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Manuel Orazi was born in Rome in 1860, and died in Paris in 1934. He worked for many magazines, but also illustrated novels, such as Aphrodite by Pierre Louÿs (1912) and Les fleurs du mal by Baudelaire (1934). Manuel Orazi was a painter, draughtsman and illustrator.

https://www.rogallery.com/artists/manuel-orazi

Manuel ORAZI Poster for Job Cigarette Paper

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Scab, Maynard Dixon

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Portrait of a Woman

Senen Ubiña

1923

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Portrait of a Woman, 1923 by Senen Ubiña (Spanish 1923--2012)

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MARTIN KANE (SCOTTISH 1958-)

BIRMINGHAM CANAL, 1990

Signed lower left, oil on canvas

Lyon and Turnbull

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CHARLES HODGE MACKIE R.S.A., R.S.W., P.S.S.A. (SCOTTISH 1862-1920)

BASSANO BRIDGE

Coloured woodblock, bears signature lower right

Lyon and Turnbull

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HUBERT VON HERKOMER R.A. (GERMAN/BRITISH 1849-1914)

PORTRAIT OF A TURKISH GIRL - 1879

Signed with initials and dated lower left, watercolour and body colour on paper laid on board

Lyon and Turnbull

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“Giant’s Causeway” / “Clochán an Aifir” (40,000 interlocking columnar basalt structures) Antrim, Ireland: the pillarlike remains of a Paleogene volcanic eruption. Molten basalt penetrated the surface from underneath a field of chalk, where lava then began cooling and solidifying into the geometric rock-formations seen at present. © NERC London/Cooper/Institute of Geological Sciences. photo by Ed Cooper

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The Factory - Preston Dickinson, 1920

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Preston Dickinson (1891-1930): Old Quarter, Quebec, 1927

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https://www.gmarticeballosart.com

Woman at the Table with Coffee - Guillermo Marti Ceballos

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William Preston Dickinson was an American modern artist, best known for his paintings of industrial subjects in the Precisionist style.

Dickinson studied between 1906 and 1910 at the Art Students League of New York under William Merritt Chase, as well as under Ernest Lawson.  From 1910 to 1914, he lived in Paris, where he studied at the Académie Julian and École des Beaux-Arts, and exhibited his work at the Paris Salon and the Salon des Indépendants.

Dickinson was one of the first American artists to focus on industrial subjects. He was working in the Precisionist mode by 1915, and his depictions of factories and granaries predate those of fellow Precisionists Charles Sheeler and Charles Demuth. Dickinson was motivated by a reverence for the benefits of technology and industry to humanity, as well as an interest in its formal qualities.

Experimenting with a variety of techniques and styles, his work showed influence from a number of avant-garde art movements, such as Cubism, Futurism, Fauvism, and Synchromism. His use of color was expressive, showing his influence by the Post-Impressionists and Fauves. His later work, though superficially in a Precisionist style, utilizes off-balance, expressionistic compositions with jagged diagonals. Some of his work in the 1920s was also observed by critics as having an Oriental influence, believed to derive from his studies of Japanese ukiyo-e art.

https://artvee.com/artist/preston-dickinson

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Friedrich Fehr, Im Klosterstall, 1913

Oil on canvas

Lenbachhaus

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Erich Erler, holiday, 1943

Oil on canvas

Lenbachhaus

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Maurice Utrillo, 'Rue de la Fontaine à Mulard', 1925.

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D W Rabin ...🎨

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Susan Abbott