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𓋤Chitra 𓋤

Beverly Johnson - Chitra ♍︎ ☉ Barbara McNair -Chitra☽

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I just realized that people tend to pick up more on nakshatra lords in others, which is why so many comparisons are made between individuals with different nakshatras but the same lunar lord. For instance, people compare Cailee Spaeny (Swati↑) to Audrey Hepburn (Shatabhisha), and I remember others wanting Zendaya (Ashwini☽) to play Aaliyah (Magha). Trine nakshatras definitely share physical traits as well as a similar aura.

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Learning to Die: An Interview with Jenny Offill

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Redneck (1973)dir. Silvio Narizzano

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haiku #15, tathev simonyan

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Purva Ashada & Elephant yoni consorts

Zoë Lund - Revati ☽ Purva Ashada ↑

Bianca Jagger -Bharani ☉ Purva Ashada ☽

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Blossom through the ruins.

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unknown, ‘73.

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as a ketuvian since theres this sense that youre not fully experiencing life, its just kind of falling through your fingertips outside of your view..... i find that making personal introspective art, or even just journaling is very beneficial. cause when you immortalize those things, on paper they shine back at you 3x at bright and you can come back to them at any time like a very poignant photograph, you know? more often than not the purpose of art isnt to make other people feel something, its just to make yourself feel something.

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The alchemical stone (the lapis) symbolises something that can never be lost or dissolved, something eternal that some alchemists compared to the mystical experience of God within one’s own soul. It usually takes prolonged suffering to burn away all the superfluous psychic elements concealing the stone. But some profound inner experience of the Self does occur to most people at least once in a lifetime. From the psychological standpoint, a genuinely religious attitude consists of an effort to discover this unique experience, and gradually to keep in tune with it (it is relevant that a stone is itself something permanent), so that the Self becomes an inner partner toward whom one’s attention is continually turned.

Marie-Louise Von Franz, Man and His Symbols: The Process of Individuation

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Gabriela Mistral, tr. by Velma García-Gorena, from Gabriela Mistral’s Letters to Doris Dana; “December 28, 1949”

[Text ID: “I hope for love, because I give it.”]

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floral set

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Barbara Bouchet in The Black Belly of the Tarantula (1971)

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