softbunny52

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Gonna be singing this (and this) all night.

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to have failed is a sign you tried…. the mistakes, the relationships that didn’t make it, the job you didn’t get, the plans that fell through…. you tried, you lived, you loved.

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cruelty is so easy. youre not special for choosing it

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something i've noticed that has become really annoying in the past 10 years or so is this fad of what i've been calling, for lack of a better word, "structural whataboutism." it's that thing where, when faced with a concrete, resolvable problem in your community, your answer is to blame it on a vast, unsolvable issue of structural inequality and then throw up your hands. "there's trash all over the ground in this corner of the park" becomes "well, that's where MEN OF COLOR congregate after their 12-HOUR GRAVEYARD SHIFTS and i'm not going to support a CARCERAL SOLUTION to a CAPITALISTIC PROBLEM. WE NEED TO ELIMINATE POVERTY AND THE SUBJUGATION OF THE WORKING CLASS" and it's like okay but sis. someone still has to go pick up the trash. we don't need a carceral solution, we need more trash cans. you're not going to eliminate poverty and the subjugation of the working class and even if ya did, there would still be trash on the ground. how any of this passes for radicalism within their peer groups i simply don't understand. it's radical laziness more than anything else

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BREAKFAST AT TIFFANY'S 1961 — dir. Blake Edwards

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Off the grid

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Apparently my director went to see a production of West Side Story a few years ago, and the guy playing Chino forgot his gun before coming out for his final scene. Once it got to the big scene where he is supposed to shoot Tony, he screeched “Poison Boots” and kicked the actor playing Tony until he went down. The girl playing Maria then had to jerk the shoe off of Chino’s foot, and had to do the gunshot scene asking “How many kicks Chino? How many kicks, and one kick left for me”. 

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I love you, George Takei.

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"You can say that [orangutans] are not dependent on social support and approval, and if you admire this in them, that an orang is irredeemably his own person, 'the most poetic of the apes', researcher Lynn Miles told me once in an unguarded moments. What she had in mind was the difference between orangs and chimps in the way they carry on their discourse with the world.

Chimps are much admired for their tool use and for their problem-solving relationship with things as they find them...the orang is, let us say, not so replete with enterprise. Give an orangutan the hexagonal peg and the several shapes of hole, and then hide behind the two-way mirror and watch how he engages with the problem.

And watch and watch and watch--because he does not engage with the problem. He uses the peg to scratch his back, has a look-see at his right wrist, makes a half-hearted and soon abandoned attempt to use his fur as a macramé project, stares dreamily out the window if there is one and at nothing in particular if not, and the sun begins to set. (The sun will also set if you are observing a chimp, but the chimp is more amusing, so you are less likely to mark the moment in your notes. An orang observer has plenty of time to be a student of the vanities of sunset.)

You watch, and the orang dreams...when casually and as if thinking of something else, the orang slips the hexagonal peg into the hexagonal hole. And continues staring off dreamily."

Vicki Hearne, "The Case of the Disobedient Orangutans"

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NEVER LET YOURSELF BE STOPPED BY WHAT IT WOULD HAVE BEEN LIKE IF YOU STARTED EARLIER!!!!! THE ONLY TIME WE HAVE IS NOW

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Snowy Blossoms