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SIMON ’GHOST’ RILEY in MODERN WARFARE II (2022)
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are you winning?
ghost tattoo asset by @sleepyconfusedpotato tyvm <3
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light study with cowboy Price
alt version + ref used:
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Friendly reminder that you should
Write that fic
Draw your OC
Redesign that blorbo
Plan that comic how you want
Create the content you want to see
Be cringe
Be free
The only thing that matters is you having fun! Not what others think!
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CALL OF DUTY MODERN WARFARE III (2023) ㅤ→ㅤ Simon 'Ghost' Riley
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WEBSITES FOR WRITERS {masterpost}
E.A. Deverell - FREE worksheets (characters, world building, narrator, etc.) and paid courses;
Rach Academia - FREEBIES (workbook, notion template, games, challenges, etc.);
Hiveword - Helps to research any topic to write about (has other resources, too);
BetaBooks - Share your draft with your beta reader (can be more than one), and see where they stopped reading, their comments, etc.;
Charlotte Dillon - Research links;
Writing realistic injuries - The title is pretty self-explanatory: while writing about an injury, take a look at this useful website;
One Stop for Writers - You guys... this website has literally everything we need: a) Description thesaurus collection, b) Character builder, c) Story maps, d) Scene maps & timelines, e) World building surveys, f) Worksheets, f) Tutorials, and much more! Although it has a paid plan ($90/year | $50/6 months | $9/month), you can still get a 2-week FREE trial;
One Stop for Writers Roadmap - It has many tips for you, divided into three different topics: a) How to plan a story, b) How to write a story, c) How to revise a story. The best thing about this? It's FREE!
Story Structure Database - The Story Structure Database is an archive of books and movies, recording all their major plot points;
National Centre for Writing - FREE worksheets and writing courses. Has also paid courses;
Penguin Random House - Has some writing contests and great opportunities;
Crime Reads - Get inspired before writing a crime scene;
The Creative Academy for Writers - "Writers helping writers along every step of the path to publication." It's FREE and has ZOOM writing rooms;
Reedsy - "A trusted place to learn how to successfully publish your book" It has many tips, and tools (generators), contests, prompts lists, etc. FREE;
QueryTracker - Find agents for your books (personally, I've never used this before, but I thought I should feature it here);
Pacemaker - Track your goals (example: Write 50K words - then, everytime you write, you track the number of the words, and it will make a graphic for you with your progress). It's FREE but has a paid plan;
Save the Cat! - The blog of the most known storytelling method. You can find posts, sheets, a software (student discount - 70%), and other things;
I hope this is helpful for you!
Also, don't forget to check my gumroad shop, where you can find plenty of FREEBIES (from notion templates for writers to workbooks and sheets).
-> Check out my freebies
Happy writing! <3
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writing fanfiction is the most fun awesome thing on earth. also terrible horrible awful one thousand agonies
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you sign up for one of those 'learn to farm in a different country!' programs and wind up in scotland.
the owner meets you at the station, a bit surprised to see you. (you can’t blame him—you don’t look the farming type.) but he’s excited for some ‘new meat’ around the farm. he says something about possessing a love for teaching and training in ‘the ways’. he chats your ear off the whole drive to his remote sheep farm.
it’s a little weird there’s no one else from the program at the property, and that the three other farmhands are a bit older than you expected. he shows you around, and explains the ins and outs of the operation. points out a display of medals and badges, waxes poetic about he and his mates finding ‘peace’ in raising sweet lambs. his phrasing’s a bit weird, but it’s harmless.
toward the end of the day, exhaustion catches up. you traveled across the world and slept on planes and trains, and you’re ready to tuck into a real bed. after dinner, when you ask about the lodging situation for visiting volunteers, there’s an awkward pause. four sets of eyes exchange looks that instantly send chills down your spine.
why, you’ll be sharing a bed with one of them. it’s that or the barn. and none of their former guests have preferred the barn.
meanwhile, back at the station, a sweet elderly lady tells the station manager that she can’t find her newest farmhand, who was due to arrive hours earlier.
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IDGAF if the women in my fiction are empowering or aspirational, I'm an adult, I don't need role models, I want the women in my fiction to be interesting, and if that involves being pathetic, hypocritical, amoral, or trapped in a delightfully dysfunctional relationship so be it
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remember to be polite and give a good morning to your Lt!
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oh he tucks to the right...the side he wears his thigh holster on...his tip is right where the strap is...okay...
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Past the Cemetery Gates
I haven't written ak!red hood in a while so here he is! This was originally for a request but I read the ask wrong and didn't realize until it was too late cause I'm mostly running off cough medicine and coffee CW: You get chased and harassed by some creeps, and then there's some possible murder ~6.2k words
Every Sunday at three in the afternoon, you have a routine. You walk to the train station, take the six train four stops north, and, if the weather is good, you'll walk exactly six blocks to get to Gotham Cemetery. (If the weather is bad, however, you're more inclined to wait for the three-thirty-five bus, which stops almost exactly in front of the old, iron gates that lead into the graveyard)
This is the routine you have followed for every week of your life since Jason Todd died, ripped from your side by a cruel twist of fate. They called it a disappearance, an accident, a runway, all things you knew it wasn't. But it was Dick, after months and months of begging for the truth, for crumbs of anything to help ease your grief, who called it for what it was. A murder. A life ended by the bloodstained hands of the Joker.
It became a fact that engraved itself to the very core of your soul. Jason Todd was murdered. Jason Todd was murdered, so every Sunday, you find yourself standing six feet above where he should lay resting, where he should be resting forever. But the coffin you helped bury is empty, devoid of anyone or anything to care if you appear on Sundays or not.
Even so, visiting him, visiting the headstone with his name, just feels like what you have to do. He was your best friend, your foundation, and no matter how many months or years pass, it doesn't change that he is at the core of who you became. Your jokes mirror his humor, your favorite color was his too, your room is still littered with trinkets that remind you of him. You still throw punches just the way he taught you.
You couldn't just move past Jason, it never felt right to even try. So when you do go see him– his grave– you tell him about your week. Scrub the marble rock and leave flowers while you ramble about whatever is going on in the world, share jokes, relive memories, spill secrets, all to the boy who can never answer again.
This is what you do, rain or shine, whether the city is in havoc or in some semblance of peace, in a rare calm before the next storm of mayhem whatever rouge designs to inflict on the streets of Gotham. (You've missed this tradition only once. Only the week Batman was revealed as Bruce Wayne, only after Batman died, and you had another empty coffin to stand by as it was lowered into the dirt)
It's something you're so used to, a task you know like the back of your hand. Every other Sunday, you'll run into a family with flowers, the ones that stop at a pristine white headstone to tell their grandmother about how big her grandchildren are getting. Every third Sunday, the flowers and gifts you leave behind are cleaned up by the caretakers once you leave. Every Sunday, save one or two, you smile at the elderly woman who walks in with a coffee and newspaper in hand.
These are all things that you're used to, facts known in your soul. It's why you notice him. The man in the ball cap and hoodie that hovers two rows and seven headstones behind you. The one that's been standing there before you arrive, and stands there no matter how long you stay, for the past three Sundays you've been visiting Jason.
It's not exactly wrong for him to be there. It's just new. Different. And ever since Bruce died– ever since Dick disappeared without a whisper– you've been on edge. The whole city has been, really, but you can't help but feel like there's still a price you have to pay. That your time is somehow up. That after years of knowing who Batman is– after losing Jason and being able to do nothing about it– you're going to face something.
You think it might be karma. Or maybe it's retribution. But there's a score to settle with the universe– with something or someone out there. After all, knowledge has never been free in Gotham, and the weight of being associated with Batman always comes with a cost.
It's not like you were a hero, or even the slightest bit a vigilante, but it wouldn't take a genius to figure out that you cared for Jason, and that Jason was Robin, Batman's protege.
And with no heroes left in Gotham to exact revenge on, why wouldn't they look for the next best thing? Why wouldn't that eventually make you a target?
The paranoia isn't exactly your notion, but Tim's last, frantic warning before he went dark. But his words ring true, you've seen how everyone who's ever even talked to Bruce Wayne has been put under a microscope but the media, the GCPD, the world. And even if they haven't gotten their claws into you, it's only a matter of time before they, or someone with a score to settle does.
(Tim wasn't even the only person to warn you to watch your back, The GCPD's very own commissioner mentioned his own hushed concerns at Bruce's funeral. You had thanked him, and tried not to think too hard about what Babs not being there meant)
It should scare you, but all you feel is a vague sense of resignation. You just hope, that if whatever's coming finally catches up to you, if the slow creeping dread and feelings of being watched catches up to you, you'll find your way back to Jason.
You're snapped out of your thoughts when a voice speaks lowly behind you, you jolt, scolding yourself for getting caught off guard. But then his words register, and you whirl around, fuming, "What did you say?"
The stranger jerks his head towards the gravestone– Jason's headstone– "He was a stupid kid."
"He was not–" You start to hiss, huffing up in defense of the boy that meant everything to you, before he cuts you off.
"He was. He got himself caught. Caused a lot of problems. Trusted the wrong people. Did everything wrong and for what," he scoffs.
Your glare hardens as you step forward, trying to see under the ballcap and hood drawn low over his face, "He helped people. You can't just come here and spew whatever you feel like–"
He cuts you off again with the sound of your name, almost a warning, almost a threat. "Why are you really here," He asks, and you feel a chill creep up your spine as he digs his fists further into his pockets.
"I– always come here," you settle on. You know Bruce would chastise you for giving away your routine, but you can't find it in yourself to care when he already knows your name, with your blood simmering beneath your skin.
"It's a waste of time. There's no one here to care," he protests, lips curling into a sneer.
"I care," you mumble, the fight draining out of you. You know that, in a way, he's right. There's no body. No Jason. No reward or salvation in your weekly visits. But you come anyway. It's just what you do.
He stares at you for a moment more, you assume if you could see under the shadow of his ball cap he would be scowling. He doesn't say anything more, just turns and leaves you to a silent headstone and an empty grave.
You don't mean to stay as long as you do, after he leaves. But you linger among the marble and granite gravestones for a long time, lost in your own thoughts, the feeling that, even in death, you find new ways to fail Jason Todd. It's not a feeling that makes sense, but grief rarely is.
It's not until you realize you've missed your usual train home, that you finally find your bearings, that you force yourself to smile and wave to someone that's not there. Never there. Never will be there.
The walk to the train station is fine, if not a bit windy. The train ride is normal, if a little quieter than normal. But the problem comes as you step off the stairs of the subway and onto the streets, and a low whistle breaks the strange silence that's been cast over the city just as the sun begins to set.
"Come join us, sweet cheeks," a voice drawls, stumbling and slurred as he trips over his feet and words, "You look like you need the company." Four equally drunk men follow him, grins leering as they take you in and lewdly gesture for you to come closer.
Dread settles in your stomach, far worse than it did when the stranger approached you in the cemetery. Night is falling, and everyone knows that there's no solace in the shadows anymore, no watchful eye in the dark to save you. You drop your gaze and start walking, steady, but quick as you ignore their groans of annoyance and agitation.
"Hey, hey, where are ya going," one of the men calls after you, and their pace quickens to match yours, "No need to be all shy. We just wanna be friends."
Another of them snickers, "Oh, yeah, close friends."
A gust of wind blows through your clothes, and you suppress a shiver, every nerve on edge as you focus on putting on foot in front of the other.
The teasing tone in the air shifts, and a rough hand grabs your shoulder, turning you around– you hadn't realized just how close they'd gotten.
"Would ya look at that? Knew I recognized you from somewhere. Yer one of the Bat's little friends. Why don't ya tell us what it was like cuddling up to old Brucie, " he leers, grin wide and menacing.
"Back off," you snap, fed with strangers who think they have a right to your past.
"Don't be such a killjoy," He huffs, half playful, half a real, honest threat, "Just give us a chance to get to know ya. We only wanna have some fun, is all." His hand starts to drop along your shoulder blade, and his voice goes vicious, "It'll be a good time, baby, promise."
Instinct takes over before you can think better on it, and you aim a hook right for his chin. It's one of your better punches, one that sends him stumbling back into the arms of his drunken friends.
Everything freezes, their gazes dart between you and the reeling man pushing himself back to his feet. There's a snarl on his face, a manic look in his eyes, and all it takes is for him to open his mouth and start hissing cusses at you for you to turn on your heel and run.
It takes less time than you'd hope for them to realize you're running, even less for them to start following you.
You're going to die, is what runs through your head as you duck around corners and rush through the darkening streets. You're going to die and they're going to hide your body and no one is ever going to find you and you're going to rot at the bottom of Gotham Harbor and you'll just be another statistic in the never ending plague crime that always seems to win.
Laughs and jeers sound behind you as you run, the sound of heavy feet hitting concrete follows you down the twists and turns of Gotham's alleyways. They're close, too close. You don't know how a group of drunken catcallers could be so fast, but they are.
"Come back here," They snap at you, practically breathing down your neck. You can feel fingers brushing against your back, hear their taunts in your ears. But you just need to keep running, if you can make it to your building– make it to other people–
A hand catches your arm painfully, cutting your thoughts short and throwing you to the ground. "Caught you," the man sneers, grabbing the back of your shirt to drag you in an isolated alley. The other four men follow behind, panting and jostling each other as snide grins fill their faces.
You kick, claw at the hands pulling you into the alley, but it only makes them laugh harder as he hoists you up to slam you into a wall. You wince, head spinning as you push and shove at his arms, but he hardly seems to notice as his friends creep closer, eager and excited.
"Shouldn't have done that, there ain't anyone here to save ya" he grumbles, the air rancid with the smell of alcohol as he grabs at your jacket, "We coulda had a good time, but ya had to go be difficult and run the fun for–"
The weight is ripped off you in an instant, you barely have time to process the relief that floods your senses when you're jarred to stillness by the blood red bat that meets your eyes. There's not supposed to be any bats left in Gotham, but your mind is quick to supply the faint recollection of whispers you've heard of a new vigilante. Rumors made fact by the truth in front of you, Red Hood.
"You're dead," he says, even and tight, even though the modulator. He says it not to you, but to them, the men backing up wearily and uneasily. "You're all dead," he repeats, voice dropping as they exchange glances, not knowing what to make of him.
You don't quite know what to make of him either. His fists are clenched, his muscles are tense, but the set of his shoulders is confident, self assured that he can deliver on his threats. He's steady and shaking all at once, and you have the distinct feeling he's shaking out of sheer rage, of holding back from whatever he's planning on doing.
The air is heavy, you're practically holding your breath as you press back against the wall, unable to look away. They're afraid. You can't help but be too. Red Hood– hero or not– is dangerous. You can feel his anger vibrating against your skin, taste his vow to kill them in the air.
One of the men laughs, "You can't take all of us–" he starts, and the tension snaps, Red Hood snaps.
You know you should run. You know you should turn away, but you can't. You watch every punch that meets flesh, every splatter of blood that hits the concrete, every limb that twists in a way that it shouldn't. You hear every plea for mercy, every sickening crunch of bone, every gasp and wheeze for air.
You witness it all, every time his boot comes down onto mangled limbs, every time his gloved hands drags back a man that tries to flee. He doesn't stop, doesn't offer a hint of compassion until the alley is silent, save for his heaving of his chest beneath his armor.
Only then does he turn back to you. You regret not running while you had the chance. But even as your knees shake and you curse your frozen state, you have the feeling he would have followed you if you had run.
He walks closer, your mind goes blank in fear, and he gently brushes his fingers over your cheek, observing the wetness that soaks into his gloves when he pulls his hand away. You didn't even realize you were crying.
"Did they… hurt you," he asks, words short and clipped and not at all comforting.
It takes all of your strength to will yourself into shaking your head. You're scratched up from being dragged, your head hurts from when it hit the wall, but telling him any of that? You're afraid of giving him any excuse to stay.
He studies you, judges you, and you do the same. His helmet glows eerily in the dim light of the alley, as red as the crimson bat on his back. He's not shaking anymore, but he doesn't seem calm either. You imagine he's still feeling the same adrenaline that's coursing through your veins. But you doubt he feels the same urge to get as far away from the situation as possible.
The silence drags on for too long, and you feel like you have to break it, get him to stop staring at you. Especially when it feels like he's picking you apart, like he knows exactly what's going on in your head. "Thank you," you settle on, words careful and quiet as you do your best to wipe the tears from your face.
He straightens out, a huff of a laugh filling your ears like he can't believe what he's hearing, "You're thanking me for killing them?"
"I'm thanking you for saving me," you correct, focusing your gaze on a random brick of the alley, doing your best to avoid looking at the carnage he laid waste behind him, to ignore the unnatural silence save for you and him.
He hunches back into himself, and you can't help but feel uneasy that he's still here, like he's waiting for something. "You shouldn't be out here," he tells you.
You think that's obvious enough and you almost want to roll your eyes, but your knees are still shaking, and you can't find the strength to push off the wall yet. So you nod instead, hoping he'll leave you to figure it out alone, to have a moment where you can let it all wash over you and just break down.
"I can take you home," he says, after another long moment of silence, voice flat without a hint of emotion to betray his true feelings.
That grabs your attention, pulling you out a spiral you didn't even realize you were in, "No, it's–" you start.
"You're scared of me," he cuts you off, demanding.
You think that this is obvious too. "Anyone would be," you admit reluctantly, and you hate that you feel like you're answering wrong, like he expects something different from you.
You watch as his fists clench than unclench, and his head ducks like he's lost in thought, "Fine. You're scared. Be scared," he lifts his head again, tone almost accusing, "It doesn't change that it's not safe for you to stay here, or that I'm taking you home."
"I can get myself back–" you begin, pushing yourself off the wall as your heart rate spikes. The last thing you want is for him to know where you live, for you to get involved in anymore people that wear the symbol of the bat. But your protests count for nothing when pain shoots up from your ankle, making your knees buckle under your own weight.
You wince, expecting to hit the cold concrete, but it's warm, leather covered arms that catch you instead, cradling you against sturdy armor.
You freeze, you think he freezes too, until he exhales softly, tension draining from his body, "You said you weren't hurt."
"I didn't think I was," you mumble, almost embarrassed as you brace your hands unsurely against his arms trying to push yourself back up onto your uninjured foot. You roll your ankle slowly, wincing quietly at the pain that radiates when you move it. You must sprained it at some point, you realize.
Red Hood just holds you tighter when you try to move, silent as if he's weighing his options. "I'll carry you," he tells you, already maneuvering you to lift you into his arms.
It just makes you squirm, uneasy over this stranger, how easy this all seems to be for him, "I don't need to be carried."
He sucks in a breath through his teeth, a noise you can only hear because he's holding you so close, and says your name like he's trying to find all the patience in the world to deal with you, "You didn't used to mind being picked up."
Your world tilts on its axis and he lifts you into his arms like his words didn't change everything– like the fact that he knows you means nothing at all. You should be scared, should be terrified of him, but you just feel resigned. It was only a matter of time before the consequences of knowing Batman– knowing Robin– caught up to you. Really you're just surprised it didn't happen sooner.
But something about his words itches at your skin. It's not far-fetched for him to know your name. What is strange, what's wrong even, is that he thought you wouldn't mind being carried. Because you didn't used to.
"Why do you know that," you ask, surprising yourself with how steady your voice sounds.
He doesn't answer for a moment, just carries you through the dark twist and turns of Gotham's alleyways, "Lots of people know your name," he decides on telling you, once you start to squirm in his arms.
"That's not what I asked," you protest, but even as you press him for details, you're starting to get more concerned about where he's bringing you than why he knows your name.
"I keep track of all of Batman's associates," he says, voice more strained than truthful, even through the modulator of his helmet.
"Is that why you wear the bat," you prompt, curiosity making you speak before you can think on your words, "Did you know him?" Honestly, while you don't claim to know all of Bruce's vigilante friends, you'd like to think you would have known about someone like Red Hood. (and really you would feel safer if he was a friend of Bruce)
His grip shifts on you, the only indicator that he's uncomfortable with your line of questions, "It's a reminder."
You both ignore how he avoids your second question. Even if he saved you, you still haven't gotten comfortable with the vigilante that attacked those men with such ruthlessness and precision. You start to ask another question, torn between wanting to know what it's a reminder of and wanting to know where he's taking you, before he cuts you off.
"Do you always interrogate the people trying to help you," he sighs out, head tipping down as if he's trying to get a look at your face.
"Only when I don't know where they're taking me after," you snark out, with more bite than you probably should have.
"I'm taking you home," he supplies, picking up his pace like he can't get rid of you fast enough.
"Whose home? My home? You know where I live," you rapid fire at him, throat tightening with panic.
He stumbles a little, a noise of alarm escapes the back of your throat, but he doesn't drop you.
"I– my home?" he tries, but you know it's a lie. He knows that you know he's lying, and his shoulders deflate a little when you start accusing him of it.
"You know where I live," you say slowly, voice sure and steady despite your fear.
"I know where lots of people live," he grumbles, and goes right back to his quickened walk, just shy of jogging and nearly jostling you in his arms.
"Is this some kind of revenge plot," you start, finality sinking into your bones, "Because if you're trying to get back at anyone– at Batman– I'm not gonna try to–"
He snorts, cutting off your words, and you note that it sounds unpracticed. His grip softness before he speaks again, "No, been there, done that. Didn't help. I really am just trying to get you home safe."
A part of you believes him, but a bigger part of you just wants to grab his helmet and rip it off his head. He's frustrating, and even as your apartment building comes into view, even as the ordeal comes towards an end, you find yourself wanting to know him.
It's a feeling in the pit of your stomach that you can't explain. He knows you. He knows– knew– Batman. And you want to know him, or at the least, how he's aware of all of it.
"Who are you," you breathe out, the sound barely a whisper. It's the one question that's truly been plaguing you since he said you didn't used to mind being carried. You can count the people who knew that on one hand. And for him to say it so casually, to say it like he's experienced it first hand, you don't like what it implies.
"Red Hood," he answers gruffly, voice clipped, "Do you think you can get up to your place by yourself?"
"No," you huff out, annoyance creeping into your face. In truth, you probably could limp your way up to your apartment, but you're not willing to let this go. Not when there's more to this– to him– than he's willing to share with you.
He stands still outside your building for a full thirty seconds before mumbling, "Fine," and carrying you inside. Neither of you try to start a conversation. You don't dig for answers when he presses the correct number for your floor in the elevator. You don't even get angry when he walks right to your door without asking for directions.
He starts to put you down, but even with the clear unease and tension in his body, he's still careful.
"Wait," you say quickly, "I need help wrapping my ankle."
"You know how to do that," Red Hood sighs out, annoyance clear as day in his voice.
"I forgot how," you lie. You know you're being stubborn, you know inviting him in is dangerous, but every part of you feels like you need answers from him. That knowing will solve something.
His silence is enough to pick up on that fact that he doesn't believe you in the slightest. But he doesn't try to pull away or leave when you lean into him and unlock your door. He doesn't even seem upset when you look up at him expectantly when the door swings open, he just loops an arm around your waist and guides you to the couch.
"Where's your kit," he asks once you've settled and seated.
"Bathroom," you supply easily, and he turns and walks in that direction without another word. It unnerves you that he knows where it is without you needing to guide him, but you can't say you're surprised.
He comes back with the first aid kit quickly, and kneels in front of you to carefully take off your shoe. Red Hood observes your ankle for a moment before he tugs off his gloves and starts to dig through your first aid kit for bandages.
It gives you a chance to observe him. His armor looks strong enough, but his jacket is full of rips and tears. His hood hides most of his helmet, but what you can see seems more technologically advanced than you expected. There's guns and knives strapped to his thighs and you think you see a grenade hooked to his waist. It all radiates danger.
You turn your attention to the rest of him. Even with the hunch in his shoulders, he's big. You think he might be as tall Bruce is– was. You get the distinct, strange feeling that you would like the color of his eyes.
His voice breaks the silence as he starts to wrap your ankle with calloused, warm hands.
"What," you ask dumbly, so lost in studying him, in the feel of his steady hands ghosting over your skin, you've missed what his words were.
"You should keep ice on it, about thirty minutes at a time. And elevate it until the swelling goes down," He repeats, movements practiced as he finishes tending to your injury, "You got that?"
You remember that well enough, Jason had more than his fair share of sprained ankles when you were growing up, but there's no point in sharing that when you're meant to be playing dumb. "Got it," you say confidently.
"Good," he murmurs, standing up faster than you expected, like he can't wait to get as far away from you as possible.
"Wait," you startle, grabbing his wrist, "You still never told me who you are."
"I never said I would," he half-growls at you, but he doesn't tear his arm away from your hold.
"What if I need to contact you," you counter, fingers tightening into the fabric of his jacket.
He lets out a heavy sigh, and for the first time he seems genuinely annoyed. Red Hood levels you with a glare you can feel even through his helmet and grits out, "Why would you need to contact me."
You almost drop your grip on him, feeling as uneasy as you did watching him beat your attackers, "Well– those men went after me– they knew who I was. That I knew Batman, I mean, Bruce. And if they can figure it out–"
"You don't have to worry about that," he tells you, voice softening at the nervousness you don't quite mean to show him, "I took care of it already."
That does get you to drop his wrist, "But there's more people out there than them. What if Two-Face decides I'm an easy target? Or Penguin gets out of jail. Or–"
He says name sternly, cutting off your rambling, "I took care of it already."
"You– what" you question, confusion and surprise spreading across your face.
"I took care of it," he repeats again, nothing but fierce, decisive truth in his voice, "Anyone who thought they could get to you. Anyone who wanted to use you because of your connection to– to them. I took care of it."
It stuns you, and half expect him to leave you to your shock. But he stands there waiting, patient as if he's ready and willing to face your fury or your understanding. "Why," is all you manage to ask.
"I owe you," he murmurs, like it's his greatest secret, "If it wasn't for me… If I hadn't– If we didn't–" he cuts himself off with a pained groan, "It doesn't matter. It's too dangerous for you to be involved in this."
"I'm good at keeping secrets, and I'm already involved," you breathe out, feeling like you're at the edge of the abyss, "I might as well have a bat branded on me, you know."
He shifts uncomfortably, and you feel like with just one push, everything will change. You need to know. You need to know why he's gone out of his way to keep you safe, why he's offered you so much help, why his fingers lingered over your skin while he wrapped your ankle.
His shoulders slump, defeated and drained, "I know. It'd be better if you just got out of the city."
"There's nowhere to go, even if there was, Batman has enemies everywhere," you say gently, shifting forward on the couch. "Please? I'm just– so tired of being in the dark." And it's the truth. You're exhausted by the radio silence from Dick and Tim and Barbara. You're sick of jumping at shadows, and you know it's not wrong to reach for something real– a raft in a storm.
His head snaps up at your plea, and he lets out a low, almost inaudible curse, "You won't like the answer, sweetheart. They say ignorance is bliss."
"Ignorance is a curse," you counter, eyes meeting the blank red of his helmet in quiet defiance.
"Just– don't freak out," he mumbles after a strained, heavy moment. You nod, and it takes a long, long minute for him to finally move. He reaches up, and the air disappears from your lungs. You expected him to tell you how he knew Batman, why he feels like he owes you, what he's been through to even want to care about your safety– not to reveal his identity. (Even if you had asked for it)
He removes his helmet, letting it hang loosely in his grip. And suddenly everything makes sense. Desperate, clear blue eyes stare right back at you. Red Hood– Jason Todd– clenches and unclenches his fists gaze unwavering as he waits for your judgement. When you offer none but silence, he speaks, "Do you understand now? Do you get why I took care of it? Why I'll keep taking care of it?"
"Jason," you finally manage to choke out, not bothering to hide the way your vision blurs with tears, "They said– I thought– I thought you were dead."
He cringes slightly, a pained look that scrunches his nose the exact same way it did when you were kids, "Yeah."
"You're not dead," you gasp and you don't mean to cry in front of him again, but your tears spill freely as the entire night, every awful thing that's happened since you've lost him, crashes over you, "You're not dead."
That breaks something in him, and he's back on his knees before you, cradling your face and wiping your tears with his thumbs without you even really registering that he's moving, "Yeah," he repeats, like it's the only word he can find in his vocabulary to say.
You press your palms to the back of his hands, distraught and frantic to keep him there, "I missed you."
A myriad of emotions flick over his face, disbelief, hurt, guilt, and a few you don't quite catch before he squeezes his eyes shut and mutters your name with such pain you want to scream, "I'm not– what you remember. I'm not good. You saw first hand what I'm capable of."
"I don't care," you stumble out quickly, "If you hadn't been there– if you didn't save me they would have–"
Your voice trails off when his finger tighten for the briefest second against your face, and his eyes open, flashing with a darkness you don't recognize, "I wouldn't have let them. It won't happen." His voice is hard, firm with certainty, and if the rage simmering under his voice was directed at you, you think you would have run.
But it's Jason, and the anger disappears as quickly as it comes once he starts drying your tears again. You exhale shakily and lean into his touch, relief outweighing any nerves settling in your stomach, "I'm glad you're here."
His fingers still over your skin for a moment before his fingers continue their soothing pattern against your cheeks and under your eyes, "Me too," he says softly, like admitting it too loudly will break something. His gaze darts to the window, and your heart drops in your chest.
"I don't want you to go," you plead, and before you think better of it, you push off the couch to bury your face in his throat, arms hooking around his neck like they're your last life line.
He stiffens, and you freeze. You messed up, you messed up and now he's going to hate you and he's going to leave and never come back and you're an awful person for even thinking he'd want to hug you and– and his arms come up to hug you back, crushing you to his chest.
He runs his hand up and down your spine, soothing you the same way he used to, "I'm not going anywhere, unless you want me to. Okay?"
You nod into his shoulder, the tension draining from your body. He's warm. You have no idea how you didn't catch on to the fact that it was him sooner. He still smells the same– save the gun powder– and he's still as gentle as he's always been when he touches you.
"I'm so sorry–" you choke out, pressing yourself as close as you can to him, wanting to hold him against you forever, to prove to yourself again and again that he really is alive.
"We don't have to do that," he murmurs, and you nearly melt when he presses a kiss to your temple, "We can save the apologies for later."
You find yourself nodding again, wanting to savor him, the moment, the feeling that for the first time in longer than you can remember, something like hope is blossoming in your chest. You giggle a little when an absurd thought crosses your mind, unable to stifle it.
"What is it," He– Jason– asks quietly.
"I need something new to do on Sundays now," you say into his shoulder, a smile forming on your face, "I used to– it's not funny– but I'd visit your grave then and now you're not dead and now I–"
"Don't have to," he finishes for you, gentle and almost fond.
You hum in agreement, even if it wasn't what you were going to say.
"We can do something," he offers, tucking you closer.
The suggestion makes you feel like you're floating on air, and longing wells in your throat, "Yeah?"
"Yeah," he echoes, and this time you do melt when he presses a kiss to the crown of your head, "We'll make a tradition of it."
"I'd like that," you admit, shy to reveal how much that means to you.
Jason squeezes your waist in answer, voice as tender as yours, "Me too."
Your smile grows wider despite yourself. You still have more questions that you can form right now, but Jason is rubbing slow, soothing circles against your back, and you can feel the steady rise and fall of his chest against yours. So, Red Hood can wait. Gotham can wait. Everything else can wait until you both start to stitch yourself back together in each other's arms.
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anyway trans women are women and trans men are men and both of these groups will always be welcome here
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Dogboy, not in a puppy way, but a guy-raised-by-wolves scrappy fighter guard dog with a rare subservient streak way
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