Hello! My main hyperfixations are LOZ (lots of that is LU specifically) and HTTYD (THW does not exist) so you'll mostly see that but you'll occasionally see other things in there, like Iron Man, Fire Emblem Awakening, and FMAB. I'm also an aspiring writer, a cat lover, and a lover of beautiful art, so you'll see some things related to that too. If you do end up liking my stuff for whatever reason, you can check out more of my stuff on other sites. I am InnerGlow11 on AO3 and PinkSaphira on Deviantart. I really don't have much on either though. I'm very inconsistent.
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Homotherium cub based on the incredible newly discovered mummy!
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What HTTYD Says about Forgiveness
A sense of strange optimism, or at least idealism, permeates the landscape of How to Train Your Dragon, be it novels or movies or the television series. Numerous tandem explanations describe why we can feel hope even when horrid events - even shocking deaths - happen. Itâs the focus on friendship. The message of peace. The wonders of soaring, free, in the skies.
And itâs the story of forgiveness.
How to Train Your Dragon sings of forgiveness from the first movie to the latest published book by Cressida Cowell. And while none of the writers treat the action as easy or naive, a very positive outlook results from tales of Stoick apologizing to Hiccup in the first movie, or Hiccup forgiving Mildew in the series, and especially Berkâs new chief forgiving Toothless in the second movie.
For what the stories show is that forgiveness is powerful and that it should be shared even in the worst circumstances to anyone. And that it might not mend everything completely, but it can speak out very, very powerfully and bring out a better end. It brings forth, if nothing else, admirable nobility.
Forgiving a Familyâs Failings
Both the first and second movies heavily focus on family. Itâs a disjuct family, if one that means well. This storytelling concentration on the imperfect family inevitably means that mistakes come about and that the other participants must decide how to respond.
Stoick and Hiccup in the first movie have a very dysfunctional relationship, neither fully understanding the other, both disappointing or irritating the other, neither really able to talk to the other, but both loving and desiring to please the other. Thus, when they interact, it often hurts the other rather than augmenting and developing their relationship. Yet even that tiny fragment of a disjointed relationship is threatened when Hiccupâs friendship with Toothless is revealed during the Kill Ring scene. At this point, Hiccup defiantly declares, âIâm not one of them,â contrasting himself with his fatherâs culture, while Stoick on the other end ominously intones, âYouâre not a Viking. Youâre not my son.â
And thus the family is split. âYouâre not my sonâ means there is no family.
There are of course very understandable reasons and motivations on both sides of this horrible separation. Stoick has lived a life where dragons are the enemies; he sees the fifteen-year-old boy as a traitor to the tribe for befriending Toothless. How could the boy ally himself with the very creature that killed his mother? Hiccup, on the other side, has come to realize that dragons need not be the enemies. There need not be war.
Then comes the Battle of the Red Death.
And Stoick seeing Hiccup and the other teenagers riding dragons.
And Hiccup and Toothless plunging into the ocean.
And Stoick saving⊠both of them.
A change in heart comes over Stoick as he realizes the truth about dragons and acknowledges the incredible nature of his peace-promoting son. So he apologizes - not just for the Kill Ring - but âfor everything.â All the dismissive treatment he has given Hiccup, all his rudeness, all his imperfections. It is an enormously humbling statement to acknowledge how he has repeatedly failed in this area of parenthood.
Hiccup, in turn, says he is sorry for everything, too.
Even though neither family member speaks aloud the words, âI forgive you,â from the expression in their faces it is apparent they mutually do. They forgive each other.
It might not immediately right their relationship or make everything better. Indeed, while Stoick and Hiccup do become far friendlier with one another by the second movie, one can still see they sometimes operate on the same mistakes as the first movie. They still fail to listen to each other. Stoick still frequently misjudges his son. Hiccup still runs off and impulsively disobeys his father for his own ends.
However, that moment of forgiveness remains. And even though neither individual is perfect, their mistakes no longer harmfully harry the relationship to the horrid extent seen in the second movie. It has done great work and helped heal the bond between father and son.
A very mature, thorny event then arises in the second movie: it is found out Valka is alive, but essentially abandoned the family twenty years ago. From her dialogue, it is apparent she had the volition to return home. But⊠she did not. She consciously, intentionally avoided Berk and her family.
This is a very serious issue to confront.
Everyone realizes it, too. There is so much awkwardness when mother and son meet, and Hiccup barrels after her spewing out questions of where she had been and why she never returned and how she was even alive anyway. Valka emanates regret around both husband and son, solemnly, guiltily acknowledging that leaving Berk behind was wrong. She is even frightened of Stoick when he approaches, expecting him to shout at her for her choice.
The thing is, that is what we would normally expect as a response: shouts. Bitterness. Something. Almost anyone would be pretty bitter about a mother leaving behind her son for twenty years, upset that a woman never came back to her husband she supposedly dearly loved.
Yet while neither Stoick nor Hiccup dismiss the implications of this very serious failing on Valkaâs part, they respond to her welcomingly rather than bitterly. Valka asks Hiccup, âCan you give me a second chance?â And he - and his father - both immediately do.
Valka might have had an enormous, hugely criticizable failing on her part, but no one else in the family lets that destroy their relationship with her. They seek to forge something strong with her rather than focusing on her wrongdoings. Hiccup and Stoick both choose to see the positive in the reunion rather than the negative.
Which is all about how forgiveness works. Acknowledging the bad but not focusing on it. Celebrating the good and recognizing that it is worth pursuing. Choosing to build for the better rather than let the wrongs of the pasts bar a future relationship.
Forgiving Enemies
Not only is family forgiven in How to Train Your Dragon, though. A repeated theme of forgiving even enemies emerges throughout the stories, especially in the books and television series, though this theme also can be applied to the movies, too.
Hiccup saving Mildew in âWe Are Family Part 2â is the first instance that I feel forgiving an enemy comes greatly to the forefront. Hiccup himself says, âYou better not make me regret this,â when he unlocks the traitorâs cell door. Even though Mildew constantly harassed Hiccup about dragons and turned him in to his worst enemy, Hiccup still gives Mildew the chance for freedom.
Whatâs interesting about this is that, unlike the first incidences with the family, there is no clear humble apology beforehand. Mildew moreso begs for help than admits wrongdoing when Hiccup escapes the Outcast prison. Furthermore, even if Mildew had expressed a very clear apology, he would not have meant it anyway. Hiccup was forgiving and rescuing someone who went off and immediately betrayed him again.
Does this mean Hiccup was wrong to forgive an enemy? Was this foolish of him?
Not necessarily.
Consider the moment Stoick forgives Alvin in âCast Outâ.
There are many reasons why this is incredible. First off, they used to be incredibly close friends until a breaking point - something that would sting for a long, long time. And indeed that grew them into enemies. Alvin attacked Berk on multiple occasions, harassed the Hooligans.
Oh yeah and did this.
Kidnapped and nearly killed Stoickâs only son.
Wow. Stoick gave an amending handshake to someone who did that?
Thereâs something significant here I want to point out. The effects of the past do not magically fade away as soon as Stoick and Alvin shake hands. In fact, that friendship shall never be reformed even though the two forgive each other - or at least come to some sort of respectful understanding. The impact of the past shall still haunt them and affect their decisions.
Nevertheless, forgiving an enemy, be it Mildew or Alvin or anyone else, can reap positive ends. It can create respect for the other. It can bring about a ceasefire rather than outright aggression.
And thereâs even more, but that is seen most in incidences I have to mention next.
Forgiving the Unforgivable
I have already spoken in great detail about how the entire relationship between Hiccup and Toothless hinges on a highly unlikely bond, not just in terms of humans and dragons generally being enemies, but in terms of how the two of them specifically should have been enemies to one another. Yet a friendship grew nonetheless, and it remains strong even when it should have failed.
Iâm talking about that time Toothless shot Stoick straight in the chest with a plasma blast.
Irregardless of intentionality, Toothless still directly committed the life-ending act. That in itself is enough to excuse hardened hearts, a broken friendship, and unforgiven sentiments. Many friendships have broken up for such a reason as, âWhether or not you meant to hurt me, it did. I canât let that happen again, and I canât forgive you for what happened either.â It can be difficult to forgive someone who makes even unintentional wrongs, and enormous questions of future trust need to be raised. Itâs still a fault, a failing, in the otherâs wrong.
And that wrong was still committed. However it was done, it happened and had severe results. So why choose to forgive? To continue trusting in Toothless after a nightmare? It indeed would have been prudent of Hiccup to henceforth avoid Toothless and treat the dragon as an enemy. Such would have been the safer course of action, for Hiccup could not predict if another unpredictable killing might occur. Toothless, under the control of the Bewilderbeast, very well again could have ended another life. He almost did, too.
But Hiccup, despite the fact he is more likely to die confronting Toothless than reunite a friendship, still tries.
âI wonât leave you. I wonât let you go.â
And this incredible loyalty, this incredible ability to forgive the absolute unforgiveable, to forgive someone killing Hiccupâs own father, is what wrenches Toothless from the Bewilderbeastâs control and reunites the two in the end. An impossible fracture in a relationship turns out to be amendable. Hiccupâs enormous gamble comes to a fruitful result. Here we see, then, than even the worst wrongs do not have to destroy a friendship. If both sides work to rebuild a bridge, then anything, anything at all can be forgiven, and a friendship can be mended even through the most shocking trials.
Forgiving the Unrepentant
Yet nothing, absolutely nothing, tops this moment of forgiveness at the end of âHow to Betray a Dragonâs Heroâ:
âAre you saying,â said Snotlout, wonderingly taking his face out of his elbow, âthat you are still prepared to take the risk and trust me, after I have betrayed you again and again and again?â
âI know in my heart that you are a Hero in the making,â said Hiccup. âWe all make mistakes. We all need second chances and even third, fourth, and fifth chances. Maybe you just needed to have that one last fight with me, and then youâd be able to join our side.â
I cannot even begin to count how many times Snotlout has bullied Hiccup or treated him poorly. It is hard to even tally how many times he has actively tried to kill Hiccup. Snotlout has created a disreputable history for himself as Hiccupâs main Hooligan antagonist over many, many years of poor actions. When Snotlout was only thirteen, he tried to kill Hiccup during sword fighting lessons. He tried to kill him many more times afterwards, too. And Snotlout exiled Hiccupâs father and best friend to the Amber Slavelands. Snotlout betrayed Hiccup to his worst enemies, leading the poor boy to be questioned, tortured, nearly killed, by Excellinor the Witch. Now, at this moment in time, when Hiccup is speaking of forgiving Snotlout and giving him third, fourth, and fifth chances, his cousin has just succeeded in besting him at a sword fight and is about to end the boyâs life.
So even before Snotlout has a change in heart, before Snotlout does anything to âdeserveâ it, Hiccup forgives him. He forgives Snotlout again and again and again - not naively, for he knows his cousin might still be foul - but he sees inside Snotlout his potential good, sees in himself his own imperfections, sees the good that comes from treating another fairly⊠and finds within him goodwill rather than bitterness.
This is where the gem of forgiveness in How to Train Your Dragon really comes to the forefront.
In incidences like Toothless killing Stoick or Snotlout attacking Hiccup, the hero is not forgiving a repentant individual. The hero is not forgiving someone who will necessarily change; in the incidence with Mildew or Alvin, for instance, theyâre still enemies at the end of it all. And the hero is not expecting that person to change, either. Hiccup creates a âPlan Bâ one time after he has forgiven Snotlout and chosen to trust him, just in case when they enter Alvinâs hideaway his cousin tries to betray him again. Which Snotlout does.
Forgiveness, then, is not about what the other person has done. It is not about the transgressorâs heart. It is not about him feeling sorry for wrongs. It is not about him growing to become someone better after the wrongdoing. It is not about him being a good person at all.
Forgiveness does not have to hinge on the other person proving himself or herself in any way.
It can be done in any incident, and it can help regardless of how the wrongdoer responds.
Forgiveness is not about someone deserving it.
In the case of Snotlout, Hiccup repeatedly forgives Snotlout, and in this quote above, he states that people should be given not just second chances, but third and fourth and fifth and sixth and seventh chances. Itâs the idea we should always give someone kindness seventy-seven times seven times⊠an infinity of times⊠because it can do good from the forgiverâs end even if the other individual continues to fail.
For think about Hiccupâs continued ability to forgive, be it movies or television series or books. His admirable ability to continue forgiving individuals for anything makes him the Hero he is. It builds an incredible sense of nobility in Hiccup, not making him a fool but someone to be revered.
The person who forgives in How to Train Your Dragon⊠is a Hero.
It does not matter when it happens. For really, I have only mentioned a portion of incidences from HTTYD. I could yammer even more about Astrid and Heather in âHeather Report Parts 1 and 2â, Hiccup and Snotlout in âWe Are Family Parts 1 and 2,â Snotlout and Astrid in âA Tale of Two Dragons,â Hiccup, Eret, and Astrid in âHow to Train Your Dragon 2,â Hiccup and Toothless in âHow to Train Your Dragon 1,â Toothless and Stoick in âHow to Train Your Dragon 1,â Hiccup and Camicazi in âHow to Seize a Dragonâs Jewel,â Toothless and the Whispering Death in âWhat Flies Beneath,â Hiccup and Furious in âHow to Break a Dragonâs Heart,â Hiccup and Snotlout in âThawfest,â and on and even more. What we see here, over and over and over again, is a kindness of heart - especially on Hiccupâs end - through a variety of incidences.
How to Train Your Dragon does not treat forgiveness as an easy act. It does not treat it as the grand solution to problems. It does not treat the wrongdoerâs actions as negligible and forgettable. However, it does treat forgiveness as a heroic act, one of nobility and great character. It is to be bestowed on anyone regardless of the extent of the action or the intent of the wrongdoer.
And indeed we can come to understand that, while there may be enemies with armadas and armies and dangerous dragons and a whole host of seemingly unforgivable villains, âthe voice of peaceâ will âbit by bit change this world.â
#which was of course ruined by thw#but it's true for before that#this is a nice blast from the past#9 yr old post reminding me of the good old days in the fandom#reminds me why i loved it#and what i miss#but honestly it makes it easier to forgive thw#cause that's the message isn't it?#can't change what happened#only try and move on
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twilight princess + onion headlines
+ bonus:
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i had given up hope on ever seeing another night fury in anything official....but after over 14 years, it finally happened. i can't believe this is real
look at her. look at her. look at her. look at her. look at her. look at her. look at her. look at her. look at h
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How To Train Your Dragon doodles
Itâs been really cool seeing other peopleâs interpretations lately and itâs inspired me to try a few!
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Helloo!! This isnât a request or anything, I was just wondering if youâve seen the new Midnight Wrath dragon from Rise of Berk? Just curious!
Not yet! >:0 I gotta go investigate, please hold
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Masterpost: How to write a story?
Compilation of writing advice for some aspects of the writing process.
How to motivate myself to write more
How to get rid of writerâs block
Basic Overview: How to write a story
How to outline a story
How to come up with plot
How to create a character
How to make a character unique
How to name your characters (Masterpost)
How to start a story
How to write a prologue
How to write conversation
How to write witty banter
How to write the last line
How to write a summary
How to write a book description
How to write romance
How to write friendships
How to write emotions (Masterpost)
How to write an argument
How to write yelling
How to write anger
How to write betrayal
How to title fanfiction
How to write an unreliable narrator
First Person vs. Third Person POV
How to write character deaths
How to use songs in a fanfiction
How to name fictional things
How to write self-insert fics
How to write multiple points of view
Introducing a group of characters
Large cast of characters interacting in one scene
How to write dual timelines
Redemption arc
Plot twists
Fatal Character Flaws
Good Traits Gone Bad (x)
Slow burn
Explanation posts about writing terms
What isâŠ
AU ideas
Favourite tropes
Tropes of the day
List of Genres
Drabble vs. One-Shot
Advice for writing relationships
Masterpost: how to write relationships + romance
More specific scenarios
How to write a bilingual character
How to write a character with glasses
How to write heterochromia
How to create a villain
Reasons for becoming a villain
How to write a morally grey character
How to write an inferiority complex
How to write a road trip
How to create and write a cult
How to write amnesia
How to write being stabbed
How to write a stratocracy
How to write a heist
How to write the mafia
Criminal past comes to light
Ideas for traumatic experiences
How to create an atmosphere (Masterpost)
How to write a college party
How to write royalty (Masterpost)
Paramilitary Forces/ Militia
Superpowers Masterpost (Hero x Villain)
Inconvenient things a ghost could do
A Queenâs Assassination Plot
Crime Story - Detectiveâs POV
Evil organization of assassins
Evil wins in the end
Causes for the apocalypse
Last day on earth
Liminal Spaces
Workplace AUs
Signs of co-dependency
What to wear in a desert
If you like my blog and want to support me, you can buy me a coffee or become a member! And check out my Instagram! đ„°
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Results from the #paleostream
Titanomachya (spraying undefined liquid), Sansanosmilus and Amphycyon, Jidapterus (an ASSdarchoid) and Koleken (being sprayed undefined liquid).
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Who else loves the Hyrule Historia comic?? About the first Link? I thought it was common knowledge that SS Link wasnât the first Link, but a lot of Twitter haters came for me đ€Łđ€Ł I just really love the comic, man! đ Itâs SOOO epic, it has that dark bite to it. THE FIRST LINK IS SO BADASS *screams it to the rooftops*
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no, spotify, i don't want to use ai to "turn my ideas into playlists". i already fucking do that with my brain and hands and i do it for fun. what, should i get ai to pet my cat for me? to play my silly games for me? to spend time with my beautiful wife for me? how about i rend you asunder
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me talking in the tags on tumblr dot com
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I love the main 6 in How to Train Your Dragon so fucking much. Itâs literally impossible to separate which of them are stupid and which of them are smart because theyâre all smart about different things and theyâre all stupid in different ways. They share 2 collective brain cells, one of which Hiccup definitely donated for the collective good of the group, but no one knows for sure where the other one came from. They may not rotate turns evenly, they each do get a turn on one occasionally. None of them ever get both brain cells at the same time. Sometimes they temporarily lose both and none of them get one. Theyâre mean to each other 80% of the time but they also trust each other with their lives. True friendship goals.
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