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prettypistachio · 2 months ago

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So I had this little series project that is currently named “Trunks and Goten in High school” AU that I will try to put all of my DB headcanons in. It’s my take on what happens with Trunks and Goten during their teenage years before they turn 17 and 18 (and if I’m able to, may span into their adulthoods too) so it will be somewhat based on EoZ and DBGT.

To sum it up, Goten and Trunks, now at 15 and 16 years old, enter new high schools and begin to have their own lives and different ways of growing up, but what they don’t expect at all is some complicated feelings they have for their best friend that accompany them along the way. So yeah, it’s a coming of age story mixed with friendship, romance, actions, family moments, etc. You can think of this like a LGBTQ+ romance shounen manga/fan-comic, it’s not 100% a Toriyama style manga (in terms of drawing style and storytelling) ok lol my apologizes to the pure DB fans 😂

These are some of the setting up sketches I made along with some information so if you skip this you’ll probably be a little confused reading the comics, but if you don’t read this, it’s ok too since you’ll be able to experience new feelings when you read them I guess. This series will contain many short comics, every comic is around 8-10 pages, and, be it just setting sketches or short comics, will be updated from time and time again, based on my ability in continuing this.

It’s a series I somewhat do for fun, so I’ll be happy if you can enjoy reading it, and it’s completely fine if you’re not interested in it too, don’t need to think too much about it, and feel free to skip this ^^ But I hope you’ll have fun reading it just as much as I have fun drawing it!

P/s: I almost forgot, Goten is the protagonist while Trunks is more of a deuteragonist, but yeah both of them are the main characters. And Goten is bisexual (or, Trunksexual lol)

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(Updated on August 16th, 2022) The comic series project is a work in progress, the reading order is below:

Soft-rebooting preview

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REBOOT INTRO

#truten

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prettypistachio · 2 months ago

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Reigen Arataka’s Guide to Societal Reintegration! (I know it has been done, but, always room for more! link to some beautiful AO3 age swap stories I def used for inspo):

@tinkertoysdamn “you’re still young, that’s your fault”

@mallowjum “in the woods”

Chapter two!

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prettypistachio · 2 months ago

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P/s: I almost forgot, Goten is the protagonist while Trunks is more of a deuteragonist, but yeah both of them are the main characters. And Goten is bisexual (or, Trunksexual lol)

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(Updated on August 16th, 2022) The comic series project is a work in progress, the reading order is below:

Soft-rebooting preview

----------

REBOOT INTRO

#dbz #truten

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prettypistachio · 2 months ago

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That’s the intro of the Reboot.

Then comes this.

And with that, this project got kickstarted again. It’s an art project that even if it takes up years off my life and no one or veeeery few people support it, I would still commit to it until the end.

Remember its name everyone 🤟🏼 This webcomic’s original name was “Trunks and Goten in High school AU”, but it got a proper name now and it’s “The UNSPOKEN”, alright?

- For read-only peeps, you may wanna visit this Tapas link: you know what embed link in here has some problems on my side again, i’ll try it later. Just search the name of the comic and it’ll appear on Tapas.

(i also haven’t finish uploading everything, and haven’t created a Webtoon link neither lol)

- For someone who want to support the project, come join my lovely patreon gang: http://www.patreon.com/kahnguyen (embed link in here sucks…)

Every single cent that you support will all being used to help this project, not me of course, I just use it as an excuse to have a small community where I share intimate stuff with👌 This patreon site will remain opened until this project is finished.

The next post will be some proper character introductions I guess, maybe a very brief artist bio as well.

#dbz #truten #another ship #im weak

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prettypistachio · 2 months ago

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TERUMOB WORMS IN MY BRAIN

inspired by this tweet of dorky mob

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prettypistachio · 2 months ago

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people won’t say "domestic terumob" near me for the same reason dog owners wont say "walk" cause the moment i hear it i go crazy and start destroying furniture

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prettypistachio · 2 months ago

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‘Offline Meeting’ - Full MP100 Omake - English Translation

The ‘Offline Meeting’ omake (That begins with ‘selfie’ in chapter 98.4) is available in the original digital release of Mob Psycho 100, up until the 9th page… after which, it ends abruptly with ONE and Reigen having a conversation in which ONE says he’ll finish it off when he publishes the manga. The full omake appears in Volume 15, completely redrawn and given 3 new pages that aren’t available online, finally concluding this mini story. All under read more!

Keep reading

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prettypistachio · 2 months ago

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hey! let’s talk about teru’s relationship with food!

all three of us get the feeling that food is a love language for teru, or at least, we feel like it’s important to consider how food plays a role in his story arc when doing a character study of him.

okay so first off, right from his introduction he is a foil to mob.

[ID: four manga panels featuring teru getting ready for school. from right to left: the first panel shows his hand and a pan frying an egg. the second is his hand holding a remote. the third shows a tv of a meteorologist saying: “today’s weather.” The forth panel is teru pulling on his school blazer, watching the tv. the meteorologist continues: “a lot of sunshine through the country, though the air is a bit unstable. /END ID]

when teru first appears, we as an audience don’t know it yet, but he lives alone and has been living alone without his parents for several years. here he is cooking his own breakfast and getting himself ready in his apartment by himself.

[ID: five manga panels of mob being woken up for school. from right to left: the first panels is a shot of the roof of the kageyama house. the second is mob, asleep on his futon. his mom is talking from off screen. she says: “shige, get up! you’re gonna be late!” the third is mob yawning and stretching his arms about his head. the forth panel is ritsu opening the door to mob’s room. he says “bro. mom said breakfast is ready.” the fifth panel shows ritsu looking at mob. mob is putting on a pair of pants saying: “yeah ritsu. let’s go.” /END ID]

meanwhile mob, is woken up by his mom and is checked on by his brother to make sure he was up in order to get a breakfast that was more than likely made by their parents.

when mob plans on confessing to tsubomi, teru brings up how homemade things tend to make him feel happy when someone confesses to him.

[ID: manga panel of teru being offered a gift from a girl. it reads: “I tend to be on the receiving end of confessions, but…when someone gives me a handkerchief, or a letter, or homemade cookies or something, it makes me kinda happy, so…I was just thinking, there’s that kind of thing too.” /END ID]

also we see teru tend to overindulge when someone (reigen) is offering to buy food for him

[ID: panel from yakiniku omake. teru is ordering food. he says: I’ll have have 4 orders of top ribs, 2 orders of sakura yukhoe, 2 orders of choice salty beef tongue, the extra special zabuton-cut beef, the offal sampler, 3 orders of rice, a tomato salad, and the naengmyeon…and a green tea.” /END ID]

[ID: cropped screencap of official art. teru has finished two ice cream parfaits. the empty glasses sit in front of a third one, which he is using telekinesis to float the toppings near his face. /END ID]

this often played for laughs, but stick with us here…

in the fanbook teru is asked if he cooks for himself and he says yes, and mentions that he’s confident in his pasta making skills.

[ID: cropped screencap from the fanbook that reads: “Q1: do you make your own food? What are you good at cooking?” Teru answers: “I cook lots of different kinds of things! but what I’m confident in is my pasta.” /END ID]

at first this may seem like a very 14 year old answer…I mean, pasta is fairly easy to make. But knowing teru and how he tends to become and expert at the skills he learns, odds are pasta started off as something simple to throw together on a school night. Pasta is easy and convenient and kid friendly, but it is very easy to experiment with and eventually become a speciality.

and one thing we know about teru is that he has too many specialities to list.

this kid has been needing to make his own food 100% on his own since the start of middle school. we can infer he’s getting money from his parents, and we aren’t exactly sure how much or how he spends it regarding food, but the only time we seem him eating alone, he is making a meal for himself outside of something premade or takeout. he said it himself, he makes lots of different kinds of things! he knows how to cook!

but with all things teru something simple and silly comes with tragedy. while it’s nice fore a kid his age to know how to cook, he NEEDS to know because he doesn’t live with his parents. if he didn’t know how to cook he would be relying on others, and that’s just not what teru does. He is fully capable and learns for himself out of necessity. teru is responsible for all of his own meals.

so what happens when he is no longer responsible? it could be an issue with humbleness. it could also be just normal 14 year old boy hunger, but when reigen takes him out to eat there’s no limits. but here’s the thing…when’s the last time teru has had a home-cooked meal that was made for him by someone else? not from a restaurant, but someone making something for him?

this is why we have the omurice scene in backdraft. there’s a comfort in the domesticity of having food prepared for him in a familial setting that he has not realized he has been missing from his life.

we’ve focused on the fear of him getting cut off from his parents and how money scarcity turns into food scarcity. he’s always been in survival mood, it’s just that money was the breaking point for him.

going back to mob. he and his family are normally seen sitting at the dinner table together. a normal domestic setting.

[ID: screencap of the kageyama family eating omurice together]

something teru doesn’t have. he eats alone at a table in his apartment…one with multiple chairs around it.

[ID: screencap of teru in his apartment. In the background, he is getting ready, looking in a full length mirror. next to him is a tv showing the weather. in the foreground is a table with an empty plate, mug and saucer, and a basket with a single roll. two chairs are seen at the table. /END ID]

teru has not invited anyone into his apartment until mob got attacked by koyama.

who are those chairs for teru?

of course, in backdraft we have the restaurant scene that mirrors this. empty chairs for absent parents.

BUT ITS NOT ALL SAD

back to food being a love language and specialty to teru…imagine once he’s no longer in survival mode due to trauma. food as a comfort, not only receiving, but making it for others as well. tying into him wanting to be a teacher, sharing his skills with others…the fact it feels good creating and sharing something. no longer taking care of himself out of necessity, but learning what his skills and hobbies are and genuinely sharing them because they make him feel accomplished and happy! it just ties everything together with this dude.

in short, cooking is more than likely another speciality teru has developed due to needing to live on his own. since mp100 has themes that involve human connection and relationships with others, we feel food is something that brings people together and our boy teru here should experience that firsthand.

that is why it plays a big role in what we have so far in backdraft!

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prettypistachio · 2 months ago

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The Tragedy of Teru: An Unnecessarily Long Thesis

I’ve seen some people ask: why the sudden change in Teru? Why did he suddenly go from a total menace who was okay with choking Mob to unconsciousness to a good guy/best friend type whose moral axis now completely revolves around Mob? I’ve seen some people claim that Teru’s redemption was so sudden that it’s unconvincing.

I don’t think the redemption was a sudden shift in Teru’s character. Actually, it’s the most natural progression for him. Consider Teru’s life circumstances. His parents completely abandoned him with no remorse. It wasn’t even because of Claw, they were just “busy” and moved overseas. He has no one to look after him at home. His relationships at school are largely superficial. He probably has severe attachment issues because of childhood neglect. He has no connections, no one truly rooting for him.

It’s an extremely shitty situation—but Teru convinces himself that he’s okay. In fact, he’s better than okay. He’s doing great. He’s doing the best because he’s better than everyone else—he has psychic powers, he’s popular, he’s talented in pretty much everything. Why would he need people to love and care for him when he has everything else “average” people dream of?

And so Teru’s entire emotional state revolves around a shaky thesis: that he’s better than everyone else. The main character. Main characters don’t need families. They don’t need love and support. Teru’s too superior for those things. And he HAS to be superior, because if he’s not, if he’s like everyone else, then he has to acknowledge the facts: that his parents left him, that there’s no clear cut purpose for his life, he’s completely alone, and there’s nothing he can do about it.

If Teru’s the main character, then trauma and abandonment are just part of a tragic backstory—necessary hardships that will pave the way for all the great and superior things that Teru is destined to do. Whereas “average” people don’t have tragic backstories. When “average” people are abused and abandoned, it’s not part of some epic tale. It’s just sad. If Teru’s average, then the trauma is meaningless. Purposeless.

And the weight of that is just too much for him to bear.

And so he dates girls he doesn’t like, and he cheats on tests, and he wins at sports, and he runs a gang. And he copes. For a while, it works.

And then it doesn’t.

Enter Shigeo Kageyama.

Mob’s existence rocks Teru’s world. The idea that there’s another natural child esper as powerful as him shatters his core belief that psychic powers made him the main character. Not only that, but Mob withstands all of Teru’s attacks, and refuses to fight back–a move that Teru finds insulting.

When Mob insists that psychic powers are average, and that Teru’s average, Teru is enraged. (“You’re the only one who can make that point. And that’s why your very existence pisses me off!”)

Finally Mob puts the nail in the coffin: “You and I are the same. We both have no self-confidence.” Up until this point, I believe that NO ONE has genuinely seen through Teru like Mob does, or, at least, they didn’t point it out. Mob sees Teru for who he is: a sad and insecure kid with no real connections. And THAT’S what makes Teru put him in a chokehold.

In a move of infinite kindness, Mob refuses to use his powers against Teru. Only when Mob is knocked unconscious are his true powers revealed. Teru then sees how outmatched he was from the very beginning, and how intentional Mob’s pacifism was towards him.

Teru did nothing but try to hurt Mob, but Mob refused to hurt him back. This is probably the most intentional love and care Teru’s received in a long time.

It’s a turning point. Because here’s the thing about Teru: he latches on to any gesture of genuine kindness and holds onto it for dear life. Mob’s kindness is enough to make Teru completely reject his old ideals.

Teru’s emotional state depended on the idea that he’s superior, but now that this belief has been dismantled, he needs a new life purpose to fill the vacuum, something else to distract from the loneliness in his life. And Mob has given Teru a new purpose: to be a good person. A kind person. Teru wants to be Kageyama’s rival—not in terms of psychic power—but in terms of kindness. (That’s why Teru claims to have won against ???% even though he’s clearly overpowered. He was talking about winning a contest of kindness, about repaying the kindness Mob showed him when they met by refusing to use his psychic powers to hurt ???%—even when ???% was hurting him).

So, Teru’s new purpose: kindness and doing good for the world. It’s a good purpose to have. And Teru is good at being kind. He risks his life to fight Claw just because he cares about Mob. He takes down Claw’s splinter organizations all on his own. He fills in at spirits and such for probably negligible pay when Mob trains for the race. He gives advice. He practices intentional humility (sometimes). He always says thank you.

And, of course, he puts his life on the line to stop ???%’s rampage and get through to Mob. He almost dies to save every last civilian.

Teru is good at being good. He is the type of person who spins every stray thread of kindness he receives into gold. He multiplies every rare gesture of love tenfold. It’s a beautiful example of how the human spirit can withstand so much neglect and agony and evil and still come out good in the end. Teru’s name means “brilliance,” and his whole character is about shining a brilliant light into the darkness that surrounds him.

As much as I’d like to believe that’s the whole picture, it’s not. There’s a darker, sadder side to Teru’s redemption

Don’t get me wrong, I believe that Teru cares about his friends very much and is a genuinely kind and good person. BUT that’s not the only reason he’s kind and good. I believe that Teru is so obsessed with being good/putting Mob on a pedestal because “being good” is his new coping mechanism.

See, his coping mechanism before was being superior and having refined psychic powers. But, since Kageyama dismantled that, he found a new purpose: being good. And he uses the pursuit of being good to distract from his empty apartment, neglectful parents, and lack of personal connections.

And isn’t there something so utterly heartbreaking about that? Think about Teru single-handedly taking down all of Claw’s splinter organizations. Think of him spending constant hours refining his psychic powers to be able to beat the bad guys. Going into the forest to meditate to “improve” himself. Training the awakening lab kids. Working out until he is more ripped than any 13-year-old should be. All of it, he probably enjoys, but is it not also a distraction? Is he doing these things solely to become better or also to busy himself and fill the days? Anything to not be by himself, tiny and alone in an empty apartment with strange noises and the bleak reality that there is no one, no one who will even know if Claw sneaks into his house and kills him.

Teru is a tragic character. At the beginning of the story, he is a menace who is completely alone. He is then redeemed. He orients his life towards being good–and gains some meaningful connections, but at the end of the story, Teru is still functionally alone most of the time. Though they care for each other very much, Mob and Teru don’t really hang out in canon. (Fanbook) They’re not even on a first name basis. Teru comes by Reigen’s office sometimes, but not often. He still has no one at home to care for him.

At the end of it all,—months and months later—Teru still has to ask for the occasional hang out with Mob. He is sipping tea sadly when Mob talks about his friendship with Tsubomi, jealous. And then he will go home to an empty apartment, alone. There is no one to take care of him when he is sick. There is no one to discipline him, or tell him “no,” or to prepare him for his first date, or to help him apply for college.

And doesn’t that go against the usual abandoned child narrative? Where the abandoned and neglected child ends the story with so many deep connections and so much love pouring into them that they can barely breathe? Where is that love for Teru? He is doing everything right. He is repaying all of the love and kindness he has ever received, so why is he still alone?

Teru never talks about any friendships besides Mob or adult influences besides Reigen. I truly believe Teru is still relying on his sparse interactions with Mob and Reigen to stay afloat emotionally. And he’s not used to kindnesses—when Reigen takes him to the amusement park, he’s overly thankful (”Reigen-san, you went to all this trouble”) And Teru literally idolizes Mob for the kindness Mob has given him. But this is kind of heartbreaking too.

No child should have to subsist on stray inklings of love and support. Love should not be a limited resource. One of the reasons that Teru treasures kindnesses so much is because he knows that gestures of love towards him are few and far between.

It’s no life for a kid. Teru should have a support system that gives him so much love casually that he’s not afraid to let it slip through his fingers. He shouldn’t have to be overly thankful for kind gestures, he doesn’t have to say “you went to all this trouble,” after someone takes him on a fun summer excursion. Teru should be loved so much that he forgets to say thanks. Love should be an expectation, not just a treasure.

Maybe this is why I’m constantly reading fics where Teru is adopted or where he spends a lot of time with the Kageyamas. Because in canon (especially manga canon), Teru’s ending is incredibly tragic. I really love the way ONE wrote him, and I’m not complaining about the ending—I think it’s great. But I want to see this boy happy. There’s something so sad about someone who loves so much but never gets what they deserve.

But fanfiction exists! So write him having happy moments. Write Teru at the water park. Write Teru being hugged by Reigen before his graduation. Write him planting a tree. Write him having his first kiss in the rain. Write him going to cosmetology school and becoming a hairdresser. Write Reigen saving up for Teru’s college fund.

Write Teru experiencing all of the love and joy and beautiful things because he deserves them. I will read all of your fic just put it in my inbox. I will do anything to see this boy be loved.

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