settlerjohnrolfe

[settlerjohnrolfe]

pocahontas

[settlerjohnrolfe]

But if you walk the footsteps of a stranger, you’ll learn things you never knew, you never knew.

[settlerjohnrolfe]

"Our warriors fought with courage, but none more bravely than Kocoum."

Pocahontas (1995)

long, rambling meta under the cut:

you know i've taken some light dips into the tags looking for content on kocoum and i never see anyone going into depth about him as a character. sure you see the posts that are all "omg he was so hot pocahontas should have picked him instead :p" but that has little to do with his character or his place in the narrative or anything. in fact, it's a further objectification of a guy who is already dehumanized in-narrative, which is so very sad to me. kocoum is a lot more than his looks, which is why they're the first thing about him you're meant to notice. he's handsome, and he doesn't smile. he's a warrior and a stoic kinda guy. but that's all surface-level stuff. he's a very complex person with an intense internal turmoil that circumstances aren't allowing him to deal with properly.

like, you really can't come to an understanding about his character and go on to say "and he should have been with pocahontas" bc the fundamental aspect of their relationship as characters is that they would have been terrible for each other. you could feasibly make an argument that, on some level, kocoum would have been good for pocahontas (the "handsome, sturdy husband" who could ground her), but there is no way in any universe that pocahontas would have been good for him, bc the one who actually needed and wanted a steady, reliable partner is kocoum and pocahontas is the opposite of that (which is one of the reasons she and john smith kind of deserved each other but that's a whole other post).

see, kocoum is like a hemingway protagonist. remember, at the start of the movie, everyone is returning from war; it's important to note how much emphasis the movie places on family as a representation of "the ordinary world." the same is done with the virginia company members at the top of the film. there, they say goodbye to their normal lives and start an adventure. here, the powhatan warriors are returning to theirs. but who does kocoum, the celebrated warrior, have to return to?

kocoum doesn't have a normal life yet. he still belongs to the battle. there's a lot to be said about PTSD as a character motif in this film: it affects a lot of the major characters in different ways. for kocoum, it means he's not allowed to depart from his wartime mindset until and unless he can start a family of his own, and for that he pins his hopes on pocahontas. why exactly he likes her goes unsaid; it's implied they aren't particularly close, but may be familiar with each other. pocahontas being the chief's daughter may be an element, but it may also be that he's harbored an admiration for her from afar for some time. whatever the reason, kocoum has a misplaced idea that being with pocahontas will bring him peace. like a hemingway protagonist, he's taken up with the notion that being with a woman, an angel, will fix him; but the woman he wants is neither interested in doing so nor able to do so, whether or not she cares for him.

and this is why his outburst of emotion when he finds pocahontas and john in the glade is so understandable. he's watching his hopes for the future being ripped apart before his eyes. he'll never get peace, and that breaks him and then kills him.

and when i say he's dehumanized, i'm talking about the way characters talk about him and then how he dies. he's fierce, like a bear. he's handsome, but doesn't smile. he's a tool, an obstacle, and ultimately fodder for both pocahontas's and thomas's character development (mostly thomas's). there's something to be said about how both kocoum and his foil john smith are objectified so differently. where john is the subject of pocahontas's female gaze, kocoum is also objectified through a masculine one (the tension-filled lens that marries fear and admiration for athletic, warrior men and rivals). and then, again, he gets 'fridged for plot reasons because he's also the paris to pocahontas's juliet.

basically what i'm saying is kocoum really needed someone to take care of him, and no one did nor could. and that's why he's so tragic and tbh deserves better treatment by the fans, too.

[settlerjohnrolfe]

Disney Makeovers #3 - Wait 'Til He Sees You POCAHONTAS II: JOURNEY TO A NEW WORLD (1998)

[settlerjohnrolfe]

favourite disney songs [2/20]  ↳ just around the riverbend from pocahontas.

What I love most about rivers is you can’t step in the same river twice, the water’s always changing, always flowing. [x]

[settlerjohnrolfe]

Pochontas (1995)

wiggins meta under the cut

here's the thing: ratcliffe is constantly being explained as a representation of the forces of greed and racism and colonialism/imperialism (arguably this can translate to capitalism as well), but what about wiggins? what is his role? he most obviously plays the role of the Fool, and provides a character for ratcliffe to have consistent dialogue with. but what does he represent?

i have a theory that wiggins is meant to represent the ethnic english, the culture of the english, and the willing servitude of the english to the evils of imperialism/greed/racism in exchange for a sense of superiority and security. wiggins is, paradoxically, both above and below the settlers in terms of status. he's a servant, but he serves the highest ranking man there. he's a yes-man, but he's also brutally truthful (spelling out for the audience ratcliffe's motivations and the immorality of the settler's presence and actions).

wiggins is also a caricature of the english to a T: he resembles many a self-styled stereotype of the typical englishman in english comedies. he's prim, a bit fussy, obsessed with gardening, a bit oblivious and silly and somewhat incessantly cheery. he's drawn, also, like an english caricature. his teeth and upturned nose in particular stand out to me.

the line "and he came so highly recommended" from each of these characters is so fascinating because of this because it highlights the mutual consent of these two allegorical characters to be involved with each other and subscribe to a master-servant dynamic, wherein ratcliffe has invested in wiggins to be useful and efficient, and wiggins has invested in ratcliffe to provide security both financially and socially. ratcliffe find's wiggins's personality (the cultural quirks of the english) trite and unnecessary. wiggins found ratcliffe's extremity to ultimately be outside of his own best interests once it could no longer protect him (ratcliffe being no longer able to provide the status and security once he was put in chains).

we can't be sure if wiggins has truly learned a lesson, however. he remains in America with some of the other settlers instead of returning to his homeland. we don't know what he intends to do there, or why he's made this choice. perhaps he's going to try turning over a new leaf and assimilate to a new society. perhaps he's going to try and influence his way into a similar position as before. in any case, we know wiggins's core motive is always going to be self-preservation. what that looks like without ratcliffe and the protections of aggressive imperialism, we simply don't know.

[settlerjohnrolfe]

Who else wants Disney's magic .1 sec makeup remover?

[settlerjohnrolfe]

Pocahontas (1995)

[settlerjohnrolfe]

"We're gathering food for when the warriors arrive."

Pocahontas (1995)

[settlerjohnrolfe]

Pocahontas (1995)

[settlerjohnrolfe]

#bye felicia

Pocahontas (1995)

[settlerjohnrolfe]

Happy first days of Autumn <33

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[settlerjohnrolfe]

Is my dreaming at an end? Or do you still wait for me, dream giver, just around the river bend?

[settlerjohnrolfe]

Pocahontas II: Journey to a New World (1998). Dir. Tom Ellery & Bradley Raymond.

[settlerjohnrolfe]

I look once more Just around the riverbend Beyond the shore Somewhere past the sea Don't know what for Why do all my dreams extend Just around the riverbend?

Pocahontas (1995)

[settlerjohnrolfe]

Pocahontas (1995)

[settlerjohnrolfe]

— Can you paint with all the colors of the wind?

Pocahontas (1995)