rosalisergici-blog

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le stelle cantano

il fuoco attraversa l’acqua

e diventa luce

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il signore del tempo fatica a parlare

mostra la ghiera nascosta

gira in senso inverso

la posizione va compresa

l’orientamento è sud-est

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prima transizione

le stelle cantano l’amore sconcio

hanno nostalgia dei corpi

le stelle cantano e i guardiani delle porte nulla possono

il velo non copre la bellezza dei frutti

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Goshka Macuga, Heidegger, 2018 Gomma siliconica e pianta. 30 cm

“.......dal letame nascono i fior....” Fabrizio De Andrè

ognuno ha il suo fiore......*r.

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Temporaneo e sostanziale

rotonda spartitraffico_pomeriggio luglio 2017     r.

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Temporaneo e sostanziale

pomeriggio assolato_luglio 2014      r.

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lo so e non lo so       r.

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amaro disincanto_apre strade nuove_spoglia le fiabe_veste la vita

r.

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o.s. don’t be frightened  to display your talents

don’t be frightened to play_ non temere....gioca

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Shanti Racchetti   7/8 2017

a volte.....

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Shanti Racchetti   7/8 2017

a volte mi sento più interessante di chi mi interessa

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o.s. is it finisced?

make it more sensual_ many ways

remember those quiet evenings_un buon consiglio

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“Velocità”   Italo Bertoglio 1930

cercando di seguire mi perdo

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o.s. remember those quite evenings

buon consiglio

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arte rupestre, Grotta di Chauvet, oltre 30.000 anni fa.....fra l’uomo e il mondo non c’è confine........

Prehistoric Art

The earliest ‘artists’ did not attempt to represent the clear objective outer form of things, in which lines and colours are distinctly and rationally reproduced, nor did they attempt to express a personal, subjective (or religiously determined) state of fear or desire. The earliest artistic images were expressions of panjectivity.

Objects were not perceived as hard, isolated forms, but as fluid expressions of a felt reality in which the context ‘out there’ blended with the consciousness of the observer ‘in here,’ and from which both the objective time and space and the subjective thoughts and feelings of the self emerged (see appendix, ‘What is Real?’ below for further discussion).

(......)

These earliest images are multi-dimensional, integrated into a complete sensory experience. Each animal is different, unique; there is no uniform design, no emblematic totemism, no appeal to the abstract mind. Painted in caves deep underground, viewable only by candlelight, they shift and glow; they live, and through the conscious experience of this life, they communicate psychologically transcendent realities to the reverent beholder; the sense that the living quality of the animal is a function of consciousness, that I am that.

The sense that reality lives — that, miraculously, it has the quality of a living creature — suffuses all primal art. The universe was consciously felt and conceived as an organism; fundamentally benevolent, productive, mysterious and impenetrable to the rational mind; which is to say, female. Not that creation is ruled over by ‘a female god’, but that reality itself is feminine.

http://expressiveegg.org/2017/06/19/peanut-history-art/

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Lorenzo Mattotti “Nelle profondità”_stanze

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o.s. make it more sensual

many ways