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Dune Character Illustration Series by Chezka Sunit

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DUNE poster development (2021) by Tradd Moore for MONDO

Started as Lynch’s Dune without MacLachlan likeness, developed into Villeneuve’s Dune with Chalamet likeness

Final illustration - 18″ x 24″ ink on bristol Poster - 24″ x 36″ screenprint

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“But… why? 

Will any of us ever know why?

What kind of Father… 

What kind of Love…

…would do this to us?”

DOCTOR STRANGE: FALL SUNRISE written & drawn by Tradd Moore interior colors by Heather Moore

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DOCTOR STRANGE: FALL SUNRISE #2 written & drawn by Tradd Moore interior colors by Heather Moore

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“The stars are already gone.

I watched them fade that night…

…why can’t I let them go?”

DOCTOR STRANGE: FALL SUNRISE #3 drawn and written by Tradd Moore colored by Heather Moore

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FORTNITE - Doctor Strange Loading Screen (2022) By Tradd Moore Final & Process

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“Ourselves and one another– who could hope for more?

In myself and in each other– it’s all the faith I have.”

DOCTOR STRANGE: FALL SUNRISE drawn and written by Tradd Moore colored by Heather Moore

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DOCTOR STRANGE: FALL SUNRISE #2 written & drawn by Tradd Moore interior colors by Heather Moore

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Variant covers for Dynamite’s SHEENA: QUEEN OF THE JUNGLE by rose besch

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A bunch of recent sketches.

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… They’re action figures.

DOOM (2016) || DOOM Eternal (2020)

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“But… why? 

Will any of us ever know why?

What kind of Father… 

What kind of Love…

…would do this to us?”

DOCTOR STRANGE: FALL SUNRISE written & drawn by Tradd Moore interior colors by Heather Moore

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Abandoned Stained Glass Locomotives 

by ghost owl attic

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Marina & Ulay: 

“Marina Abramovic and Ulay started an intense love story in the 70s, performing art out of the van they lived in. When they felt the relationship had run its course, they decided to walk the Great Wall of China, each from one end, meeting for one last big hug in the middle and never seeing each other again. at her 2010 MoMa retrospective Marina performed ‘The Artist Is Present’ as part of the show, a minute of silence with each stranger who sat in front of her. Ulay arrived without her knowing it and this is what happened.”

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So real, so human.

So beautiful.

SO.INTENSE.

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How can you not get these twisted feels when you see these pages? This chapter pretty much showed the epitome of Guts’ emotional vulnerability through reliving his childhood sexual abuse, something that he never shows to people, not even Griffith. After he spilled all of the beans on his past to Casca, which is already traumatic and embarrassing enough, now he’s worried about how she is going to view him. Is she going to view him as less of a man because something like this happened to him, or just an unstable freak for nearly strangling her and ruining the moment?

She gives him a cool down hug…

… and says that they’re equal…

… and that she’s needs - nay, HAS - to stay with him.

Don’t you see how fucking important this moment is you guys?! Not only is this a big step in Guts’ recovery, but it also reflects the real life implications of people who have lived through childhood sexual abuse: most people never confide with their intimate partners about this stuff, especially guys because of the stigma that men/boys don’t get raped or that they take it better.Do you not see why Guts is so devoted to this woman now?!?! Why he’s got so fucked up after the eclipse!?!?

Dammit, Miura!! You always get to me!!

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So, I think this is finished? It’s getting more difficult for me to call pieces done these days. lol

This one is based off an idea I had a long time ago, about a knight who goes off to war then comes back to find his lady has passed. (it’s at the end of these, called ‘Decayed’) I wanted to do a before piece, and one day I might do the aftermath too.

🌼ETSY 🌼www.keriruediger.com 🌼instagram