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Fruity Haruhi <3
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Fruits Basket | Furuba by Natsuki Takaya – Chapter 134
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okay officially annoyed at tiktok users saying that the song ‘chasing kou’ is from tokyo ghoul 😒 the song is ‘chasing kou’ and it’s from the Japanese movie ‘drowning love’ 😭
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I like binge read ‘villains destined to die’ and now I’m carrying on the story with the novel 🫠🫣 this is too good I recommend it!!!!
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how incredibly sickening it is to see an indigenous population cornered off and squeezed into a tiny part of their homeland because the occupation said it was a safe zone only for the occupation to bomb them in the end. we all knew this was going to happen. i wish some how the bombing would've stopped before. i wish the bombing would stop now.
palestine will be liberated & the evil-doers will be punished.
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reading a sign of affection right now and itsuomi is sooo hotttt ͡° ͜ʖ ͡°
#mynotes#when yuki decribed his signing as strong ughhhh and how he likes seeing her happy beaming face#i call that cute face she makes a happy beam lol she’s too cute
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hi hello (^ω^)so i’ve been rereading mars from the beginning because i stopped reading halfway & hadn’t read for months (T▽T) i am really beating myself up over not finishing it lol umm but yeah during this rereading i’ve been making notes on each volume just to help me remember the events in the future & to document how i felt about certain things. okayy that’s all (`o´) i’ll upload my thoughts after finishing vol 5 in an easy way for me to read & i’ll also try to find more songs for the spotify playlist ( ˘ ³˘)♡
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really want to know the art process for aisha like it’s insanely gorgeous (人ゝω・)
#i like splurged it last night and thinking about rereading it#it’s soooo cool and after reading ayesha’s secret it’s really fun to compare the different stories particularly the characters#also aisha is soooo in love with sein lol i’m actually obsessed with them#mynotes
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tragic love always gotta be a favourite (add a little bit of toxic & we 100% good) like i looove complicated relationships
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DROWNING LOVE ‘溺れるナイフ’ dir. Yuki Yamato
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