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seeing people rb my earlier, kinder post on aleksandra let it be known this is the vibe on my blog now
do you think requiem's update was weak?
in general, now that there only final episode left, what are your thoughts on season 2?
what a mess.
not one thing i would've predicted about s2 months back is now true, nor does it even feel like the same story. everything i loved about hsr and what made it distinct and unique — the snowy landscape, a desolate small town crumbling under its own history and sins, how the setting perfectly reflected lane's insides, the mystery of the lis, not knowing who we could trust, if we could trust lane herself, her trying to understand and come to terms with the humanity ripped from her — all of it sacrificed for... what?
nothing is eerie, and with how the most horrific events happen so casually and are brushed over in seconds — the shredder, kira's death — the shock value is starting to wear off, and what's left underneath does not hold up. what i'm confused about is why and how it feels like she's both rushing through and at the same time it's snail paced.
i think she has a few major plot points in mind, and is filling the gaps between them with whatever (which is what the entirety of season two has been) which is fine but 1. she could've spread the events out over a longer timeline 2. she could've used this time to deepen our understanding of lane's psyche and her relationships with the lis instead of fitting in every apocalypse fantasy she can conceive of.
everything is stagnant. lane, the plot. i can't even call the lis stagnant because when have they ever felt vivid? they have a defining trauma and she ran with it — dmitry and pavel, greg and emma, and since anna doesn't have any we have a 'i'm a girl and i like girls?!' situation at their grown age in an apocalypse. she's following the same format as s1 for s2, but in s1 it worked as the equal parts allure and wariness made sense for two people born/made closed off and suspicious yet yearning for connection. but in s2, a time to deepen and split open the past, motivations, to provide a solid ground for the basis of their affection, they're staying afloat on physical attraction and half-assed omg their trauma 🙁
a main character like lane deserves character arcs to be treated with as much importance as plot progression. the mercy/no mercy stat feels like a convenient way to wash her hands off actually showing how lane gets to that point. it's unnatural, and it leaves me frustrated with lane who is still the same girl we saw in s1e1.
what has changed in two seasons, both plot and character wise? if s1 was utilized to set the framework for the rest of the story, such as by giving us glimpses of her childhood, then s2 should've delved into the emotional aspect of it. while the impact of it on her views and relationships is shown, nothing ever seems to challenge it. events pass by without a reverberation in her soul; all her inner monologues are some vague opinions she believes as fact about humanity and its nature and nothing, not the plot, not the lis, ever seem to make her question it. i'd thought the whole point of writing a character like her in a setting with high-risk, deadly, tense situations is to force her out of the shell she confines herself to, and make her look at her own light as well as darkness. what is the point if she's never forced to confront them?
so of course the romance routes are lacking in truth and depth. cain has the excuse of subtext and parallels and soulmateism, but what about the rest? i don't know too much about dmitry, but greg's route is both painful and baffling. on what basis does he dream of domestic bliss when he knows as much about her as any random member of the squad? at the end of s2 (2/3rd into the book!) their romance is still based off 'you're a fantasy, you're my reality.' while cute, is that all she can think of for them? some vague unexplained attraction and lane liking to be desired? greg has nice shoulders and a sister, then what?
she could've shown them seeing an aspect of themself in her (where i assumed dmitry's route was heading), or sympathise with her, but how are they falling for her without knowing her depths? based off an inexplicable attraction alone. more than halfway through. it's so unbalanced. does she even like them? does she even know them? (yan 😴) does it make sense for a mistrustful character like lane to fall for some rando? with cain, she shows affection in her own way but greg's scenes are just pitiful.
no need to speak of anna. i'd argue someone shouldn't be telling you to not be homophobic, but let's set that aside for now and look at writers who have at the very least heeded the fandom's criticism and concerns and took a step towards providing better representation. i don't care what vision she has (which isn't even counting how anna hasn't been given a consistent personality – why would she pull away in disgust when she made it abundantly clear she's into women in s1?) if the people you're attempting to represent tell you it's problematic and uncomfortable, you listen. it reeks of arrogance on her part.
the -2 female characters in this book get such... strange treatment. anna appears to plot dump about the infection, or be lane's walking wardrobe. kira... not to be the friend that's too woke but every single man in the squad sustaining some kind of injury and bouncing back but kira had to be explicitly sobbing and sniveling to lane for a chance to live, and still die, after that whole 'i'm going to move on' epiphany? nick and noah who were kidnapped and held by the cultists for forever, lestor who got eyeballed by an infected, but it was kira who had to die by falling into a pit?
the only defense i hear anymore is of the plot and it's unique, twisted charm and. well! we haven't made headway in an entire season, and keep getting dragged off into useless side plots. as a friend @cainlane 🤍 aptly put it,
i was talking to a mutual today ab how funny the plot looks when the entirety of s2 follows the formula of squad finds out something and goes there -> cult is (and by what means i have no idea) already there -> they fight -> cult goes away (once again by what means idk)
the foreshadowing is ridiculously vague, all required information is somehow conveniently preserved in documents, and it's getting exhausting to read it all over again every update, when we all know how the scintillating potential of s1 could've carried over into s2.
i tried very hard to think of a positive, something that has improved from s1 and nothing comes to mind. oh well. i'm still going to be (tentatively) seated for the rest of the book but know it's with a heavy heart.
also the diamond choices are ridiculously expensive for nothing ❤️ suck my dick
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im just not attracted to anyone or anything ever. until i am.
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are they... you know... *plays a beautiful and complex melody on an imaginary piano*
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need ten more of these obscure little philosophers to just take over my life.
#post ☆#you simply cannot make this up how are we supposed to not be mentally ill under these circumstances#ohhh my shitty blue eyed men and dean from goe
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yes they got married
#post ☆#and you know what they should've gotten crazier. pull his hair out throw each other into a wall start a mob fight#damn i wasn't going to drink tonight but i'm missing astarothvicky like a mf
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Confession:
"sure, he's a hunk, but could they not have made Orion a bit more ethereal and more interesting to look at? maybe break the mold just a little considering he's a fairy king from another realm of all things?"
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'i'll make it right. i promise.'
'everything is already right.'
vesper & nova from w: time catcher
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🫘 🌈 👻 answer pls chingu
CHINGU 😭
🫘 spill the beans. what's a new project you're doing this year?
my ambitious list is cainlane wip from sept of 2024, vyxantheia wip (sorry my dears), surprise project, og work 1 (lesbian), og work 2 (messy. maybe dreamy), and a tentative venture into smut if aleksandra continues to fuck up
🌈 what research do you plan on doing for your writing?
history of spanish colonization of the philippines
👻 is there a new genre you'd like to write?
horror! it's outrageously difficult so i would need to build up a lot more skill but i already have an idea i hope would come to fruition someday
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does this still stand
https://www.tumblr.com/taemcains/751106103026335744/why-astaroth-kinda-dethroned-cain?source=share
look at my url. you tell me
#asks#anon#by god i will find a nauseatingly blue-eyed man anywhere please my real type is ann liang men
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TELL ME WHAT YOU ASSOCIATE WITH ME
COLORS, SONGS, AESTHETICS, PEOPLE, ANYTHTING
#red eyes 😂#white hair 🤣#your mentally ill roster of men#sebastian#dottore ofc#the infamous dottore pendant#pretty beaches#red hair#romanticized barista lifestyle#good coffee#notebooks#the song tear you apart#rain in my heart#oddly i cannot tell what color you would be 🤔#ella <3
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do you think requiem's update was weak?
in general, now that there only final episode left, what are your thoughts on season 2?
what a mess.
not one thing i would've predicted about s2 months back is now true, nor does it even feel like the same story. everything i loved about hsr and what made it distinct and unique — the snowy landscape, a desolate small town crumbling under its own history and sins, how the setting perfectly reflected lane's insides, the mystery of the lis, not knowing who we could trust, if we could trust lane herself, her trying to understand and come to terms with the humanity ripped from her — all of it sacrificed for... what?
nothing is eerie, and with how the most horrific events happen so casually and are brushed over in seconds — the shredder, kira's death — the shock value is starting to wear off, and what's left underneath does not hold up. what i'm confused about is why and how it feels like she's both rushing through and at the same time it's snail paced.
i think she has a few major plot points in mind, and is filling the gaps between them with whatever (which is what the entirety of season two has been) which is fine but 1. she could've spread the events out over a longer timeline 2. she could've used this time to deepen our understanding of lane's psyche and her relationships with the lis instead of fitting in every apocalypse fantasy she can conceive of.
everything is stagnant. lane, the plot. i can't even call the lis stagnant because when have they ever felt vivid? they have a defining trauma and she ran with it — dmitry and pavel, greg and emma, and since anna doesn't have any we have a 'i'm a girl and i like girls?!' situation at their grown age in an apocalypse. she's following the same format as s1 for s2, but in s1 it worked as the equal parts allure and wariness made sense for two people born/made closed off and suspicious yet yearning for connection. but in s2, a time to deepen and split open the past, motivations, to provide a solid ground for the basis of their affection, they're staying afloat on physical attraction and half-assed omg their trauma 🙁
a main character like lane deserves character arcs to be treated with as much importance as plot progression. the mercy/no mercy stat feels like a convenient way to wash her hands off actually showing how lane gets to that point. it's unnatural, and it leaves me frustrated with lane who is still the same girl we saw in s1e1.
what has changed in two seasons, both plot and character wise? if s1 was utilized to set the framework for the rest of the story, such as by giving us glimpses of her childhood, then s2 should've delved into the emotional aspect of it. while the impact of it on her views and relationships is shown, nothing ever seems to challenge it. events pass by without a reverberation in her soul; all her inner monologues are some vague opinions she believes as fact about humanity and its nature and nothing, not the plot, not the lis, ever seem to make her question it. i'd thought the whole point of writing a character like her in a setting with high-risk, deadly, tense situations is to force her out of the shell she confines herself to, and make her look at her own light as well as darkness. what is the point if she's never forced to confront them?
so of course the romance routes are lacking in truth and depth. cain has the excuse of subtext and parallels and soulmateism, but what about the rest? i don't know too much about dmitry, but greg's route is both painful and baffling. on what basis does he dream of domestic bliss when he knows as much about her as any random member of the squad? at the end of s2 (2/3rd into the book!) their romance is still based off 'you're a fantasy, you're my reality.' while cute, is that all she can think of for them? some vague unexplained attraction and lane liking to be desired? greg has nice shoulders and a sister, then what?
she could've shown them seeing an aspect of themself in her (where i assumed dmitry's route was heading), or sympathise with her, but how are they falling for her without knowing her depths? based off an inexplicable attraction alone. more than halfway through. it's so unbalanced. does she even like them? does she even know them? (yan 😴) does it make sense for a mistrustful character like lane to fall for some rando? with cain, she shows affection in her own way but greg's scenes are just pitiful.
no need to speak of anna. i'd argue someone shouldn't be telling you to not be homophobic, but let's set that aside for now and look at writers who have at the very least heeded the fandom's criticism and concerns and took a step towards providing better representation. i don't care what vision she has (which isn't even counting how anna hasn't been given a consistent personality – why would she pull away in disgust when she made it abundantly clear she's into women in s1?) if the people you're attempting to represent tell you it's problematic and uncomfortable, you listen. it reeks of arrogance on her part.
the -2 female characters in this book get such... strange treatment. anna appears to plot dump about the infection, or be lane's walking wardrobe. kira... not to be the friend that's too woke but every single man in the squad sustaining some kind of injury and bouncing back but kira had to be explicitly sobbing and sniveling to lane for a chance to live, and still die, after that whole 'i'm going to move on' epiphany? nick and noah who were kidnapped and held by the cultists for forever, lestor who got eyeballed by an infected, but it was kira who had to die by falling into a pit?
the only defense i hear anymore is of the plot and it's unique, twisted charm and. well! we haven't made headway in an entire season, and keep getting dragged off into useless side plots. as a friend @cainlane 🤍 aptly put it,
i was talking to a mutual today ab how funny the plot looks when the entirety of s2 follows the formula of squad finds out something and goes there -> cult is (and by what means i have no idea) already there -> they fight -> cult goes away (once again by what means idk)
the foreshadowing is ridiculously vague, all required information is somehow conveniently preserved in documents, and it's getting exhausting to read it all over again every update, when we all know how the scintillating potential of s1 could've carried over into s2.
i tried very hard to think of a positive, something that has improved from s1 and nothing comes to mind. oh well. i'm still going to be (tentatively) seated for the rest of the book but know it's with a heavy heart.
also the diamond choices are ridiculously expensive for nothing ❤️ suck my dick
#asks#anon#never ask a man his salary a woman her age and vivi taemcains about hsr s2#heaven's secret requiem
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Anna was right, they did shower together
Author 🩶
@homesaraswati
#art ☆#hsr.#FELLLLL TO MY FUCKING KNEES#the Real angels are people drawing wlw art for hsr god bless
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wtc cast as the onion/reductress headlines
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she knows me so well
tagging: @cainlane @yeullove & whoever wants to
self moodboard
search up on pinterest : lyrics, color, character, place, outfit, and aesthetic.
no pressure tags — @gojosoups @kasukuna @angi-of-avalon @baepsays @itadoriest @lostfracturess @norikuna @toadtoru @yenayaps @neovillains + anyone who wants to join in!
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