#& also a close mirroring/parallel to canon where it kind of hangs over the text on purpose

[telvayns]

what’s ur ao3?

you can find me here!

for anyone who didn't know, in a couple days' time i will be posting the first chapter or so from my fitzier pale rider (1985) au, revelation 6:8, for cowboyshowfest!! i'm very happy w/ how it's turned out so i'm really excited to see what people think of it.

you can get a taster for it from the first art i did w/ this au right here!

[newmayhem]

Reading and ranking the entire Den of Shadows series

Check out my other Den of Shadows reviews HERE.

After a year such as this one, I wanted to close it out with something fun so I spent the past month marathoning the entire Den of Shadows series- rereading the original quartet and then reading for the first time the new TDOS books. I was originally going to post reviews/reactions for each book, but that got too cumbersome. Instead, I’m doing one big post of my personal ranking so I can discuss each book and talk about the series as a whole.

Spoilers for the entire Den of Shadows series below.

Personal Ranking

I based it on several different criteria but mainly: 1) How much I enjoyed it, 2) Writing/storytelling quality, 3) If there was anything glaringly ‘problematic’ (which I’ve found is usually a big factor in how much I enjoyed it), 4) How it fits in context of the entire series.

9. Shattered Mirror It hurts to put this one last on my list because Shattered Mirror was my intro to The Den of Shadows and to ahar’s work. Reading this again as an adult was frustrating because I can see why I loved it the first time around and how most of that doesn’t hold up today. Sarah was a great main character who deserved so much better than the ending she got. It was just wall to wall rape culture and misogyny. I hated Christopher and how he was a creepy pedophilic stalker framed as a romantic hero, I hated how Nikolas got some copout backstory so he would look like a good guy even though he beat a girl to death for rejecting his brother, and I hated how Nissa was enabling both of them. I really hated that this was meant to be a racism/prejudice metaphor because that doesn’t work out when the ‘oppressed’ group does actually harm innocent people. Aside from that, I felt like the pacing was really off- the events unfold over the course of a little over a week and we’re supposed to believe that after hanging out with them twice Sarah’s developed a bond with these vampires strong enough to override the prejudice she’s been raised with since birth (and that Christopher’s in love with her). And then there’s that whole anti-climax when it turns out that the ‘villain’ was Kaleo all along, but instead of having the book end there, there’s another 20 pages where we have to watch Sarah get attacked and changed against her will and then have it framed as a happy ending. I did like that she decided to not stay with Christopher in the end, though.

8. Midnight Predator I was actually surprised by how much I liked this one because I didn’t remember anything from it at all except for like, two scenes and some character names. It felt more mature in writing style, thematic content, and aesthetics. I also liked that we got a main character who was a little older and that the world was, for the most part, very removed from the human world. It was a good way to close out the original quartet in that it touched on a lot of the themes that had been explored in the books previous. That said, I had a lot of problems with how the issue of slavery was handled and also with how victim-blamey the moral of the story turned out to be. It just didn’t sit right with me that at no point did anyone bring up the idea of, you know, ending slavery at Midnight, which Jaguar had all the power to do. I hate that we were supposed to be sympathetic towards Jaguar and treat him like a good guy because he doesn’t abuse his slaves (for reasons that center on him) like everyone else does when he easily could just...not own slaves. Tying in with the victim blaming stuff, it felt like we were supposed to be satisfied with Turquoise freeing herself but being ok with letting slavery continue. And the big character arc that leads to her getting revenge on Daryl was framed as her ‘not letting herself be a victim anymore’, which is an objectively terrible take on this issue. Aside from that, I also had issues with the pacing here. We were promised a story about Midnight and a mission to assassinate Jeshickah, but all of that goes out the window in an anti-climax about two thirds of the way through the book (and two days into the timeline), and then the rest is a plodding montage leading to a very abrupt end. I also didn’t like how Daryl was supposed to be the real villain of the story but was also portrayed as a snivelling idiot that no one liked anyway, because that lessened the impact of Turquoise finally getting up the courage to kill him.

7. Demon In My View This was a good followup to ITFOTN in that it struck a balance between being standalone and having ties to the previous book. That said, I found the tone to be surprisingly more immature. I mainly didn’t like how the main character and the antagonist were handled. Jessica, while being a great reader insert/power fantasy, wasn’t very interesting because she didn’t go through any character development or have to sacrifice anything, but still got everything she wanted in the end. Fala was too much of a buttmonkey and her motives were too weak to be taken seriously. It also didn’t sit right with me that she’s the only canonical woc so far and she’s being portrayed as this incompetent cartoon villain even though objectively, like, she does have a point. But I do love the introduction of my favorite underappreciated side character, the ultimate MVP: Caryn Smoke!

6. Token of Darkness This book had a lot going against it, mainly in that it’s the most disconnected from the other TDOS books in terms of not only characters and setting, but also with introducing beings that hadn’t been mentioned before (in text, at least). I think especially as one of the new TDOS books, it would’ve helped to at least offhandedly namedrop some people/events/places. My second problem with this book was that everything felt very underdeveloped. I loved the new characters that were introduced, but I was disappointed that we didn’t have a lot of time to get to know them. I would’ve liked to see Cooper actually start training under Ryan, I would’ve liked to learn more about the LeCoire family and what it means to be a sorcerer. I also just wanted more Delilah because she’s such a fascinating character (I loved her reckless and unapologetic ambition). Kind of like ITFOTN, I felt like this lacked an Act 2. I think the story should’ve started earlier so we could see more of the investigation part of it, so we can get all the characters together earlier and have them working together (while Delilah has her hidden agenda on the side) to figure this out and build towards that climax. Even with the pacing and development problems, this is higher on the list because I just really enjoyed it- it was light and fun and I hope we get a chance to see these characters again.

5. Poison Tree This was something that I really wanted out of a new TDOS book- it delved deeper into parts of the world that had been mentioned before- the Bruja Guilds, SingleEarth, the Mistari, and all of that serves to set the scene for Promises to Keep. The concept was this cool deconstructed/reconstructed whodunnit story. It was more complicated than the typical TDOS plot, so I appreciate the ambition. That said, the execution wasn’t great- I often had to pause and go back in order to keep the facts straight and figure out who knows what, which was distracting. Another reason why this didn’t rank higher was that for some reason, I didn’t connect as much with these characters as I have in other books. The pacing was odd, I didn’t like that it came to a point where everyone had figured the main part of the mystery out, but instead of going directly to the climax, it took a detour into relationship drama, which slowed down the momentum. I think it would’ve made more sense to put Sarik and Alysia into a situation where they were forced to work together (rather than that brief but drawn out thing with Sarik and Christian). There would’ve been more tension, conflict, and forward momentum, and because they’re the two leads that were supposed to be focused on, it would’ve felt less like a detour.

4. Persistence of Memory This was a very good return to TDOS. It feels very familiar in how the new characters fit into the world. It struck a good balance between introducing new characters and having them coexist with concepts and characters that we’ve heard of before. I felt the same spark while reading this as I felt when I first read the original quartet. Like, this entirely new book made me feel nostalgic, and that’s not to be underestimated. I really loved the two protagonists and I was very invested in both of their stories. I particularly loved Shevaun because her struggle with her fear of becoming human again is one that we don’t often see in vampire fiction. I also think both she and Adjila are the perfect embodiment of beings who’ve been around for centuries and just don’t have the same morals and boundaries that humans do. I don’t normally read these books for the romance, but both canon ships here were really well done and believable, and also paralleled each other in an interesting way. And I loved the oddly wholesome focus on found/chosen family. Also, this gets extra points for everyone dunking on Alexander every time he’s mentioned.

I didn’t rank this higher because I wished Erin was more involved in figuring out what was going on with her. I didn’t really like that after a certain point, it felt like Sassy took over as protagonist. Still, I really enjoyed it, the ending was very satisfying (I loved that it was a straight up happy/optimistic ending instead of a bittersweet or abrupt one like most of the TDOS endings had been so far).

3. Promises to Keep This was a bold ending to the series. It took a lot of guts to basically blow up the world that you spent nearly 20 years creating and I admire that. It was a really engaging story that truly showed the full extent of what ahar was capable of as a writer at that time and the full extent of what a TDOS book could be. I think this time ahar really nailed the pacing (which was something that had always been a bit shaky in the past). We got to spend enough time with Jay and get to know him (it was a good choice to have the protagonist be a character we’ve met before but could still get to know more). I liked seeing everything we’ve learned from all the previous books come together and come into play. And I especially loved that our MVP Caryn got the HEA she deserves. The little epilogues at the end were fun to read (only, I’m mad we didn’t hear anything about Risika. Especially because she does get mentioned (and we finally know that 1) she found out about what happened to her mom, and 2) she and Kaleo have active, ongoing beef over it)). It really felt like a finale, but at the same time, it felt like a new beginning and I can’t wait for new books in this post-Promises world.

This could’ve ranked higher, but I did have a problem with Brina. In terms of personality, etc., I loved her and she was fun to get to know, but I can’t get past the whole slave owner thing and how that aspect of her was handled. I wished that her character arc was more about realizing that enslaving people is objectively bad rather than having her keep pointing out Jay’s incidental hypocrisy as if it weren’t a false equivalence. Her happy ending just felt a little unearned- the only real ‘penance’ she performed wrt being a slave owner was a tacked-on apology during the ritual and a sentence about how she freed her own slaves (again, no mention of whether or not all slavery has ended), and even though she was turned human, it’s not framed as a great or permanent loss, and on top of that she also gets witch powers.

2. In The Forests of the Night I admit, this ranking is mostly based on nostalgia...but it’s still a very solid book to kick off the series, set the vibes, and introduce us to this world and what kind of series this will be. It’s not the best of the series in terms of writing quality, plot, or scope, but of the original quartet, I think ITFOTN holds up the best. For a YA book of that era, especially one written by someone of its own target demographic, this felt very mature. It wasn’t trying to talk down to its audience and that meant a lot to me. It showed me that YA could be dramatic without being overwrought, serious without being an ‘issues’ book. It tackled questions of identity, morality, faith, power, and freedom, all framed within a fast-paced revenge story. Most of all, Risika is such an interesting, complicated character and her journey was both relatable and entertaining. Of all the endings in this series, the ending of ITFOTN was the most satisfying for me in that the main character had to change and sacrifice, and in the end she got what she truly deserved even if it wasn’t entirely happy. My only complaint is that we don’t see more of Risika throughout the series, especially when there’s clearly more to her story.

1. All Just Glass The TDOS books are fine as standalones and it’s cool that each one makes it feel like whoever you’re reading about is just a small part of a bigger world, but All Just Glass shows how good it can be when we go deeper into a particular story and give it more time to develop. That said, I don’t think it would’ve been as good as it was if it was written right after Shattered Mirror. There’s a very clear improvement in writing quality and storytelling that can only come from 10 years of experience.

While it didn’t fix all the problems I had with SM (mainly, I would’ve preferred it if Sarah didn’t go back to the Ravenas in the end), AJG made a great choice in shifting to a different, more cohesive theme and illustrating it across a compelling ensemble cast. It cleverly plays on our expectations of the Vida line that were based on the limited scope of SM in order to show that contrary to what we’ve seen previously, this is actually an institution that’s in decline. The Vidas aren’t this great power ruling over the rest of the Macht witches- they’re actually these fundamentalist/extremist outliers who are on the fringes clinging to the ‘old ways’ while everyone else kind of does what they want and their decline is directly related to their obsessive adherence to tradition at all costs. What’s so great about this is that it’s not just a sequel, it’s a subversion of SM that also sets the tone of the new TDOS series in anticipation of the inevitable end.

General Notes

I loved reading these all back to back and watching ahar grow as a writer, watching the world unfold right before my eyes.

It was interesting to see the difference between the two series. I found most of the books in the new series to be generally more engaging because they’re based around a central mystery (What’s the connection between Erin and Shevaun? Who is Samantha? Who attacked SingleEarth? Who’s the shapeshifter?). I also liked that rather than shy away from mentioning technology and trying to pretend that it doesn’t exist or that we’re still in the early 2000s, ahar really leaned into it and in doing so, made the stories feel more realistic.

The original quartet was very aesthetically cohesive, it was a series of vignettes that purely aimed to explore a particular piece of the world. The new series, however, felt cohesive in that each of the books is building towards the end and showing a piece of the puzzle that sets the scene for PtK (PoM gives us more about the Tristes, ToD gives us the elementals, AJG and PT are about groups that are on the decline with their fates based on whether or not they choose to align with the rising power of SingleEarth).

On kind of a petty note, I wanted to mention how much I hate all the new covers (both for the new TDOS series and for the re-release of the original quartet) and I was really disappointed in how low-effort the marketing was for the new series. Even just reading the synopsis for PT and PtK was painful because they seemed slapped together at the last minute like no one cared. I think it was a real missed opportunity to draw in a new audience because they were coming out just as the YA boom, particularly in vampire fiction, was happening.

The biggest takeaway I got from this marathon is a huge respect and appreciation for this extensive world and cast of characters that ahar built (and then had the courage to entirely upend). I know mainstream attention isn’t everything, but I just really hope ahar gets their flowers because this is a great (and highly influential) body of work that’s so different and even ahead of its time.

Anyway, that’s my take on the series. I might make this re-read an annual thing because this was fun. Also, as I was reading, I made sure to note factual info about the world and the characters, so I’ll be making new additions/edits to the reference materials soon.