icole | XIV | female | California ❖ eternally ruined by supernatural ❖ multifandom with other pretty things in between. everything is tagged.
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hey it's been a while but i was wondering if anyone is interested in this url (pondalecki)? i decided i want to keep this blog so i can look back on it sometimes but i'd rather not hoard the url when an active blogger could be using it
#pondalecki#free url#it would be rad if you would use it soon instead of just hoarding it though if that's ok#also i hope you are all doing well and having a good time w life and things!!
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Free URLS
Favorites bolded!
abigaillgraham
bunnycas
cleverboyremembers
maarymorstan
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alonaharvellle
purestiel
forgetstiel
haelism
commandrender
alainaddon
tahmohpeniket
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A spark could be enough to set them ablaze.
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songs to run to
listen here
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“Who has never killed an hour?”
— Mark Z. Danielewski, House of Leaves
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Fake poster meme: Walter.
└ Hugh Dancy, Lee Pace & Rinko Kikuchi.
Sci-Fi Drama ► In the year 2134, androids have been developed. Electrodite Systems, a corporation specialising in technology, is advertising androids as ‘human’s best friend’ and selling them to those in need of companionship. Martin (Lee Pace), bought Walter (Hugh Dancy) a few years ago when he was lonely and living by himself. The two developed a close relationship until one night when Martin doesn’t return from work. Walter discovers that his friend was mugged and murdered during the walk home.
Should anything happen to their owner, androids are sent back to Electrodite and their memories erased so they can be resold. However when Walter is set to be reprogrammed, he meets technician Shiori (Rinko Kikuchi). He tells her that he does not wish to forget about Martin. Surprised and touched by the android’s apparent humanity, Shiori ‘steals’ Walter in order to learn just how human a robot can become.
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The images of these wounds hung in the gallery of his mind, like exhibits in the museum of a slaughterhouse. The human organism is an atrocity exhibition at which he is an unwilling spectator .
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