quillsnotes

[quillsnotes]

hey! i was wondering if you had any advice for writing a "bully" tough guy character with a hidden heart of gold that will be redeemed later on in the story? i wanted to have their motivation being seeing their bullying as making people stronger (for maybe a reason like from being bullied for being weak themselves) but idk how i would begin to write this

How to Write a Bully with Opportunity for a Redemption

Establish a Compelling Backstory

Bullying History: Flesh out the character's past. Perhaps they were bullied themselves, leading them to believe that by bullying others, they can instill strength and resilience. This creates a cycle of pain that they think they're breaking.

Family Dynamics: Consider their family situation. Maybe they have a tough home life that forces them to adopt a hard exterior, believing vulnerability is a weakness.

Defensive Mechanism: Make it clear that their bullying is a defense mechanism. They may fear being seen as weak or unworthy, so they project toughness to avoid being hurt again.

Create Layers of Personality

Contradictions: Show moments where the tough guy’s softer side shines through, such as helping someone in a subtle way or expressing empathy toward a friend. This builds intrigue and hints at their hidden depth.

Hobbies or Interests: Give them a passion that contrasts with their tough exterior, such as caring for animals, art, or even an interest in literature. This helps humanize them and shows they have more to offer than just their bullying behavior.

Develop Strong Relationships

Friendships: Explore the dynamics of their friendships. Do they have a best friend who sees through their tough exterior? This friend can be a source of support and also push the character toward redemption.

Conflict with Others: Show how their bullying impacts their relationships with other characters. This can create tension and give other characters a reason to want them to change.

Establish Their Motivation for Bullying

Internal Monologue: Use the bully’s thoughts to explain their perspective. Allow them to rationalize their behavior with phrases like “I’m just toughening them up” or “They’ll thank me later.” This internal justification provides insight into their mindset and shows that they genuinely believe in their method.

Dialogue with Others: Show conversations where the bully explains their philosophy to friends or peers. They might say something like, “You have to be tough to survive. I’m just giving them a reality check,” or “Weakness only gets you hurt.” This can illustrate their conviction that they’re helping rather than harming.

Interactions with Victims: When the bully interacts with their victims, allow moments where they express a twisted sense of encouragement. For instance, they might say something like, “You’ll thank me when you’re stronger,” or give unsolicited advice on how to handle being bullied, further solidifying their misguided belief.

In-Scene Justification: As the bully corners a victim, they might say, “You think this is tough? You should’ve seen what I went through. I’m making you stronger. You’ll thank me when you can stand up to people like me.”

Aftermath Reflection: After an intense encounter, the bully reflects, “Maybe I pushed them too hard. But if they break now, they’ll never survive out there. I can’t let them be weak.”

Confrontation with a Mentor: In a scene with a mentor or friend, the bully might insist, “I’m not a bad guy. I’m doing this for them. They need to be ready for the real world. They’ll understand one day.”

Build Moments of Realization

Catalyst for Change: Identify key moments that can serve as turning points for the character. Perhaps they witness the consequences of their actions firsthand, such as a target of their bullying breaking down.

Moment of Kindness: Have them perform a small act of kindness that contradicts their tough persona. This could be something like defending someone who’s being bullied or comforting a classmate in distress.

Craft a Redemption Arc

Struggle with Self-Perception: As they start to recognize their wrongs, explore their internal conflict. They might grapple with feelings of guilt or shame, unsure how to change.

Facing the Consequences: Introduce scenarios where they face the repercussions of their past actions. This can lead to a moment of humility, where they apologize or make amends.

Support from Others: Allow other characters to help guide their transformation. Perhaps someone who was bullied approaches them and expresses that they see potential in them, encouraging a new path.

Highlight the Heart of Gold

Acts of Courage: In the climax, have them step up to protect those they’ve bullied, showcasing their newfound understanding of strength and vulnerability.

Positive Impact: Illustrate how their change positively affects others. This can be through friendships, mentorships, or even inspiring other characters to change as well.

End on a Hopeful Note

New Identity: Conclude the character's arc by showing them embracing their softer side while still retaining the tough-guy persona, proving that they can be both strong and kind.

Forgiveness: Allow for forgiveness from those they’ve wronged, reinforcing the theme of redemption and growth.

Example Character Arc:

Initial Setup: Jake is known as the school’s tough guy, bullying anyone he deems weak, believing it will make them stronger.

Backstory Reveal: Through flashbacks, we see Jake bullied mercilessly for being small and weak, leading him to adopt his aggressive persona.

Turning Point: After witnessing the severe impact of his bullying on a classmate, Jake begins to reflect on his actions.

Redemption Moment: In a climactic scene, Jake defends the same classmate from a new bully, proving he’s changed.

Resolution: By the end, he’s mentoring younger students, using his experiences to help others find their strength rather than tear them down.

[quillsnotes]

Writing Notes: Anxious Attachment Style

Common Anxious Thoughts, Emotions, and Reactions

THOUGHTS

Mind reading: "That’s it, I know s/he’s leaving me."

All-or-nothing thinking: "I’ve ruined everything, there’s nothing I can do to mend the situation."

"I’ll never find anyone else."

"I knew this was too good to last."

"I have to talk to or see him/her right now."

"S/he can’t treat me this way! I’ll show him/her!"

"S/he is so amazing, why would s/he want to be with me anyway?"

"I knew something would go wrong; nothing ever works out right for me."

"S/he’d better come crawling back to beg my forgiveness, otherwise s/he can forget about me forever."

"Maybe if I look drop-dead gorgeous or act seductive, things will work out."

Remembering all the good things your partner ever did and said after calming down from a fight.

Recalling only the bad things your partner has ever done when you’re fighting.

EMOTIONS

Sad ⚜ Angry ⚜ Fearful ⚜ Resentful ⚜ Frustrated

Hopeless ⚜ Despairing ⚜ Jealous ⚜ Hostile ⚜ Vengeful

Guilty ⚜ Self-loathing ⚜ Restless ⚜ Uneasy ⚜ Humiliated

Hate-filled ⚜ Uncertain ⚜ Agitated ⚜ Rejected ⚜ Depressed

Unloved ⚜ Lonely ⚜ Misunderstood ⚜ Unappreciated

ACTIONS

Act out. ⚜ Attempt to reestablish contact at any cost.

Pick a fight. ⚜ Threaten to leave.

Wait for them to make the first reconciliation move.

Act hostile—roll eyes, look disdainful.

Try to make him/her feel jealous.

Act busy or unapproachable. ⚜ Act manipulatively.

Withdraw—stop talking to their partner or turn away from him/her physically.

Attachment classifications come from watching babies’ behavior.

Below is a short description of how anxious attachment style is defined in children. Some of their responses can also be detected in adults who share the same attachment style.

This baby becomes extremely distressed when mommy leaves the room.

When her mother returns, she reacts ambivalently—she is happy to see her but angry at the same time.

She takes longer to calm down, and even when she does, it is only temporary.

A few seconds later, she’ll angrily push mommy away, wriggle down, and burst into tears again.

Where Do Attachments Styles Come From?

Initially it was assumed that adult attachment styles were primarily a product of your upbringing.

Thus, it was hypothesized that your current attachment style is determined by the way in which you were cared for as a baby:

If your parents were sensitive, available, and responsive, you should have a secure attachment style; if they were inconsistently responsive, you should develop an anxious attachment style; and if they were distant, rigid, and unresponsive, you should develop an avoidant attachment style.

Today, however, we know that attachment styles in adulthood are influenced by a variety of factors, one of which is the way our parents cared for us, but other factors also come into play, including our genes and life experiences.

Source ⚜ More: On Attachment ⚜ References ⚜ Avoidant Attachment

[quillsnotes]

Hi do you by chance have any prompts for describing the city (especially at night)? I'm looking for like a futuristic fantasy setting if that makes sense. Thanks!

Describing a City at Night

-> feel free to edit as you see fit.

The city glowed with neon veins, casting a strange, electric light over towering spires that scraped the sky. Holographic advertisements danced across windows while streams of fog curled through alleyways like rivers of light. Above, drones drifted lazily, their shadows weaving patterns on the streets below, creating an endless maze of pulsing, glowing reflections.

The skyline stretched sharp and unbroken, towers of glass and steel rising in clean, geometric lines against the sky. Windows glowed softly, each one a story of someone working late or an empty office left on standby.

In the dead of night, the city seemed to take on a different rhythm: quiet but with an underlying hum of energy. Few people walked the streets, but the occasional flicker of a phone screen or quiet murmur from an all-night café hinted at life. The shadows of the alleys were cut by security lights, giving them a strobe-lit effect, while the dull glow from rooftop gardens and balconies softened the city’s sharp edges.

A canal snaked through the heart of the city, the water dark and reflecting neon signs from towering skyscrapers above. Sleek boats glided quietly, transporting passengers between stops along the waterfront, each boat’s headlights cutting clean lines through the night. Pedestrians strolled along the edge, pausing to take photos or enjoy the city’s lights reflected in the gentle ripples below.

Even at 3 a.m., the city streets were alive, the constant flow of traffic muted yet steady as it moved beneath rows of LED streetlights. All-night coffee shops and convenience stores dotted the blocks, their windows spilling soft light onto the sidewalk. Pedestrians, many lost in their own world of screens and earbuds, walked with purpose, the occasional laughter or conversation blending into the endless hum of the city’s heartbeat.

[quillsnotes]

Do you have tips on how to make a good dialogue?

Writing Tips & References: Dialogue

How to Write Dialogue ⚜ Tips for Better Dialogue

How to Write Funny Dialogue ⚜ Children's Dialogue

Components of Effective Dialogue ⚜ Dialogue in Novels

Formatting Dialogue ⚜ Tips on Dialogue (by Rick Riordan)

Functions of Intonation ⚜ Paralinguistic Features

Writing Arguments ⚜ Writing Character Accents

What Good Dialogue ISN'T ⚜ Ways of Saying No

Nonsense Words ⚜ Swearing & Taboo Expressions

Editing Dialogue

[quillsnotes]

Writing Advice: How To Add Forshadowing

Forshadowing is an excellent writing tool in your writing arsenal that allows you to look incredibly smart while simultaneously slapping your audience in the face with the realization that the answer was in front of them this whole time!

For @melda0m3, I'm going to be giving you some broad strokes about to add forshadowing into your stories

I'm going to hope you understand what forshadowing is but if you don't then: Forshadowing is a suggestion but not outright prediction of future reveals and events

A) Work Backwards

A lot of people say to add forshadowing after the chapter/book is written but before you post it since then you can go back and organically add in those small details that make you seem like a genious without accidentally pulling the curtain too far back.

I recommend a combination of both. Write from the belly of a character, if you will. Let them naturally guide their proclivities and then try to paper them over.

For example, Character A is trying to pretent that they were born into wealth but they weren't. Their natural tendency is to side with the underdog. To tip the waiter a normal amount. To do average not-rich shit. Having Character A accidentally be a normal person and then disguise this as a mistake or an expression of empathy/intelligence/stupidity what have you can serve as forshadowing.

By putting forshadowing in at a later point or as an organic development that you run past like it's just background information allows you to steer your audience away from the true purpose of that information.

B) It's Just A Little Off

This mostly applies to situations where a character is trying to pretend to be something they aren't.

A neglectful mother grabs her child just a bit too hard to be normal.

A previously cowardly character is suddenly taking the lead

A seemingly innocuous woman knows her way around the house a bit too well

A previously good person starts suggesting things that have a tendency of backfiring on the rest of the cast

It's pretty simple and I could just go on and on about different types of characters revealing that they aren't the person they are pretending to be and that they might just know more than they are letting on.

These forshadow clues might be:

An unexplained phobia that seems silly at first until the tragic backstory behind it is revealed

A beautiful piece of jewlery sitting on a petty thief

Hypocritical behavior

A random moment that seems out of character

[quillsnotes]

Non-fatal injuries for characters

Bring the pain

I’d like to preface by saying I am not a doctor do not take anything seriously. This is referring to FICTIONAL CHARACTERS ONLY.

LEAST serious (you can shrug it off after a bit)

—Cuts

—scrapes

—Tooth knocked out

—Jammed fingers (yeah this might depend but usually it’s not that bad)

—Bruising

—Bites (assuming the animal is non poisonous)

See a doctor but you should be good

—Broken/fractured

—Hard punches to vulnerable areas (not including head, ex: anywhere that has been injured before, stomach, etc)

—A (failed) attempt at any kind of bodily harm (attempted strangulation, poisoning, stabbing)

—Slight burns

—Tissue injuries

GET THE HOSPITAL ON THE PHONE GO GO GOOOOO

—Whiplash

—Deep stabbings

—Any kind of head damage

—Electric or chemical burns (or any kind of 3rd degree burns)

If you’re looking for a particular injury, be sure to do your own research and learn all of the different symptoms that may come with it.

I am not a doctor

[quillsnotes]

advice for a character who grips control like a lifeline. who wants to be in charge of every little thing because whenever they're not in control of something something bad could happen. has happened. they can't let a single variable be wild or in someone else's hands

How to Write a Controlling Character

Backstory Rooted in Trauma or Guilt

This character likely has a history that has ingrained the belief that they must be in control or face devastating consequences. Perhaps they once trusted someone else with something crucial—a promise, a responsibility, or a life-altering choice—and that trust was broken in a way that had lasting repercussions. For example, maybe they lost someone because they weren’t “careful enough,” or they experienced a betrayal when they trusted another person’s plan.

They might frequently flash back to this moment, possibly catching themselves thinking, If only I’d been the one in control, this wouldn’t have happened. This memory fuels their need to keep a tight grip on everything, especially if they’re in high-stakes situations.

Rigid Daily Routines and Habits

This character’s day is probably packed with small rituals and routines that give them a sense of security. From double-checking door locks to setting multiple alarms, they rely on routines to give themselves a sense of order. In fact, they might be nearly ritualistic about small actions—checking emails three times before sending, never leaving a task halfway finished, or meticulously arranging their workspace.

Even something as simple as making coffee can become a precise process. If someone moves one of their tools or a file from their desk, they may feel a spike of frustration or even anxiety, seeing it as a disruption to their personal “system.” They could feel that control in their daily life is the only thing keeping chaos at bay.

Intensely Observant of Details and Mistakes

They are hyperaware of mistakes or inefficiencies in others, mentally cataloging things like a coworker’s slight lateness or a friend’s disorganization. They may feel a sense of superiority (or frustration) over people who don’t “have it together” and take it upon themselves to organize or “fix” things for others.

In conversation, they might cut people off or “correct” them even over small points, often justifying this to themselves as necessary. For instance, if someone shares a plan that seems half-formed, this character could immediately dive in, pointing out potential problems or filling in details.

Controlling Relationships and Social Situations

This character struggles in relationships where they aren’t the dominant or organizing force. They might instinctively take over when making plans with friends, micromanaging even casual hangouts to make sure everything goes “right.” For example, they might pick the restaurant, plan the travel route, and check weather forecasts—assuming that if they don’t, no one else will think of these things.

When someone resists their attempts at control, they can respond defensively, often turning cold or resentful, unable to understand why anyone wouldn’t want them to manage the situation. Statements like, “Fine, but don’t blame me if this doesn’t go well,” are frequent in their interactions.

Extreme Anxiety or Panic When Control Is Taken Away

When things go beyond their reach, this character might experience panic, as if they’re suddenly powerless. For instance, if an unexpected roadblock prevents them from handling a task (like a canceled flight they needed to board, or a plan that falls apart), they might spend hours trying to regain control, calling every contact or frantically exploring alternatives.

Their reaction may feel extreme to others. Even minor setbacks—such as a colleague taking initiative on a project or a friend planning something without consulting them—can trigger a disproportionate response, like clenching their fists, pacing, or silently stewing as they feel the situation “slipping.”

Inability to Accept Help or Collaboration

Their controlling nature makes it hard for them to collaborate, as they believe their methods are the only ones that work. For them, accepting help feels like an admission of weakness or failure, so they rarely delegate or ask for assistance. If they do reluctantly accept help, they are constantly supervising or “suggesting” things, making it feel more like they’re still in charge.

In a team setting, they might take on all the major tasks, either out of distrust in others’ abilities or a feeling that no one will match their standards. Their motto could be something like, “If you want something done right, do it yourself,” even if that means working late or burning out.

Reluctance to Show Vulnerability or Need

Since vulnerability and control rarely coexist for them, they avoid showing weakness at all costs, preferring to mask stress or struggles as “just part of the job.” If they do become overwhelmed, they’re more likely to shut people out, saying, “I’ve got it handled,” even if it’s far from true.

When people push them to let go or share the load, they might lash out, accusing others of “just not understanding.” They often see their intense responsibility as a form of sacrifice, justifying their behavior with, “If I don’t handle this, who will?”

[quillsnotes]

Writing Angry Scenes: Tips to Avoid Melodrama and Make It Real

Anger can be one of the most intense, relatable emotions to read—and one of the trickiest to write. When handled well, an angry scene can pull readers deep into the emotional world of a character, building tension and driving the story forward. But when handled poorly, anger can easily slip into melodrama, making the character’s feelings seem overblown, forced, or even cringe-worthy.

So how can you avoid these pitfalls and write anger that feels real and compelling? Here are some tips to make angry scenes powerful without overdoing it.

1. Understand What Fuels Your Character’s Anger

To write anger authentically, you need to understand its roots. People get angry for complex reasons—fear, frustration, betrayal, grief, and even love. Ask yourself what’s truly driving your character’s anger. Are they afraid of losing control? Do they feel abandoned or misunderstood? Are they hurt by someone they trusted? Anger rarely exists in isolation, so dig into the deeper emotions fueling it.

When you understand the core reasons behind a character’s anger, you can weave those nuances into the scene, making the anger more relatable and layered. Readers will feel the depth of the character's rage, not just the surface heat of it.

2. Show, Don’t Tell—But Don’t Overdo It

“Show, don’t tell” is classic writing advice, but it’s especially crucial in angry scenes. Don’t rely on generic phrases like “She was furious” or “He clenched his fists in anger.” Instead, look for unique ways to convey how this specific character experiences anger. Maybe their voice drops to a deadly calm, or their eyes narrow in a way that makes everyone around them uncomfortable.

That said, showing too much can backfire, especially with exaggerated descriptions. Over-the-top body language, excessive shouting, or too many “flaring nostrils” can tip the scene into melodrama. Use body language and physical cues sparingly and mix them with subtler reactions for a more realistic portrayal.

3. Use Dialogue to Reveal Hidden Layers

People rarely say exactly what they feel, especially when they’re angry. Angry dialogue isn’t just about yelling or throwing out insults; it’s an opportunity to show the character’s deeper thoughts and vulnerabilities.

Consider using controlled, icy responses or unexpected silences. Maybe your character says something hurtful in a low voice rather than screaming. They might express sarcasm, avoidance, or even laugh at the wrong moment. Anger often carries hidden layers, and using these nuances can help your character’s dialogue feel genuine, even haunting, without falling into dramatic clichés.

4. Control the Pacing of the Scene

The pacing of an angry scene can be the difference between a powerful moment and a melodramatic one. In real life, anger doesn’t always erupt instantly; it can simmer, spike, or deflate depending on the situation and the character’s personality. Experiment with different pacing techniques to create tension.

You might build the anger slowly, with small signs that something’s brewing. Or maybe the character explodes suddenly, only to calm down just as quickly, leaving a chill in the air. Controlling the pace helps you control the reader’s emotional engagement, drawing them in without overwhelming them.

5. Avoid Clichéd Expressions and Overused Reactions

When writing anger, avoid falling back on clichés like “seeing red,” “boiling with rage,” or “blood boiling.” These phrases have been overused to the point that they lose their impact. Instead, get creative and think about how your character’s anger might feel specifically to them.

Maybe their skin feels prickly, or their jaw aches from clenching it. Think about details that are unique to the character and to the moment. By focusing on small, unique sensory details, you’ll help readers feel the anger rather than just reading about it.

6. Let the Setting Reflect the Emotion

The setting can be an effective tool to amplify a character’s anger without overstating it. Small details in the environment—such as the hum of a refrigerator, the slow ticking of a clock, or the distant sounds of laughter—can create a sense of contrast or isolation that heightens the character’s rage.

For example, imagine a character seething in a peaceful park or a quiet library. The calm of the surroundings can make their anger feel more potent. Or maybe they’re in a crowded, noisy room where they feel unseen and unheard, which fuels their frustration further. This use of setting can add depth to the scene without the need for dramatic gestures.

7. Let Consequences Speak for Themselves

An effective way to avoid melodrama is to let the consequences of the anger show its intensity. Characters don’t always have to yell or physically react; sometimes, a single choice can convey more than any outburst.

Perhaps your character cuts off a close friend or says something they can’t take back. Maybe they throw away a meaningful object or walk out in silence. By focusing on the consequences of their anger, you can reveal the impact without over-explaining it.

8. Let the Emotion Simmer After the Scene Ends

Anger is rarely resolved in a single moment, and its effects often linger. When writing an angry scene, think about how it will affect your character moving forward. Are they holding onto grudges? Do they feel guilty or exhausted afterward? Does their anger transform into something else, like sadness or regret?

Allowing the anger to simmer in your character’s mind even after the scene ends creates a more authentic and layered portrayal. It shows that anger is complex and doesn’t just disappear the moment the scene is over, adding emotional weight to both the character and the story.

[quillsnotes]

Hello! Can you help me and/or give me examples of how to write a pre-teen? Specifically a slightly mature for their age but still socially-awkward, selfless, empathetic, extroverted 10-year-old

How to Write a Pre-Teen

Voice and Language

Simple but specific vocabulary: Pre-teens might not use very complex words, but they often know and throw in some “big words” they’ve recently learned or mimic words they hear adults use. Don’t overdo it, though—they’ll often misapply or half-understand these terms, which can create natural, humorous moments.

“It’s totally, like, a catastrophe that I forgot my project.”

Expressive dialogue: Pre-teens are enthusiastic and often exaggerate. They can also shift quickly between emotions, from excitement to frustration.

“That was the best movie ever!” might turn into “Actually, I mean, it was kinda boring in some parts, but, you know, overall…”

Thoughtful yet blunt: Kids this age often haven’t fully learned the “filters” adults use. They can be direct and say things that are surprisingly insightful or unexpectedly honest.

Thoughts and Perspective

Developing identity and opinions: They’re beginning to form their own beliefs but still echo the views of family, teachers, or friends.

“Mom says people should never lie, but I wonder if little lies are okay if they help people feel better…”

Questioning and introspective moments: Pre-teens are curious about life, relationships, and “big ideas.” They may ask questions, but sometimes keep their deep thoughts to themselves, exploring them internally.

“If friends are supposed to be there for each other, why do I feel alone even when they’re around?”

Struggle with abstract concepts: At this age, they’re just beginning to understand abstract ideas like justice or friendship but often approach them in straightforward, literal ways.

Behavior and Actions

Impulsivity and energy: They might shift quickly between activities and emotions, getting distracted or excited without much control over it. They may also blurt out ideas or act before thinking, especially if they’re extroverted.

For instance, a character might immediately jump up to help someone even if they aren’t sure what to do, or they might “borrow” something without fully considering the consequences.

Physical awkwardness: Pre-teens can be a bit clumsy as they’re still growing into their bodies. This can lead to endearing, awkward moments.

They might knock something over, trip over their own feet, or feel self-conscious in ways that show they’re still figuring themselves out physically as well as socially.

Friendships and Social Dynamics

Navigating social rules: Pre-teens are very aware of social “rules” but may not fully understand them. This is an age when they care a lot about what their friends think, but they’re also just beginning to question these dynamics.

A pre-teen might want to befriend the “cool” kids but feel conflicted when they realize their values don’t align. Or they may try too hard to impress friends and feel self-conscious afterward.

Conflicted loyalties: Friendships are often intense at this age, and they might struggle with conflicting feelings if friends argue or if they feel left out.

“I really like hanging out with Sarah, but I know Emma doesn’t. Maybe if I can make them both laugh, we could all just… get along?”

Small gestures: Pre-teens often show they care in understated ways, like sharing snacks, giving a small gift, or cheering someone up when they’re down. For a socially-awkward pre-teen, these gestures may come out clumsy but sweet.

Insecurity and Self-Awareness

Self-consciousness mixed with bravery: Pre-teens often fluctuate between trying to fit in and wanting to stand out. They might do something brave but then doubt themselves or quickly retreat if things don’t go as planned.

For instance, a character might volunteer to speak in front of the class only to feel panicked once they’re in the spotlight.

Hyper-awareness of themselves and others: They’re beginning to notice how others perceive them and may get flustered easily or worry about little things, like if their clothes look okay or if they sounded silly.

“I shouldn’t have laughed like that… I bet everyone thought I sounded so weird.”

Joking as a defense: Pre-teens often use humor to cope, covering up their awkwardness or discomfort by making jokes.

Reactions to Conflict and Emotion

Quick emotional shifts: They might go from laughing to frustrated to embarrassed in just a few minutes. They feel emotions intensely and may have outbursts or react strongly to things adults might dismiss as minor.

Heroic ideals vs. real-world disappointments: Many pre-teens have an idealized view of right and wrong, fairness, and heroism, and they may be disappointed when things don’t align with these ideals. They’re just starting to understand that people aren’t all good or all bad.

“I don’t get it… why would she lie about something like that? Friends are supposed to be honest!”

[quillsnotes]

3 tips to writing character flaws

1) make their flaw congruent with the rest of who they are.

There’s a lot of different ways to do this, most commonly I’ve seen the “their strength is their flaw” which you can do but I’d recommend exploring it more deeply.

For example, maybe they’re good at attacking things head on, being honest and straightforward, but because they’ve always relied on that they don’t have the practice or an inclination to rely on other methods such as being more crafty, diplomatic, and subtle which are traits a situation sometimes calls for. I call this the “wrong tool for the job” flaw where an over-reliance on their strength handicaps them in situations where a different approach seems better suited. I think people and characters also just have a habit of using their tool for the job rather than the ‘best’ tool.

2) Don’t just tell us their flaw, show it.

Show this character trait coming out in their actions, have it influence the plot in key moments. If they’re reckless, don’t just have another character call them reckless, have them act reckless in a way that impacts their relationships with other characters or the plot.

3) Screw the whole “strengths vs flaws” thing altogether

try viewing character traits outside of a rigid binary of good and bad that you pull from a deck, and instead derive/connect them to deeper truths about who the character is, (how do they deal with problems/what is their ‘go-to’ method? what do they value? what are they skilled or unskilled at? what do they believe about the world and themselves?) and then why the characters is that way (note that it doesn’t all have to come from trauma. Please don’t attribute everything to a trauma. General life experience informs a lot of beliefs/traits, and then some is also just an inborn inclination) I have a longer post about how I tend to try to build a cohesive layout of who a character is.

Note as always, that these just things that I currently find helpful. Use or discard as works for you and your work. Happy writing!

[quillsnotes]

Hii!! I came across your blog and immediately followed since I thought I might needed some help with my fanfics, and if there's one thing I'm bad at is describing fight scenes with like guns or magic, I've been struggling to write it and did some practices and didn't like how they came out, I'm hoping if you can do some fighting prompts, I hope this isn't too much!!

How to Write Fight Scenes

-> check out @howtofightwrite , they are an excellent resource for writing realistic fight scenes.

Set the Stakes Early

Why are they fighting? Establish the stakes of the fight clearly before it begins. If the reader understands what’s at risk, they’ll feel more invested. Stakes could be personal (revenge, survival), emotional (protecting a loved one), or strategic (achieving a mission).

Use the Environment

Incorporate the setting to add depth and realism. Are they fighting in a cramped alley, an open field, or a crowded city street? Describe how the environment affects movement, line of sight, or weapon use.

Vary Sentence Length for Pacing

Short sentences create tension and speed, while longer sentences allow for brief moments of reflection or description.

Incorporate Sensory Details

Highlight the senses beyond sight to ground the reader in the fight. Describe the smell of sweat, the metallic taste of blood, the weight of a sword, or the deafening roar of a gun.

Example: “Her ears rang as the blast reverberated around the alley. Smoke filled her nose, thick and choking, but she ignored it, tightening her grip on her weapon.”

Focus on Key Moments, Not Every Movement

Avoid blow-by-blow descriptions. Instead, highlight critical moves, reactions, and turning points to keep the scene flowing and avoid overwhelming the reader.

Show Physical Strain and Fatigue

Fights take a toll, especially over time. Show characters struggling to keep up, panting, sweating, or even stumbling as exhaustion sets in.

Example: “Her arms ached, each swing feeling heavier than the last. Her breathing came fast, ragged, but she couldn’t stop now.”

Capture Emotions and Mindset

Mix action with glimpses of your characters’ thoughts and emotions. This adds depth and reminds readers why the fight matters.

Describe Injuries Believably

Injuries impact the pace and intensity of a fight. Showing injuries realistically adds tension and makes victories feel hard-won.

Example: “She hissed as pain flared in her side where his blade had grazed her. Her vision blurred, but she forced herself to stand, one hand pressed to the wound.”

Build Up to a Climax

As the fight progresses, increase the stakes and bring tension to a peak. This could be a devastating blow, a risky last-minute decision, or a surprising twist.

Example: “He was backed against the wall, nowhere left to run. She raised her hand, a final spell crackling in her palm, the light casting a fierce glow in her eyes.”

Conclude with a Realistic Aftermath

Show the immediate aftermath of the fight: physical exhaustion, injuries, and the character’s emotional response. If they won, are they triumphant, relieved, or traumatized? If they lost, what happens next?

Fight Scene Prompts (with Magic)

-> feel free to edit and adjust pronouns as you see fit.

As they crept down the dim hallway, the flash of gunfire exploded from behind, forcing them to dive to the ground, bullets ricocheting off the walls around them. She barely had time to pull her weapon, pressing her back to the wall as footsteps drew closer. With a steadying breath, she waited for the right moment, then spun, firing off two rounds that hit their marks with surgical precision. The hall fell silent, the smell of gunpowder hanging in the air.

Electricity crackled around his hands as he stalked toward his opponent, energy building in his fingertips. She mirrored his stance, blue flames licking up her wrists as her gaze narrowed. He made the first move, sending a bolt of lightning in her direction, but she countered with a quick flick of her wrist, sending the flames forward like a living shield. Sparks flew as their magic collided, the force of it rattling the metal beams around them.

He ducked behind the dumpster as gunfire erupted, bullets pinging off the conjured barrier that surrounded him. He gritted his teeth, feeling the strain as his shield flickered with each impact. His opponent advanced, shouting taunts over the noise, but he focused, raising one hand to push the barrier outwards, turning it from defense to offense. With a growl, he flung the shield forward like a battering ram, the force slamming his opponent back against the alley wall.

They ascended into the night sky, wind whipping around them as spells flew between them like streaks of fire. He could barely keep up, dodging her relentless attacks as the city lights twinkled below. Finally, he unleashed a burst of energy from his hands, the force spiraling outward in a shockwave. She managed to deflect it just in time, retaliating with a beam of light that sliced through the night like a comet, forcing him into a desperate mid-air roll to avoid it.

[quillsnotes]

words for when your characters are ________

Eating

absorption, chew, contract, crunch, deplete, diet, dig in, dispatch, draft, exhaust, feast, finish, glut, gobble, gormandize, graze, guzzle, ingest, nibble, nosh, peck, polish off, prey on, quaff, sip, stuff, take, tear down, wolf, xerophagy

Moving

bob, careen, circulate, contort, curl, dandle, descend, dislocate, displace, drift, entwine, fidget, flourish, haul, loop, oscillate, paddle, pivot, pulsate/pulse, revolve, rock, rotate, skirt, topple, transport, tumble, twine, uproot, waft, waver, wheel, wield

Moving quickly

barge in/barge into, bolt, bustle, coast, dart, decamp, flash, flinch, flutter, gallop, glide, hurry, hustle, jiggle, make off, plunge, prance, rebound, ricochet, run, scamper, scramble, shake, shudder, skedaddle, skip, slide, slither, speed, sprint, storm, swerve, tear, twirl, wag, whiz, wobble, zip, zoom

Moving slowly

amble, creep, dalliance, decline, dilly-dally, hobble, knock about/knock around, laggard, linger, lumber, meander, plod, prowl, ramble, reel, saunter, slink/slither, sneak, steal, stroll, tarry, tramp, waddle, wander

Vocalizing

accent, bark, bellow, cackle, chant, chortle, clamor, cry, drone, giggle, growl, guffaw, harmonize, howl, laugh/laughter, locution, mumble, mutter, parrot, roar, shout, shut up, snap, snicker/snigger, squawk, stutter, voice, whimper, whistle, yammer, yowl

NOTE

The above are concepts classified according to subject and usage. It not only helps writers and thinkers to organize their ideas but leads them from those very ideas to the words that can best express them.

It was, in part, created to turn an idea into a specific word. By linking together the main entries that share similar concepts, the index makes possible creative semantic connections between words in our language, stimulating thought and broadening vocabulary.

Source ⚜ Writing Basics & Refreshers ⚜ On Vocabulary ⚜ Part 1

[quillsnotes]

kissing all scholars who upload their papers to academia edu or research gate on the lips

[quillsnotes]

10 Ways to Ensure Your Villain's Evil Monologuing Dialogue is as Unsettling as Possible!

1.) Make sure you're mixing body language with the words themselves: You can have your villain saying the most twisted shit, but if they're just standing there like a cardboard cutout, their words probably aren't going to hit as hard. Have them touch your protag. Have them toy with a weapon as if they're going to use it. Have them pace. Have them put together the blood ritual they're ranting about. Keep them moving.

2.) Have them use personal knowledge as a tool: Does your villain have some deep dark dirt on your protag? Don't let that all go in one swoop. Let them hint at it in drops before they open the dam. Maybe they use that knowledge as a bargaining tool to get an upper hand, or use it to send the trapped protag into a frenzy because they love to watch them scream.

3.) When it comes to threats, certainty is key: A threat is a threat, but there's nothing like a threat being spoken as if the villain knows it's going to happen. Whether your villain has already caught your protag, or is in the process of doing so, everything they say they want to see happen to your protag needs to come with absolute certainty. Almost as if it's a certain warning, and not an empty threat.

4.) Contradictions are your friend: Nothing indicates a warped villainous mind more than some juicy contradictions. Your villain might be talking about how they're going to flay your protag's hide after catching them in their dungeon, only to throw in a subtle "but, you're probably safer here with me." Find ways to toss in twisted contradictions that also underline the crazy shit they might be saying.

5.) Mess with syntax: Unsettling dialogue calls for unsettling structure. Incomplete sentences, unforeseen pauses, longwinded explanations broken up by more unforeseen pauses. Whatever it is, keep the rhythm offbeat. Don't give your reader a chance to be able to tell what's coming.

6.) Expectations? Subvert those: Your protag and even your readers might be suspecting one thing from your villain, so throw them a curveball and hit them with the complete opposite. Perhaps you've reached a point in your story where it seems like the villain might kill your protag onsite. But no, have your villain mention exactly why they aren't going to do that, and why they want to wait it out.

7.) Mix quiet confidence and loud assertion: Some might say that the silent seether is scarier, while others might agree that the sudden explosive type takes the bigger unsettling prize. In my opinion, you can really capitalize on the eeriness of villain dialogue by tapping into both. A villain that speaks on with refined confidence before very suddenly exploding, without much warning, can really power up the dread behind their words.

8.) Sometimes, ambiguity is better than being straightforward: Whether it's obvious that your villain has a lot of tricks up their sleeves--or not--leaving things to the imaginations of your protag, and subsequently, your readers is great for building dread. You can use dialogue to make it clear that they're up to something, but never make them fully disclose what that is. They might show it instead of tell it, or it might just never happen. Either way, it'll likely have everyone looking over their shoulders.

9.) There might be times where silence says everything: You might be worried about penning the correct verbiage for your villain's big evil speech, but sometimes, silence speaks wonders. When used correctly, a long pause, or a bout of silence after your protag has said their piece can build a sense of uneasiness more than them actually speaking would have.

10.) Find ways for your villain to mirror the hero: A monologuing villain is better when they're throwing your hero's values and beliefs back in their face. A hero that believes in mercy? Well, have your villain talk about how they'll make them beg for it. A hero that believes in the greater good? Have your villain talk about their idea of a greater good.

As always, GO WRITE SOMETHING TODAY! <3

[quillsnotes]

some words for characterization (pt. 1)

Personality

aggression, arrogance, artifice, atrocity, audacity, bearing, best, bravery, buoyancy/buoyance, calm, character, charisma, charm, compliance, confidence, courage, dash, dedication, determination, disposition, distinction, effrontery, egoism/egotism, empathy, endurance, enterprise, esprit de corps, fettle, fight, foible, fortitude, gall, generosity, gentility, go, good will/goodwill, grit, gusto, hauteur, heroism, hubris, identity, ilk, individuality, inhibition, innocence, kind, laziness, longevity, magnetism, manner, martyrdom, mettle, might, monstrosity, morale, motivation, mystique, nerve, obedience, oomph, patience, penchant, perseverance, pizzazz, point, potency, presence of mind, prima donna, proclivity, property, psyche, qualify, reputation, savor, self-respect/self-esteem, shortcoming, soul, spirit, spunk, stamina, staying power, taste, temper, tenacity, thing, trick, twist, valor, verve, vigor, vitality, weakness, willpower, zeal, zing, zip

Attributes of Personality: aboveboard, adventurous, airy, amenable, approachable, arrogant, assertive, assured, august, bashful, belonging to, big hearted, blasé, blithe, boastful, boorish, brash, buoyant, callous, captious, catty, charming, cheeky, childlike, chilly, churlish, clear, clinical, cocky/cocksure, co dependent, colorful, combative, confident, cool, coy, culpable, cute, dainty, dastardly, dedicated, delicate, demonic/demoniac/demoniacal, dependent, despicable, determined, dewy-eyed, die-hard, dignified, dispassionate, distant, dynamic, easygoing, egocentric, egotistic/egoistic, embittered, endearing, engaging, even-tempered, exalted, exemplary, feckless, finicky, flatulent, forbearing, forward, free, frigid, gallant, garrulous, generous, genteel, glacial, good, good humored, good-natured, gregarious, gutless, halcyon, happy-golucky, hardhearted, hard-nosed/hardheaded, hell-bent, high and mighty, high-strung, hyperactive, icy, ill natured, immovable, imperturbable, individual, indulgent, infamous, inherent, innocent, insouciant, intrinsic, inveterate, irresponsible, jazzed-up, kindhearted, kosher, laid-back, latent, liberal, likable, loutish, low, loyal, magnetic, matronly, meritorious, mincing, miserly, mulish, native, nice, nonchalant, obedient, obsequious, odd/oddball, officious, openhearted, open-minded, opprobrious, ossified, outspoken, particular, peculiar, perfidious, persistent, personable, philanthropic, pigheaded, predictable, prim, proper, pushy, quick-tempered, recluse/reclusive, reserved, rotten, saintly, Satanic, selective, self-assured, self-centered, self-confident, self-conscious, self-satisfied, self-sufficient, shabby, shifty, slothful, snotty, spick and-span, spotless, spunky, squeamish, staid, standoffish, stoic/stoical, stubborn, suave, sweet, thick skinned, trustworthy/trusty, unapproachable, unpretentious, unsuspecting, uppity, vain, valorous, virile, vocal, winning, wishy-washy, zealous

Intelligence

acquaintance, anticipation, apprehension, attention, bent, capacity, clarity, cognizance/cognition, comprehension, consciousness, creativity, darkness, depth, education, empathy, erudition, expertise/expertness, familiarity, feeling, foresight, genius, grasp, head, ignorance, imagination, innocence, intellect, interpretation, invention, ken, know-how, learning, literacy, mentality, misconception, nirvana, observation, perception, proficiency, sagacity, sanity, scholarship, sensibility, skill, soul, understanding, wit/wits, workmanship

Attributes of Intelligence: able, abstruse, accident-prone, acute, alert, analytic/analytical, apt, astute, aware, bewildered, blind, brilliant, canny, cerebral, clairvoyant, clever, cognizant, common-sense, comprehensible, considered, conversant, cunning, deducible, delirious, designedly, dim, dizzy, down-to-earth, dumb, eagle-eyed, efficient, empty, empty-headed, erudite, expert, farsighted, feeble-minded, frivolous, gullible, hazy, idiotic, illiterate, impressionable, incomprehensible, ineligible, inexperienced, ingenious, inquisitive, insipid, intelligent, inventive, judicious, knowing, learned, logical, lucid, mindful, moronic, not born yesterday, observant, omniscient, penetrating, perceptive, philosophical/philosophic, privy, proficient, psychic, quick-witted, rational, reasonable, sagacious, sane, savvy, scholarly, seasoned, sensible, shallow, shrewd, skillful, slow, soft, studious, subtle, thick, thoughtless, unaware, uneducated, uninformed, unknowing, vacant, versed, veteran, weak, well-balanced, well-defined, wide-awake, with-it

Social state

abasement, affirmative action, association, awkwardness, behind, belonging, bond, breach, breeding, calm, care, celebrity, censorship, circumstances, class, coherence, companionship, complicity, concord, conjunction, consanguinity, contact, cooperation, courtesy, credit, culture, degree, détente, dignitary, diplomacy, disagreement, disfavor, disharmony, disorder, dissolution, disturbance, duty, echelon, eminence, entertainment, entry, estate, excitement, falling out, familiarity, fellowship, fidelity, foreplay, friendship, fun, fuss, genre/genus, get along, glory, height, hit it off, hospitality, hubbub, humiliation, immunity, infidelity, intrigue, juncture, laissez-faire, lather, level, liberty, luxury, marriage, men’s movement, mortification, mutiny, nepotism, nobility, nonviolence, notoriety, odium, opprobrium, partnership, piffle, place, pleasure, polygamy, popularity, predicament, prestige, rage, rapport, rate, relationship, reproach, reputation, ruckus, rupture, seclusion, servitude, shame, situation, society, sophistication, split, standing, state, status, stillness, stink, support, sympathy, taste, terms, tomfoolery, uncertainty, variance, whirl

NOTE

The above are concepts classified according to subject and usage. It not only helps writers and thinkers to organize their ideas but leads them from those very ideas to the words that can best express them.

It was, in part, created to turn an idea into a specific word. By linking together the main entries that share similar concepts, the index makes possible creative semantic connections between words in our language, stimulating thought and broadening vocabulary.

Source ⚜ Writing Basics & Refreshers ⚜ On Vocabulary

[quillsnotes]

Can you post something about different kinds of soulmates? The name on the wrist or red strings are nice but a little overused, maybe. Idk. Do you have anything different?

50 Types of Soulmates in Literature

The soulmate trope might feel pretty cliche to most but I love exploring them (great short story material, esp if you want to twist it into horror/thriller/non romance). Thanks for the ask! I hope this list is what you were looking for: 

Fate-Driven Soulmates

1. Shared Dreams – They meet in their dreams every night/[idea] after they turn [age].

2. Reincarnation– They reincarnate in every era and are destined to meet each time.

3. Aura Bonds – Their auras [change] when they’re near each other.

4. Mirror Messages – They see the other’s face in the mirror when they turn [age].

5. Starbound – Their soulmate’s birth constellation forms on them after their first meeting.

6. Heartbeat Match – Their pulses sync when they meet and get more uneven when they’re apart after that.

7. Shared Memories – They have flashbacks of past lives together.

8. The First Words – Their first spoken words to each other are tattooed on their skin.

9. Fragrance – They recognise each other by a unique scent only one’s soulmate carries (i.e. in the world you can only smell roses on your soulmate).

10. Scars – They have matching scars in the same place since their birth.

11. Colour - They only start seeing colour after meeting their soulmate. Can be changed to sound, touch, smell, etc.

Cultural Soulmates

12. Mehndi Marks - In Indian/Middle Eastern cultures, your soulmate’s name appears in your mehndi/henna.

13. Karmic Threads - In Buddhist traditions, invisible karmic bonds pull them toward one another.

14. Feng Shui Alignment – Their energies perfectly balance according to the Feng Shui elements.

15. Ancestor's Blessing – Their names are revealed through a ritual that summons past ancestors.

16. Name in Flames – In some folk traditions, a fire ceremony reveals their soulmate’s initials in the embers.

17. Feather Match – They exchange feathers that later glow when their soulmate is near.

18. Shared Songlines – In Aboriginal traditions, their paths align on the same Songline.

19. Palm Reading Prophecy – Their soulmate’s features or initials are foretold in their palm lines.

20. Dance of Fate – In certain cultures, a soulmate is revealed during a traditional dance when they naturally pair up.

21. Persian Tea Leaves – Their names appear during tea-reading rituals.

Object-Based Soulmates

22. Lock and Key – Everyone is born with a keyhole shape. When you turn [age] you’re blessed with a key that only fits into your soulmate.

23. Shared Journal – They write in the same journal without knowing how.

24. Twin Trinkets – When born, each person receives a magical [trinket]. Your soulmate has its twin. 

25. Compass of Love – A compass always points them toward their soulmate.

26. Two Halves – They carry two halves of the same [object].

27. Enchanted Maps – A map updates itself with their location when they’re near.

28. Eternal Rings – Rings burn hot or glow when their soulmate is close.

29. Song – When they turn [age] they hear a song sung in their soulmate’s voice. (Interesting: in this world, MC hears nothing. They think they don’t have one, rly their soulmate is just mute). 

Connection Through Nature

30. Tree of Life – Their world has a special garden you go to when you’re [age]. In the garden, a tree starts to grow when two soulmates are near. Note: if they ‘break up’ or one dies, the tree wilts and dies too.  

31. Blooming Flowers – When your soulmate is born, you get a flower bud [different for each]. When you meet the first time, this bud goes into full bloom. If you pass without meeting, it dies. This continues till you actually meet, and the flowers finally [fall off?]

32. Animal Guides – At birth you’re assigned a spirit animal who leads you to your soulmate when the time is right. (Ooh maybe your spirit animals are soulmates too OR hmo: they’re enemies! You haven’t met your soulmate yet because your spirit animals are doing everything to keep you [and themselves] apart). 

33. Shifting Shadows – Their shadows always reach toward the other. When you sleep, your shadows break away and meet each other. 

34. Bound by Seasons – They only meet during a specific season each year. Kind of like a Divergent ‘born into a season’ thing. (But what if a Summer and Winter end up being fated? But they can’t survive in each other’s seasons. [omg Tinkerbell] lol). 

35. Ocean Whispers – It’s said if you go to the ocean’s shore and say something there your soulmate will hear it when they go to the shore. (MC’s soulmate hates the ocean. They’ve never been. One day they finally go, and sit for hours as they listen to messages from their soulmate, who apparently lives by the ocean and has been calling to them every night). 

36. Star-Written Names – When you turn [age] only you see a name written in the stars. That’s your soulmate’s name.

Unconventional Soulmate Tropes

37. Memory Keepers – One soulmate is bound to forget each other in each new life, and the other is fated to remember and find them. The other only remembers if and when they meet. 

38. Parallel Lives – They exist in parallel universes but see glimpses of each other via [plot].

39. Shared Illness – They feel each other’s pain, sickness, and recovery.

40. Shared Mortality – They can only die when they’re together.

41. The Final Wish – When you turn [age] you get to make a wish and your soulmate has to fulfil it in order for you to meet.

42. The Sacrificial Lamb – One is destined to save the other through ultimate sacrifice.

43. The Time Loop – They’re stuck in a loop, meeting repeatedly until they get it right.

44. Dual Souls – They share one soul in two bodies, feeling incomplete without the other.

45. The Undying and the Mortal – One reincarnates endlessly, always finding their soulmate, if they fail to find them, their soulmate will not reincarnate and die forever. Except, you don’t know who’s the immortal one. 

46. Time Stopper: Time stops when you’re with your soulmate. It starts again when you’re apart. 

Sense-Based Soulmates

47. Sight: When you close your eyes you can see what they’re seeing. 

48. Warmth: You feel physically cold everytime you’re without your soulmate. Your heart turns colder every year, till when you’re [age] you both die if you haven’t met.  

49. Colour: You can’t see your soulmate’s eye/hair colour till your first meeting. The issue: they don’t know the colour, so often overlook this change. (Many resort to checking a colour chart every day till they see a new colour). 

50. Touch: You can’t feel anything till your soulmate touches you for the first time. Everything simply feels like its weight, not texture. 

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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[quillsnotes]

Other Words for "Look" + With meanings | List for writers

Many people create lists of synonyms for the word 'said,' but what about the word 'look'? Here are some synonyms that I enjoy using in my writing, along with their meanings for your reference. While all these words relate to 'look,' they each carry distinct meanings and nuances, so I thought it would be helpful to provide meanings for each one.

Gaze - To look steadily and intently, especially in admiration or thought.

Glance - A brief or hurried look.

Peek - A quick and typically secretive look.

Peer - To look with difficulty or concentration.

Scan - To look over quickly but thoroughly.

Observe - To watch carefully and attentively.

Inspect - To look at closely in order to assess condition or quality.

Stare - To look fixedly or vacantly at someone or something.

Glimpse - To see or perceive briefly or partially.

Eye - To look or stare at intently.

Peruse - To read or examine something with great care.

Scrutinize - To examine or inspect closely and thoroughly.

Behold - To see or observe a thing or person, especially a remarkable one.

Witness - To see something happen, typically a significant event.

Spot - To see, notice, or recognize someone or something.

Contemplate - To look thoughtfully for a long time at.

Sight - To suddenly or unexpectedly see something or someone.

Ogle - To stare at in a lecherous manner.

Leer - To look or gaze in an unpleasant, malicious way.

Gawk - To stare openly and stupidly.

Gape - To stare with one's mouth open wide, in amazement.

Squint - To look with eyes partially closed.

Regard - To consider or think of in a specified way.

Admire - To regard with pleasure, wonder, and approval.

Skim - To look through quickly to gain superficial knowledge.

Reconnoiter - To make a military observation of a region.

Flick - To look or move the eyes quickly.

Rake - To look through something rapidly and unsystematically.

Glare - To look angrily or fiercely.

Peep - To look quickly and secretly through an opening.

Focus - To concentrate one's visual effort on.

Discover - To find or realize something not clear before.

Spot-check - To examine something briefly or at random.

Devour - To look over with eager enthusiasm.

Examine - To inspect in detail to determine condition.

Feast one's eyes - To look at something with great enjoyment.

Catch sight of - To suddenly or unexpectedly see.

Clap eyes on - To suddenly see someone or something.

Set eyes on - To look at, especially for the first time.

Take a dekko - Colloquial for taking a look.

Leer at - To look or gaze in a suggestive manner.

Rubberneck - To stare at something in a foolish way.

Make out - To manage to see or read with difficulty.

Lay eyes on - To see or look at.

Pore over - To look at or read something intently.

Ogle at - To look at in a lecherous or predatory way.

Pry - To look or inquire into something in a determined manner.

Dart - To look quickly or furtively.

Drink in - To look at with great enjoyment or fascination.

Bask in - To look at or enjoy something for a period of time.