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restarting a new challenge soon will post updates but IF ANYONE SEES THIS GIRL DO NOT APPROACH SHE IS DANGERIOUS LAST SEEN SHE WAS LEAVING WILLOW CREEK FORREST AGE -16
NAME - MADISON HALE
(i had ai help me make my sim look a little creepier)
WANTED FOR - MURDER AND HOLDING INFORMATION ABOUT FOUR MISSING TEENS
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INT. ROSEWOOD DAY SCHOOL - HALLWAY - DAY
Aria walks quickly to her first-period English class, pursued by Noel Kahn.
NOEL: Hey! Finland!
ARIA: (nodding) Hey.
Noel mentions his performance at practice, but Aria remains unimpressed.
INT. ROSEWOOD DAY SCHOOL - HALLWAY - DAY (LATER)
Aria navigates the familiar halls, feeling the weight of everyone's stares.
INT. ROSEWOOD DAY SCHOOL - ENGLISH CLASSROOM - DAY
Aria encounters Hanna, who seems both familiar and changed.
HANNA: Hey, weren't you in Czechoslovakia or something?
ARIA: Yeah, close enough.
Aria sits down in the classroom, trying to collect herself.
ARIA: (chanting softly) Hell is other people.
She reminisces about her encounter with Ezra at Snookers.
ARIA: (to herself) Was it desperate to text Ezra at 2:30 A.M.?
Aria is interrupted by the teacher, Mr. Fitz, who catches her using her phone.
MR. FITZ: Excuse me. Um, you can’t use your cell in school.
Aria covers her phone, startled. Mr. Fitz turns and reveals his face, shocking Aria.
ARIA: (thoughts racing) Holy shit.
The class turns to see Mr. Fitz's reaction. Aria tries to compose herself as she reads her text message.
ARIA: (reading) Surprise! I wonder what your pig puppet will have to say about this... —A
Holy shit, indeed.
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INT. MOSHULU RESTAURANT - NIGHT
SPENCER HASTINGS, her parents, VERONICA and PETER, wait for her sister MELISSA at a celebratory dinner.
VERONICA: (to Spencer) Honey, you’re not supposed to eat mussels with your hands. It’s not polite.
SPENCER: Sorry.
Veronica expresses concerns about Melissa living in a dusty townhouse during renovations.
INT. MOSHULU RESTAURANT - NIGHT (LATER)
Melissa arrives with her boyfriend, WREN.
MELISSA: Mom, Dad, here’s Wren.
Spencer is surprised by Wren's appearance.
EXT. PENN'S LANDING - NIGHT
Spencer steps out for a breather and encounters Wren.
WREN: You shouldn’t be smoking, you know.
SPENCER: What are you doing down here?
They engage in conversation, discussing their backgrounds and Melissa's relationship with Wren.
INT. MOSHULU RESTAURANT - NIGHT (LATER)
Spencer and Wren decide to return to the restaurant.
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INT. RIVE GAUCHE CAFÉ - DAY
HANNA MARIN and MONA VANDERWAAL gossip over red wine at the King James Mall's café.
MONA: And apparently they were having sex in Bethany’s parents’ bedroom!
Hanna notices a man leering at them.
HANNA'S VOICEOVER: Mona always knew the best dirt. Hanna couldn't help but notice the man's lecherous gaze.
They decide to flash him.
MONA: Count of three?
HANNA: (excitedly) On three.
The girls flash the man, causing him to spill his wine.
EXT. KING JAMES MALL - DAY
Hanna and Mona stroll through the mall, reflecting on their friendship and past experiences.
INT. TIFFANY'S - DAY
Hanna and Mona browse through Tiffany's, eyeing a charm bracelet.
SALESWOMAN: Interested?
HANNA: (hesitant) I don’t know.
Mona tries on the bracelet, and when the saleswoman turns away, Mona pockets it.
INT. TIFFANY'S - DAY (LATER)
Hanna selects a bracelet and earrings, and Mona distracts the saleswoman while Hanna steals them.
EXT. KING JAMES MALL - DAY
Hanna and Mona leave Tiffany's, feeling exhilarated by their theft.
MONA: Did you get one too?
HANNA: (flashing the bracelet) Of course. And these.
She shows Mona the earrings.
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Title: Icelandic (and Finnish) Girls Are Easy
INT. airport
- DAY
ARIA MONTGOMERY, her parents, ELLA and BYRON, and her brother, MICHELANGELO, drive back from Philadelphia International Airport after returning from Iceland.
MICHELANGELO: (excitedly) Omigod, trees. I’m so happy to see big fat trees.
Aria groans as Michelangelo marvels at the scenery.
ARIA’S VOICEOVER: Despite the memories of Rosewood, a new start in Iceland had been refreshing. But now, returning to Rosewood brings back memories she'd rather forget.
INT. ARIA'S HOUSE - DAY
Aria's family arrives at their old house in Rosewood. Aria feels overwhelmed by memories of the past.
ELLA: (to Aria) Can you drive Mike to basketball practice?
ARIA: (reluctantly) Um, Mom? I don’t have my license.
ELLA: (insistent) You drove in Reykjavík all the time. Just wait for him until he’s done.
Aria sighs and agrees, pondering over her parents' relationship.
EXT. Basketball court - DAY
Aria drives Michelangelo to basketball practice, feeling disenchanted with Rosewood.
INT. SNOOKERS - DAY
Aria sits at the bar, feeling out of place in Rosewood. She strikes up a conversation with a guy named EZRA.
EZRA: (to Aria) You lived in Iceland? I once spent a few nights in Reykjavík.
They bond over their love for Iceland and their experiences there.
INT. SNOOKERS - DAY (LATER)
Aria and Ezra continue their conversation, sharing stories and getting to know each other.
EZRA: (putting his hand on Aria's knee) I'm Ezra, by the way.
ARIA: (giggling) Whoa.
INT. SNOOKERS - BATHROOM - DAY
Aria and Ezra head to the bathroom together.
EZRA: (nervously) Can I come?
ARIA: (hesitant) I mean, uh...
She takes his hand, and they head to the bathroom together.
INT. SNOOKERS - BATHROOM - DAY (LATER)
Aria and Ezra share an intimate moment in the bathroom, caught up in the passion of the moment.
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INT. ALISON'S OLD ROOM - DAY
They enter ALISON's old room, now MAYA's. MAYA talks about her boyfriend, JUSTIN, and her move from California.
MAYA: What’s he like?
EMILY: (awkwardly) He’s cool.
MAYA: So why aren’t you friends with the girl who lived here anymore?
EMILY hesitates, not wanting to reveal too much.
EMILY: People change, I guess.
MAYA: (sympathetic) I know how growing apart is.
They discuss relationships, school, and MAYA offers Emily a joint.
MAYA: Want a hit?
EMILY hesitates, then takes a drag, coughing violently.
MAYA: (concerned) First time?
EMILY: (gasping) Yes...
They share a moment, but EMILY realizes she needs to leave.
EMILY: I should go.
MAYA: (disappointed) Why?
EMILY exits, leaving behind a hint of uncertainty and newfound temptation.
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EXT. ALISON'S OLD VICTORIAN HOUSE - DAY
EMILY pulls up to the house, noticing a pile of trash on the curb marked FREE. She sees some of ALISON's old belongings.
EMILY: (whispering) Alison...
A tall, skinny girl, MAYA ST. GERMAIN, approaches.
MAYA: You want that?
EMILY: (nervously) Um, no.
MAYA: Take any of it. See the sign?
EMILY: (politely) No, really, it’s okay.
MAYA: (extending hand) Maya St. Germain. Just moved here.
EMILY: (shaking hands) Emily.
They discuss Maya's move and the belongings left behind.
MAYA: Can you help me carry the rest of these boxes?
EMILY: (hesitant) Um, sure.
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INT. EMILY FIELDS'S KITCHEN - DAY
EMILY FIELDS's mother, Mrs. Fields, sits at the kitchen table, calmly doing her bills. EMILY enters, drinking Vanilla Coke.
MRS. FIELDS: Someone finally bought the DiLaurentises’ old house.
EMILY's reaction is immediate, the fizz of her drink tickling her nose.
EMILY: (surprised) Really?
MRS. FIELDS: Yes, and I was going to drop off that basket today. Maybe you want to do it instead?
EMILY: (reluctant) Mom, no.
MRS. FIELDS: (concerned) Sweetie, would it upset you too much?
EMILY glances at her older sister, CAROLYN, lounging in the den.
EMILY: No, I’ll do it.
She takes the keys and heads out.
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INT. SPENCER'S BARN - NIGHT (CONTINUED)
Inside the barn, tension hangs heavy in the air as the girls grapple with Alison's sudden disappearance.
SPENCER: (whispering) Wait a second!
She cries out after a moment, slamming the door behind her and rushing outside.
ARIA: (opening her eyes) Ali? Guys?
She looks around, noticing the open door.
ARIA: (continuing) Where’s Alison?
Concern etches her features as she steps onto the porch, peering into the darkness.
ARIA: (whispering) Ali? Spencer?
Inside, Hanna and Emily rub their eyes, still dazed.
HANNA: I just had the weirdest dream.
EMILY: About Ali?
HANNA: Yeah, she fell down this really deep well, and there were all these giant plants.
EMILY: (nodding) Mine too. But there was a big plant, and I saw Alison’s shadow.
They exchange wide-eyed glances.
ARIA: (stepping back inside) Guys?
EMILY: (concerned) Are you okay?
ARIA: (pale) Where’s Alison? And Spencer?
HANNA: We don’t know.
Suddenly, Spencer bursts back into the barn, startling the others.
SPENCER: What?
HANNA: (quietly) Where’s Ali?
SPENCER: (whispering) I don’t know. I thought…I don’t know.
Silence falls over the group, broken only by the sound of tree branches scraping against the windows.
EMILY: (nervously) I think I want to go home.
The scene fades out as uncertainty and fear linger in the air.
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[The girls reluctantly agree and form a with sleeping bags.]
ALISON: Okay, everyone, just relax.
[Alison starts counting down as she touches each girl.]
ALISON: One hundred…ninety-nine…ninety-eight…
[Spencer interrupts and opens the curtains.]
SPENCER: It’s too dark in here.
ALISON: No. It’s got to be dark. That’s how it works.
SPENCER: C’mon, no it doesn’t.
[Argument ensues between Spencer and Alison.]
SPENCER: You think I should take a pill?
ALISON: Close them!
SPENCER: God, take a pill.
ALISON: Fine.
[Alison storms outside.]
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[The girls contemplate what to do next.]
ALISON: I know the perfect thing we can do. I learned how to hypnotize people.
[Hesitation from the others.]
SPENCER: Being hypnotized sounds sketchy.
ALISON: C’mon. I could do it to you all at once.
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MELISSA: What the fu—?
[The girls chat awkwardly with Melissa and Ian before Melissa takes Ian outside.]
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the girls are being sneaky and watching spencer's sister kiss ian
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MONA: You guys want to come over and watch Fear Factor?
ALISON: Sorry, we’re kind of busy.
[They head into the barn and find MELISSA and IAN inside.]
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HANNA (clumsily climbing out of her mom’s Mercedes): Shit.
[They chat about Alison's stolen game of "not it" and encounter MONA,
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