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hey. hey. tap the heart if ur cool w/ me following you on noah's new blog thank you 💜
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alright gamers, say buh-bye to this blog bc it's gonna be left here to gather dust while i'm over clowning on the new blog. if you want me to follow you on the new blog then go like this post or if you're unable to do that then comment on this one or something. just lemme know if you want noah to stay on your dash
for those of you who don't, it's been fun and nice seeing ya and i hope the future is kind to you <3
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hey. hey. tap the heart if ur cool w/ me following you on noah's new blog thank you 💜
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"THIS IS THE LAST STRAW" PROMPTS * assorted dialogue, adjust as necessary
i'm done talking about this.
we're through with this.
stop bringing it up with me.
i don't want to talk to you anymore.
it's over.
you could have communicated it to me. we could have talked this through.
you were never going to do anything i said.
you crossed a line.
you've been lying to me this whole time, and i'm sick of it.
i'm not about to listen to you spin more lies.
pack your things and get moving.
it's been decided. you leave tonight.
whatever you're about to say, it won't work on me.
i have listened to too many of your lies to care anymore.
meeting you was a mistake.
you're done here.
i can't take any more of this.
you have crossed me for the last time.
i warned you what would happen if you did that.
you took everything from me.
no more excuses.
this is the last time we'll be seeing each other.
i want you out of here by tomorrow.
i never want to see your face again.
you have destroyed everything with your foolishness.
i could overlook one mistake, but this is far beyond what is acceptable.
you expect me to just look the other way?
you've done irreparable damage to everyone around you.
there's nothing you can say that will change my mind.
i have no desire to talk things out.
you promised me a solution.
there were other ways to go about doing this.
you should have listened to me from the very beginning.
stop talking to me.
everything got worse when you showed up.
i had a plan in place and you ruined it.
no one wants you here.
you can't just take everything back.
this is all your fault.
i have no desire to make things right with you.
you came on way too strong.
i don't think anyone around here trusts what you have to say.
you've made a fool out of yourself.
well. that's it then.
you can see yourself out.
pretty sure you made your decision well before you even came here.
you were never going to give me a chance.
you're a shit liar.
you ended up hurting a lot of people in the process.
everything was better before you showed up.
i will never trust anyone ever again because of you.
this is your doing.
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𝐦𝐨𝐫𝐞 𝐩𝐫𝐨𝐭𝐞𝐜𝐭𝐢𝐯𝐞 𝐩𝐫𝐨𝐦𝐩𝐭𝐬.
my original batch can be found HERE! i got all kinds of angsty and protective vibes took over, but if u think of any more that you’d like to see on the list, shoot me a DM so i can add it!
“ get behind me… ”
“ stay here. ”
“ don’t worry. everything’s going to be alright… ”
“ you shoot anyone who comes through that door who isn’t me. ”
“ when you love something, you protect it. ”
“ i’ll keep you safe. ”
“ do everything that i say, and we might both live to tell the tale of this night. ”
“ when i say run, i need you to do as i say and don’t even think about me. ”
“ get down! ”
“ close your eyes, you don’t need to see this. ”
“ why wouldn’t i save you? ”
“ it’s alright. they won’t be hurting you again… ”
“ of course i came for you… it would take far much more than that to stop me. ”
“ listen to me… i need to go back out there. but i promise you, i’ll be right back. okay? all i want you to do is stay hidden, and i’ll be back before you know it. ”
“ there’s nothing in this world nor any other, that would stop me from protecting you. ”
“ get out of here! now! ”
“ i knew you’d feel guilty; you do understand that i’d take a thousand wounds if it meant keeping you safe, don’t you? ”
“ i swear to you. as long as i’m by your side, you’ll never be harmed. ”
“ it’s my job to keep you safe, yes, but you could work with me a little to make it easier. ”
“ protecting you isn’t my duty. it’s my privilege. ”
“ who did this to you? where are they? ”
“ listen to me. i don’t think i’ll be able to buy you much time. and once i go out there, the clock starts. so the second you hear us fighting, i want you to run. as fast and as far as you can. ”
“ are you alright? “
“ can you move? “
“ why is it so difficult for you to believe that you deserve to be protected? “
“ you’re a good person. good people deserve to be safe. “
“ i’m going to protect you, now. because that’s what we do for the ones we love. we keep them safe. “
“ stay close. whatever you do, do not leave my side. “
“ i’ll do whatever it takes to keep you safe. no matter the cost. “
“ i’m on my way. ”
“ it’s alright… it’s okay… i’m here now. i’ve got you. ”
“ it’s all over now. don’t panic. it’s not my blood. ”
“ i don’t know how long i’ll be able to protect you for, but i guarantee you, i’ll only stop with my final breath. ”
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i'm gonna move noah to a new blog this week because this one is cluttered and there's been an uptick in personals interacting with my stuff, so if you see a blog w/ a similar url that's probably also purple following you this week then it me ✌️
#⸺ ooc#might change the url.....depends if discountstarlord is taken /j#nah i'm keeping the url the same. i like it :]
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I fell asleep again and had yet another weird dream, this time we were reenacting watership down and you know what? i think i'm going to stay awake for the rest of the week. not dealing with that again
#⸺ ooc#i need another sleep aid that takes away the dreams / my ability to remember them bc this is getting annoying
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hahaha i just remebered that noah's human middle name is stuart. what a dork
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WEAPON BASED SENTENCE PROMPTS .
A VARIETY & MIXTURE OF USE OF WEAPONS PROMPTS, TRIGGERS MAY APPLY; BLOOD, WEAPONRY, ETC. CHANGE PRONOUNS AS NEEDED / FITTING .
i. knives.
❛ is that a knife behind your back? ❜
❛ how many knives do you own? ❜
❛ i’m not interested in seeing your knife collection. ❜
❛ do you ever not want to stab someone? ❜
❛ you stabbed me! ❜
❛ it’s the biggest knife i found in the kitchen. ❜
❛ don’t stab me! ❜
❛ why do you have so many knives? ❜
❛ i’ve got a knife collection. ❜
❛ my knife is bigger than yours. ❜
❛ why are you holding a knife– a bloody knife .. ❜
❛ does that knife have blood on it? ❜
❛ why would you give me your knife? ❜
❛ that’s a pretty cool knife, where’d you get it? ❜
❛ you went a little stab crazy. ❜
❛ did you hear about that stabbing? ❜
❛ you tried to stab me! ❜
❛ you threatened to stab me! ❜
ii. guns.
❛ hey, that’s not a toy, put it down. ❜
❛ where did you get all these guns? ❜
❛ i don’t know how to use one of these things. ❜
❛ i’m not sure if having a gun is a good idea. ❜
❛ don’t point that thing at me! ❜
❛ you point that thing at me you better pull the trigger. ❜
❛ don’t shoot! ❜
❛ what’s the gun for? ❜
❛ you with a gun is a dangerous thing. ❜
❛ maybe you can teach me to shoot. ❜
❛ can you teach me how to shoot? ❜
❛ is the safety on that thing? ❜
❛ who shot you? ❜
❛ watch where you point that thing. ❜
❛ you almost shot me! ❜
❛ did you hear about that shooting? ❜
❛ you've been shot! ❜
❛ you shot someone! ❜
iii. swords.
❛ you really don’t want to dual me. ❜
❛ you’re pretty good with a sword. ❜
❛ you’re the best swordsman/woman i know. ❜
❛ why is there a sword on your wall? ❜
❛ where’s my sword! ❜
❛ i thought you had the sword. ❜
❛ put the sword down! ❜
❛ dare to dual? ❜
❛ this is the last sword fight you’ll ever have. ❜
❛ i’m in need of a sword. ❜
❛ can you teach me how to use a sword? ❜
❛ is this how you hold it? ❜
❛ you use my own sword against me? ❜
❛ that isn’t how to hold it right. ❜
❛ give me your sword! ❜
❛ you really want a sword? ❜
❛ what are you doing with a sword? ❜
❛ where’d you learn to use a sword? ❜
iv. axes.
❛ why do you always carry around an ax? ❜
❛ what’s with the ax? ❜
❛ i’ve got an ax and i’m not afraid to use it. ❜
❛ i thought axes were for chopping wood. ❜
❛ this ax here, it chops more than wood. ❜
❛ i need to use the ax for something. ❜
❛ where the hell is my ax? ❜
❛ what are you doing with that ax? ❜
❛ the ax is missing. ❜
❛ guess i’ll need a new ax. ❜
❛ who keeps an ax in the city? ❜
❛ does that ax have blood on it? ❜
❛ what’s with the ax? ❜
❛ please help me! someone is chasing me with an ax. ❜
❛ drop the ax! ❜
❛ are you going to hurt someone with that ax? ❜
❛ funny thing, ax is gone. just vanished. ❜
❛ did you take my ax? ❜
v. whips.
❛ you really are amazing with that whip. ❜
❛ do you even know how to use a whip? ❜
❛ who knew you having a whip as a weapon would be attractive. ❜
❛ pretty quick with that whip there. ❜
❛ careful, he/she/they have a whip! ❜
❛ i only saw the whip, not the person handling it. ❜
❛ put the whip down! ❜
❛ what is that, a whip? ❜
❛ your whip excites me. ❜
❛ i didn’t know you could use a whip. ❜
❛ can you teach me how to use a whip? ❜
❛ how do i use this thing? ❜
❛ you use my own whip against me? ❜
❛ i’ve come to retrieve my whip. ❜
❛ give me your whip! ❜
❛ you have my whip? ❜
❛ what are you doing with a whip? ❜
vi. bows.
❛ you are pretty good with that bow and arrow. ❜
❛ you know how to use a bow and arrow? ❜
❛ they took my bow, i’m going to get it back. ❜
❛ i didn’t know you could use a bow and arrow. ❜
❛ careful, he/she/they have a bow and arrow! ❜
❛ you almost shot me with an arrow! ❜
❛ you shot me in the butt with an arrow! ❜
❛ where’s my bow? ❜
❛ just know, i never miss. ❜
❛ i can teach you how to use it, if you want. ❜
❛ how do you even put the arrow in this thing? ❜
❛ what’s with the bow and arrow? ❜
❛ you use my own bow against me? ❜
❛ i’ve come to bow back. ❜
❛ give me your bow and arrow! quickly! ❜
❛ you have my bow? ❜
❛ what are you doing with my bow? ❜
vii. improvised.
❛ hey, watch where you’re swinging that bat. ❜
❛ will stop throwing your hairsprays and perfumes at me? ❜
❛ practicing for baseball or something else? ❜
❛ this isn’t just any nail filer, it’s got a mean blade within. ❜
❛ you through a blender at me! ❜
❛ i will spray in the eyes with my perfume if come any closer. ❜
❛ i can nearly slit your throat with my finger nail! ❜
❛ what are you going to do with that brush, give me a make over? ❜
❛ i wouldn’t apply that lipstick if i were you, it’s not really lipstick. ❜
❛ run! she/he/they has a bat! ❜
❛ you couldn’t have grabbed something better than that? ❜
❛ you sprayed me in the eye with pepper spray! ❜
❛ anything can be turned into a weapon. ❜
❛ i don’t just wear my stiletto’s, they are more handy than you think. ❜
❛ is that a pencil with a blade? ❜
❛ you knocked me out with a can of soup. ❜
❛ trust me, i can use anything to my defense. ❜
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i think noah has legible hand writing that's a bit on the messy side, like you can read what he writes down but there's definitely going to be occasions where you gotta reread it at least twice
#⸺ ooc#purely because i just don't think there was too many occasions where he needed to write#while growing up. like he was taught but there weren't many opportunities for him to actually write#especially once he joined the guild bc 90% of their 'paperwork' is on some computer / tablet / insert sci fi thing here#he's a very fast typer though. there may be typos but he's quick
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Frida Kahlo, from a letter wr. c. November 1933, featured in The Letters of Frida Kahlo: Cartas Apasionadas
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reminder for future owen to make a wishlist post thingy bc it's overdue
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a comprehensive list of scenarios
feel free to combine multiple prompts or add “ + reverse ” to switch roles ! for reference, the one sending in the prompt is the one committing the action.
1. GUEST : for one muse to offer the other a place to stay. 2. STORM : for both muses to find shelter from a severe storm. 3. MEDIC : for one muse to show up at the other’s doorstep injured. 4. SURPRISE : for one muse to come home and find the other already inside. 5. TRIP : for both muses to road trip or travel together. 6. BABYSIT : for one muse to help the other home while they’re drunk. 7. INSOMNIA : for one muse to find the other still awake at 3am. 8. AMBUSH : for both characters to come under attack by the same enemy. 9. DANCE : for one muse to ask the other to dance at a party. 10. STRANDED : for one muse to help the other who’s stranded on the road. 11. SERVICE : for one muse to cover the cost of something for the other. 12. SAFEGUARD : for one muse to save the other from being hit by a vehicle or from some other life-threatening event. 13. DAZE : for one muse to wake somewhere and find the other hovering over them. 14. STOWAWAY : for one muse to find the other hiding on the same ship. 15. TAXI : for both muses to share the same taxi ride. 16. MAKEOVER : for one muse to help the other with a new outfit or hairstyle. 17. LIFEGUARD : for one muse to rescue the other from drowning. 18. DISASTER : for both muses to work together to escape a fire, flood, or other disaster. 19. TRANSIT : for one muse to sit next to the other on a public transport. 20. SPRAIN : for one muse to carry the other after spraining their ankle. 21. EMPLOY : for one muse to be hired as the other’s bodyguard, tutor, assistant, etc. 22. QUEST : for one muse to help the other with a task in exchange for compensation. 23. SOOTHE : for one muse to calm the other during a panic attack. 24. RECOVER : for one muse to return the other’s lost belonging. 25. UMBRELLA : for one muse to share their umbrella with the other on a rainy day. 26. HEAL : for one muse to nurse the other back to health from a sickness or injury. 27. NIGHTMARE : for one muse to comfort the other after a nightmare. 28. REUNION : for one muse to run into the other again after a long time. 29. PRIZE : for one muse to win the other a prize at a carnival. 30. NUDE : for one muse to walk in on the other while they’re changing. 31. BED : for both muses to wake in the same bed, naked or fully clothed. 32. TRAIL : for one muse to notice the other has been following them. 33. EVADE : for one muse to pull the other into an alleyway to escape their pursuer. 34. THIEF : for one muse to confront the other after having something stolen by them. 35. CAUGHT : for one muse to walk in on the other singing / dancing. 36. FESTIVE : for both muses to decorate for a special occasion. 37. PRESENT : for one muse to give the other a (birthday) gift. 38. WEARY : for one muse to wake up after falling asleep on the other. 39. CAPTIVE : for one muse to hold the other against their will. 40. SNAP : for one muse to yell at or push the other out of frustration. 41. SLEEPOVER : for one muse to stay the night at the other’s place. 42. TRESPASS : for one muse to trespass on the other’s property. 43. BREAK-IN : for one muse to discover the other robbing their place. 44. MERCY : for both muses to come across an injured animal. 45. UNKNOWN : for both muses to wake and find themselves in a strange place. 46. ACCOMPLICE : for one muse to assist the other at the scene of a crime. 47. ASTRAY : for both muses to take a detour and lose their way. 48. RELAX : for both muses to share a hot tub or hot spring. 49. MUSE : for one muse to model for the other’s art project. 50. ACCOMPANY : for one muse to give the other an extra ticket to an event. 51. SALVAGE : for one muse to retrieve the other’s belongings from a thief. 52. MEAL : for both muses to prepare and share a meal together. 53. CEMETERY : for one muse to find the other at a gravestone. 54. REFUGE : for one muse to shelter the other from enemies. 55. ARRANGED : for both muses to date or marry out of convenience. 56. FAVOR : for one muse to owe the other a favor. 57. VACATION : for both muses to book the same hotel on vacation. 58. DEFEND : for one muse to save the other from one or multiple assailants. 59. CATCH : for one muse to return the other’s pet that escaped. 60. RESTRICTED : for both muses to sneak into someplace they’re not supposed to be.
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oh yeah i've been meaning to say this for ages but my most toxic rp trait is that i barely send memes out to inboxes. i operate as if everyone has a busier inbox than me and thus i don't want to add onto the other things and so i elect myself to do the writing. i know it makes no sense but if you're ever worried that i don't like you bc i don't send stuff, don't worry! everyone gets that treatment </3 i am working on it though
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SPARRING/TRAINING SESSIONS WITH A DASH OF TENSION. all these sentences and prompts are made about training sessions or sparring partners that can develop into tension, be it antagonistic or sexual. These quotes explore dynamics like rivalry, mentorship, flirtation, intensity, grudges, and emotional undertones. please change pronouns, locations and more as you see fit.
“You’re holding back. Are you afraid of hurting me—or of what happens if you don’t?”
“Every scar on my body started as a lesson. Let’s see what you’ll teach me today.”
“This isn’t dancing. Stop smiling and try to hit me.”
“You fight with your heart. That’s why you lose your breath first.”
“That sword’s too heavy for your pride to carry.”
“If you flinch again, I’ll hit you for real.”
“I’m not your enemy. Not today. But train like I might be tomorrow.”
“Careful. You’re starting to enjoy this a little too much.”
“You think you can beat me? Prove it.”
“You learn fast. But I hit faster.”
“No talking. Just blades.”
“Each strike tells me more about you than your words ever could.”
“Are we sparring or settling something?”
“I said train, not try to kill me.”
“Your stance is perfect. Shame about the hesitation.”
“You’re bleeding. Still want to keep going?”
“This isn’t over. We just paused it.”
“Getting close doesn’t mean winning.”
“The floor loves you today. How many times will you kiss it?”
“Pain is just honesty from your body.”
“Try that move again. Slower. I want to see why it failed.”
“You hide behind form. Real fighters bleed.”
“I’m not impressed by technique. Only survival.”
“Your anger makes you predictable.”
“Don’t flirt with your opponent unless you can block while blushing.”
“Oh, you meant to fall like that?”
“We’re not done until someone can’t stand.”
“Training with you is like dancing on the edge of a blade.”
“Is that a sword or an extension of your ego?”
“You hesitate before every strike. Why?”
“Your hands shake. That fear’s still in you.”
“The closer you get, the less you see. Keep your distance.”
“You’ve improved. But I still see the boy behind the blade.”
“One day, you’ll beat me. Just not today.”
“You strike like you want to be seen. Real warriors strike like shadows.”
"You keep getting this close… is it my blade you’re after, or my breath?"
"You're flushed. Is it the fight, or the way I look at you between strikes?"
"Careful—if you keep pinning me like that, I might start to enjoy losing."
"Every time we touch steel, you shiver. Admit it—you crave this."
"Your grip faltered. Did my voice distract you again?"
"Harder. Or are you saving your strength for something else tonight?"
"I can hear your heartbeat. Fast. Wild. Not from fear, though… is it?"
"You breathe like we’ve already tangled in the dark—and not just with swords."
"Keep whispering in my ear during combat and I might forget which weapon I’m holding."
"If you want me on my knees, just say so. You don’t have to disarm me first."
PROMPTS.
Two rivals are forced to spar alone for the first time since a bitter argument.
One fighter begins to pull punches—until the other calls them a coward.
A training match gets interrupted when one draws real blood on accident... or was it?
The master and student swap roles mid-spar, revealing secrets.
A sarcastic remark mid-fight sparks a dangerous escalation.
They lock swords—too close, breathing fast, tension crackling between them.
One fighter is injured but refuses to stop. The other hesitates.
Training in the rain turns messy, slippery—and harder to resist each other.
During drills, one whispers something distracting, causing a mistake.
The match ends when someone is disarmed and ends up pinned.
After a harsh blow, the silence between them is louder than the impact.
A bet is placed: if one wins, the other must do something embarrassing.
One fighter keeps losing on purpose—for a reason they won’t say.
A bystander watches the match, clearly affecting one fighter's confidence.
The match was meant to be a formality—but neither pulls punches.
One grabs the other’s wrist mid-strike and doesn’t let go.
Training weapons get swapped mid-match—testing adaptability.
They practice close-combat, and the proximity flusters one of them.
A mistake leads to an awkward fall—someone lands on top of the other.
Someone uses an unexpected move that only a specific teacher would have taught.
They mimic each other’s movements, until one gets frustrated.
Sparring becomes a silent argument—no words, just strikes.
A third person comments from the sidelines, stirring jealousy.
A fighter wins with a trick, and the loser storms off—pride wounded.
One fighter keeps using a move the other dislikes—on purpose.
The match is over, but they keep going.
After sparring, neither speaks, but both keep glancing back.
A sudden shift—sparring turns into a real fight.
The tension finally snaps, and a kiss replaces the next blow.
They train late at night, when no one’s watching.
One accuses the other of holding back feelings during sparring.
Their blades clash repeatedly in rhythm—like a dance they’ve done before.
Sweat drips, bruises bloom—but neither yields.
One drops their weapon and dares the other to continue unarmed.
Sparring ends with someone flat on the ground, laughing instead of angry.
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@ciglock / 16) our muses are drunk/high and have some messy sex they don’t remember the next morning.
SMUTTY PROMPTS BUT WITH PLOT / ACCEPTING
Somewhere in the drunken mist of his mind, something acknowledges that the room they've wound up in reeks of smoke, but he doesn't care and he's not entirely sure if that's just the alcohol or if it'd matter to him sober.
Honestly, it probably wouldn't.
Not that it matters, he's busy right now. There's a handsome blonde just moaning so sweetly underneath him and between the pretty sounds and the way he feels around him, there's absolutely fuck all else Noah wants to care about right now.
It's amusing too, how quickly John lost his handle on his words and talking back once Noah worked a few of his own tricks, mainly not giving his mouth or brain time to come up with anything. Granted his more fine motor skills took a hit thanks to the booze, but Noah was doing just fine with what he has if the way John is holding onto him as he drives his hips into him is anything to go off of or the way he keeps trying to meet Noah's movements.
He's close, they both are and out of sheer stubborness of not wanting to finish first is truly the only reason he hasn't yet, but the tension is building and he's barely holding off on it snapping. His movements turn just a touch more erratic and harder, only vaguely aware of a hand moving through his coppery hair until it pulls at the strands and that's enough to force a moan from his own lips. In a bit of petty retaliation, Noah switches from mouthing at the skin of John's neck and shoulders to concentrating on his neck, licking a line up before settling and letting his teeth bite down. Not enough to draw blood, but enough that there might be a mark after. Usually he asks first, but alcohol does wonders for his ability to care enough. It's seemingly the last straw for the blonde as he comes with a louder shout than his others and the feeling of the heat tensing around him is enough to bring Noah to his finish too, riding it out with a few more slower and softer thrusts before he stops.
As much as Noah wants to just collapse on top of John and sleep the alcohol off, he knows even though he's barely able to walk back to his ship that he won't be able to sleep here and that will make the hangover just a touch worse. He settles for giving them both a minute to wind down enough before he pulls out, pulling the rubber off his cock and tossing it into the trash. He looks at John and can't help but drunkenly grin at his work. “ Tha' wis fun. ” He slurs, gets an amused sound back before John's reaching for his smokes and lighting one. “ Cheers, 'm gonna wash an' fuck off hame now. ”
He'll try leave his number or some way to contact him before he leaves, but honestly he's not entirely sure if he'll be able to remember where he parked his spaceship, nevermind remembering his contact details.. He doubts he'll even fully remember this come the morning.
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