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real life drama
There is something more important than hating our brothers -- saving our planet and the very possibility of our lives. For you apocalypsists, praying for The End of Days: so suicidal? You can easily end your world without imposing on we who want to survive.
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March 4th
triple conjunction at the degree of my natal Hekate
take a leisurely walk along an old stone bridge charmingly decorated with ivy and flowering vines above a swiftly bubbling river onto which the Sun is shining golden notes of magical music sit and watch, letting the river bring laughter to your smile if someone should happen by and join the fun, enjoy if someone should happen by and call you names that are not truly your own, laugh them out of your hearing if someone should happen by singing your true song, sing along
March 4th 2018
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10/21/17
Lowering light, too polluted for shooting stars only grand Jove, diamond Venus, ruby Mars as they take on appearance in darkening sky Who am I, queried again, like rehearsal lines Watcher of planet plays to sketch their plot with rhymes Wonderer through ages, mapping sad truths in scars
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sex as power (#MeToo)
Rape is a political statement. It says: "I am everything. You are nothing." God of Sky and Rain Women hold up half the sky? In His world women hold up the sky. Men sit around, masturbate, watch football, occasionally, go out and rape lowering that small part of the sky. Rose Red I am prickly, admittedly. I come by it rightly. Organically evolved defensive weapon (note, no offensive weapon attached). You must approach me with care. Feel the velvet of my vibrant leaves, gently. My flower, radiant in grace and wonder. Musical poetry wafting, my enchanted perfume calling for the discerning touch. But grasp too hard, too clumsily, without reflection, a thousand tiny cuts push you far away. In no time, you will heal, leaving me to bleed forever, attempting to clear from my system your poisonous residue. Bitter Dregs You don't get it. You don't want to. It would be too much to bear if you let your thought go there. Briefly unconscious, awakened to hard concrete ground surrounded by heels and toes, amazing they don't crush me, but no, like clockstep they walk around though occasionally a(n unmeaning?) shove -- I'm not a someone, just a minor obstacle unnoted in their busy day. No worries. Not like shoved down under hard muscle, jutting bone, stinking of beer and rage; or waking from too brief oblivion, broken pain, bleeding tears, torn, bruised, a colorful toy made for pleasure. Then the voices, echoes. Harpies and Sirens, Furies and sad old women. Fingers shake in disapprobation. Shrill voices call me beautiful, in the way that ugly things are. So bad, so pitiful, cardinal status among the neverweres. Struggling shadows, whispering curses demurely lest anyone notice and throw them further down, below duration. Never easy, confessing degradation. The sin adheres. No one wants to know. logic of rape culture I don't know. Would it be morally acceptable to destroy a person's mind while they sleep, because they'll never know they had one? Would it be morally just fine to cruelly use people's lives while keeping them unconscious without consent or prior knowledge, because unexplained pain won’t rise to legal proof? Is there value placed on personal integrity? Must boundaries that make individual beings complete with self-control, define a zone of self to be respected? Do conscious beings own a right to privacy, a zone of personal integrity, sacred space for self-discovery: “This is mine. This is me.” When we choose to agree for common utility, what inner prize do we remember to defend? Or do we prefer to behave as a bunch of random beasts, subject to convenient moral rules, precepts to defend hierarchy of self-proclaimed reasonable men? I am beginning to think that this whole anti-abortion, anti-contraception idea is about rapists who want to impregnate their victims and then have access to torture them for life. Mighty big hate on. Dazzling glitter of star light is doing its job: distract and divide while they rape, kill and rob. Ascending spiraled steps in hope of eventually reaching a solid surface, more a chore than a mission as we continue inexorably day by day. Or is that eternity by eternity? There's not much choice, as these stairs, though solid and seemingly endless, do not provide enough solidity, enough surface, for other sustained activity. There is not even room to climb by twos, thus enabling the solace of close companionship. Certainly there is no room to make love between, stair to stair, to find what respite or pleasure such loving might provide. Perhaps for some of the more daring an occasional rearguard rape may be accomplished, coming from behind as it were, never seeing the face of the victim, so that's alright. A temporary digression from the rote work, hand over hand, leg up and leg up, monotonous unfulfilling dance. The land, when we found her was warm and inviting. We felt safe, supported, encouraged to grow. We ate of her fruit, fish, herds. We built with her trees, stone and clay. We drank from her beautiful streams which we soiled with our waste. Gaea was saviour and womb. We repaid her with rape. We didn't understand, thought her merely land, thought ourselves masters from afar. Perhaps it is not so much a war on women as another front in the war on people with lesser means. I mean, how dare a woman be raped if she can't afford her own treatment? Women are raped by husbands, strangers, dates, bosses, family members, often seriously injured or killed in the process. Implying we have nothing more serious to protest about than "glass ceilings" is a macabre insult. Small girlchild, rags and dust – follow her morning of traverse, this tiny world allowed. Each tent flap reveals fester of wounds deep and shallow, ravage disease. Senses, thought, subsumed to beat of breath outside rational context. Stuck in the dirt, her worth a hole where she bottoms out, tributary blood expelled. It could be rape; it could be terrifying violence. But you got it wrong. You blamed yourself. And the reasons you got it wrong go back to that world, not to you. Cross Purpose At time's crossroads, Reason drowns in rage, pain, radiated rain, treasonous air. Weary of care, of punishing, bottomless anger, of sobbing men robbed of their right to give birth. Taken from Mama's warmth, from the cave, to play brave. And it's ladies' choice as you squirm in fool's corner. Such a chore -- kissing at this and that for a chance to score the shame, the blame from stuck-out tongues, the bloody laughter "I could bite off that little thing -- make you squat to pee." Wired to fight, at any cost, because, of course, the Cross proclaims "We're right. They are inherently wrong." "Those below must be taught to obey our superior tools, to be broken, that we may ride." Against our better fate, our race divided along strict lines, by difference nature instilled to make us strong Our Gang Outrage Depression facing outward Taking power to give it away. This entrained impulse See them crackling, jangling puppets at puppy play, bite, bark, entangle, grab and tussle, growl, muscle in for the kill. Bloodlust arousal. Natural as puke, as death, violation as violent orgy violation as ecstatic initiation to the brotherhood. Life elevated to dreams, goals, careful weighing of coin and hours, dependable plans, actions that honor can favor, love, duty, allegiance to the rules of sanity and kind regard have no purpose here. Men of blood and battle fluid need no fine speeches, no valor -- only food and receptacles for their waste. Capital Crime Sweet old daddy Doing his will in the night Keeping the mamas afright for the plight of each beloved child, so tender so young He really oughta be hung! so say the neighbors, clicking their tongues Take him to the magistrate Fill his ears with the voice of hate while he's tied, defanged, prostrate Let our will be done! Tie him down in a prison cell Make him feel the wrath of Hell 'til we all are bloody well exhausted of our fun. No need to delete old daddy sweeping shit and burning bones any toil we deem atones to repay society's loans of wicked sowing days assuring he damn well pays for the pain and loss his wicked ways marred our happy homes. Trial It was said, everyone knew, some whispered in my presence, that I was born a bastard of rape. My mother, a pious maiden, in penance gave me into servitude to the Brotherhood. Thus she was allowed to return to her Sisterhood’s life of humble ministration. I never knew her, or have no memory of such an early time in my life. I knew nothing of the treasured childhood that comes with family. I was a low thing, circumscribed by duty. I was educated, taught to read, write, do sums, memorize long passages of scripture, sing in the Holy Choir, take my part in ceremonies, taught for useful service. I was taught to please my masters as my only worth. Any modification to please their plans was my sacred duty to undergo. Any master. Any metamorphosis. Any mutilation. Accept. When he bit me, as the fast-acting soporific emitted from his fangs entered my artery, I hoped this was my end. It wasn’t. He did not drain me, but woke me to force his blood into my sagging mouth to remake me in his image: immortal, powerful, supernatural, outside of the laws of man. I learn to create my own sacred place, free of duty, free of the yoke of belief. I am my own silent sanctuary beyond the touch, the reach of their world. What good am I, have I, what good does it do me to have a conscious me apart from my puppet role, plaything of powerful forces and men? Perhaps after all the trials of my journey, it is enough to have a consciousness that knows me so well and feels a kind of comforting love. Perhaps the kind of love a mother feels for a child she never wanted, who is yet of her, a companion to her trials. They arrive, enter a door next to a large glass window decorated in bright colored paint. It is a portrayal of a man on a cross. Bloody red holes mar his hands and feet. A thorny green crown sits on his head. Inside are cakes and hot black drinks on a short table. A few others are also eating and drinking. On the floor, next to a large, tattered chair, a woman sits, rocks, dirty and worn looking. Her shaking hands make attempts to feed coffee to her lips, but more is spilled on her worn and spattered dress. She has been mumbling incoherently. She is getting louder. Renata starts to make out words. "They fill yer belly with their babies. No more babies. They hurt and make me so sick. The men, they fill me with their nasty liquid babies. They make them grow in me, take over my body, make me sick, and cut so hard to get out. I won't take them, horrid demons. So they throw me back in the street for the men to fill me again, hurt me again. It hurts, it hurts, it hurts. No more babies. No more pumping out their nasty babies. I won't. I won't go there. You can't make me leave." She burbles, gasps, cries, mumbles, and repeats her litany. She rocks her body, suckles on her fingers and strands of long, lank hair. She seems in a trance, perhaps poisoned, perhaps cursed. From further back in the room, a man dressed in black, prominently carrying a black book, approaches the group around the table. "Don't mind Betty. She's a hard case. We can't find anywhere that will take her." He seems perturbed by this inconvenience, embarrassed by this woman's plaint. Thoughts of keeping still while learning how to blend in have flown from Renata's mind. She goes quickly, yet with gentle motion, to sit beside this Betty. Close up, she is surprised to see this woman is young, certainly no longer a child, but not the old used up hag she had appeared to be. Her burbling snot and tears mixed with spilled coffee and older stains make her an unappetizing sight. Yet, there is something so fragile, so sad and affecting in her defiantly defeated form, Renata can not help but reach out her arms to comfort. Nobody likes to talk about Betty; but you can bet we cream over her (secretly, all cozy in our beds, in our heads and groins). Nobody likes to admit what casual cruelty we are capable of. Gang-raping children because we can doesn't appeal to our desired self-image. Her mother allowed it in exchange for food, a place to sleep, the blessed drugs to keep away the pain of knowing the endless, hopeless misery life had become. Or, she was alone on that dark street, lost and frightened, with nowhere safe to go, no one protecting her just then. Her sexuality tempted me, in all that frenzy of bonding blood cries, heightened primal energies, hot insistent bodies falling under ritual spell. She is but a sacrifice, a holding cell for sin. There is no freedom for will to grow within her, only unwanted, tainted seed, thrust outward from the nauseous collective psyche to poison her potential. Does she need to be defined by what has been done against her nascent will? Is there salvation in finding a slim, hiding, healthy cutting from her core, carefully planted and watered in hallow grounding? And what of all those other sacrificial lambs? What cosmically sympathetic vibration can be turned to healing, calling forth a will to grow whole, to become one's own desired destiny? Mothers' Night cascading shards uneasy echoes falling "It's our calling." Rape of Earth, hot spurts of words savage knives Abiding Mothers, sacred and mundane twist into harridan cold stars wail, hurtling waves Sad, old, crust of ages sliced, screwed, carved up for profit "It's not the color of the skin, the culture of the smile" the scent of danger, the inborn stranger -- all excuses for Us (superior) and Them (inferior) "They are not like we; but lower curs." we may harm with unfettered glee Cursed to be cut to our requirement. Borders clear "Here, fear fences in our livelihood and wives." Leave THEM to putrid pits cunning jabs, our pleasure. Thus, all treasure that might regale, heal, reveal true worth, of man and Earth sold for pittance of potash to dance a weary jig Post-trauma A child of my own rape, it shaped me, made me less and more Memories stored, to when I can't go on implore: "You'll feel better when you're gone."
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Something Sacred (Caela’s Story)
Something Sacred - Prologue In the time of antiquity, back before our written records, we are told that humans and gods freely played together and created a beautiful city in the heart of an exquisite landscape where all were free yet happy to cooperate so all might share a common bounty and all might know the joy of engaging each in their true work, respecting the best in all. It was a peaceful time, a happy time, with energy displayed in healthful work and joyous art. Every day was celebrated and every contribution honored. But then the gods, who are immortal and powerful, grew away from their human playmates. The games they played became more sophisticated, less easily joined in. They developed concerns with a longer view and devised complicated scenarios, complex barriers which humans could rarely overcome to play in the fields of eternity. We became confused and frightened. Some of us would develop feelings of superiority believing we were the arbiters of rights and wrongs, that we deserved and needed power over others, to make our dictates law and punish those who did not properly honor and obey. Others developed feelings of inferiority and great fear of insecurity. We started to believe that there could not possibly be enough bounty for all, that we must hoard and fight off those who might take what we thought of as ours. Instead of happily joining our efforts to assure common good, to find equitable and practical solutions to problems, to enjoy and honor our individual abilities, we broke off into groups that underscored and denigrated our differences. We expended our energy inventing weapons, teaching and learning war. We praised our warriors, poisoned our lands and our minds with the detritus of hatred, passed on violence, discord, deep pain within our families and against our neighbors. We despoiled the gifts the gods had freely given us, repurposing them as game pieces against each other, even against our own best interests, even against the peace-loving, hopeful and ecstatic parts of ourselves. We dishonored the gods and all they had given us. We dishonored our own beautiful potential. The gods were horrified and disgusted when they saw what we had done. Being ancient and wise, they did understand that they had a part in the blame. They tried to tell us where we had gone wrong, tried to enter our hearts and minds to lead us back to our true paths. But humans, for the most part, had gotten too caught up in our own dramas, feuds, thirst for vengeance or wealth, power, fame. The newer generations had been raised with these values rather than valuing themselves and their collective talents. They had never developed an interest in working and growing together at a high level of prosperity for all. They had learned, instead, to be bitter and angry and depressed, impatient for wealth that even when attained never provided the peace they unknowingly yearned for. The gods held council and discussed the tragedy that the humans had made of their lives. Taking the long, immortal, view, they decided upon an experimental course of action. They would plant songs, ideas, legends, methods of discovering sacred knowledge. They would at whim walk among us and whisper or sing, act out, prophesize for any who were strong enough or weak enough or somehow developed the space in their minds to understand. They would plant the seeds of salvation in a variety of environments, then watch to see if any sprouts took hold. In this way they hoped to slowly encourage us to find our way back to our true nature as vibrant beings, to help us relearn, become the glorious people we were meant to be. That is the story we tell. But, of course, we humans had become entrenched in our unhappy ways. A promise of something better was not sufficient motivation to change. The gods devised crises of various kinds and durations to shake up our misaligned order and give us new configurations to deal with, in the hope that in being forced to learn new ways we would eventually turn to the abandoned way that had given us so much. And, despite their horror, disgust and sadness, the gods found joy in their efforts made into games for their own amusement. Some of these games, their stories, are passed down as legends for celebrations or teaching, or told by our storytellers as spontaneous inspiration. I am an old woman. I have lived a blessed life, with so many wonderful and terrible memories to keep me company. I have gone on a marvelous journey and won the greatest prize. Well, actually, there were several journeys. There were long, dangerous roads and dramatic adventures. There was love; there was loss. There was dedication to an underlying truth that carried me along even when all hope and reason strayed. I have grown and learned from experience, into a deeper wisdom, a luminous joy that is all I could ever be, till it flows out from me into all I perceive and into the hearts of my people to go on into those who will come. Diaspora I was born in the City, the only city on my world. It is a huge and sprawling center of culture, seat of government, depository of knowledge. There are marvelous tall buildings, street and underground transportation systems, concourses of commerce, magnificent museums, libraries, concert halls, theaters. There are public ceremonies of much pomp and circumstance. There are great universities, industrial complexes, sports arenas, and all manner of commercial enterprises. It is an efficiently run city where public servants take pride in their work and everything is kept clean and gleaming. I only have vague memories, but this is what I have been told, and have seen in elders’ memories. The military trains in camps on the outskirts of the City, not too far from the prison camps, from which many of the troops are recruited. Nothing is left to chance; little is wasted. There is freedom for the citizens in their private lives, but only insofar as they obey the public rules. My name is Caela, and I am of the witchfolk. That is what we were called on our home world, Earth, centuries ago. Where shall I begin? There was that ancient era when a craze for genetic solutions came with advances in genetic research, as the histories tell us. Fashionable parents of that age reveled in their ability to choose special gifts for their offspring through the miracle of gene manipulation. It was thought by someone with the clout for the research dollars that there was a crying need in their society for people with enhanced empathy, minds that could probe the minds of others -- maybe as clinicians, maybe as spies, maybe as weapons. We were used for all of those purposes, and not to our benefit. We became vilified, feared and hated by those who did not share our gift. Naturally, we tended to band together, to marry and live within communities of our own, of those who neither feared nor revered us but simply knew us as we were, as people much like themselves. Bonding together in enclaves within which we felt accepted and protected, we left the others to develop their fears and resentments. We had natural advantages in myriad social situations, able to know what others felt, to enhance those feelings or divert them to our purpose. Of course, some of us had used those advantages unscrupulously -- although that very empathy in some ways puts a damper on the advantages of manipulation over time. Thus, there was actually much less abuse of our abilities than was expected by the general population. Over time many of us learned to keep our abilities to ourselves and blend in more with the mainstream. By the time of the big wave of colonization, most of us were quietly assimilated, not particularly noteworthy. Still, many of us hoped for less constrained lives on a brand new world. Those who came to this planet, Eden, so named because of its bountiful natural resources, did so as common recruits like anyone else, looking for the possibility of paradise. Genetic engineering technologies did not ultimately solve Earth's problems of over-population, pollution, depletion of resources. The solution came from the science of space travel, the brave new adventure of colonization. As star travel and planetary exploration permeated the media and popular imagination, the idea of leaving the troubles of Earth behind to start over on other worlds became a common dream. People from all walks of life became enamored of their own fantasies of what they could become given such a new start. People from all walks of life ultimately made the journeys, took the chance, found themselves vastly far from home, and, perforce, created new homes which they were privileged to build from scratch, in league with the others who had made the journey with them.
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Between Worlds #12
Nothing is promised. A great deal is possible. Singer's sisters, Mirra, Cali and Arla, were cheerful, responsible, warm and witty like their mom. Even in appearance they resembled her and each other, though they had not yet achieved her manner of calm wisdom. Though they might appear less vivid younger copies of Maris, each had her own distinct flair and essence. They were all wizards of cloth, weaving, sewing, designing clothing and other useful textile wares. They had their own cottage industry, producing for their own use and trade as well as teaching others who wanted to create their own clothing and furnishings. Though no one had thought the need to come up with "money," there was plenty of rudimentary trade. For big projects, work and outcome were shared. It was expected that everyone help out as needed. Beyond that, individual enterprise took over. Tools were shared on rough timetables open to disruption by urgencies. Adaptations often had to be invented suitable to available resources, repurposing, devising tools and processes as necessary. Of course there were angers, resentments, frustrations, but this is where the skills of empaths excel. There are those naturally soothing presences who help to keep good feelings flowing. There is not the kind of awkward or tragic miscommunications to slow useful negotiation. It helps that there's plenty of cohesive goodwill, shared sorrows and celebrations, respect grown from working together, playing together, sharing humor, philosophy, and everyday concerns. Recipients of an interconnected web are intimately in tune to enlightened self-interest, true vested interest in success for all.
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Between Worlds #11
Caela found she could heal in another way. She knew without thought that she had profound feelings of empathy, profound insights, much more than was ordinary for the extraordinary people of whom she had been born and nurtured. She had from earliest times learned without knowing she was learning to encapsulate the feelings driving into her from all around that she might work through and understand them without being overwhelmed. It had always been like a special extra mother within her teaching and protecting, perhaps an extra gift from Letta who had not been able to learn such necessary protection well enough for herself. Though little girl Caela had tried and tried to use this gift of separating, working through feelings to move in with care and incisive healing, to help her beloved mother, Letta, cope with the demons that crippled her mind, she had not the power to effect that cure. Letta had not learned to protect herself. She had not felt the need in her protected environment where her naturally strong healing abilities had given her a fine, well-respected career. She had never expected a need to prepare for her denouncement or the escalating troubled times eventuating in exile from the life she depended upon for emotional anchor. Though Caela's efforts to heal that breach continued to be heartbreakingly unsuccessful, the failure did not deter nor break her. It was like layers of strength being built by practice and reflection. She found, bit by bit, that she could look into the core of dis-ease and injury to encourage and accelerate natural healing processes of those who suffered. She was also drawn to learn about healing plants, meditative practices, techniques of touch and movement. Not all callings are so strong. Perhaps she had been learning from Letta, even from the womb, to take this offered gift farther, to develop the instinct for self-preservation needed to make it a blessing rather than a curse, even should her world fall apart. Lev had been a writer in the city, a journalist of wry social and political commentary published regularly in the most popular news magazine. In this new life, he was finding artistic and physical outlet in learning carpentry -- a craft he had never been exposed to in his former life. It amused and amazed him how much he enjoyed working with his hands to miraculously create a useful product. He had been quite appreciative of Maris's skill in weaving beautiful fabric of the fur and plant fibers of their now farming community. He continued to appreciate her creative skill, even more so, as he learned his own craft. Former city business types were having to relearn how to be alive, become people they had never known they were, processing radical change, a broken linear norm revealing to them that it was only a convenient fantasy. For Caela it was all perfectly natural, the colorful adventure of life.
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Between Worlds #10
Jase was Singer's father, not Aron. She had heard Maris talking with her father, Lev. Aron was Maris's husband, father of her three daughters, though apparently not of her youngest, her son, Singer. When the troubles started getting serious back in the city, Aron had not felt his wife and children worth the sacrifices of standing by them. He was not an empath, had only married one. He had become resentful over the course of that marriage, feeling that Maris was better than he was in every way that counted. She was, but not because of some special talent. She was naturally practical and loving. He was naturally neither. He had been young and charming, confidentally ambitious but privately shy. Over time he had become uncomfortably aware that this wonderful prize of a wife he had won neither made him a better man nor failed to see his flaws. Be careful what you wish for. Keep your eye on all the clauses and subparagraphs. Relationships won't heal us, only give us comfort and anchoring when we do the work to heal ourselves. If Jase were Singer's dad, not Aron, Singer was full empath, unlike his sisters. Jase was a sweet, good-humored drifter of a guy, strong and smart, always ready to help out, but mostly a loner. He and Maris had been close friends since childhood, back in the city. Neither were the kind to deny their feelings, or broadcast them. Maris and Lev had become good friends since the relocation. She was at the moment ranting a bit, reminiscing a bit, in the company of a friend she found easy to talk with. He was happy to listen. He certainly had his share of venting, ranting, sharing memories secondhand. His wife, Letta, Caela's mom, had become unreachably ill, unable to participate in conversation, to show evidence of reciprocating his love which he now sometimes felt bordered on tragic. Like children everywhere, Caela picked up bits and pieces of gossip and common knowledge listening to adult conversation as it drifted through her day. She had never met Aron, but did feel the distinct negative tinge given to memories of him by those who had known him. Everyone loved Jase. She supposed Singer had gotten the better of the bargain without consciously thinking about the matter at all. She loved Singer and Maris, similarly though differently from the way she loved Lev and Letta. They were all family, intertwined lives. Though she was a few years older than Singer, they were left to play together while the grown-ups worked, often looked after by one or more of Singer's sisters. There weren't a lot of children in this new community. Everyone did what they could to make sure all were cared for, all the necessary work got done and done well. Everyone taught what they knew, shared tools and techniques, learned what they needed to. Separately and together they figured out how to make a life that worked. Singer and Caela took on what chores they could as time went on. Still, there was plenty of time for playing, just being, figuring out who you are and how that's done. Friends are good mirrors, sounding boards, brain-storming aids, quiet companions. True to Maris's intuitive naming, Singer loved to sing and was incredibly talented at contriving a wide range of soundings from his voice and various musical instruments he was finding ways to fashion from what came to hand. He could keep those around him singing and dancing as well, lightening chores, enlivening leisure. Certainly he was quite a popular figure, central to celebrations. He took this popularity in his gently smiling way, always generous, always bubbling with fun. Music is magic. It excites, inspires, and heals.
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Between Worlds #9
Young Caela was able to adjust and thrive because she was tuned in to herself, to her own perceptions and power. Her parents, Lev and Letta, they exist within her, but so does all that psychic energy moving through her. To make use and sense of that, she needs integrate experiential impressions, integrating a trusted sense of self. How moderate can temperatures be? Do we have the ranges we do have because of some specificity of size or shape or orbit and distance form our Sun? I'm not picturing Winter on Eden, despite its frigid everpresent reality for me here and now on Earth. Fall I can see, the harvest season. But why not several harvests like in the sunny warm states? Out in the farm areas beyond the city's structures, they have greenhouses, even hydroponic technologies from the ship. Even if the planet has a variety of climate zones, they may have settled in an area less likely to freeze. Would it be sweltering in the Summer in the city? They would know how to build for minimizing that, design to encourage cooling winds, maybe have air conditioning. They would plant trees according to ecologically thought out plans for shade and water retention and air cleaning. The cultural norms would include a slowness of outdoor perambulations, light-weaved clothing. I see bright colors, even in the enclosed atmosphere of the built-up city. There is an appreciation for art, culture, color, design. It's not that they don't enjoy diversity. They are worried, frightened, that they will be left behind, out-classed, unable to successfully excel in competition for what they think to be scarce resources, even such nonmaterial resources as public appreciation and prestige, as well as whatever passes for wealth in their culture. They have closed themselves in to this city. Those of true valor and adventure have gone off exploring. Those who can't abide fences and rules have been sent to the outer reaches to work out their destinies as farm labor or defense trainees or bucolic eccentrics. People jammed together with their secret inadequacies and fears can build up a psychological squalor. People who present as clean, upright, hard-working citizens can be harboring petty and grand mal demons who rule over their potential better natures and insist on penance without respite, respect or concern. The empaths are not immune from demons, though are to some extent insulated from personal devolution by their mutuality of feelings, the ability to if they so choose never be alone. They will be able to take advantage of distance from the closed in city to develop a culture of their own design. Thesis, antithesis, synthesis. The dialectic of socially evolving mankind prevails. This is not a story about man against nature or man as part of nature, but about human nature; but we are not alone in the Universe. There is no clear division of background and foreground. The picture includes waves and landscape and sky and all the rest, as far, as near, as detailed, as the artist bothers to render; as the eye bothers to see. All I can do is look deeply into the crystalline vision, and respect, describe, reflect my impressions, my perceptions, my emotions and their creations.
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Between Worlds #8
I understand, compassionately, that too much choice is overwhelming to an individual trying to navigate a reasonably safe, reassuringly livable, life. That should not excuse or glorify obstruction against less usual ways, more ambitious or far-seeing strategies. Caela does not feel the pain or outrage of the outcast. She is happily enmeshed in her community, comfortably acknowledged. The solitude and self-directing she has carved out to accommodate her gifts, honed into skill for her best contribution, are well respected. If she wants to leave the group to follow her own dreams and visions, that is her choice and right. The newer generations of her people no longer keep an outcast identity. They are woven into, continuing with their own threads, the rich fabric of a community that creates their experiences and goals. Her daughter, as an integral member of this younger, self-integrating generation, lives in a large home of like-minded self-identified professionals and their children, sharing familial chores, responsibilities, celebration, physical and emotional care. Caela is happy on the outskirts of the community in her small, cozy cabin. She visits and enjoys visitors, but spends much of her time on her own. I am learning who these people are, slowly gaining their acquaintance. They are more real, immediate, than the world outside my self-absorption has become for me. I ask questions about how they live, what their world gives them. My grateful mind forms moving pictures, so beautiful, engaging. The scenes, the backgrounds, change to meet my changing expectations. It doesn't matter if I ultimately put it all together in cogent words. It is the world I need now to be formulating, a soothing, enlightening meditation. I keep getting caught up in the details. Lovely, soothing details, like doing sums in grade school. Weather. What would the differences in planetary physics do? And even if I am no scientist, how have they developed economic and cultural norms? How have the planet's -- let's call it Eden -- natural lifeforms (because if it is capable of sustaining life it probably already does) dealt with the invasion of life from Earth? I surmise they would have brought embryonic and seed life on the spaceship to continue farming once land was reached. Would there have been combinations, mutations, some species devouring others to become dominant in that ecological niche? I recall attempting some preliminary research about space colonizing, some proto-musings about this race of genetically engineered empaths that seems to have morphed in my subconscious into Caela’s witchfolk. At that time I got too caught up in immediate living, abandoning forays into an imagined far future. If I get too caught up in these endless details I could ensnare myself and be unable to continue. I can let them percolate, let the questions come to a head and seep through my imagination. Looking deeply into my metaphoric crystal, I can watch these people, see their details play out, feel out what feels right for these far off colonists and their descendants. In the mysteries of time and space and fantasy, I can watch these people I command into existence assemble into their customary daily lives for my inspection. See the scenes. Note the salient points. Feel the poignant stories. Those devilish details don't daunt me. They will fill out as they will, as I will, once the grounds percolate and become more clarified, more real than reel (omg, what mixing of metaphors, what a mish-mash of maudlin strings). Willingly giving myself over to this fantasy, somehow this is who I am, at least for now. It feels right and safe. It's like I want to be scared, but can't feel it. But what is there to be scared of? I am protected by the great power of prepaid bills and social anonymity, the strongly purring cat beside me, the blessings of alcoholic bliss, and a total lack of real world responsibilities. Whoever the Hell I am, must be some mumbo-jumbo mystical power there. Caela would know about that kind of power. I see the beginning of a beautiful friendship, despite the boundary difficulties between worlds. As long as I've only myself to answer to, reality can be whatever I agree to.
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Between Worlds #7
Tom has left several concerned messages: why don't I respond? Isn't he my magical companion? My wine glass needs refilling. The curtains are drawn against impending dawn. I thought of calling Danny, but there's too much to say. I'm not ready to say any of it. Thank Goddess I have this time, this place, to dissolve and, hopefully, resurrect. What do people do when their reality fragments and they have no realistic choice but to keep moving forward, doing the day job, paying the bills, supporting the family, acting responsibly? Guess that's why pharmaceutical companies make the big bucks on anti-depressants. Then there are those who crack and become homicidal suicides. It's always the quiet ones, so they say. I can understand that. When I was more actively alive, I was so much noisier. Not that I'm about to be outwardly dangerous, or actually suicidal. I'm just going on a little sabbatical within a dreamscape. I can see her now in her teen years. She is full of passion and purpose. She is in love with the lover of her life, waiting for him to pursue her. She is happy and reasonable and ready to take on the world with no idea what awaits her. Transitional times. Caela wouldn't have the astrology as we Earthlings developed it, being under different skies. Still, I see her as a Scorpio. She is a healer by going within and sharing deep content. She has power of her own, independent yet entwined in her relationships, deeply intuitive, a person of total integrity. Talk to me, Caela the naturally wise, of the integration of my soul. I feel split into ethereal bubbles wafting into unknown space. I will concentrate, become as one with my imagined healer. I know you will carry me through into my best destiny. I will learn and emulate you, my very personal hero. We will become a legend in my mind to carry me forward. I am moving forward, though not at pace with the outside world. I am on my own time and space with my own reasons. I am on my educational sabbatical, exploring an other world, other ways of being human, to discover who I am, separate from everything I've known. I get to overdramatize in my own private theater. And I harm none, I get to do what I will, imagine what I will, will what I imagine to hold me with divine mothering arms, rock me with lullabies and fairytales. Twilight's future is the heroine's journey.
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Between Worlds #6
I feel a kinship to Caela. It's not just because she is a creature of my mind, woven from bright bits of thought, feelings, fantasy. It's like she can see inside me and understand as I look into her, learn her. She does not look like me. I envision her as slightly tall, strong frame, dark hair and eyes, swarthy skin, quiet, pensive, yet with a strong sense of somewhat ironic humor, a merry open laugh, sweet loving smile, mischievous grin, dancing countenance. She is intelligent, not erudite. She is compassionate, loving, kind with that strong solid kindness that tolerates fools with enduring good humor, never maudlin, never haughty, but never obeisant or credulous. She stands tall, moves gracefully, takes in each scene, each lesson, each conversation or reflection deeply, holistically, completely. She is intimately connected to her people and place, yet always able to stand apart and accept her own vision. She is quite imperfectly human, and very comfortable with exactly who she is. She loves and lives without reservation, yet with deep, complex reflection and an eternal sense of wonder. She is not representative of her people nor her time, yet she is completely enmeshed with them. I feel comfortable with her. Her presence in my mind calms and inspires me. She is an amazing friend and confidante. I feel compelled to tell her story though it is nothing like mine. Probably there are metaphoric parallels that I, my deeper self, knows I can learn from, can delve into to discover my own intimate secrets, to grow and heal. If I fall into this other world of my own creation and never return to conventional reality, it will harm none and expand my horizons. But that is getting way too ahead of where I am now. Most likely I will go through this little experiment in traversing into a different realm, find myself on the other side an experienced dimension-shifter, cosmic traveler, no more lost to insanity than most who dare to follow the art star to personal freedom and multiple awareness. Okay, Caela, tell me a story. Tell me stories for a thousand nights in whatever time zone we can agree on. My mother told me stories all my life. She was very certain of the line between fiction and fact; but she was also aware of the kind of truths that can best be understood through myth, fairy tales, poetry. Celia, in your death bed, do you see and understand your morphine dreams? Are you just fading away, or are you finding answers to your lifelong mysteries? I know you no longer need or want to talk to me, to share with anyone your last ecstatic visions or drooling pain. Will I feel that why too at my end? Right now I only want to live in my spinning fantasy with Caela on her world where it is all quite wonderful and far away from here. It's not that I get to control this world of my creation while the real world is too far out of control for me to come to terms with. It's that I get to make wonderful discoveries, to leave the routinely painful neighborhood of planet Earth and think big thoughts, experience my wild and crazily manifesting dreams. Pandora wants to cuddle, presses her purring body against me. Another magical companion on my road to Goddess knows where.
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Between Worlds #5
Who do I think I am? Secretly: Once upon a time a princess grew into a queen, and then into a crone, and then into a legend that never dies. When all she wanted was a world that made sense in which she could feel free to be alive. But that makes no sense. That's not me. Must be the alcohol talking -- in vino a lot of nonsense, hyperbole, and sloppy thinking. Caela wouldn't need wine. But they would probably have come up with a process for making fermented fruit juice, along with everything else they would need to come up with as a community creating their own existence outside civilization as they had known it. So much to consider in creating a new world. I suppose this one happened bit by bit and all at once like most endeavors over time. Is that how it happens? Threads and consequences moving together imperceptibly until there you are, hemmed in by rules and customs and history? If we travelled back along every thread to the less than conscious decisions creating consequences along the way, we would probably find much better ways of making it all work out. But I'm not that conscious or conscientious; nor are most people getting by or getting behind in our narrow little worlds. Those with real vision come off just sounding crazy. Caela's people, despite their unique situation, would most likely fall into their own level of complacency over time. Goddess, what would you have me do? I feel there is some purpose of yours in all of this, not just my little personal devolvement into insanity. Of course that feeling of destiny could easily be a symptom of insanity. No doctors! No prodding or psychotic drugs or setting myself up for nasty incarceration or reindoctrination to normalcy -- whatever that is. I will follow my own damned path, wherever. So, Goddess, I guess we are in this together until you abandon me too. Those dreams of sinking into mushy ice on blue frozen tundras, there is a way through, beyond -- or am I frozen in stasis, merely waiting for the frostbite to reach vital organs? It all remains to be seen. Walking unsteadily between the worlds, I could fall forever I suppose. But wouldn't that become its own level of complacency, falling without thought, receding into a normative back-drop for lazy, selfish, morose self-entertainment? Let's pretend there is a future-place where all the threads come together in colorful, festive array that make perfect sense on reflection. It's just a matter of making it from here to there. So, dear imaginary Caela, what can you tell me?
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Between Worlds #4
Hours melt into hours, navigators' objects move across the sky outside this progressively filthier window. I feel the luxury of my hand losing itself in soft fur as Pandora purrs beside me on Celia's couch. From time to time as it occurs to me, I pretend to write cogently, for something to pretend to do. Yes, I know there are vast ventures of exciting adventuring, or even simple chores I could engage in, if I could engage. Gulping down wine when the feelings get too close to the surface probably is not helping my thinking to find coherence. The radio music gives me an illusion of being somewhere, some connection to a greater world out on the airwaves. I can ride those airwaves like a magic carpet to imaginary places, people to whom no responsibility can be owed or expected. I somehow hypnotically manage to do the few daily chores necessary to maintain me, cat, plants, to keep real squalor at bay. Going through those motions with minimal consciousness is not responsibility. I don't have to answer for or explain myself, keep up a conversation or show appropriate emotional responses. How did such simple everyday bits of business become so exhausting to even contemplate? It's not just that I'm not the person others expect of me. I am no one at all. There is no cohesive sense of me to explain or hold together an acceptable identity. My memories don't feel of me but like some old tv drama series of connected stories. Do you remember that episode when Persephone and Tom made love on the beach at dawn, hidden in the water though there was no one else around to see? Or that one in the earlier seasons when Danny explained to little Persephone why he wouldn't be living with her and her mom anymore? Seasons and seasons of this long-running soap opera in which nothing is ever resolved; no strong central character emerges complete with her happy well-rounded life, a joy to her friends, a boon to her neighbors. Or is that Caela, the refugee? Not that I think I can find myself in her; lose myself in her is more where I'm aiming. But maybe, Goddess willing, I can lose myself in her, live out her story in my inner movie, to find myself later, after the show, curled up in the shelter of some hidden woodland tree, a sprouting seed learning how to be this new creature as I become. Or maybe I'll just get lost in my own insanity, no good to anyone. Happy pitty party to me, lazy and selfish and brazenly morose.
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Between Worlds #3
I am Persephone in her mother's home. It is Demeter who has been taken by the minions of death, her body barely holding on to life's sweet definition. Strangers minister narcotics to soften the veil, blur the journey. That is where the dream comes from. The potent journey; the aging mother, crone, no longer a complete integral of her tribe, no longer anchored to her long-time position in life. Is she called to a sacred mission? Is she a possible guide to my own salvation? What do I need to be saved from? The endless days that make no sense, unanchored, dependent on inspiration? It is getting dangerously close to dawn on this not long enough winter night. I can't bear to see the light as if ordinary routine of weekday activity could be my expected, accepted norm. I feel so much more naturally alive in Caela's world, as I diligently figure it out in a faithful inner theatre of cinematic splendor. This has got to be a good thing, this insistently reveling imagination that hugs me with warmth and ecstatic emotion. So much more than a distraction or psychotic state, I believe it is meant to heal and elevate. But what do I know, pretending to be somewhere other than this sad little apartment in this sad little neighborhood, someone more grand than sad little me. This lassitude is not like me, or not like the me I like to be. I do remember other times when life was too much with me and restlessness without activity overtook me. I need a visionquest. I can attain that even from this restraining lassitude by projecting my mind onto another, more vital, life. I can follow that path of no resistance, encounter demons and deities, solve the puzzle, claim the prize, reemerge, shimmy down the beanstalk refreshed and reinvented. Perhaps I must. It's hard to know, living on all these levels, in all these layered dimensions of cosmic meaning to random happenstance, how to go about continuing. It's not the drugs -- anyway, they are only mild antidepressants along with that old central nervous system shut-down stand-by measured in proofs below 30. I'm a self-medicator from way back; but I have considerably grown up and cut way down. I refuse to touch Celia's pain medication, even though she left quite a nice stash behind when they evacuated her. Or, what is the word? They removed her from her former life to watch her die. I should evacuate myself, get back to where I once belonged. I should get over this private pity party and find my way to be useful and productive in the world. I am drawn into this fantasy universe as if it were the one that was real. I imagine channeling is like this. So now I am the gypsy witch of fairytales casting my scrying eye into other worlds. Anything's better than being nothing, no one, lost, drifting, alone. Yeah, melodramatic and untrue. I have wonderful friends who I just can't seem to reach out to. But, you know, I know, I'm used to being alone. It's restful, familiar, delightfully irresponsible, just me. Yet I'm never alone with my insistent imagination ever entertaining me with charming characters playing out stories. I will self-indulge for awhile, take advantage of this luxurious lapse into insanity to see where it lands me. I can't think of any reason not to that makes any sense to me. I'm sure if I get too loud the neighbors will complain. Just a ditsy witch with her cat and inner crucible, listening to jazz, smoking herbs, drinking wine, writing fantastic journeys. If Celia wanted more from me, it's too late for her admonishments now. Danny wanted nothing from me. Maybe some absolution, but I'm not in that business. What do I want from me? That's the question worth pondering. Maybe Caela will tell me as I follow her visionquest through the brave forest, discovering who we are, what we can do, where we belong.
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Between Worlds #2
Gentle eyes, but much more, eyes anyone could stand before with no shame. Self-evidently these eyes were ready to accept and respect what they saw. She speaks to me sometimes. No, the definition of insanity is doing the same thing and expecting different results. She speaks to me in my own voice, though, perhaps, in a different register. She comes to me in a dream, a recurring dream. It was so clear and powerful. She is beautiful, full of life, full of magical power. I feel safe with her. Perhaps she is some kind of totem, spirit guide. Perhaps she is someone I could become, in the fullness of time, as some kind of metaphoric singularity, familiarity, familiar inner voice who has always guided me. I feel a special affinity to cats. They are so completely themselves. I love the strong sensual flowering scents of Spring. Yet, I am a creature of the Winter of low lights, of shadow and multiple realities. I call her Caela. She makes me happy in a special, secret way. I have a sparkling, shining secret. No, it's not schizophrenia. In a way, it is sanity. She helps me to understand who I am, who I could become, free and self-empowered. She is like a fantasy mother who is giving me everything I need to face my fortune. She is a gift from me to me. Moon in Virgo, maybe? I’m losing track. It’s all one long wintry night. None of that life so mine so few months ago seems real to me now. I am not that person who lived there. Can't go back; don't have a clue how to go forward. Celia's still taking care of me -- I have no financial woes. I can stay here for probably longer than I would ever need to, meeting all my 21st century needs, even indulgences, without having to concern myself with paychecks. One less thing. Pandora cuddles up to me, lets me blubber and cry all over her. She doesn't make the demands of human friends for coherency, consideration, a semblance of self-control. Yeah, I miss me, miss them, miss us. It's like I'm being told, simply, in strict terms, that here and now I am not that girl, that womanchild. I am not clear on who this metamorphosed me is becoming. A great, golden cockroach comes to mind. But I am not ashamed. I have no family to fail, no social position to lose. I am not a golden butterfly, simple grace flying from flower to flower. Often I feel like a wraith, between worlds -- not of one or the other. Am I my namesake? But in what realm am I Queen? No, I am not taking over your place, sweet Pandora, so solidly Queen of the household. There is solace in the awareness of another life, a natural way of being.
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Between Worlds ~ Persephone to Caela #1
Between Worlds ~ Persephone to Caela I want to write her story, but it isn't ready to write. I imagine it as a painting, swirling colors and intricate spectral figures, everything moving at once, a kaleidoscopic panorama. When I was a kid, I used to wish on the Moon, the big Full Moon. It was so much grander than any sparkling star. I would twirl around and around on the dewy summer grass, electrified by blinking fireflies. Then, I would flop down to watch the sky swirl like a Van Gogh Starry Night. What kind of Solstice celebration would she have? Would they have comparable seasons? They would have to have a whole new system of astrology, if anyone bothered with that Earth-based lore. They would have ceremonies, celebrations, dancing and romancing and offerings of special performances to keep in touch with the mysterious. They would be a spiritually aware people, happy in the shared wealth of their culture. They would know to honor, value, celebrate the individual as the ultimate resource of the common wealth. Empaths have no ambition based on suspicion, no need for hierarchical arrangements to be secure in one's place. The year, or whatever passed for one, would no doubt fall out differently than our years. What constellations might appear? How many moons? Does it matter? Important occasions are marked, harvests and births, rewards for hard labor, sacredly meaningful losses that we move beyond through honoring sacrifice. What else must be honored, must be held holy? There would be celebration for the occasion of the moment when the spirit is strong within the tribe, when there is need for release, tears and laughter, impassioned artistic rendering, raucous song, frenzied dance, the strong scent of blazing emotions gone wild in the loving safety of tribal union. ************** She found the children, understandably frightened but so far unharmed. The telepathic ability which had condemned their parents had helped to save them. She knew this to be a time of crisis, a crossroad, which must open an opportunity to end this unnecessary enmity, these unnecessary tragedies. Caela was called. She chose to answer. She was uprooted as a child, but within the caring arms of community. Within that communal embrace, she was able to learn her power, use it for the communal good. She enjoyed a happy, balanced life with family, friends, fulfilling work, peaceful spirituality, the grace of natural beauty. At the point when her life as it had been had taken her as far as it could, she was called to a sacred journey, a mission for her own continued growth of soul, and for the transformation of a world long divided, a healing of the wound dividing the people of her world. It all came as a natural progression. She was always given all she needed to be able to give what was needed by those she served.
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