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Jenny Holzer

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MAXIME BALLESTEROS “DEEP GLANCE” (IBIZA) ENTRE CHIEN ET LOUP [2012-2014]

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Wim Delvoye: Concrete Mixer (2007) laser-cut stainless steel

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A sailor in drag, 1906.

The man in drag is apparently Able Seaman Arthur Roach, a crew member of the H.M.S. Prince of Wales. He poses as a milkmaid behind a wooden fence and in front of a painted background. He is wearing a rather odd hybrid fancy-dress outfit, part showgirl/courtesan (ruffles and jewelry), part little girl at the seaside (very short skirt, bucket and spade).

(Photographic postcard by H.J. Bond, 1906)

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“Why love what you will lose? / There is nothing else to love.”

— Louise Glück, from “From the Japanese”, The Triumph of Achilles

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Atelier Willinger, Wien. Richard Teschner/ Der Basilisk und der Bäckergeselle, 1937.

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Esaias van Hulsen

Mezzotint Engravings, 1620

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Louisa Gagliardi — Steaming (gel medium and ink, on vinyl, 2019)

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Peas in a Pod, painting by Jason Limon

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Edouard Kasparides (1858-1926, Austrian) ~ The Penitent Mary Magdalene in the Cave, 1890

[Source: johnmoran.com]

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James Tissot - Triumph of the Will – The Challenge (ca. 1877)

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a white guy wearing a beanie that doesnt cover his ears just told a girl at a party that he hates "three hour black and white european films about the horrors of war" and was instantly teleported to hieronymus bosch's garden of earthly delights where a demon thats just two human legs and a carp's head has begun breaking him upon the wheel

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An all black casting of Shakespeare at Howard University , 1937.