singanddreamanyway

[singanddreamanyway]

[singanddreamanyway]

[singanddreamanyway]

Shawn Mendes can finally act like a normal human being again

[singanddreamanyway]

[singanddreamanyway]

me walking around my room talking outloud to myself about my current obsessions and giving my imaginary audience an hours long speech about it

[singanddreamanyway]

btw, the realization that you can just not say shit about topics you’re not qualified to talk about is both very liberating and one I think alot of you need to make.

[singanddreamanyway]

get to know me: [8/20 male characters] • nick miller (new girl)  “I was put into an awkward situation and reacted poorly”

[singanddreamanyway]

I’ve always said that the world is a different place for the heartbroken. It moves on a different axis, at a different speed. Time skips backwards and forwards fleetingly. The heartbroken might go through thousands of micro-emotions a day trying to figure out how to get through it without picking up the phone to hear that old familiar voice. In the land of heartbreak, moments of strength, independence, and devil-may-care rebellion are intricately woven together with grief, paralyzing vulnerability and hopelessness. Imagining your future might always take you on a detour back to the past. And this is all to say, that the next album I’ll be releasing is my version of Red.

Musically and lyrically, Red resembled a heartbroken person. It was all over the place, a fractured mosaic of feelings that somehow all fit together in the end. Happy, free, confused, lonely, devastated, euphoric, wild, and tortured by memories past. Like trying on pieces of a new life, I went into the studio and experimented with different sounds and collaborators. And I’m not sure if it was pouring my thoughts into this album, hearing thousands of your voices sing the lyrics back to me in passionate solidarity, or if it was simply time, but something was healed along the way.

Sometimes you need to talk it over (over and over and over) for it to ever really be… over. Like your friend who calls you in the middle of the night going on and on about their ex, I just couldn’t stop writing. This will be the first time you hear all 30 songs that were meant to go on Red. And hey, one of them is even ten minutes long.

Red (Taylor’s Version) will be out November 19.

https://taylor.lnk.to/RedTaylorsVersion

[singanddreamanyway]

the writing style of the hunger games is addictive and that’s a huge part of the appeal of the novels that didn’t get translated to the screen. i always think about the stephanie meyer (lol) quote on the hunger games book where she says “i couldn’t put this book down i had to take it out to dinner and keep reading it” and i mean, so true bestie stephanie, but here’s why.

it’s because every chapter ends in a cliffhanger. and i’m not kidding when i say that it is so flawlessly paced that you can’t put it down, but those beats are so crucial to why the book is so amazing to read. think of the end of the literal first chapter of the book: “it’s primrose everdeen.” that is a BOMB that she drops in that first chapter, and after the introduction, you as the reader are as blown away as katniss. so, you can’t help but turn the page and keep reading!! because you HAVE to know what happens next. and how does the second chapter end? like this: “of course, the odds have not been very dependable of late.” you, the reader, are instantly thinking, oh my god, what is going to happen? are the odds going to be in her favor? is she going to have to kill peeta? you HAVE to know. so you turn the page.

the reason this works so well is because suzanne collins wrote for television and you can tell. it is my personal belief that thg should have been adapted for television and not into films, because missing those beats, even just the white space of the page, i think fundamentally warps the pacing and the structure of the novels. i know i go on and on and on about the “because she came here with me” and “if it weren’t for the baby” lines but seriously this is why peeta is a media genius, its’ because suzanne COLLINS is a media genius. can you imagine watching that on television and the screen just cuts to black and goes to commercial or the episode ends and you have to wait to see what happens next?? it’s GENIUS

furthermore, the hunger games series as a whole is divided into a trilogy, but within that, divided into three sections each. and each section ends with an even bigger cliffhanger than the last. i see these, in the world of television, as mini season breaks within the larger three “seasons” of the show (that being the whole trilogy). here are the first three endings of all the sections. imagine you’re watching this on television and these lines drop, and then you have to wait several more weeks for the next installment. you would be climbing the walls for it. part 1 (the tributes): “beeta blushes beet red and stammers out. “because. because. she came here with me.” part 2 (the games): “before i can stop myself, i call out Peeta’s name.” part 3 (the victor) (the end of the book): “i take his hand, holding on tightly, preparing for the cameras, and dreading the moment when i will finally have to let go.” those are ALL cliffhangers and make it impossible to stop reading.

(also, we can talk about the fact that all three of those beats are focused on peeta, the one who seems to most intrinsically understand dramatic timing and using his words to create a narrative.)

anyway that is why it is my personal and impassioned belief that the hunger games should have been adapted for television rather than film, because it would have been far more in keeping with the spirit, tone, and pacing of the novels to adapt it into a serialized form rather than a 2 hour film. 

[singanddreamanyway]

the range….the emotion….this deserves an oscar

[singanddreamanyway]

sometimes you just have to go crazy crazy crazy til u see the sun

[singanddreamanyway]

The fact that 2021 begun with a sea shanty renaissance and three months later ships are back on the 1700 trade routes is, actually, extremely funny.

[singanddreamanyway]

Get the vaccine.

If you have the opportunity, get it. If you’re eligible, get it. If you’re NOT eligible and you have a chance, get it.

If it’s due to a condition. If it’s due to your job. If it’s through a “hey our doses will expire, anybody available come quick” situation. And yes, even if it’s through a “my sister can get me in” situation.

This isn’t a selfish act, no matter how you get it. Every single person who is vaccinated helps everyone. This is a group project. There is no ethical issue with getting vaccinated “ahead of someone else.” That is not a thing. This isn’t a single-file queue and it is impossible to vaccinate everyone in an exact order of priority, all we can do is emphasize higher-risk people, which is being done whenever possible. 

If you can get it, get it. You are only helping.

[singanddreamanyway]

My internet wont work 90s/2000s starter pack

[singanddreamanyway]

I was in line at Aldi and this girl with two toddlers in front of me had her card declined and she looked so fucking sad and said “let me call my husband real quick” and it was only 18 dollars, so I just paid for it, and she was very sweet and then as she walked off, the lady behind me said `”You know that was probably a scam, right?” and like, even if it was, like what a sad fucking scam, right? 18 dollars at the Aldi. If you’re “scamming” me for some Tyson chicken and apple juice and cauliflower, then just take my fucking money. 

“A scam” people are fucking wild.  

[singanddreamanyway]

[singanddreamanyway]

is jake gyllenhaal gay??

why would you ask us, a narnia blog, this