rafofakjkkj
rafaela
178 posts
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rafofakjkkj · 3 years ago
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@WE_THE_BOYZ: [JUYEON] Happy birthday Younghoon-ie hyung~ (1, 2, 3)
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rafofakjkkj · 4 years ago
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@bbangminton: #HYEONJONGS_BOARDINGHOUSE #GREAT_POSES #CLOSER_THAN_FAMILY
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rafofakjkkj · 4 years ago
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baby jaeyoon with his papa binnie
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rafofakjkkj · 4 years ago
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BAE JINYOUNG ❛ cix ++ more
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rafofakjkkj · 4 years ago
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Enjooyyyyyyy ❤️❤️❤️
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rafofakjkkj · 4 years ago
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merch / instagram / twitter
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rafofakjkkj · 4 years ago
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I Wouldn’t Look For You
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rafofakjkkj · 4 years ago
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#PaulKim x 1st Look
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rafofakjkkj · 4 years ago
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just go enjoy your life, 
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rafofakjkkj · 4 years ago
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rafofakjkkj · 4 years ago
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uma sociedade onde uma lágrima sequer é derramada já é mais medíocre do que a mente pode conceber.
— Yonlu
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rafofakjkkj · 4 years ago
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Kwak Dong Yeon as Jang Han Seo (ep.9)
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rafofakjkkj · 4 years ago
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rafofakjkkj · 4 years ago
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Björn Andrésen
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rafofakjkkj · 4 years ago
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“Is The Most Beautiful Boy In The World” (2021)
dir. by Kristina Lindström and Kristian Petri
The motives, the discomfit, the achievements of Luchino Visconti’s 1971 adaptation of Thomas Mann’s novella Death In Venice are a shifting tide. If it’s an uneasy watch now, it’s worth remembering this has always been the case. After all, it concerns an older man who becomes obsessed with a teenage boy, a child, and Visconti’s film made explicit something which Mann had circled with words. Now Kristina Lindstrom and Kristian Petri’s documentary makes something else clear: that behind the idealised beauty of Tadzio, the object of the dying composer Aschenbach’s obsession, was a real 15-year-old child.
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rafofakjkkj · 4 years ago
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feeling like s h i t
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rafofakjkkj · 4 years ago
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yuta | work it facecam 20201129
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