sigynsilica

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We have always existed, and we always will.

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"can we normalize-" NO!!!!!! we do not need to expand whats considered normal!!! we need to teach people to stop reacting judgmentally when encountering something new and weird!!!! things dont need to be normal to be respected!!!!!!!!!!

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actually I love using my disability as a crutch and an excuse and I think all disabled people should be allowed to do it as much as we want

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Guess what?

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@bariumsalts

Your pfp be like

ummmmm excuse me Human, i am noticing we are not petting me? i am a little baby of seven (7) years old and i have never been loved in my whole entire life (tragedy.) your eye balls must not have seen when i ran in front of your legs six times in a row. i will now Scream until this mistake is fixed

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Is this what Thor's referring to when he says he had Frigga's trust?

What the heck kind of life does this lady lead that she makes excuses for the men in her life every time they do stupid stuff

No Loki how dare you question Odin's decisions

Also Odin how dare you question Thor's decisions

"You had her tricks but I had her trust" more like "She taught you how to manipulate others but she taught me that my actions are above reproach"

Thor Deleted Scene: Frigga and Odin

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"Don't you miss being a child" no

"What's so great about being an adult" well for one it is illegal to hit me and I kinda like that

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Source

Source

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Happy Hanukkah, everyone, from these two jerks! I’m posting this a little early this year. Line art by the amazing Ro Stein & Ted Brandt, and colour art by @deecunniffe. 

I want to point out what a technical achievement this story is on the art side. There’s a real joy to creating a whole story in eight panels, but this? This is some magic. We introduce four new characters. In panel 5, SIX PEOPLE are talking. SIX. In the world of comics, that’s almost un-doable. 

Yet Ro and Ted arranged everything so the conversations flow and are sensibly grouped, all the “acting” is fantastic, and then Dee laid on top these beautiful, almost fairytale colours – look at the subtle work, the blush in Henry’s cheeks, Frank’s five o-clock shadow, the shine of the wine bottle’s glass surface, the light texturing in the backgrounds… and of course the snow! This is some first-class illustration work on an incredibly hard script. (I fear Ro and Ted always get me at my worst – my very formalist script for them in the 24 Panels anthology was no cakewalk either. (The problem is, they’re just so damn good at it… check out their work on the Image comic Crowded!)

As always, if you like what we do in Hells Kitchen Movie Club, consider donating a little to a veteran’s charity. 

(I also have a thriller novel I’m crowdfunding, please check it out, we are more than halfway there. The book is all written…)

Previously in Hell: cover image // 01 // 02 // 03 // Xmas // 04 // 05 // 06 // 07 // Hanukkah // That time the Punisher’s creator gave us a thumbs-up // twitter // insta

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Odin 🤝 a Roomba

Not cleaning up messes made while wandering.

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The green M&M should've played Elphaba in Wicked because she is already green and controversial. Have not seen the play or read the book or seen the movie or ever cared about anything.

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When the human known to us as Christ arrived in the underworld, gods and shades alike were horrified. It was always a big deal when demigods arrived in the underworld, but this one had died so brutally, a young man, not even old enough to grow a beard, tourtued to death at the will of his own divine parentage, the blood dripping from his shade's hands.

The high gods of the underworld brought him up to their tower to figure out what happened. Christ had recoiled from them at first, thinking they were Devils, but had to take Anubis's hand to ascend the tower's steps, as his legs were badly wounded. The gods of the dead looked at him with both sympathy and horror, it was the first time a he had seen a god look at him with either of those emotions.

Hades swore that this was his brother's doing, but even then it crossed a new line. The description of a god impregnating a young girl in Bethlehem fit what Hades knew of Zeus, but to harm his own son in such a way, as part of a ploy to try to gain all of Rome for him alone, had proven his brother's reign growing darker. Still, he took mercy on the young man, promising him at least three days safety in the underworld without his father trying to claim him again. Hades wondered if the poor girl knew when she held her child that he was born to suffer and die, just as the mothers of great heros knew their destiny. Hades hoped Chrsit would have a chance to stay longer, his wife would return in the fall, and he had the same kind eyes as her, she would probably like to know him.

Hel came to comfort Christ once he had a chance to rest. She helped tend his wounds, and pet his head, and for the first time christ was held by a divinity that didn't expect anything from him. And she told him stories of her father to cheer him up after meeting with such a horrible fate. And she told him that no father should ever do such a thing as what his father had done to his child, that if she had known in time she would have saved him. And she let him be comforted as a human, instead of being a lord of all humanity. And for a momment he didn't have to be the son of god who felt alone while bleeding and dying, but the son of the carpenter Joseph who had been reminded of home when he felt the wood of the cross.

He wasn't allowed to stay, his father wanted him back, back to be the bleeding prince of a new and lonely kingdom. And the underworld wept for him, not because the underworld was deprived of Christ, but because Christ was deprived of the underworld.

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“Medieval peasants couldn’t handle my Spotify playlist” but could YOU handle a medieval bard relaying the epic of Beowulf over the course of an hour? Humble yourself.

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