood almost comical. It was as if he'd forgotten all about sulking, now fully focused on the promise you'd made.

Surprisingly, Jungkook behaved as you both got out of the car and made your way to your apartment floor. He walked beside you quietly, though the anticipation was clear in the way he kept glancing at you, his grin never fully fading. His restraint was impressive, given how wild he'd been earlier, but you could feel the tension radiating off him, like a predator waiting for the perfect moment.

The second you unlocked the door, though, all that restraint snapped. Jungkook practically pounced, pushing the door closed behind you as he pressed you against it, his lips finding yours in a hungry kiss. His hands were everywhere at once — grabbing your waist, pulling you closer, one hand sliding up your back while the other dipped dangerously low.

Your sloppy kisses didn't break for a second as you stumbled through the apartment, laughter and heated breaths filling the air until you reached the bedroom. The second you got to the edge of the bed, Jungkook gave you a playful shove, making you fall back onto the mattress with a grin tugging at his lips. His eyes never left yours as he hovered above you, reconnecting your lips in a feverish kiss, his hunger for you palpable.

His mouth began its slow descent, trailing kisses down the curve of your neck, leaving a warm, tingling path in its wake. When he reached your cleavage, he paused, his lips lingering there as his fingers found the zipper of your bodysuit. With a swift motion, he unzipped it, freeing your breasts from the fabric. His eyes darkened with desire as he took in the sight of you, a low groan escaping his throat.

Without hesitation, he leaned down, capturing one of your nipples in his mouth, swirling his tongue around it in slow, deliberate circles. The sensation sent a shudder through your body, a sharp gasp leaving your lips as your back arched in response. Your hand instinctively found its way into his hair, gripping the soft strands, guiding him as he lavished attention on you.

Jungkook's mouth left your bud with a soft pop, his lips slightly swollen as he looked at you with a mix of desire and admiration. Without wasting a second, he pushed the rest of the bodysuit down your frame, his hands quick and eager as he stripped you of the remaining fabric.

“You seduce all the officers like this?” you tease, your voice light but laced with a hint of challenge as you looked down at him at the foot of the bed.

Jungkook paused for a second, momentarily confused by the question. But then it clicked, and when he realized you were still playing into the roleplay from earlier, his expression shifted. His lips curled into a mischievous smirk, eyes narrowing slightly as he fully embraced the dynamic again.

“Only the ones I can’t resist,” Jungkook murmured, his voice dripping with playful seduction.

His teasing words sent a shiver down your spine, the tension between you both thickening with every passing second. His hands moved with skilled precision as he unzipped your boots, tugging them off one by one. The boots were discarded carelessly, the clatter of them hitting the floor barely registering as Jungkook’s focus remained fixed on you, eyes dark and full of hunger.

With a firm grip, Jungkook tugged at the bodysuit, sliding it off your frame in one fluid motion, the fabric slipping away as easily as the last remnants of his restraint. He didn’t stop there — your fishnets followed quickly, leaving you in nothing but your panties. His gaze devoured you, his eyes darkening with each lingering second on your bare skin. He bit into his bottom lip, his excitement almost palpable as his eyes traced every curve of your body like he was committing each inch to memory.

Grabbing your ankle, he lifted your leg gently, a smirk playing on his lips as he began a slow, deliberate trail of kisses from your ankle up toward your inner thigh. Each kiss sent a jolt of heat through your body, his touch maddeningly slow, teasing you with every lingering press of his lips.

“If you’ll let me,” he murmured against your skin, his voice husky and full of promise, before kissing your thigh once more. “I did promise to make it worth your while.”

“Show me what you got, criminal,” you smirk, your voice laced with challenge and desire.

Jungkook’s smirk matched yours, his eyes darkening with intent as he hooked his fingers into the waistband of your panties. In one swift, fluid motion, he pulled them down, the fabric sliding easily over your legs. The second they left your skin, his gaze fixed on the damp spot left behind, a low moan escaping his lips as his hunger for you deepened.

“Look at that,” he murmured, his voice thick with desire. His fingers traced the wetness left on the cloth before lifting his eyes to meet yours, his smirk widening. “Already so wet for me, officer.”

The playful teasing from earlier had melted away completely, replaced with raw, undeniable need. Without hesitation, Jungkook lowered himself between your legs, his breath hot against your inner thighs. His lips hovered just above your core, his eyes flicking up to meet yours one last time before he leaned in, determined to show you exactly what he had in store. His tongue made the first slow, deliberate pass over your slick folds, sending a jolt of pleasure straight through your body.

Your body reacted instinctively to the sensation, arching your back slightly as a soft moan escaped your lips. You melted into the bed, fingers gripping the sheets tightly as waves of pleasure rippled through you, the intensity of it all leaving you breathless. 

It was when he latched his mouth onto your clit, the cool metal of his lip piercing sending shockwaves through your body, that you felt a fresh wave of ecstasy wash over you. Your body shook involuntarily, a reaction to the exquisite pleasure he was delivering.

“So good, baby,” you moaned, your voice breathy and filled with longing as you looked down at the man between your legs. Jungkook’s eyes flickered up to meet yours, dark and smoldering, the corner of his mouth twitching into a playful smirk as he enjoyed your reaction to his ministrations. 

"Yeah?" he mumbled, his lips brushing against your slick heat, sending a shiver up your spine. "Am I a good criminal, officer?"

Though it had started as playful banter back at Jimin and Taehyung’s house, the way Jungkook was slipping into this submissive role now felt different — kind of sexy. The intensity in his voice, the way he was looking up at you, it was doing things to you that you hadn’t quite expected.

You bit your lip, nodding as you reached down, finding his hand and intertwining your fingers with his. "Mhm, so good for me," you whispered, the words coming out more breathless than you intended. The shift in the dynamic added a new layer to the tension between you both, and you couldn’t deny how much you liked it.

He hummed in satisfaction against your skin, his tongue working skillfully, each stroke more deliberate than the last, as if determined to draw every last sound of pleasure from your lips. You could feel the tension building within you, and with every flick and suck, he pushed you further into a state of bliss. The warmth of his mouth, combined with the gentle squeeze of his hand in yours, only heightened the sensations coursing through your body. You could feel yourself unraveling, bit by bit, under his expert touch.

You lift your other hand, your fingers tangling in his soft, raven hair, pushing it back to reveal his forehead. The sight of his knitted eyebrows makes your stomach flip — he always does that when he’s savoring something, and right now, that something is you. Your grip tightens in his hair, pulling him closer, pushing his face deeper into you. His nose brushes against your clit with each motion, and you can't help but buck your hips slightly, your body moving instinctively as you practically ride his face.

Your moans become louder, filling the room with the raw sound of pleasure, almost pornographic in intensity. The way his mouth moves against you, his tongue expertly flicking and teasing, drives you wild. You feel his moans vibrate against your sopping pussy, sending shockwaves through your entire body. The more you push him into you, the more he responds, his hands gripping your thighs as he devours you, thoroughly enjoying every second of it. You’re lost in the heat of the moment, each wave of pleasure building to something inevitable, your body teetering on the edge of bliss.

With one final buck of your hips, his nose pressing firmly against your clit, the pleasure overwhelms you. Your release crashes over you like a tidal wave, your body trembling as you cum against his face. A loud, raw moan tears from your throat, your back arching off the bed as the intensity of your orgasm takes over. Your thighs instinctively begin to close around Jungkook’s head, but he doesn’t mind in the slightest — if anything, it only drives him further.

He stays right there, nestled between your legs, his tongue continuing to lap up every drop of your release. If he had it his way, he'd happily stay there forever. His hand gently caresses your thighs, soothing you through the aftershocks as your body relaxes, your breathing still ragged as you come down from the high.

Jungkook removes his hand from yours gently, rising up from the floor. Fully clothed, he crawls up the bed, hovering above you with a smirk that sends a thrill down your spine. His mouth glistens with a mix of his saliva and your slick, a tantalizing reminder of what just transpired. 

Without warning, he leans down, capturing your lips in a heated kiss. The taste of yourself lingers on his tongue, and you can’t help but moan into his mouth, the intimacy of the moment amplifying the heat between you. You feel him grinding his hips into your heat, seeking relief for the ache in his cock, and it drives you wild. The friction ignites another wave of desire, your body responding eagerly to his every movement.

He leans back down, reconnecting your lips, unable to get enough of you. The urgency in his movements tells you he's craving more, needing the connection as much as you do. Without breaking the kiss, you smoothly shift positions, pushing him back onto the bed. His body sinks into the mattress, and now it's your turn to be on top, looking down at him with a teasing smile. You sit up, fingers working the buttons of his jumpsuit as he watches you, his eyes dark with desire.

"Do good prisoners get anything in return?" he asks, his voice low, teasing.

"Yeah," you say with a smirk. "Freedom."

Your giggle fills the room as Jungkook kisses his teeth in mock annoyance, rolling his eyes at your cheeky response. Still, a smile tugs at the corners of his lips, showing he's just as amused as you are.

"I'm sure there's other officers that'll give you something," you tease, your fingers still working on the jumpsuit.

"What if I want someone in particular?" he responds, his tone more serious, the heat in his gaze intensifying.

"I'm sure that can be arranged," you murmur.

With a smirk, Jungkook sits up swiftly, his hands making quick work of pulling the jumpsuit off his frame. The fabric falls away, revealing his toned, broad chest — the very sight that always makes your breath hitch. You can't help but admire him for a moment, your eyes roaming over every inch of him, from his sculpted chest to the way his abs tense under your gaze.

He catches the look in your eyes, his grin widening as he notices how you're practically staring. "Like what you see, officer?" he teases.

Ugh, slut.

"You know I do," you reply, your fingers tracing over the tattoos decorating his skin before you press your lips against his again, losing yourself in the kiss as your bodies draw closer.

Your kisses travel south, lips brushing over the warm skin of his neck, chest, and abs, leaving a trail of heat in their wake. When you kneel between his legs, you can't help but notice how hard he is. A wet spot glistens where he’d been grinding against you earlier, evidence of the friction that’s left you both desperate for more.

"Baby, hurry up," Jungkook whines, his voice thick with impatience, the need evident in his tone.

You raise an eyebrow, biting back a smirk. "Refer to me correctly," you command, wanting to tease him just a little longer.

He chuckles softly. "Officer, please hurry up," he says, playing along, his words dripping with need.

“Good boy,” you coo with a smile.

Your fingers hook under the waistband of his jumpsuit and boxers simultaneously, yanking them down in one swift motion. His cock springs free, hard and eager, the pink tip glistening with precum. It’s begging to be touched, twitching slightly under your gaze as you admire him, and you can feel the heat radiating off him.

You let your hand glide slowly up his thigh, teasing him with featherlight touches, savoring the way his muscles tense under your fingers. Jungkook's head falls back against the mattress, a low, desperate moan slipping from his lips as he exhales, his chest rising and falling with the anticipation building between you.

You giggle softly, enjoying how easily you’re driving him wild. Finally, you wrap your hand around his thick, hard cock, your fingers squeezing his length gently but firmly. His reaction is immediate — his hips buck slightly as he lets out a deep, shaky moan.

"Oh, fuck yeah," he groans, his voice low and husky, the sound making you smile even wider.

You start to stroke him slowly, enjoying the feeling of him pulsing in your hand. His hands grip the sheets, knuckles turning white, and his eyes squeeze shut in bliss. The way he reacts to every little movement you make has you feeling powerful, completely in control.

"My pussy turn you on this much?" you tease, your voice dripping with playfulness, a smirk tugging at your lips as you continue to stroke him slowly, deliberately.

Jungkook's moan deepens, his hips bucking slightly into your hand, completely at your mercy.

"Always," he groans, his voice breathless. "Can never get enough of it."

Such a sweet boy. You reward him by quickening your strokes, picking up the pace and driving him wild. His response is immediate — his body tenses, and a low, guttural moan escapes his lips.

Jungkook's hand darts to yours, gripping the one resting on his thigh, his fingers intertwining with yours tightly. His touch is needy, desperate, as if holding on to you will keep him grounded while the pleasure you’re giving him threatens to overwhelm him.

His breath becomes ragged as you continue working him expertly. He bites his lip, trying to hold himself together under your touch. You can tell he’s getting closer, every stroke pushing him toward the edge.

“W- wanna cum in your pussy, please,” Jungkook whines, his voice trembling with need.

You smirk, teasing him further. “Do you?”

He hums in response, the sound more like a moan, his desperation palpable.

“Okay,” you say, your voice soft but commanding. “Since you’ve been so good for me.”

You pull away from his cock, climbing on top of him, the hunger in his eyes unmistakable. Leaning down, you capture his lips with yours, and he responds eagerly, his hands sliding down the arch of your back, gripping your ass tightly, kneading it in his large palms.

Then, without warning, a sudden surge of dominance overtakes him. In one swift move, Jungkook flips you both over, hovering above you with a glint in his eye. He gives you a teasing peck on the lips, but before you can react, he flips you onto your stomach, effortlessly manhandling you as though you weigh nothing.

With your back turned to him, the sound of rustling heightens your anticipation. You can’t see what Jungkook is doing, but the moment you feel his grip on your arm, your heart races. The cold, familiar touch of metal against your wrist makes it clear — he's handcuffing you.

A soft gasp escapes your lips as he tightens the cuffs around your other wrist, pulling your arms behind your back. You’re completely at his mercy now, and the vulnerability only fuels the fire between your legs.

“Am I still a good boy?” he teases, his voice dripping with playful mischief.

“Bad boy,” you manage to reply, though the excitement surging through you betrays your words. The restriction, the control — it all makes your pussy throb with need.

The sound of the slap reverberates through the room, sending a sharp sting of pleasure coursing through your body. You jolt forward, moaning in response, your skin tingling from the impact. Jungkook grabs the chain of the handcuffs, pulling on it slightly, adding a thrilling sense of restraint to the moment. 

His other hand grabs his cock, and you feel the deliberate tease as he slaps it against your pussy, spreading your slickness over his length. It’s torturous — how long he’s making you wait. But finally, after what feels like an eternity, he slowly pushes himself inside you. 

You gasp, your walls stretching to accommodate him, while Jungkook releases a low, guttural groan, his breath catching at the sensation of being enveloped by your heat. He pauses for a moment, savoring the feeling, his fingers still gripping the handcuffs. The tension in the air is palpable, each movement sending shivers down your spine as he begins to move, his hips rocking into you with slow, deliberate thrusts.

Your breath comes out in heavy gasps, your face buried in the mattress as his pace quickens, his hips slamming into you with a steady rhythm. The sensation of being filled so completely has you whimpering, your body melting into the bed as you push back against him, craving more with every stroke. Each thrust is more intense than the last, the bed creaking beneath you as the slick sound of his cock sliding in and out of your wet pussy echoes through the room.

Jungkook’s grip tightens on the handcuff chain, yanking you back harder onto his cock. “All your other prisoners fuck you this good?” he growls. 

A smirk curls your lips. He’s still milking this roleplay. He doesn’t voice it out, but he feels your pussy clench around him. You like this.

“Only you,” you moan, your voice breathy.

“That’s right,” he groans, his tone low and possessive.

Jungkook's pace quickens, the slap of his hips against your ass echoing through the room, his thrusts relentless. The headboard bangs rhythmically against the wall. He yanks the chain of the handcuffs harder, pulling your body back onto him in sync with every deep, punishing thrust.

Your body trembles beneath him, your moans now uncontrollable as the pressure builds to an almost unbearable height. Every drive of his cock inside you sends a jolt of pleasure through your body, his roughness pushing you to the brink. His deep groans mix with your cries, the heat between you reaching its peak, and you can feel yourself getting closer, your climax just within reach.

“You’re gonna cum for me, aren’t you?” he teases, his voice rough and low, dripping with lust. The heat in his tone sends another wave of pleasure coursing through you, and you can only nod, your voice caught in your throat as a moan escapes your lips, barely coherent.

His cock drags against your walls, hitting that perfect spot over and over, each thrust igniting a fire within you. Your body is a live wire, every nerve ending alight with sensation as the pressure coils tighter and tighter inside you, building towards a breaking point.

“Come on then, baby,” he growls, pulling you back hard against him, his grip firm and possessive. “Be a good officer and cum. I deserve it, don’t I?”

“Yes! Yes! You deserve it so much!” you manage to reply, the words spilling from your lips like a prayer.

“I’m such a good boy for you, huh?” he presses, his breath hot against your ear, his hips driving deeper.

“Such a good boy, my baby,” you affirm, your voice trembling with need. 

With a few more final, deep thrusts, your body shudders as the last waves of your sweet release ripple through you, your pussy clenching tightly around him. That tightness pushes Jungkook over the edge, and with a loud, needy moan, he releases into you, his hips faltering as he shoots his load deep inside. His groan fills the room as his cock throbs within you, emptying himself completely, the warmth of his cum spreading through you.

For a moment, the only sound is both of your heavy breathing, the heat of the moment still lingering in the air as your bodies stay connected.

Jungkook carefully unlocks the handcuffs, freeing your wrists from the restraints. He tosses them aside, his concern immediately turning to you as he notices the redness on your skin. Gently, he takes your wrists in his hands, massaging them softly, his brows furrowed with worry.

“I wasn’t too rough, was I?” he asks, his voice tender and full of concern.

“No, baby,” you reassure him, leaning in to kiss his lips softly, easing the tension he’s holding onto. You give him a few more sweet pecks, including one on his cheek, his boyish charm making you smile.

After cleaning up and peeing to avoid an infection, he helps you settle into bed, pulling you into his arms. His warmth envelops you, his face nestled against your neck, and you feel the soft brush of his breath against your skin. Your arms wrap around him instinctively, holding him close as the moment quiets. The heat from your bodies mingles with the gentle stillness of the room, creating a cocoon of intimacy and comfort that lulls you both toward sleep.

As your eyes grow heavy, his voice breaks the silence, low and a little playful. "I think I enjoyed that costume more than I thought," he murmurs against your neck.

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[nobodysuspectsthebutterfly]

FYI artists and writers: some info regarding tumblr's new "third-party sharing" (aka selling your content to OpenAI and Midjourney)

You may have already seen the post by @staff regarding third-party sharing and how to opt out. You may have also already seen various news articles discussing the matter.

But here's a little further clarity re some questions I had, and you may too. Caveat: Not all of this is on official tumblr pages, so it's possible things may change.

(1) "I heard they already have access to my data and it doesn't really matter if I opt out"

From the 404 article:

A new FAQ section we reviewed is titled “What happens when you opt out?” states “If you opt out from the start, we will block crawlers from accessing your content by adding your site on a disallowed list. If you change your mind later, we also plan to update any partners about people who newly opt-out and ask that their content be removed from past sources and future training.”

So please, go click that opt-out button.

(2) Some future user: "I've been away from tumblr for months, and I just heard about all this. I didn't opt out before, so does it make a difference anymore?"

Another internal document shows that, on February 23, an employee asked in a staff-only thread, “Do we have assurances that if a user opts out of their data being shared with third parties that our existing data partners will be notified of such a change and remove their data?” Andrew Spittle, Automattic’s head of AI replied: “We will notify existing partners on a regular basis about anyone who's opted out since the last time we provided a list. I want this to be an ongoing process where we regularly advocate for past content to be excluded based on current preferences. We will ask that content be deleted and removed from any future training runs. I believe partners will honor this based on our conversations with them to this point. I don't think they gain much overall by retaining it.”

It should make a difference! Go click that button.

(3) "I opted out, but my art posts have been reblogged by so many people, and I don't know if they all opted out. What does that mean for my stuff?"

This answer is actually on the support page for the toggle:

This option will prevent your blog's content, even when reblogged, from being shared with our licensed network of content and research partners, including those that train AI models.

And some further clarification by the COO and a product manager:

zingring: A couple people from work have reached out to let me know that yes, it applies to reblogs of "don't scrape" content. If you opt out, your content is opted out, even in reblog form. cyle: yep, for reblogs, we're taking it so far as "if anybody in the reblog trail has opted out, all of the content in that reblog will be opted out", when a reblog could be scraped/shared.

So not only your reblogged posts, but anyone who contributed in a reblog (such as posts where someone has been inspired to draw fanart of the OP) will presumably be protected by your opt-out. (A good reason to opt out even if you yourself are not a creator.)

Furthermore, if you the OP were offline and didn't know about the opt-out, if someone contributed to a reblog and they are opted out, then your original work is also protected. (Which makes it very tempting to contribute "scrapeable content" now whenever I reblog from an abandoned/disused blog...)

(4) "What about deleted blogs? They can't opt out!"

I was told by someone (not official) that he read "deleted blogs are all opted-out by default". However, he didn't recall the source, and I can't find it, so I can't guarantee that info. If I get more details - like if/when tumblr puts up that FAQ as reported in the 404 article - I will add it here as soon as I can.

Edit, tumblr has updated their help page for the option to opt-out of third-party sharing! It now states:

The content which will not be shared with our licensed network of content and research partners, including those that train AI models, includes: • Posts and reblogs of posts from blogs who have enabled the "Prevent third-party sharing" option. • Posts and reblogs of posts from deleted blogs. • Posts and reblogs of posts from password-protected blogs. • Posts and reblogs of posts from explicit blogs. • Posts and reblogs of posts from suspended/deactivated blogs. • Private posts. • Drafts. • Messages. • Asks and submissions which have not been publicly posted. • Post+ subscriber-only posts. • Explicit posts.

So no need to worry about your old deleted blogs that still have reblogs floating around. *\o/*

But for your existing blogs, please use the opt out option. And a reminder of how to opt out, under the cut:

The opt-out toggle is in Blog Settings, and please note you need to do it for each one of your blogs / sideblogs.

On dashboard, the toggle is at https://www.tumblr.com/settings/blog/blogname [replace "blogname" as applicable] down by Visibility:

For mobile, you need the most recent update of the app. (Android version 33.4.1.100, iOs version 33.4.) Then go to your blog tab (the little person icon), and then the gear icon for Settings, then click Visibility.

Again, if you have a sideblog, go back to the blog tab, switch to it, and go to settings again. Repeat as necessary.

If you do not have access to the newest version of the app for whatever reason, you can also log into tumblr in your mobile browser. Same URL as per desktop above, same location.

Note you do not need to change settings in both desktop and the app, just one is fine.

I hope this helps!

[sweet-as-an-angel]

so! you mentioned in the 'p0rn preferences' post that Gaz is not the one who jerks off the most in the 141, and I humbly ask you, who would that be?

I don't mean this as a request, just a little discussion, cause I feel like Soap would just be going at it at any chance possible, like a bunny. he probably doesn't care much if someone hears it, but that's just me thinking too much into it.

Who Jerks off the Most in the 141 + König

Warnings: 18+, Heavy Mentions of Masturbation, Male Masturbation, Implied Reader in Individual Headcanons, Accidental and Implied Voyeurism, Edging, Brief Mention of Injury, Men Who Moan <3, No Pronouns Used For Reader Except 'You'.

A/N: As per Anon's question (which I just had to turn into a post of its own) I present to you the list of the 141 members (and König) who jerk off from the most to least <3

Soap

I have to agree with you here, Anon - Johnny is most definitely the king of self love when it comes to the 141.

He doesn't much care where he is or who he's with; when he has to satisfy his needs, he'll do so.

Though, he'll spare whoever's with him the sight of watching him throwing his head back, trying to stifle his moans behind gritted teeth whilst the wet sound of his hand slipping up and down the length of his shaft fill the room.

Unless they want to.

For one reason or another, he's nigh-insatiable when it comes to his libido, and the fact that his stamina affords him the luxury of beating himself off until his cum is practically translucent doesn't help.

The slightest thing can set him off.

Someone brushing past him ? Hard.

Someone stroking his ego a little too enthusiastically ? Bricked up.

He sees something that's shaped to be a little too curvy or phallic ? Stiff as a pole.

He remembers something mildly suggestive you did three years ago in that restaurant ? He's going to the Horny Realm.

Yes, his teammates have complained about his incessant moaning-come-grunting-come-whimpering through all hours of the night, his voice contorting through a spectrum of desperation and Johnny always ending up spent and overstimulated by the time the sun comes up.

And then he's ready to do it all again the second night touches the horizon line, giving his teammates a knowing smile when he walks into the room sporting nothing else save for a pair of boxers and a monster that looks to be trying to tear itself free from them.

Gaz

Dude's young. Of course he's throttling that rooster on a nigh-daily basis.

The only reason he's not at it as much as Soap is because he likes to believe he still has a few threads of his self-restraint intact.

He doesn't.

Especially when it comes to you (regardless of whether you're dating yet or not).

But he doesn't need to know that.

Honestly, the only thing that separates him from Johnny's unmatched libido is the fact that it takes a little more than the slightest provocation to get Gaz going.

Albeit, that line is a thin one.

If he so much as accidentally sees something explicit for upwards of three seconds, he's hard.

The only advantage of his need for satisfaction is the speed with which he can achieve it.

He and Johnny actually timed each other once to see who could get off the fastest.

Gaz won. Though, only by a slim margin.

Needless to say, that made for a rather interesting conversation with the Captain when he walked in on two of his best soldiers sat panting on the edge of their cots, an almost-translucent spray spattered across their stomachs, eyes half-lidded and hazy.

Ghost

The third-in-line for the Throttle Throne is none other than our beloved Ghost.

Unlike Johnny and Gaz, Ghost is more likely to leave himself alone at the first sign of trouble, toughing it out until he can will his mind to less lustful pastimes.

He won't make his jacking off known to anyone, either, often doing it in the shower where the water beats down so harshly that no sound can be heard for the water's fall.

That, and he's a master at keeping his voice low, no matter the circumstances.

More often than not, Simon makes quick work of jerking off purely because it’s a means to an end. However, if it’s you he’s thinking of, he’s much more likely to take his time — to immerse himself in the fantasy of your body around his, taking him so well in one capacity or another. Fucking yourself dumb on his cock.

During these times, he’s thorough — much more likely to edge himself, to throw his head back and growl between gritted teeth, to savour the sensation coiling in his stomach, his balls growing tight.

Otherwise, he’ll stroke one out as quickly as he can, getting back to business as usual.

And to look at him, on the surface, you'd never know that he just spent the last three minutes rubbing one out in the bathroom (yes, he is also a contender for first place in the 'Who Can Jack Off The Quickest Competition', but he'll never allow Johnny or Gaz the luxury of witnessing his unprecedented skill; that's for your eyes only).

Until he corners you, breathing down your neck, scolding you for tempting him - a man whose restraint lies only in his ability to hold off from reducing you to an exponential reflection of his prior state, breathless and covered in fluids.

König

Have you seen the size of that thing ? Man should be in the olympics for being able to throw that weight around.

Similarly to Ghost, König only gets himself off when it's absolutely necessary.

Only if he doesn't have you lying around to help him, of course.

Though, he lets himself have a bit of fun with it. Especially if it's been a tough day.

He's vocal, too. Though he tries not to be.

He just can't help it. Days' - maybe even weeks' - worth of unspent adrenaline and semen is hardly any way for a soldier like König to go about his life. So, he expels it in the privacy of quite literally any isolated space he can find.

König is not an adventurous spirit by any means when it comes to self pleasure, but when needs must, he's willing to shoulder the weight of the prospect that someone on his team could walk in at any second and catch him spraying his stomach or the wall white with, let's face it, thick ropes of cum.

Hong-Jin's actually caught him doing that before now.

That's actually how the two became friends: Horangi heard König grunting in the store cupboard and, knowing how stubborn his Colonel was with letting others know when he was injured, sought him out. Wanted to offer his help.

Catching Colonel König in the act of throwing his head back whilst growling the name '(Y/N)' into the darkest corner of the room was, suffice it to say, not what Horangi had been expecting.

Price

You just know he's cool with it. And by 'cool', I mean incredibly intentional, controlled, and not ravenous in the ways our other favourite military princesses are.

Sure, Price has gotten hard on the job a few times.

Who hasn't ?

But thanks to his level head, unwavering devotion to his work, and absolute refusal to acknowledge that he did, in fact, get a little bit of a chub during a shoot-out, he's managed to gain control over every facet of his body.

Until he comes home to you, of course.

Until he's able to loom over you like an omen and run his hands down your sides, stopping at your hips and pressing kisses that become more open-mouthed the further down the side of your neck he dips.

Pressing his hips into yours. Something demands your attention.

There have been very few occasions where a cold shower wasn't a quick enough fix for him.

When the days of having you milk him are too far out of sight, he's had to suffice with his own hands before now. Had to imagine - remember - what yours felt like in his place, your lips curled up as he gripped the chair arms, breathless as he moaned into the warm tones of your shared apartment.

But don't worry ! He'll be sure to catch you up on everything you've missed while he's been away once he returns.

Reblog for more content like this! It helps creators like myself tremendously and it is greatly appreciated :-)

Masterlist Masterlist [Continued] Masterpost Modern Warfare AI Masterlist

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[specialagentartemis]

I get variations on this comment on my post about history misinformation all the time: "why does it matter?" Why does it matter that people believe falsehoods about history? Why does it matter if people spread history misinformation? Why does it matter if people on tumblr believe that those bronze dodecahedra were used for knitting, or that Persephone had a daughter named Mespyrian? It's not the kind of misinformation that actually hurts people, like anti-vaxx propaganda or climate change denial. It doesn't hurt anyone to believe something false about the past.

Which, one, thanks for letting me know on my post that you think my job doesn't matter and what I do is pointless, if it doesn't really matter if we know the truth or make up lies about history because lies don't hurt anyone. But two, there are lots of reasons that it matters.

It encourages us to distrust historians when they talk about other aspects of history. You might think it's harmless to believe that Pharaoh Hatshepsut was trans. It's less harmless when you're espousing that the Holocaust wasn't really about Jews because the Nazis "came for trans people first." You might think it's harmless to believe that the French royalty of Versailles pooped and urinated on the floor of the palace all the time, because they were asshole rich people anyway, who cares, we hate the rich here; it's rather less harmless when you decide that the USSR was the communist ideal and Good, Actually, and that reports of its genocidal oppression are actually lies.

It encourages anti-intellectualism in other areas of scholarship. Deciding based on your own gut that the experts don't know what they're talking about and are either too stupid to realize the truth, or maliciously hiding the truth, is how you get to anti-vaxxers and climate change denial. It is also how you come to discount housing-first solutions for homelessness or the idea that long-term sustained weight loss is both biologically unlikely and health-wise unnecessary for the majority of fat people - because they conflict with what you feel should be true. Believing what you want to be true about history, because you want to believe it, and discounting fact-based corrections because you don't want them to be true, can then bleed over into how you approach other sociological and scientific topics.

How we think about history informs how we think about the present. A lot of people want certain things to be true - this famous person from history was gay or trans, this sexist story was actually feminist in its origin - because we want proof that gay people, trans people, and women deserve to be respected, and this gives evidence to prove we once were and deserve to be. But let me tell you a different story: on Thanksgiving of 2016, I was at a family friend's house and listening to their drunk conservative relative rant, and he told me, confidently, that the Roman Empire fell because they instituted universal healthcare, which was proof that Obama was destroying America. Of course that's nonsense. But projecting what we think is true about the world back onto history, and then using that as recursive proof that that is how the world is... is shoddy scholarship, and gets used for topics you don't agree with just as much as the ones you do. We should not be encouraging this, because our politics should be informed by the truth and material reality, not how we wish the past proved us right.

It frequently reinforces "Good vs. Bad" dichotomies that are at best unhelpful and at worst victim-blaming. A very common thread of historical misinformation on tumblr is about the innocence or benevolence of oppressed groups, slandered by oppressors who were far worse. This very frequently has truth to it - but makes the lies hard to separate out. It often simplifies the narrative, and implies that the reason that colonialism and oppression were bad was because the victims were Good and didn't deserve it... not because colonialism and oppression are bad. You see this sometimes with radical feminist mother goddess Neolithic feminist utopia stuff, but you also see it a lot regarding Native American and African history. I have seen people earnestly argue that Aztecs did not practice human sacrifice, that that was a lie made up by the Spanish to slander them. That is not true. Human sacrifice was part of Aztec, Maya, and many Central American war/religious practices. They are significantly more complex than often presented, and came from a captive-based system of warfare that significantly reduced the number of people who got killed in war compared to European styles of war that primarily killed people on the battlefield rather than taking them captive for sacrifice... but the human sacrifice was real and did happen. This can often come off with the implications of a 'noble savage' or an 'innocent victim' that implies that the bad things the Spanish conquistadors did were bad because the victims were innocent or good. This is a very easy trap to fall into; if the victims were good, they didn't deserve it. Right? This logic is dangerous when you are presented with a person or group who did something bad... you're caught in a bind. Did they deserve their injustice or oppression because they did something bad? This kind of logic drives a lot of transphobia, homophobia, racism, and defenses of Kyle Rittenhouse today. The answer to a colonialist logic of "The Aztecs deserved to be conquered because they did human sacrifice and that's bad" is not "The Aztecs didn't do human sacrifice actually, that's just Spanish propaganda" (which is a lie) it should be "We Americans do human sacrifice all the god damn time with our forever wars in the Middle East, we just don't call it that. We use bullets and bombs rather than obsidian knives but we kill way, way more people in the name of our country. What does that make us? Maybe genocide is not okay regardless of if you think the people are weird and scary." It becomes hard to square your ethics of the Innocent Victim and Lying Perpetrator when you see real, complicated, individual-level and group-level interactions, where no group is made up of members who are all completely pure and good, and they don't deserve to be oppressed anyway.

It makes you an unwitting tool of the oppressor. The favorite, favorite allegation transphobes level at trans people, and conservatives at queer people, is that we're lying to push the Gay Agenda. We're liars or deluded fools. If you say something about queer or trans history that's easy to debunk as false, you have permanently hurt your credibility - and the cause of queer history. It makes you easy to write off as a liar or a deluded fool who needs misinformation to make your case. If you say Louisa May Alcott was trans, that's easy to counter with "there is literally no evidence of that, and lots of evidence that she was fine being a woman," and instantly tanks your credibility going forward, so when you then say James Barry was trans and push back against a novel or biopic that treats James Barry as a woman, you get "you don't know what you're talking about, didn't you say Louisa May Alcott was trans too?" TERFs love to call trans people liars - do not hand them ammunition, not even a single bullet. Make sure you can back up what you say with facts and evidence. This is true of homophobes, of racists, of sexists. Be confident of your facts, and have facts to give to the hopeful and questioning learners who you are relating this story to, or the bigots who you are telling off, because misinformation can only hurt you and your cause.

It makes the queer, female, POC, or other marginalized listeners hurt, sad, and betrayed when something they thought was a reflection of their own experiences turns out not to be real. This is a good response to a performance art piece purporting to tell a real story of gay WWI soldiers, until the author revealed it as fiction. Why would you want to set yourself up for disappointment like that? Why would you want to risk inflicting that disappointment and betrayal on anyone else?

It makes it harder to learn the actual truth.

Historical misinformation has consequences, and those consequences are best avoided - by checking your facts, citing your sources, and taking the time and effort to make sure you are actually telling the truth.