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next Robert Eggers movie is set in the 13th century, about werewolves, and the dialogue will be in Middle English ?

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Maria Gray, “[Years of pelvic floor therapy]”

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Mike Dytri as Luke The Living End (1992) dir. Gregg Araki

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dont understand people who "don't like" valentines day... I personally dgaf that its "made up" and "commercialist"... i love heart shaped things and i love everyone in my life. Its really simple

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one time a ranger 1 (so not law enforcement) at the state park where i worked was getting rid of a bunch of clothes so he put them all in garbage bags and dropped them off at the bunkhouse where all the seasonal employees lived and he said we could go through them before he donated them and we all took a tshirt or two and then a month later we were throwing a party and I was like "we should all wear his clothes to the party" and he came in and it took him like an hour and five drinks to suddenly be like "wait a minute.................."

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me having a weird time: man this weird time sucks! i don't feel like myself! i wish i was having a normal time!

me having a normal time: well the weird time did have a certain je ne sais quoi...

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imagine having an outie who's transitioning u walk into the elevator one day and walk right back out like BAM pussy

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The gelatin in film stock was made from the hide, bones, cartilage, ligaments, and connective tissue of calves (considered the very best), sheep (less desirable), and other animals who passed through the slaughterhouse. Six kilograms of bone went into a single kilogram of gelatin. Eventually, the demands of photographic industries generated so much need for animal byproducts that slaughterhouses became integrated into the photographic production chain. Controlling the supply chain became key to Kodak's success. In 1882, as Kodak began to grow as a company, widespread complaints of fogged and darkened plates stopped production. The crisis almost ruined Kodak financially and resulted in the company tightly monitoring the animal by-products used in gelatin. Decades later, a Kodak emulsion scientist discovered that cattle who consumed mustard seed metabolized a sulfuric substance, enhancing the light sensitivity of silver halides and enabling better film speeds. The poor-quality gelatin in 1882 was due to the lack of mustard seeds in the cows' diet. The head of research at Kodak, Dr. C. E. Kenneth Mees, concluded, "If cows didn't like mustard there wouldn't be any movies at all." By controlling the diet of cows who were used to make gelatin, Kodak ensured the quality of its film stock. As literary scholar Nicole Shukin reflects, there is a "transfer of life from animal body to technological media." The image comes alive through animal death, carried along by the work of ranchers, meatpackers, and Kodak production workers.

—Siobhan Angus, Camera Geologica: An Elemental History of Photography

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Ada Limón on Preparing the Body for a Reopened World

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*bleeding to death because the paramedics can’t break the windows to get me out of my stupid fucking truck* heha well at least i dont have to worry about the friggin Zombie Apocalypse… awesomesauce 😎

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if you want to know what the situation is for gay people in portland oregon my friend got comradezoned last week

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i love reading sad books bc when your own grief is stopped up inside you like a clogged drain you can grieve for a character on a page and understand that you're also grieving for yourself a little bit

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"not settled history, so we're not clear what happened" is an utterly unbelievable thing to say

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THE BRUTALIST