Final reflection
Looking back on this semester I feel as though I have learned so much from my lecturers, but also through feedback from classmates and spending time learning book-making processes. I enjoyed the group activities at the beginning of the semester as I value teamwork and bouncing ideas off other creatives. I found my group worked well together and was able to improve on ideas from responses to each other’s work.
When deciding on a Pataka publication topic I made sure I was definitely doing something I was interested in and would also aesthetically want to add to my portfolio. Because I chose a topic/location that I had such a strong passion and interest in, I found myself really involved in this project and wanting to represent Hahei in the best way possible - whether that be through the articles included or the way I portrayed imagery, colour and type. I even managed to fit in a trip down to Hahei to get specific photos which just proves that I chose a topic which excited me and inspired me. I enjoyed having a book-making brief as we got to learn many aspects of design and use that knowledge to create a physical output which we can keep!
For me, the hardest part of this project was definitely the printing. As I was doing it myself, I did have more control over what I was doing but I still find the process of getting my work from digital to physical quite hard (making sure you don’t forget any steps!). One of the main things I learnt about bookmaking/binding was that it is so critical to be precise and have high attention to detail as the smallest mistakes can mess up your book so close to the finish line. This was a good lesson to learn while I’m studying as if I’m ever in the same situation within the industry I can look back and learn from the mistakes or learning curves I experienced.
I feel as though I achieved a consistent aesthetic throughout my publication which affectively represented the natural organic textures and colours of Hahei. I made sure to create a layout which was minimalist with eye-capturing imagery so that the design was still interesting and easy to read while walking. Using a thicker paper stock allowed for a bulkier and more durable finish which was essential for a book which would be carried around a beach village. Keeping my book at A5 allows the user to fit it inside a tote bag or backpack (whatever they may be carrying with them to the beach). Using a perfect bind method meant the pages wouldn’t fall open on their own however my book is meant to be held by both hands at all times so works out perfectly.
In conclusion, I am so proud of the design and output I have created and I can’t wait to share with friends and family who can possibly fulfil the purpose of my book - walking through Hahei as they read “The One Next To Cathedral Cove.” My hope is that anyone who reads this may have their eyes opened to the beauty and rich history of Hahei and that they too may come to love it as much as I do!
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Finished books!
My books are officially completed whoop whoop! I ended up having to use pliers to pull my needle through when binding because the Jute is quite thick but that just means my spines are nice and sturdy haha! What a journey it has been - now to get some final images and reflection!
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More binding inspo!
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Binding inspo!
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From looking through Binding examples in the bindery I choose a jute twine, japanese stab binding process as it gives a simple, beach textured look! This article looks into the different versions possible within stab binding...
Basic variations of stab-binding
Yotsume Toji (Four-Hole Binding) – the most common and straightforward style
Koki Toji (Noble Binding) – a Chinese variant, also known as Kangxi, which has two extra holes near the corners for additional strength and decoration
Asa-No-Ha Toji (Hemp Leaf Binding) – a variation of Kangxi with more holes, including corner stitching, creating a more elaborate and durable binding
Kikko Toji (Tortoise Shell Binding) – similar to Asa-No-Ha Toji, without stitching around the corners
- low cost and simple binding technique
- many online tutorials
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Paper stocks
For my paper stocks I wanted to use Kraft to being in the neutral beach tone and texture while using another stock which had a professional contrasting look to the craft. I found a beautiful linen stock which I though appropriate as many boho/beach inspired rooms are designed using linen materials. I have previously worked with a similar stock and the images printed with a beautiful texture so excited to see how my pages will turn out on this!
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