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these boys should’ve gone to college GODDAMN

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!!Marvelous commission of Robb and Rickon seeing Catelyn leave Winterfell to go to King's landing made by @souryam !!

The qoute in the background im the first pic is:

"Rickon needs you," Robb said sharply. "He's only three, he doesn't understand what's happening. He thinks everyone has deserted him, so he follows me around all day, clutching my leg and crying. I don't know what to do with him." He paused a moment, chewing on his lower lip the way he'd done when he was little. "Mother, I need you too. I'm trying but I can't … I can't do it all by myself." His voice broke with sudden emotion, and Catelyn remembered that he was only fourteen."

-Catelyn III, A Game of Thrones.

I comissioned this mostly bc i wanted more content between this dynamic that im surprised is not taking in account almost never :3

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"even for me life had its gleams of sunshine"

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JANE EYRE (2011)

JANE AND MR ROCHESTER

dir. cary joji fukunaga

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🍄 🍁 🐌 🐜 🪳✨ // Omphalotus illudens, the bioluminescent jack o' lantern mushroom // gouache on paper

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I just want to help my friends.

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No, indeed it is hardly possible to separate you even when he is summoned to a secret council and you are not.

SAM & FRODO IN THE LORD OF THE RINGS

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Arizona by Todd Michael

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killua piece for @zine--garden last year :]

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Annoying use of devil fruit powers? Annoying use of devil fruit powers.

I'm so invested in these two (2) clowns

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flower crowns for dreaming boys ❤️🧡💙

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Artober day 17: New Jounin in town (part 2)

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probably the best advice I've ever got was from my grandpa when I moved from my town and started a university, he told me to leave the house everytime when I start to feel down, just to go to the park, a supermarket, a bookstore, to even drive in a bus or tram, just be around other people because staying at home all the time kills you; and you know he was right

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@pscentral​ event 31: faceless ↳ JANE EYRE (2006)

I knew you'd do me good, the first time I met you. I knew I wouldn't mind being in your debt.

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Illustrations by Sophie Margolin for Charlotte Brontë's Jane Eyre.

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a while back i read jane eyre for the first time since high school in anticipation of watching the 2006 wilson/stephens miniseries. it's incredible to reread these classic novels as an adult, because while i got all the words and understood the *content* as a teenager, i didn't at all find the book interesting or fun to read. anyway i think one of the reasons that book stood the test of time isn't so much the gothic intrigue and how fucked up rochester and his wife are . he sucks so bad in so many ways . but he keeps needing rescued from stuff and only jane can do it . he fucking breaks an ankle falling off a horse early in her employment with him and she's the one who helps him back to the house . his attic wife sets his bedroom on fire and jane's the one who finds him and puts it out before he dies of smoke inhalation . then attic wife sets the house on fire after jane leaves and the whole place burns to the ground, grievous death and permanent injuries, etc, etc. jane comes back yippee everything's okay again! austen heroes don't get wounded like that because they're far too sedate and busy engaging in social seasons and heathcliff is like not wounded physically so much as destroyed emotionally . but this dude strikes the balance for readers who best enjoy when a man is collapsing of various problems and literally cant survive a day without some governess to pour water on his four-poster so he doesn't fry to a crisp

ALSO . i particularly was interested in the passages just after jane first meets him where she talks a lot about how if he was a normal polite person, or even just like a normal Lord with like, a sense of propriety and good manor house manners, she'd have been shy and awkward and uncomfortable and would have hated him. but i think where some interpretations get it wrong is that she doesn't think his rudeness is HOT. she thinks it's good for her own confidence, in that she knows her own self-esteem and social comfort levels are so low that all the scripts of peerage and society make her crawl into herself and disappear. she doesn't know how to follow the scripts convincingly, she's been emotionally abused her whole life so she has no sense of self-worth, but he doesn't follow the script. which means she doesn't have to worry about following it either. which does wonders for her confidence levels because when she can just act in ways that make sense to her rather than second-guessing whether she will be Approved Of, she can actually be a person. and that's what she first appreciates about him: his ability to (more or less without trying or even noticing) facilitate that for her.

"The incident had occurred and was gone for me: it was an incident of no moment, no romance, no interest in a sense; yet it marked with change one single hour of a monotonous life. My help had been needed and claimed; I had given it: I was pleased to have done something, trivial, transitory though the deed was, it was yet an active thing, and I was weary of an existence all passive."

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"this lasting pain"