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Poetry predates written language as an art form. It is thought that the oldest poetry was repeated or sung as a manner of memorising oral history, ancestry, and legislation. The earliest poetry existed in the form of hymns (such as the work of Sumerian priestess Enheduanna) and other types of song, such as chants, and is typically intimately tied to musical traditions. Poetry is thus a linguistic art. Many of the ancient world's poems are recorded prayers or stories about religious subjects, but they also include historical descriptions, directions for daily activities, love songs, and fiction.

Many academics, especially those who study the Homeric legacy and Balkan oral epics, believe that early writing bears clear remnants of older oral traditions, such as the use of repeated phrases as building blocks in larger poetic units. Before writing was available as a reminder, a rhythmic and repetitive style would make a long storey simpler to recall and recount. Many prehistoric and ancient writings, from the Vedas (1500 - 1000 BC) to the Odyssey (800 - 675 BC), appear to have been written in poetry style to help memorization and oral transmission.  The earliest records of most literate cultures include poetry.

Poetry has a long history in Africa, with hunting poetry extending back to prehistoric times, while panegyric and elegiac court poetry evolved significantly throughout the history of the Nile, Niger, and Volta river valley empires.  The Pyramid Texts, written in the 25th century BC, include some of Africa's earliest recorded poetry, while the Epic of Sundiata is one of the most well-known instances of griot court poetry. Performance poetry is traditionally an element of theatrics in African civilizations, which was present in all parts of pre-colonial African life  and whose dramatic ceremonies had a variety of purposes, including political and educational.

 The Tale of the Shipwrecked Sailor, written in Hieratic and dated approximately 2500 B.C.E., is the oldest known speculative fiction poetry. Other accounts attribute the earliest written poetry to the cuneiform Epic of Gilgamesh; nevertheless, The Tale of the Shipwrecked Sailor most certainly predates Gilgamesh by half a millennium. Apart from the Epic of Gilgamesh, the Greek epics Iliad and Odyssey, as well as the Indian Sanskrit epics Ramayana and Mahabharata, are the oldest works of epic poetry. According to some experts, either the Mahabharata or the Tibetan Epic of King Gesar is the world's longest epic poem.

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Ghazal is a brief love song, but it can also be a poem about anything. It should strictly be speaking, have the same rhyme throughout. The majority of Urdu ghazals are fake and conventional.

Qasida is a type of ode that is generally panegyric on a benefactor but can also be satire or poetry about a significant event. It is usually longer than a ghazal, although it follows the same rhyming scheme.

Marsiya (or elegy) is almost always about Hasan and Husain’s deaths and their families, although it can also be about the deaths of relatives and friends. It’s commonly written in six-line stanzas and rhymes aaaabb. One of the most important events in Muslim life is the reading of these elegies during the first 10 days of Muharram. An epic is always a fully-fledged marsiya. Mir Nawab Ali ‘Munis,’ Dulaha Sahab ‘Uruj,’ Mustafa Meerza urf Piyare Sahab ‘Rasheed,’ Syed Muhammad Mirza Uns, Ali Nawab ‘Qadeem,’ Syed Sajjad Hussain Shadeed Lucknavi, Allama, Dr.Syed Ali Imam Zaidi, Gauher Luckhnavi are among the prominent maria writers who.

Masnavi is a poetic romance in the majority of cases. It can be thousands of lines long, although it is usually considerably less. Only a few masnavis deal with everyday domestic and other issues. Some of these were written by Mir and Sauda. The meter is bacchic tetrameter with iambus for the last foot, and they are always in heroic couplets. Dr. Syed Ali Imam Zaidi Gauher Lucknavi wrote the Religious Masnavi History of Islam (Tarikh-e-Islam Az Quran).

Tazkira is a biographical anthology that almost always consists solely of poetry. This is frequently only a list of names with a line or two of biographical information about each poet, followed by a sample of his work. On the other hand, it could be a collection of illustrative fragments from the history of Urdu poetry. The best tazkiras include biographical facts but fall short on literary criticism, leaving us with no sense of style or poetical strength, let alone poem content. Even massive anthologies do not review an author’s work in a systematic manner. The names are in alphabetical order, for the most part, however one or two prefer historical order. The majority just quote lyrics and quotations, which are frequently chosen at random.