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Posting for a friend. Her mother recently passed and I'm spreading this to help her get funding for the funeral. Please share if possible and any donations would be appreciated <3

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Not that this means shit but reminder that when I’m on depression-induced hiatuses like I am now I ONLY reblog posts I consider “important”. Fundraisers, signal boosts, petititions, politics, etc…

I really only save engagement with art and fandom posts when I’m in a better state of mind

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This list needed an update lol

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Raya and the Last Dragon concept art by Paul Felix and Kevin Nelson

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If I had a nickel for every time there was an animated movie about the protagonist being shunned for being the adoptive mother of a waterfowl and then letting her son go join his flock I'd have two nickels. Which isn't a lot but it's weird it happened twice.

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MUSIC: Alfred, Tristan, The Colonel, The Legend

Completed this poster thing. It was fun, though I got really sad when I added in the blurb it was "based on the 'bestselling novel'"... This is not going to happen ever, but I don't expect it to. I'm not writing for that achievement, anyway.

I also don't know when I'll ever finish writing this thing, let alone publish it. I will probably be 50 when I complete it. Or I should bite the bullet and push my way through, no matter how awful it is.

EDIT: Just caught one REALLY stupid mistake I could not ignore (It was missing the spine image!!!), so had to change out the pic. Too bad it doesn't affect reblogs.... UGH

Art by Me [HT art | 2024]

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Ladybug rahhhhh

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then you never really knew me at all

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Wolf Children: Ame and Yuki🐺Director, Mamoru Hosoda

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Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

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The Relic of Choice

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The way this episode’s opening shows off the group dynamic is so fascinating to me bc it’s the first time we’ve seen them all interact in a more relaxed setting and the differences are staggering. Jax's teasing is more playful than antagonistic, Ragatha is relaxed, Gangle is left alone to doodle, and Zooble appears far more comfortable participating here.

Then Caine shows up and all of that goes out the window. Jax is back to glowering, Ragatha looks tense, Pomni doesn't look like she wants to be there at all, and Zooble is just gone.

This seems to imply that the main thing causing so much group dysfunction is Caine and his adventures. When left to their own devices the cast is calm and supportive but the stress of Caine's adventures causes them to lash out (Jax), overcompensate (Ragatha), fall apart (Gangle), or disassociate entirely (Pomni, Kinger, Zooble.)

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Can’t talk, still recovering from that absolute UNIT of an episode……oh my gosh, Kingerrrrrrr 😭✨

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Pompeii by Bastille fits them so well and it won’t stop playing in my head 😭

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Unitober 2024 Day 8 "Family"

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I was gonna draw something more serious but sometimes u just gotta draw memes