sallyjay-gorce
Sweetheart And Scold
I like Bruce Springsteen, eating chocolate chip cookies,and red lipstick
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THE PATTIE BOYD PLAYLIST
and other assorted love songs
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when the academic article is so good it has you giggling and kicking your feet
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When the man I'm waiting for comes along, we'll recognize each other straightaway. I've never seen him, but I know exactly what he'll be like. And he will come to take me away with him, and we'll be together forever. We'll go away to his palace and sleep on a gold bed encrusted with diamonds. Oh, it's really very simple. I'm waiting for him, and he will come.
— Emile Zola, Le Rêve (1888)
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Her almost childlike enjoyment of little pleasures, her heart-warming gratitude for her recent big breaks come naturally to a girl for whom life itself was for a long time in jeopardy: “It’s fun to unlock my little gate, and find the new record that the music shop down the street has delivered during the afternoon. I get into old, soft comfy clothes, and then I play the new music while I cook. I love to cook. Steaks. Oh, your American steaks!" - Audrey Hepburn, "Knee-Deep in Stadust" (Photoplay, 1954)
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Alexander McQueen for Givenchy Spring/Summer 1997 show, École des Beaux-Arts, Paris
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a gentle fact about this world is that people will want to help you. a cruel fact about it is that you do have to put on your big boy pants and open their contact on your phone and say some human words to ask them for it
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JENNIFER JONES in MADAME BOVARY (1949)
Emma feeds on mediocre books, and therefore her dissatisfactions are never truly tragic, just grotesque. She is not to be pitied but derided. She is worthy of condemantion for her vulgar nature, for her cold and self-centered pursuit of a kind of pleasure that not even she understands, for her stupid attachment to the most inane of literary myths, for her dime-store sentimentalism. Few readers take time to look more closely at Emma and at how her author judges her, how many indignities he heaps upon her — so many that she is left without a single good quality, not one. - Dacia Maraini, Searching for Emma
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