shardbearing

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Game of the year

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middle school teachers au where house literally just does jigsaw levels of classroom management and is weirdly beloved by preteens everywhere and wilson keeps xanax in his desk

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Last week I accidentally took an edible at 10x my usual dose. I say “accidentally” but it was really more of a “my friend held it out to my face and I impulsively swallowed it like a python”, which was technically on purpose but still an accident in that my squamate instincts acted faster than my ability to assess the situation and ask myself if I really wanted to get Atreides high or not.

Anyway. I was painting the wall when it hit. My friend heard me make a noise and asked what was wrong—I explained that I had just fallen through several portals. I realized that painting the wall fulfilled my entire hierarchy of needs, and was absolutely sure that I was on track to escaping the cycle of samsara if I just kept at it a little longer. I was thwarted on my journey towards nirvana only by the fact that I ran out of paint.

Seeking a surrogate act of humble service through which I might be redeemed and made human, I turned to unwashed dishes in the sink and took up the holy weapon of the sponge. I was partway through cleaning the blender when it REALLY hit.

You ever clean a blender? It’s a shockingly intimate act. They are complex tools. One of the most complicated denizens of the kitchen. Glass and steel and rubber and plastic. Fuck! They’ve got gaskets. You can’t just scrub ‘em and rinse them down like any other piece of shit dish. You’ve got to dissemble them piece by piece, groove by sensitive groove, taking care to lavish the spinning blades with cautious attention. There’s something sensual about it. Something strangely vulnerable.

As I stood there, turning the pieces over in my hands, I thought about all the things we ask of blenders. They don’t have an easy job. They are hard laborers taking on a thankless task. I have used them so roughly in my haste for high-density smoothies, pushing them to their limits and occasionally breaking them. I remembered the smell of acrid smoke and decaying rubber that filled the kitchen in the break room the last time I tried to make a smoothie at work—the motor overtaxed and melted, the gasket cracked and brittle. Strawberry slurry leaked out of it like the blood of a slain animal.

Was this blender built to last? Or was it doomed to an early grave in some distant landfill by the genetic disorder of planned obsolescence? I didn’t know, and was far too high to make an educated guess. But I knew that whatever care and tenderness and empathy I put into it, the more respect for the partnership of man and machine, the better it would perform for me.

This thought filled me with a surge of affection. However long its lifespan, I wanted it to be filled with dignity and love and understanding. I thought: I bet no one has hugged this blender before. And so I lifted it from its base.

A blender is roughly the size and shape of a human baby. Cradling one in your arms satisfies a primal need. A month ago I was permitted to hold an infant for the first time in my life, an experience which was physically and psychologically healing. I felt an echo of that satisfaction holding my friend the blender, and the thought of parting with it felt even more ridiculous than bringing it with me to hang out on my friend’s bed.

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Would being called big dog fix me? Who knows?

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glad i fagged out

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I do think the majority of us should strangle the shame that lives inside of us like wringing water from the rag until we are soft and dry and weightless

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idk who needs to hear this but whatever it is stop putting up with it

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PSA

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i like boys who dress like icecreams and ignore me for video games and get food all over their face so i can wipe it off and spoon feed and baby them esp when they are mean to me it’s garbage i know but i can’t help it

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Debra Broz

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masks that cover the face but leave the eyes visible give someone a deeply personal character - they present someone as a thinking, feeling person first and foremost, and anonymise them physically.

on the other hand, masks that cover the face but leave the mouth visible do the opposite - they present someone as a body, a visceral and physical being. where the eyes subjectify, the mouth objectifies them.