planetbstream-blog

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Mars surface stereo colour photography by EU/RU Trace Gas Orbiter, March 14 2019

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Illustrations from Works of Jules Verne. Edited by Charles F. Horne, Ph.D. Volumes 1-5. New York, London: Vincent Parke and Company, 1911.

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Ghibli 4 ever

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Kate NV

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not waving

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Robert Rauschenberg - space (1994)

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Emily Puthoff

http://www.hvbeehabitat.org/beehabs

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Good wood - escapism at its absolute finest. Shipwreck lodge’s wooden cabins on the Skeleton Coast in Namibia.

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Christiane Perregaux “Tuisa” Tent.

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Elevated Roads Encroaching On Farmhouses, Chongqing, China, Mark Horn

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Philip Beesley - Protocell Field, 2012

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Newborn star within NGC 1333

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Stills from the video “Human Mask” by Pierre Huyghe from his 2014 exhibition IN. BORDER. DEEP.  

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Artist of the Day

Pierre Huyghe

A Journey that Wasn’t 2008 Color photograph 33 9/10 × 49 3/5 in 86 × 126 cm

Pierre Huyghe says that life is the core interest of his practice: “I’m interested in how to quantify the different variations of being alive…how to intensify the presence of things.” Many of his performance, film, and installation pieces employ a range of living creatures—insects, plants, animals, and human beings—in order to explore their behavior and interactions. These works become laboratories for articulating complex social phenomena, the precarious distinction between fiction and reality, and contemporary belief systems. In the 1990s, Huyghe became known best for his “post-production” technique, or the reuse of film and mass-media images; more recently, he has mounted his work outside of museums and traditional art venues, calling these environments too restrictive. Huyghe is also known for his many multimedia collaborations with other artists throughout his career, including Philippe Parreno and Douglas Coupland. Huyghe won the Hugo Boss Prize in 2002. courtesy of artsy.net

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Pierre Huyghe Timekeeper Wall 20 cm diameter 1999

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