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I keep remembering a run of Hamlet I saw a few years ago, where the Ghost was costumed in full plate armour which was very noisy, and instead of muffling it, they had him crash across the stage, stomping so the whole set rattled, and he said all of his lines in a bellow, like he was furious with Hamlet.

And the thing that made it absolutely terrifying was that Hamlet was the only one who reacted. He was cowering, and covering his ears with both hands, and yelling to be heard over the noise.

And no one else seemed to know why he was doing that. The other actors didn't even raise their voices.

That's scary, something so loud and painful, and REAL, and the people around you don't even notice it, and think that you're the crazy one.

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Idgaf if you don't want to write essays for school. I don't care if you don't want to write corporate emails yourself. I don't care if you can't draw well, I don't care if you can't write well, I don't care if you just really really want to talk to your favorite fictional character but don't want to RP with a real person because you have social anxiety or whatever

If you're still regularly using generative ai, chatgpt or midjourney or character.ai or literally whatever the fuck, im personally blaming you when my utility prices start going up.

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Since we keep getting "live action" CGI remakes of already perfectly adequate animated movies, and because people need to understand that animation is a medium and not a genre, I have prepared this primer about the importance of Visual Language for Conveying Information.

Can you tell what the personalities of these two mice are?

Can you tell now?

Which of these two tigers feels safer to be around?

Which of these three dogs is the funniest one?

If you can answer these questions, then you already have experience with the idea of visual language and stylistic choices being used to impart narrative meaning. If you can understand why these choices were made to impart meaning, then you can understand why animation is a medium for telling stories that has its own inherent value, and is not merely a "placeholder" for the eventual implementation of photorealistic presentation (aka "Live Action" CGI). Animation does not need to be "corrected" or "legitimized" by remaking it into the most representational simulation of observable reality.

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that hotel california comic makes me lose my shit every single time & i’m so thankful for it honestly

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you: suck my dick me, an intellectual: inhale my richard

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Fuck it, post lamb stew slow cooker recipe

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Goncharov broke containment.

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hey did you know??? that if you stop stretching and maintaining mobility in your body then it goes away?? things get tight and you can't move the way that you used to??? and when you decide to try getting a stretch routine going that the first week fucking sucks because you keep going 'damn i used to be able to do this no problem' and then you have to switch gears and be kind to yourself and just focus on getting better from here instead of berating yourself for dropping the good habits in the first place??? and your body never stops aging so you gotta keep taking care of it and sometimes you gotta take care of it extra in certain areas because of things that happened when you were younger and it's boring and sometimes hurts but it's so necessary???

i am yelling this at myself right now i am going through An Experience (trying to get into a routine of body maintenance again for my physical and mental health)

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Today I discovered that a couple of TSH characters were based on actual people Donna Tartt knew at Bennington College- amongst them were students Todd O'Neal and Matt Jacobsen, who were the inspiration for Henry and Bunny respectively.

AND JUST—

There's even their own comments about it and it's so funny wait:

Here's the source

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Why do you think so many people ship Gale and Madge?

AHHHHH I am so excited you asked me this!! Forgive me but now I get to nerd out about writing!!

Ok, to understand exactly what I'm going to be talking about, I highly recommend this video about good romantic plots (it's about 20 minutes long). The video essayist uses Beauty and the Beast 1991 in comparison to the 2017 remake to as an example, showing why the original works and the remake fails despite using so much of the same storyline/dialogue. But tldw; good romance is a dance, where the characters go back and forth with one another, challenging each other and then coming together before pulling away and coming together again.

Katniss and Gale lack the push-and-pull that gets talked about in this video. Gale pushes, Katniss pushes back, and they end up further away from each other than before. It's this way through the trilogy until they're irreparably separated. Take this part of their first scene together (I'm taking just the dialogue for brevity):

"We could do it, you know," Gale says quietly. "What?" I ask. "Leave the district. Run off. Live in the woods. You and I, we could make it," says Gale. "If we didn't have so many kids," he adds quickly. "I never want to have kids," I say. "I might, if I didn't live here," says Gale. "But you do," I say, irritated. "Forget it," he snaps back.

Here, Gale makes a proposal: what if we ran away to the woods? Katniss is quiet, he feels her drifting away so he tries to correct it and brings up how difficult it would be with their families. This prompts Katniss to make a definitive statement about not wanting kids, which pushes Gale away since it interferes with his desire to partner with her. Gale offers his perspective as another little push, that he would want kids, and Katniss pushes him back again by reminding him he does live in Panem with the Games and he's irritated and pushes her away. Occasionally one of them might pull the other toward them (Gale's whipping and Katniss's prep teams, for example) but that's not enough to make up for all of the times they're pushing away from each other.

We only get one scene of Gale and Madge together, but there's more of that push-and-pull dance here:

"Pretty dress," says Gale. Madge shoots him a look, trying to see if it's a genuine compliment or if he's just being ironic. It is a pretty dress, but she would never be wearing it ordinarily. She presses her lips together and then smiles. "Well, if I end up going to the Capitol, I want to look nice, don't I?" Now it's Gale's turn to be confused. Does she mean it? Or is she just messing with him? I'm guessing the second. "You won't be going to the Capitol," says Gale coolly. His eyes land on a small, circular pin that adorns her dress. Real gold. Beautifully crafted. It could keep a family in bread for months. "What can you have? Five entries? I had six when I was just twelve years old." "That's not her fault," I say. "No, it's no one's fault. Just the way it is," says Gale. Madge's face has become closed off. She puts the money for the berries in my hand. "Good luck, Katniss."

We have Gale starting off with the first push. Rather than pushing back by snapping at him, she pulls him in with a challenge: looking nice when everyone (including potential sponsors) is important, so if it's a dig at her, she counter him. And Katniss notes Gale is confused. Madge has thrown him off! He engages in the dance by pushing again, noting how unlikely it is that she'll go to the Capitol. This has shut Madge down as Katniss notes, but this is their first interaction we see in the story, so it's only the starting point. It would be a good opportunity for Madge to get to pull him back in, especially after Prim was reaped with only one entry. We do see from this exchange that Madge can do the pull of the romantic dance with Gale while Katniss doesn't.

Adding in that Madge becoming interested in the woods and shooting after Katniss returns from the Games and then her going to give morphling to Gale after his whipping are the other hints that maybe Madge has feelings for Gale.

Gadge wouldn't happen in canon because it doesn't serve the theme of the just war theory, or Katniss's story. Gale had to maintain his romantic pursuit of Katniss as part of Katniss navigating her feelings about how to engage in war. Madge had to die to show that even a mayor and his family weren't safe from the government that they'd received some benefit from.

But in fanfiction? Their dynamic is RIFE with this potential for the romantic dance. Gale is never really able to engage in the humanity of those who had an advantage from him. Philosophically, he can see it's the Capitol pitting them against each other, but he resents Madge that she didn't have to put additional entries in the reaping ball. He doesn't appear to form bonds with anyone who has been given advantages by the Capitol, and he even grows more distant from Katniss as she can start affording nice clothes and more food (though obviously Peeta is part of this resentment, too). Gale never really understands why Katniss cares about her prep team, even though he tries to engage with them as a peace offering to her.

Pairing him with Madge makes him have to confront this and grow. If Gadge were to form a relationship, Gale would have to really put aside that resentment that holds him back. He would have to see Madge as a whole, not just the advantages she'd been given. And from the pin she gives Katniss to her family backstory to the morphling, you get the sense that Madge wants to rebel. Gale would make her confront the privilege she does have in this system and fight to change it. She would move from subtle acts of rebellion to fully participating in the fight. And seeing this play out with them challenging one another's viewpoints, sharing their life experiences, coming together to work as a team, has potential for really great character growth and exploration for both of them.

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Made the worst brownies ever created just now

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Can you imagine suing Boeing and coming home to find Boeing's faulty plane parts washed up in your backyard?

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Just checking.... We all pronounce Miette like My-TAY in our heads, right?

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william the conqueror: i shall take england for normandy and become its king

william the concurrer: i agree