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ranking the best things I have heard surgeons say mid-surgery:

1. "Five second rule!" while scrubbed, after dropping a sterile scalpel on the floor (no they did NOT pick it up again but I swear everyone's buttholes puckered)

2. (spoken during the closing of a particularly long and difficult case) "Nurse - my tunes." :heavy metal starts blasting:

3. Gently to a fretful patient, pre-anaesthesia: "It's going to be okay. I promise, I've dealt with worse." As soon as the patient is unconscious: "This is literally the worst thing I've ever seen."

4. [okay this one was a med student] "Wowwww, that's so gross!!" Reg: "Please remember that [patient] is awake for this procedure." Student to patient: "Oh my god. I am so sorry, that was really unprofessional - " Patient, cheerfully, also engrossed with what's happening inside them on the screen: "Nah - it's, like, super gross, right?"

5. [another procedure where the patient couldn't be put under GA] Patient: *starts singing country roads midway through the procedure* Surgeon: *shrugs and joins in with surprisingly good harmony*

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this time he’s really gonna do it

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The colorful first years.

They’re everything to me<3

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Mama eel and her annoying ass twins

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Georgina Leech

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Body Language Cheat Sheet For Writers 

╰ Facial expressions

These are your micro-signals, like the blinking neon signs of the soul. But they’re small, quick, and often lie harder than words.

Raised eyebrows — This can mean surprise or disbelief, sure. But it can also be a full-on, silent “Are you serious right now?” when someone’s being ridiculous. Or even curiosity when someone’s too emotionally repressed to askthe damn question.

Furrowed brow — That face people make when they’re doing long division in their head or trying to emotionally process a compliment. It’s thinking, yes—but also confusion, deep frustration, or quiet simmering rage.

Smiling — Can be happiness… or total fake-it-till-you-make-it energy. Some smiles are stiff. Some don’t reach the eyes. Show that.

Frowning — Sure, sadness. But also: disappointment, judgment, or the universal “I’m about to say something blunt, brace yourself.”

Lip biting — It’s not just nervousness, it’s pressure. Self-control. Anticipation. It’s the thing people do when they want to say something and decide, at the last second, not to.

╰ Eye movement

The window to the soul? Yeah. But also the window to when someone’s lying, flirting, or deeply trying not to cry in public.

Eye contact — Confidence or challenge. Eye contact can be gentle, curious, sharp like a blade. Sometimes it’s desperate: “Please understand me.”

Avoiding eye contact — Not always guilt. Sometimes it’s protectiveness. Sometimes it’s “I’m afraid if I look at you, you’ll see everything I’m trying to hide.”

Narrowed eyes — Calculating. Suspicious. The look someone gives when their brain’s saying “hmmm...” and it’s not a good hmm.

Wide eyes — Surprise, yes. But also sudden fear. The oh-God-it’s-happening look. Or when someone just found out they’re not as in control as they thought.

Eye roll — Classic. But try using it with tension, like when someone’s annoyed and trying very hard not to lose it in public.

╰ Gestures

This is where characters’ emotions go when their mouths are lying.

Crossing arms — Not just defensive. Sometimes it’s comfort. A self-hug. A barrier when the conversation is getting too personal.

Fidgeting — This is nervous energy with nowhere to go. Watch fingers tapping, rings spinning, sleeves tugged. It says: I’m not okay, but I’m trying not to show it.

Pointing — It’s a stab in the air. Aggressive, usually. But sometimes a desperate plea: Look. Understand this.

Open palms — Vulnerability. Honesty. Or a gesture that says, “I have nothing left to hide.”

Hand on chin — Not just thinking. It’s stalling. It’s delaying. It’s “I’m about to say something that might get me in trouble.”

╰ Posture and movement

These are your vibes. How someone occupies space says everything.

Slumped shoulders — Exhaustion. Defeat. Or someone trying to take up less space because they feel small.

Upright posture — Not always confidence. Sometimes it’s forced. Sometimes it’s a character trying really, really hard to look like they’re fine.

Pacing — Inner chaos externalized. Thinking so loudly it needs movement. Waiting for something. Running from your own thoughts.

Tapping foot — Tension. Irritation. Sometimes a buildup to an explosion.

Leaning in — Intimacy. Interest. Or subtle manipulation. (You matter to me. I’m listening. Let’s get closer.)

╰ Touch

This is intimacy in all its forms, comforting, protective, romantic, or invasive.

Hugging — Doesn’t always mean closeness. Could be a goodbye. Could be an apology they can’t say out loud. Could be awkward as hell.

Handshake — Stiff or crushing or slippery. How someone shakes hands says more than their words do.

Back patting — Casual warmth. Bro culture. Awkward emotional support when someone doesn’t know how to comfort but wants to try.

Clenched fists — Holding something in. Rage, tears, restraint. Fists mean tension that needs somewhere to go.

Hair tuck — Sure, flirtation or nerves. But also a subtle shield. A way to hide. A habit from childhood when someone didn’t want to be seen.

╰ Mirroring:

If two characters start syncing their body language, something is happening. Empathy. Chemistry. Shared grief. If someone shifts their body when the other does? Take notice. Other human bits that say everything without words...

Nodding — Not just yes. Could be an “I hear you,” even if they don’t agree. Could be the “keep going” nod. Could be patronizing if done too slow.

Crossed legs — Chill. Casual. Or closed-off, depending on context. Especially if their arms are crossed too.

Finger tapping — Time is ticking. Brain is pacing. Something’s coming.

Hand to chest — Sincerity, yes. But also shock. Or grounding—a subconscious attempt to stay present when everything feels like too much.

Tilting the head — Curiosity. Playfulness. Or someone listening so hard they forget to hide it.

Temple rub — “I can’t deal.” Could be physical pain. Could be stress. Could be emotional overload in disguise.

Chin stroking — Your classic “I’m judging you politely.” Often used in arguments between characters pretending to be calm.

Hands behind the back — Authority. Control. Or rigid fear masked as control.

Leaning body — This is the body betraying the brain. A tilt toward someone means they care—even if their words are cold.

Nail biting — Classic anxiety. But also habit. Something learned. Sometimes people bite because that’s how they self-soothe.

Squinting — Focusing. Doubting. Suspicion without confrontation.

Shifting weight — Uncomfortable. Unsure. Someone who wants to leave but doesn’t.

Covering the mouth — Guilt. Hesitation. The “should I say this?” moment before something big drops.

Body language is more honest than dialogue. If you really want to show your character’s internal world, don’t just give them lines. Give them a hand that won’t stop shaking. Give them a foot that won’t stop bouncing. Give them a mouth that smiles when their eyes don’t. And if you’re not sure what your character would do in a moment of fear, or love, or heartbreak, try acting it out yourself. Seriously. Get weird. Feel what your body does. Then write that down.

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some fandom disagreements are like "I see your point but I think this other aspect of the narrative is more significant," and some are like "I don't think you can read."

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An overworked wishing flower

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Hey guys!

Random thought buuuut...You know how we all shipped the beautiful Dylla Spade with both Lilia and Eric, two attractive single dads? Well, we now have a hot mom in Georgina Leech. And while she isn't single, that's nothing that a writer can't fix!

I really want Dylla to have all the hot people!

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Hey unbound!! I was wondering, have you written anything for "how to write Enemies to Lovers"? I LOVE the trope but have a hard time ever making it feel realistic to me

How to Write Enemies to Lovers

1. Establish a Real, Believable Conflict

The characters shouldn’t hate each other just because. Make sure their "enemy" status is rooted in something meaningful:

Clashing goals or values

A betrayal or misunderstanding

Socioeconomic, cultural, or professional rivalry

One perceives the other as a threat

Avoid making one character just "mean" for no reason, that risks turning the story into bullying-turned-romance.

2. Make Them Equals

Both characters should challenge each other, not dominate or belittle. Whether in intellect, skill, or influence, their push-and-pull dynamic should feel balanced. This keeps the conflict engaging and the chemistry sharp.

If one character starts with more power (social, political, magical, etc.), show the balance shift or even out over time. Maybe the more powerful one learns humility. Maybe the underdog gains confidence or leverage. This keeps the romance from feeling one-sided or unbalanced.

3. Gradually Shift the Tone

Let the hatred evolve in stages: Irritation → Respect → Curiosity → Affection → Love

Sprinkle moments of:

Vulnerability (they see a new side of the other)

Unexpected teamwork (they’re forced to rely on each other)

Banter that turns from biting to flirtatious

4. Use Intimacy in Small Doses

Tension thrives in proximity. Make them interact often, maybe unwillingly at first. Body language, awkward silences, or a brush of the hand can say a lot when feelings are complicated. Don’t rush the romance. The longer it simmers, the more satisfying the payoff.

5. Force Them to Re-Evaluate

Something should cause a shift in perspective, maybe the "enemy" does something selfless or shows surprising depth. They realize their initial judgment was wrong or incomplete. Internal conflict is key here. Let them resist falling in love before they accept it.

6. Let Them See Each Other at Their Worst... and Best

It’s easy to love someone when they’re charming. But realistic enemies-to-lovers arcs involve characters witnessing each other’s low points (failures, flaws, vulnerability, etc.) This builds empathy, and that’s what turns conflict into connection.

7. Acknowledge the Past

Don’t sweep their antagonistic history under the rug. Have them talk about it. A good resolution includes:

An apology or mutual understanding

Growth from both sides

Acknowledgement that love doesn’t erase the past, but it builds on top of it

8. Give Them a Bond That Justifies the Shift

Love isn’t just "we stopped fighting." It’s "we learned from our differences." Let them find something shared:

A common goal

A mutual vulnerability

A deep belief or value

Even just a sense of humor that breaks the tension

9. Keep Their Voice Consistent Through the Shift

As they fall for each other, don’t make them suddenly sappy or soft-spoken unless it’s in character or they’re resisting it. Keep their sarcasm, bluntness, or bite, but redirect it. Now, it’s flirtier. More protective. Slightly gentler.

10. Make Their Love Transform Them, But Not Fix Them

They shouldn’t change their core beliefs for the other, but because of the experience the other provides. They challenge each other’s worldviews, make each other question things. The love should feel like a consequence of character growth, not the cause of it.

11. Your Readers Should Ship It Before the Characters Do

Plant the emotional groundwork early, even if the characters are being stubborn. Your readers should start rooting for them mid-argument, mid-banter, mid-moment-of-tension.

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Jade's candy distribution system

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I think about this cake every day

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Georgina Leech full live2d

no hat and showing both eyes

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HEOJSJQXEONSHIINWXIBQXONSOJSNOSXOJWXOJQXJIQZIJAZIB0QXQI0BWXU9VQXIHSXUBIBQZIHQXNOQZBUQXBJ0QZIHXWHU1SNIWXU9GQZJIQXYGJQB0XBI0D HIWXYBWXIJECYG9WXPNXEHUWDBI0SX0BIHI0DXJ0BWCBU0X BJOSCKNSCIHECNKSCOJDXBJKWXBUSXNKAXBUQXLNSXSX

IMMM NORAMLL ABOUT THIS I AM SOOOO NORMAL ‼️‼️‼️‼️SOOOOOOOO NORMAL I PROMISE YOU

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It’s Easter my dudes

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⋆.˚ ☾ .⭒˚

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FEM AZUL ASHENGROTTO!!!!!

I was gonna give her a fedora but a floppy hat was cuter and here I am