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Anna Haifisch and me have feelings for pasta and now is the time to finally share them with you 🧀 join us for the launch of »Gnocchi Gnocchi, who’s there?« — a new Picture Book Hommage to the world of pasta! presented by yours truly cellentanti Colorama and hosted by the wonderful hopscotchreadingroom! 💛👀💛 hope to see you there! 🍝👅🍝don’t forget your mask!
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Added this silkscreen to the shop. It’s an ms paint drawing, printed with my own sweaty hands in a small edition of 15.
https://stefanieleinhos.bigcartel.com/product/untitled
///////////////////////////////////////////// Only ships to most of Europe due to tremendous shipping costs (it’s a big one). I’m sorry for this! If you can’t find your country in the list and still want to order, just contact me!
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4 illustrations for an article on #inspiration, commissioned by @itsnicethat thank you Joey & Ali for having me on board! 👉🍯
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publications 2012–2019 📚 offset, 594×841 mm, poster fold, two-sided, 250 copies, 2019 〰️📂〰️ #catalogue of all my works that have been (self-)published between 2012 and 2019 with a front side scale of 62% and a back side scale of 95%. back side features a b/w reproduction of the original »The Long Goodbye« lithography — for those of you who missed the edition and are still in desperate need of it 💛 get it via https://stefanieleinhos.bigcartel.com/❗️
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LOOK 👀 risoprint, 8 pages, 170×260 mm, glue binding, 100 copies, 2019. printed by @wemakeitberlin and first published by @lagon_revue in Gouffre, 2017 ✖️—> order online via https://stefanieleinhos.bigcartel.com/
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How About First Dates in Second Lifes?« set of 4 postcards, offset, A5, edition of 100, 2019 🎶🎵available at https://stefanieleinhos.bigcartel.com/
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»Untitled (portal)« and »Untitled (book, open)« — 3-color risoprint, A3, edition of 50, printed by @coloramaprint and available via https://stefanieleinhos.bigcartel.com/
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#tbt working on »Curtain« back in 2013
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The Ghent Art Book Fair is coming up! May 11—12 at Kunsthal Gent. Along with an international collection of small scale printed objects and Zine Happening V by Les VoiZines. It’s going to be my first time there and I can’t wait! Hope to see you around. 👀 image credits: Ghent Art Book Fair and 019.
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my first legit still life 🤔 spread illustration for »Bespoke Catalogue 3« by Colophon Foundry 🍑 285mm × 390mm, 40 page stapled catalogue, sheet fed lithography.
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Backcover illustration for Migrant Journal 5: Micro Odysseys. Thanks to Isabel Seiffert and Christoph Miler from Offshore Studio — very much enjoyed this collaboration! Photo credits: Migrant Journal.
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... plus being sandwiched between Sarah Tritz and Maximage is all I could’ve asked for. http://www.collectionrevue.com/ Graphic design by Jean-Philippe Bretin and Antoine Stevenot. Photo credits: Collection Revue.
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Two spreads of a multi-page interview, published by Collection Revue in their 5th issue in 2017. Jean-Philippe Bretin and me were chatting via mail for over half a year. Very much enjoyed it! Graphic design by Jean-Philippe Bretin and Antoine Stevenot. Photo credits: Collection Revue.
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Another illustration for »Bespoke Catalogue 3«, commissioned by Colophon Foundry. Sheet fed lithography on light green paper, 285x390mm, edition of 500. 📁Get it on colophon-foundry.org📂 Thanks to Anthony and everyone on the team! 🍈 photo credits: Colophon Foundry
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2 out of 7 illustrations for »Bespoke Catalogue 3«, commissioned by Colophon Foundry. Sheet fed lithography on light green paper, 285x390mm, edition of 500. 📁Get it on colophon-foundry.org📂 Thanks to Anthony and everyone on the team! 🍈 photo credits: Colophon Foundry
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That Goddamn Language, Stefanie Leinhos, 2018
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