A sound’s salience and emotional charge depends upon the life histories of the people who hear it, and upon the comparative backdrop against which they listen to the sounds that are emplaced in a particular time and location. A continuing attempt to find new vocabularies, new theoretical models and new arguments about listening in general as well as about psychiatric institutions by artists who work in psychiatric institutions or who have been users of these services explore the relationship between sounds, listeners, environments and psychiatric systems. Kim Wichera Karin Jervert Dr. Kristina Eiche Dr Tom Rice Kristel Jax
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Kim Wichera Panel discussion: What is the nature of psychiatric auditory experience? 3/9/21
“Listening to the world is not an innate, universal capacity, the logical result of ears encountering sound waves. Rather, it is something we learn how to do, and we learn how to listen in an environment that is already shaped by and coursing with power.” [Daughtry 2015]
A sound’s salience and emotional charge depends upon the life histories of the people who hear it, and upon the comparative backdrop against which they listen to the sounds that are emplaced in a particular time and location. As a starting point of an attempt to find new vocabularies, new theoretical models and new arguments about listening in general as well as about psychiatric institutions, Kim Wichera asks a range of panelists who work in psychiatric institutions or who have been users of these services about the relationship between sounds, listeners, environments and psychiatric systems.
Panelists: Karin Jervert, Dr. Kristina Eiche, Kristel Jax and Dr Tom Rice.
Sounds About 2021
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