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sacrifatal · 17 days
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i miss the bold type and i want to write kat one day with her girlies
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sacrifatal · 2 months
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all of my moots minus like 1 or 2 were last active at least 6+ months ago.... what is the Vibe now in the rpc... what are the trends... this is too much to relearn lmao
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sacrifatal · 1 year
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“you can’t just casually mention you’ve technically died once” i can actually. it’s funny
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sacrifatal · 1 year
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i bet you guys think this is real funny, don't you? haven't you taken enough from me? you have to send trolls to kick me while i'm down? i am a good person, i'm a good witch and damn it, i would've made a great wife. and how dare you take that from me.
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sacrifatal · 1 year
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a comprehensive list of scenarios
feel free to combine multiple prompts or add  “ + reverse ”  to switch roles !   for reference, the one sending in the prompt is the one committing the action.
1.  GUEST :  for one muse to offer the other a place to stay. 2.  STORM :  for both muses to find shelter from a severe storm. 3.  MEDIC :  for one muse to show up at the other’s doorstep injured. 4.  SURPRISE :  for one muse to come home and find the other already inside. 5.  TRIP :  for both muses to road trip or travel together. 6.  BABYSIT :  for one muse to help the other home while they’re drunk. 7.  INSOMNIA :  for one muse to find the other still awake at 3am. 8.  AMBUSH :  for both characters to come under attack by the same enemy. 9.  DANCE :  for one muse to ask the other to dance at a party. 10.  STRANDED :  for one muse to help the other who’s stranded on the road. 11.  SERVICE :  for one muse to cover the cost of something for the other. 12.  SAFEGUARD :  for one muse to save the other from being hit by a vehicle or from some other life-threatening event. 13.  DAZE :  for one muse to wake somewhere and find the other hovering over them. 14.  STOWAWAY :  for one muse to find the other hiding on the same ship. 15.  TAXI :  for both muses to share the same taxi ride. 16.  MAKEOVER :  for one muse to help the other with a new outfit or hairstyle. 17.  LIFEGUARD :  for one muse to rescue the other from drowning. 18.  DISASTER :  for both muses to work together to escape a fire, flood, or other disaster. 19.  TRANSIT :  for one muse to sit next to the other on a public transport. 20.  SPRAIN :  for one muse to carry the other after spraining their ankle. 21.  EMPLOY :  for one muse to be hired as the other’s bodyguard, tutor, assistant, etc. 22.  QUEST :  for one muse to help the other with a task in exchange for compensation. 23.  SOOTHE :  for one muse to calm the other during a panic attack. 24.  RECOVER :  for one muse to return the other’s lost belonging. 25.  UMBRELLA :  for one muse to share their umbrella with the other on a rainy day. 26.  HEAL :  for one muse to nurse the other back to health from a sickness or injury. 27.  NIGHTMARE :  for one muse to comfort the other after a nightmare. 28.  REUNION :  for one muse to run into the other again after a long time. 29.  PRIZE :  for one muse to win the other a prize at a carnival. 30.  NUDE :  for one muse to walk in on the other while they’re changing. 31.  BED :  for both muses to wake in the same bed, naked or fully clothed. 32.  TRAIL :  for one muse to notice the other has been following them. 33.  EVADE :  for one muse to pull the other into an alleyway to escape their pursuer. 34.  THIEF :  for one muse to confront the other after having something stolen by them. 35.  CAUGHT :  for one muse to walk in on the other singing / dancing. 36.  FESTIVE :  for both muses to decorate for a special occasion. 37.  PRESENT :  for one muse to give the other a  (birthday)  gift. 38.  WEARY :  for one muse to wake up after falling asleep on the other. 39.  CAPTIVE :  for one muse to hold the other against their will. 40.  SNAP :  for one muse to yell at or push the other out of frustration. 41.  SLEEPOVER :  for one muse to stay the night at the other’s place. 42.  TRESPASS :  for one muse to trespass on the other’s property. 43.  BREAK-IN :  for one muse to discover the other robbing their place. 44.  MERCY :  for both muses to come across an injured animal. 45.  UNKNOWN :  for both muses to wake and find themselves in a strange place. 46.  ACCOMPLICE :  for one muse to assist the other at the scene of a crime. 47.  ASTRAY :  for both muses to take a detour and lose their way. 48.  RELAX :  for both muses to share a hot tub or hot spring. 49.  MUSE :  for one muse to model for the other’s art project. 50.  ACCOMPANY :  for one muse to give the other an extra ticket to an event. 51.  SALVAGE :  for one muse to retrieve the other’s belongings from a thief. 52.  MEAL :  for both muses to prepare and share a meal together. 53.  CEMETERY :  for one muse to find the other at a gravestone. 54.  REFUGE :  for one muse to shelter the other from enemies. 55.  ARRANGED :  for both muses to date or marry out of convenience. 56.  FAVOR :  for one muse to owe the other a favor. 57.  VACATION :  for both muses to book the same hotel on vacation. 58.  DEFEND :  for one muse to save the other from one or multiple assailants. 59.  CATCH :  for one muse to return the other’s pet that escaped. 60.  RESTRICTED :  for both muses to sneak into someplace they’re not supposed to be.
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sacrifatal · 1 year
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@conradfish3r
sometimes, it literally felt like her entire mind, body, everything... was on autopilot around conrad now. like she had to be careful, knowing she had to be careful. conrad didn't care about her, didn't love her, probably never did. if she didn't accept it soon, she would lose herself more than she already had.
❛  where were you last night?  ❜
belly's eyes are cast down to the floor, wheels turning in her brain fighting to remove all emotion and surprise from her face before she looked at him. god, could her heart at least stop pounding in her ears and give her a fighting chance? her head lifts slowly, lips tight with eyes that she willed to look hard and cold, just like him. " i don't think that's any of your business, anymore. is it? "
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sacrifatal · 1 year
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❛  is it my fault?  ❜ @ taylor
@conradfish3r
taylor's spoon clinks against the counter of the kitchen, a sound escaping her that leaked with sarcasm, halfway between a laugh and a sigh. " you're actually asking me that? of all people? " coffee mug is in hand as she turns to face him, eyes squinting accusingly. if looks could kill. " who else's fault would it be, conrad? i mean, seriously? you broke belly's heart and ... " hesitation, something familiar lingering in the air and giving her some major deja vu. " and you're obviously only upset now that she's trying to move on. "
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sacrifatal · 1 year
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🐝  *  ―  𝑨𝑵𝑮𝑺𝑻𝒀 𝑸𝑼𝑬𝑺𝑻𝑰𝑶𝑵 𝑷𝑹𝑶𝑴𝑷𝑻𝑺.
❛  are we actually doing the right thing?  ❜ ❛  are you bleeding?  ❜ ❛  are you even sorry?  ❜ ❛  are you still mad at me?  ❜ ❛  are you sure you’re gonna be okay on your own?  ❜ ❛  can’t we just be friends again?  ❜ ❛  can we pretend this never happened?  ❜ ❛  can you help me with this?  ❜ ❛  didn’t you listen to what i just said?  ❜ ❛  did you ever even love me?  ❜ ❛  don’t you believe me?  ❜ ❛  do you trust me?  ❜ ❛  do you understand what that means?  ❜ ❛  do you want to talk about it?  ❜ ❛  haven’t you heard the news?  ❜ ❛  have you ever cared about anyone other than yourself?  ❜ ❛  how did you do that?  ❜ ❛  how will i ever be able to repay you?  ❜ ❛  is it my fault?  ❜ ❛  is there anything i can do for you?  ❜ ❛  was all of this just a lie?  ❜ ❛  we’re gonna survive this, right?  ❜ ❛  what are you doing here?  ❜ ❛  what do you want from me?  ❜ ❛  what have you done to them?  ❜ ❛  what makes you think i’m going to help you?  ❜ ❛  when was the last time you ate something?  ❜ ❛  when will it stop?  ❜ ❛  when will you ever grow up?  ❜ ❛  where were you last night?  ❜ ❛  who did this to you?  ❜ ❛  who the hell are you?  ❜ ❛  why can’t you just let it go?  ❜ ❛  why didn’t you tell me sooner?  ❜ ❛  why did you leave me?  ❜ ❛  why don’t you come home with me?  ❜ ❛  why would you do something like that?  ❜ ❛  will you call me when you got there safely?  ❜ ❛  will you please tell me what happened?  ❜ ❛  will you stop doing that?  ❜
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sacrifatal · 1 year
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i knew you wouldn't be happy unless you were hunting voldemort. maybe that's why i like you so much.
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sacrifatal · 1 year
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what's SO funny to me about taylor being so gungho team jeremy is the fact that her relationship with steven is belly/conrad tethered so she literally understands, and we get to see that when she's pretty much self sabotaging over how much she cares about steven
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sacrifatal · 2 years
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Yes, in the caves of Ba Sing Se, Katara shows Zuko a willingness to help him that he never expected from anyone (besides Iroh), least of all from the avatar’s angry, unyielding waterbending master, but that was not the first, last, or largest part of his face turn. 
Zuko fixed himself for himself, okay? He also did it for his uncle, for his mom, for his great grandpa Roku, for the civilians, for justice, but never for Katara. If he changed only for Katara, Zutara couldn’t ever work. Because he wouldn’t be changing for the right reasons, and Katara would never be able to forgive him. To think she would is character assassination.
Zutara works because Zuko did the work himself and proved over and over again that this change was consistent. You think Katara, with how deeply traumatized she is, could be in a relationship with someone who feels unstable? Who she think might leave or betray her at any moment? You think Katara, as smart and moral as she is, would fall for someone who became good for the wrong reasons? You think she thinks that’s what goodness is?
In Southern Raiders, when Zuko goes out of his way to do something for Katara (help her find closure with her mom’s murderer), he is doing it because helping Katara and potentially murdering a genocidal soldier is the right thing to do. And then, when she doesn’t kill Yon Rha, but instead leaves him to wallow in his own misery, he accepts her decision, because her choice matters more than whatever his opinion on vengeance is.
Another writer might have their version of Zuko kill Yon Rha after Katara decides not to in some twisted “romantic” protective gesture, because they think they want a dark gritty dangerous bad boy, and they think that’s what Zuko is.
Other writers have their version of Katara actively trying to fix a willfully evil version of Zuko because they think Zutara has a good girl/bad boy, angel/devil dynamic when it doesn’t. They have their Katara stand-in thinking about the Zuko stand-in’s abs before he is ever remotely apologetic to her. That’s not how this works! That’s not how any of this works! 
Zutara doesn’t work if Zuko had been out there murdering random people just because he’s ~grim~ and ~dangerous~. Not just the ship, but the whole fucking story doesn’t work if Zuko had showed up to the Gaang saying, “I’m sorry, but my dad made me do it. Murder is how I cope. I’m good now because love”.
It’s an egregious misunderstanding of both Zuko and Katara, and I’m so sick of seeing it.
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sacrifatal · 2 years
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SERENA & NATE in GOSSIP GIRL (2007-2012) — 3x10 | “THE LAST DAYS OF DISCO STICK!”
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sacrifatal · 2 years
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sacrifatal · 2 years
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friends to lovers never had a bad track. “scared i’ll ruin what we have” SLAPS. “friendship cuddles while secretly dying inside” BANGER. “teasing each other and holding eye contact for a little too long” KILLS ME. and don’t even get me STARTED on “screaming i love you in the middle of a heated argument.”
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sacrifatal · 2 years
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they   gave   me   a   name,      &                                                            alienated  me                                                                            from   myself.    
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multi - muse  roleplay blog,  written by  kat.  private,  very sporadic ( sometimes  nonexistent )  activity.  some  of  these  muses  were  est.  as  early  as  2013,  so  they  are  heavily  headcanon  based.  minors  dni,  mostly  iconless, basic  rp  etiquette  applies. 
⟡ belly conklin blog ⟡ enid sinclair blog
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sacrifatal · 2 years
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weird question, did you used to have an echo from the 100 blog?
i did not, sorry! i did used to have a clarke blog though, but that was like way way back in the day (maybe 2016?)
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