rhaegnarokmidwinter

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if ur gonna be pressed into service by your liege lord, u want to be the swiftest rider. get good at horses, because they're always sending the swiftest rider off to do some other shit that is, crucially, away from the battlefield. I'm telling u. when ur forces are outnumbered and the enemy legions show up with some unexpected advantage, someone in command is gonna say, "send the swiftest rider to alert the queen!!!" that's u. u want to be that guy

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A Crash Course to Kendrick's Super Bowl Performance, from a Black Woman

Note: this does NOT go in depth into all of the song's lyrics. I don't have time to recount two decades of his discography. This is just a summary of the performance itself.

Let's start with the first visual we get:

UNCLE SAM - most notably recognized from WWII American wartime propaganda, Uncle Sam is the personification of American patriotism and freedom. The term "uncle" is also evocative of Uncle Tom from Uncle Tom's Cabin, an abolitionist book that aided in inciting the Civil War. Uncle is also a very common term (both endearment and derogatory) towards Black men (eg. "unc"). Samuel L Jackson was fantastic. (Edit: and please look up his history of civil rights activism, he was on the FBI watchlist and even a pallbearer at MLKJr’s funeral.)

Uncle Sam also resembles a circus ringleader, notable for my next point:

THE GREAT AMERICAN GAME - no, not Super Bowl. The GAG is us the people being pitted against each other: through late-stage capitalism, through the culture war, through class warfare, through being built of the backs of slaves. We are all players in the GAG because none of us on this site were the oligarchs seated at the inauguration.

This is also seen as Kendrick's stage was a Play Station controller. Not only did it remind of circus rings visually, but it was a game battle stage. The Great American Game is a battle royale of the commoners for the amusement of the rich whites.

Remember the foods / Them color was tin and brown / But now they 100 and blue - For this I'll just say, look what the last election said about lowering the price of eggs... and look at the prices now.

The revolution about to be televised / You picked the right time / But the wrong guy - Election 2024 once more. *Edit to add, the first part of this lyric is in reference to the Black Liberation Song "The Revolution Will Not Be Televised" by Gil Scott-Heron. Thanks to everyone who mentioned that.

THE FLAG DANCERS - yes, the dancers formed the US flag... off of the backs of Black people. Not a single white person in sight, and that's true of the cotton pickers in the fields. Plantations are part of how the US came to economic prominence after being a "backwater" colony. Remember tobacco? Cotton? Our bloodlines do. *Edit to add: they also all piled out of a clown car. The US flag in a clown car? Brilliant.

The red and blue dancers are also notable for representing the Crips and Bloods, two infamous street gangs. The dance in Not Like Us is the Crip Walk. I recommend researching more on your own time about them, but just know they are a large part of the stereotype of Black people being "ghetto."

TOO LOUD, TOO RECKLESS, TOO GHETTO. Do you really know how to play the game? - This is exactly what Black people, especially Black men, get told all the time. It's why we change our names on resumes if they sound "too Black." It's why we codeswitch in non-Black company. This is especially rich considering how non-Black people love our culture and love to make money off of us, as the latter part of the quote points to. And it's even more profound during the Super Bowl-- the NFL is majority Black players.

STREET LIGHT A CAPELLA -- "thug" stereotype dancers to counteract the a capella connotations, with Uncle Sam then saying that Kendrick figured out "bringing other street guys around being a culture cheat code." Yes, this is a direct hit at Drake (listen to "Not Like Us") but also politically. Look up "model minority". Notably I would point to Candace Owens, or the Miami Venezuelan political group that's been in the news recently, especially as this directly led to Kendrick being surrounded by...

DANCERS IN WHITE -- it's white America. That's... that's the allegory.

NOT LIKE US TEASER -- Kendrick says "Not Like Us" is "their favorite song." -> he means white people specifically here. It comes after he's surrounded by all white dancers, the women around him who are his call and response are also in white (my opinion, they represent the industry). He's saying "Not Like Us" is the favorite of yts because it is about BLACK MEN FIGHTING. This again is reflected in the video game stage and ringleader Uncle Sam.

SZA -- instead of giving what they want, we see SZA. She's one of Drake's exes and Kendrick has always supported her.

ALL THE STARS -- This was in the first Black Panther movie, which I recommend you watch. Rest in Power Chadwick. Notably, this movie was incredibly mainstream as a major Marvel movie, and then we have Uncle Sam say...

"THAT'S WHAT AMERICA WANTS: NICE AND CALM. DON'T MESS THIS UP" -- translation: Marvel (the industry, America, etc.) wanted a safe, semi-pop song because white American likes safe pop songs, not Kendrick's usual heavy rap style about his life as a Black man! Don't mess up what you've got going mainstream for having this "Black rap feud" with Drake, who is an R&B model minority to white people because he's safe.

So what does Kendrick say?

IT'S A CULTURAL DIVIDE / IMMA GET IT ON THE FLOOR -- He was warned not to be political or apologetically Black for this Super Bowl performance, but he is using this big stage opportunity to speak out.

40 ACRES AND A MULE / THIS IS BIGGER THAN THE MUSIC -- 40 acres and a mule are what the freed slaves were promised. Instead, this land went to white sharecroppers. Research Jim Crow laws.

THEY TRIED TO RIG THE GAME / BUT YOU CAN'T FAKE INFLUENCE -- rig the election, rig the industry like with model minority Drake, rig the Great American Game with culture war to distract from active class warfare.

NOT LIKE US -- the only thing I'll mention because it made me holler is Serena Williams crip walking on Drake's metaphorical grave. She's another one of his exes (read: Drake harassed the hell out of her). *Edit: she was also fined at the 2012 Olympics for crip walking in celebration at Wimbledon.

TURN THE TV OFF -- exactly like he said! The TV is a distraction, the Super Bowl is a distraction, the mainstream news is often a distraction. Turn it off and get with your people!

GAME OVER — could not see this on my stream but at the end of the performance, the lights in the stadium spelled this out. The world is watching, America…

In conclusion, Kendrick Lamar is a visionary and thank you for coming to my TED Talk.

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Also. Kendrick opened with an unapologetically loud performance focused on Black America with a ton of political messaging. And the women sang “someone better squabble” in almost a mocking tone?? Because so many white Americans only know Kendrick from the Drake beef, and they’re there to see two black men fight, not a celebration of Black Culture.

The american flag literally dissolved into depictions of violence and shooting. And then, once the performers were united in sync again, the audience flashed “WARNING, WRONG WAY”

That has so many meanings, both in the context of the performance being about politics and the path America as a whole is going down—the wrong way.

But also in that specific moment, when black men were working together as a whole, America would rather see them fighting. After that section is over, Uncle Sam mocks Kendrick.

Once the performance turns into a pop song Uncle Sam says, “yeah, that’s what I’m talking about! That’s what America wants—nice and calm! You’re almost there. Don’t mess this-“ and he is cut off by Not Like Us starting. White America is content to watch Black artists as long as the art is palatable to them, but Kendrick disrupted that with the Drake beef, and white America watched because it glorifies violence between black men.

But Kendrick emphasizes that this is not what this performance is about. When asked if he’s really about to do this, he says “It’s a cultural divide, Imma get it on the floor.” And “40 acres and a mule, this is bigger than the music.” He is doing this for Black America. Not Like Us has brought folks together when America has tried its hardest to divide and conquer. Hell, Kendrick had Crips and Bloods dancing on stage together at a concert. He’s managed to work through centuries of oppression and trauma to bring Black America together in this moment. This is bigger than the music.

And he brings it back to politics with “yeah, they tried to rig the game, but you can’t fake influence.” There’s a reason he said that with the president in the audience. Kendrick had the biggest stage in the world and he used it to say “They Not Like Us” with the president, a known child predator, in the audience. And the rest of the crowd was screaming the lyrics along with Kendrick.

Kendrick Lamar the man you are

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I wanna talk about some vitally important symbolism in Kendrick’s performance this evening.

Follow me.

Kendrick had an entirely Black dance cast for this performance, all dressed in red, white, blue, and some in black. But, I specifically want to focus on this arrangement, at the beginning of the show.

The dancers create the appearance of an American flag. A flag, the symbol of American history and heritage, formed out of Black bodies.

The legacy of America is that of the state that was built on the work of Black bodies. Enslaved Black bodies.

But it’s deeper than that.

Kendrick puts himself at the center of the flag. Now, yeah, part of it is performance; it looks better with your performer surrounded by the “supporting cast,” so to speak. But, with Kendrick, it’s never that simple.

Kendrick centers himself, imo, to demonstrate that he is functionally America. His experiences, his life, is America. He grew up poor, urban, the son of working parents. He was nearly led astray as a youth, but turned to art and philosophy and dedicating himself to his craft, and found both fulfillment and success. In the popular myth of the American dream, that’s the ultimate goal.

And he never once did it by selling his soul to capital (again, in the ‘mythos of Kendrick Lamar’). He never betrayed his culture, or took the quick money, or let his art be co-opted by the vultures that feed on Black culture for mass (white) consumption.

Again, this is just a quick and dirty analysis by one person who only developed an appreciation for hip-hop recently. For deeper, more informed analysis, seek and study the Black academics who know far, far more than me.

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Bravo also to Robert Eggers for probably the least bad depiction of Transylvania in Western vampire cinematic history:

1. Having actual Romanian actors doing the dialogue in Romanian. You'd think this is a low bar to clear but nope.

2. High quality costume design that looks pretty accurate to 19th century Romanian and Roma peasantry, even down to specific braided hairstyles from the Transylvanian region.

3. Depiction of Roma people but refrains from having them as some typical Hollywood exoticizing role like a magical fortune teller etc. They're in like half a scene, just chilling and playing music in front of an inn.

4. Use of the word "strigoi" which are actual spirits in Romanian folklore, unlike the term "vampire" which didn't exist in Romania.

5. Sorry to the Nosferatu moustache haters, but a Romanian nobleman would have had that exact facial hair.

6. Depiction of religion (nuns, churches) that actually looks like Eastern Orthodoxy and not some vaguely spooky goth Christianity.

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Nosferatu (2024) is unquestionably a multifaceted work, but what I personally consider to be the unifying idea behind its facets is that, for Ellen, Orlok represents validation.

Her fears are dismissed and called childish?.. He's a nightmarish manifestation of them.

She is consistently disrespected by everyone around her?.. He considers her his only equal. She never uses his title, it's permitted.

She is told to fix herself, misunderstood, and always isolated?.. He knows all the darkest parts of her and is delighted by them. He wants her just as she is, so much that he will lie, kill, and cross the ocean to find her.

The scene in their death/wedding bed is a direct parallel to the scene of her waking in that bed at the beginning of the film. She complains to Thomas that the "honeymoon is yet too short" and tries to pull him down with a kiss - however, he is worried about being late for work, and so he extricates himself and leaves. Cut forward to her sharing the same bed with Orlok, similarly early in the morning; he is startled by cock-crow and begins to rise, but she guides his head back down - and, even though he knows that he will die, he stays. He is her sexual and emotional desire, realized.

Given that there is a plethora of emotions Ellen is forced to suppress on daily basis, there is no singular correct interpretation of her relationship with Orlok. To erase any one of them is to render it shallower than it actually is; but there is no doubt as to why their attachment is mutual. To each, the other is something they’ve never had before.

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dash is dead im teleporting to the past

https://www.tumblr.com/dashboard?max_post_id=606474489540042752

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I love the lilac motif in Nosferatu for a rather silly reason.

They're such a prominent symbol of spring and love in Romanian culture. It's not something traditional necessarily, just popular among the general population, especially with the older generations.

Everyone had and still has a lilac bush in their garden and it was oftentimes the most beloved tree and that short window of time when the blooms were opened was a small local celebration.

My grandfather was a painter and just like any Romanian painter, big and small, from the past, he also painted a bunch of lilac flowers in a vase.

So yes, the count having a strong memory of lilacs is such a relatable thing for most of us here, I believe.

Such little details always move me more even than the fact that for once they researched language and old local rulers for this particular vampire movie. <3

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two funny guys visit the monster juice store

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i've been starting a collection

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like to charge, reblog to cast <3

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Who the fuck is that thing tolling for

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btw yes it is amazing to celebrate drake's ruin and being a hater etc etc but i want everyone to come away from tonight remembering that this is about far far more than one evil man.

everything about this performance was a celebration of the black american culture that drake commodifies. kendrick went on stage in the middle of the country's largest sporting event with trump in attendance and stated, very clearly, that black culture is not going anywhere.

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bring back tumblr ask culture let me. bother you with questions and statements

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Quietly losing my mind over the fact that Elon Musk has straight up orchestrated a coup of our executive branch and like....I don't even know what, if any, system we have in place to fix this. Like... He's just taken control of the money and locked out the actual appointed officials. What the fuck.