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psymysticdust · 2 months
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“The strongest people are the ones who are still kind even after the world tore them a part.”
— Raven Emotion
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psymysticdust · 3 months
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Franz von Stuck The Kiss of the Sphinx 1890-1914 Charcoal, pastel and chalk on grey paper, 520 x 460 mm The Hermitage, St. Petersburg
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psymysticdust · 3 months
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“The feral woman is usually extremely hungry for something soulful,”
— Clarissa Pinkola Estés, from “Women who Run with the Wolves,” c. 1992
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psymysticdust · 3 months
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Ajak Dhieu by Elizaveta Porodina for Atmos
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psymysticdust · 6 months
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William S. Burroughs, Wall St Earthquake
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psymysticdust · 6 months
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Aijiro Wakita, New Music Media,1974
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psymysticdust · 6 months
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Akuac Thiep by Bruno Unikowsky for Schön Switzerland March 2024
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psymysticdust · 6 months
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“My real self wanders elsewhere, far away, wanders on and on invisibly and has nothing to do with my life.”
— Hermann Hesse 
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psymysticdust · 6 months
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Zsela
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psymysticdust · 6 months
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psymysticdust · 6 months
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Fred Sathal A/W 1997 "In-Draught" Photography by Huma Rosentalski
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psymysticdust · 6 months
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2 silver cups, part of the so-called Boscoreale treasure, buried by the eruption of Mt. Vesuvius.
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psymysticdust · 6 months
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Indian Fire God (The Going of the Medicine-Horse), 1895-1899 Frederic Remington
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psymysticdust · 7 months
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robert lee morris: the power of jewelry (2004)
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psymysticdust · 7 months
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Anaïs Nin, The Diary of Anaïs Nin, 1931–1934
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psymysticdust · 7 months
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A collection of ruby glass, late 1800s.
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psymysticdust · 7 months
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Selena presents Copy Kitty, a solo exhibition featuring the work of Kyung Me. Kyung Me’s intricate, hypnotic drawings map out puzzled narratives revealing a mysterious cat and dream like scenery that dismantle linear time. For this exhibition, the artist will present her new original drawings focused around her reinvention of the Cheshire cat. Kyung Me’s invented characters operate as stand-ins for herself, as a means of understanding relationships with herself and others. In her latest autobiographical series, Copy Kitty, the artist explores the perverse qualities of obsessive romantic relationships. Through sensitively rendered graphite drawings, Kyung Me creates an immersive world full of dread and humor that both satirizes and eulogizes the naïveté of an immature, paranoid, yet earnest love. Kyung Me Kyung Me’s first solo exhibition debuted at Miller Gallery in New York, NY in 2016. Her first graphic novel Bad Korean was published by Spaceface Books in 2016. She is a Yale MFA Painting candidate expected to graduate in 2018. Her work has been featured in Hyperallergic, Vice, The Editorial Magazine, It’s Nice That, and The Huffington Post, among others. She is currently working on her second graphic novel about a pigeon and a butterfly. To view more works please visit sunflowercat.com.
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I’m having a solo exhibition on at Selena Gallery – Opening on Dec 16, 7-10pm 37 Troutman St #3, Brookyln NY – Would love to see you there
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