phemelovesme

[phemelovesme]

Just remembered I can force my mutuals to give me writing feedback, who wants to read my outline??

[phemelovesme]

Nothing more embarrassing than accidentally using a big word wrong because now I'm simultaneously both stupid and pretentious, the worst combination of all time

[phemelovesme]

A just came to get the newest book of their favorite series from the bookstore. They did not expect B, the new employee, to be that cute, and they didn‘t expect B to be passionately ranting about how bad the book is either.

[Prompt Calender: September 7th, National Buy a Book Day]

[phemelovesme]

[phemelovesme]

[phemelovesme]

There are a hundred scenes with the couple from my W.I.P but the public will only see two.

[phemelovesme]

When you've been a writer for long enough, commas become more of a spiritual practice than a grammatical one.

Could I explain the actual rules of how they’re used? Absolutely not.

Do I rely on sensing a tremor in the force to tell me where to use them? Yes and this has never failed me even once.

[phemelovesme]

My shaylaa……

[phemelovesme]

Writing Prompt #39

♤ An odd garden

♤ A dragon that breathes ice

♤ An old stone building

[phemelovesme]

some of the best writing advice I’ve ever received: always put the punch line at the end of the sentence.

it doesn’t have to be a “punch line” as in the end of a joke. It could be the part that punches you in the gut. The most exciting, juicy, shocking info goes at the end of the sentence. Two different examples that show the difference it makes:

doing it wrong:

She saw her brother’s dead body when she caught the smell of something rotting, thought it was coming from the fridge, and followed it into the kitchen.

doing it right:

Catching the smell of something rotten wafting from the kitchen—probably from the fridge, she thought—she followed the smell into the kitchen, and saw her brother’s dead body.

Periods are where you stop to process the sentence. Put the dead body at the start of the sentence and by the time you reach the end of the sentence, you’ve piled a whole kitchen and a weird fridge smell on top of it, and THEN you have to process the body, and it’s buried so much it barely has an impact. Put the dead body at the end, and it’s like an emotional exclamation point. Everything’s normal and then BAM, her brother’s dead.

This rule doesn’t just apply to sentences: structuring lists or paragraphs like this, by putting the important info at the end, increases their punch too. It’s why in tropes like Arson, Murder, and Jaywalking or Bread, Eggs, Milk, Squick, the odd item out comes at the end of the list.

Subverting this rule can also be used to manipulate reader’s emotional reactions or tell them how shocking they SHOULD find a piece of information in the context of a story. For example, a more conventional sentence that follows this rule:

She opened the pantry door, looking for a jar of grape jelly, but the view of the shelves was blocked by a ghost.

Oh! There’s a ghost! That’s shocking! Probably the character in our sentence doesn’t even care about the jelly anymore because the spirit of a dead person has suddenly appeared inside her pantry, and that’s obviously a much higher priority. But, subvert the rule:

She opened the pantry door, found a ghost blocking her view of the shelves, and couldn’t see past it to where the grape jelly was supposed to be.

Because the ghost is in the middle of the sentence, it’s presented like it’s a mere shelf-blocking pest, and thus less important than the REAL goal of this sentence: the grape jelly. The ghost is diminished, and now you get the impression that the character is probably not too surprised by ghosts in her pantry. Maybe it lives there. Maybe she sees a dozen ghosts a day. In any case, it’s not a big deal. Even though both sentences convey the exact same information, they set up the reader to regard the presence of ghosts very differently in this story.

[phemelovesme]

How the fuck is it only Tuesday

[phemelovesme]

sometimes you don’t need them to kiss. you just need them to share one cigarette in silence, eyes locked, while a fire burns in the background and neither of them says what they’re actually feeling

[phemelovesme]

July Prompts 🌴

Word prompts to use for doodling or writing

summer kiss

cocktail

pineapple

vacation

camera

message in a bottle

lemonade stand

summer dress

beach

road trip

football game

airy

lifeguard

childhood

ice tea

sun screen

treasure hunt

pool party

fireflies

concert

succulents

pink skies

underwater

bubbles

flower field

hurricane

cherries

dancing in the rain

sun burn

rooftop

camping

[phemelovesme]

my writing fundamentally changed forever ten years ago when i realized you could use sentence structure to control people’s heart rates. is this still forbidden knowledge or does everyone know it now

[phemelovesme]

someone: what's your book about?

me, blacking out: it’s about yearning and metaphors and sometimes a knife

[phemelovesme]

If I was between the two of them, it would be red, blue, and WHITE

[phemelovesme]

5 Tiny Writing Tips That Aren’t Talked About Enough (but work for me)

These are some lowkey underrated tips I’ve seen floating around writing communities — the kind that don’t get flashy attention but seriously changed how I write.

1. Put “he/she/they” at the start of the sentence less often.

Try switching up your sentence rhythm. Instead of

“She walked to the window,”

try

“The window creaked open under her touch.”

Keeps it fresh and stops the paragraph from sounding like a checklist.

2. Don’t describe everything — describe what matters.

Instead of listing every detail in a room, pick 2–3 objects that say something.

“A half-drunk mug of tea and a knife on the table”

sets a way stronger tone than

“There was a wooden table, two chairs, and a shelf.”

3. Use beats instead of dialogue tags sometimes.

Instead of:

"I'm fine," she said.

Try:

"I'm fine." She wiped her hands on her skirt.

It helps shows emotion, and movement.

4. Write your first draft like no one will ever read it.

No pressure. No perfection. Just vibes. The point of draft one is to exist. Let it be messy and weird — future you will thank you for at least something to edit.

5. When stuck, ask: “What’s the most fun thing that could happen next?”

Not logical. Not realistic. FUN. It doesn’t have to stay — but chasing excitement can blast through writer’s block and give you ideas you actually want to write.

What’s a tip that unexpectedly helped with your writing? Let me know!! 🍒