patriciagraceewanika
patriciagraceewanika
GRACEFUL
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that which inspires patriciagrace. ARCHIVE EWANIKA
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patriciagraceewanika · 14 days ago
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Deborah Stein
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patriciagraceewanika · 15 days ago
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Horst P. Horst
Dinner suit and headdress by Schiaparelli
1947
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patriciagraceewanika · 1 month ago
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Ninotchka (1939) | Dir. Ernst Lubitsch
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patriciagraceewanika · 2 months ago
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Laszlo Moholy-Nagy, 7.A.M. (New Year’s  Morning), 1930
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patriciagraceewanika · 2 months ago
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Saint-Pée-sur-Nivelle, Pays Basque
France, 2019
Takeshi Shikama
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patriciagraceewanika · 2 months ago
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patriciagraceewanika · 2 months ago
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the last figs, & their hummingbird keeper
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patriciagraceewanika · 2 months ago
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patriciagraceewanika · 2 months ago
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TIEPOLO Winter Stroll 1757 Fresco Villa Valmarana ai Nani, Vicenza
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patriciagraceewanika · 2 months ago
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Copper alloy thimble, 15th-16th Century
From the London Museum
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patriciagraceewanika · 2 months ago
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Box with a set of buttons. England, c. 1800–1820, steel; box: paper, wool, cotton, leather.
Men often had a set of matching buttons: large ones for a coat, small ones for a waistcoat. In the early 19th century Europe was gripped by the Napoleonic wars. Citizens had to hand over their gold and silver – jewellery included – to finance them. Out of necessity, steel became a popular material for jewels and buttons. It could be polished to a high shine.
www.rijksmuseum.nl
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patriciagraceewanika · 2 months ago
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Costume Parisien Fashion Plate, 1799
From Paris Musees, les Musees de la Ville de Paris
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patriciagraceewanika · 2 months ago
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Greta Garbo (with her Verdura compact)
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patriciagraceewanika · 2 months ago
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Sophia Loren and her mother Romilda Villani attends a parade Dior atelier in 1974
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patriciagraceewanika · 2 months ago
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Jeanne Moreau
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patriciagraceewanika · 2 months ago
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Anais Nin // "As I passed I saw a cafe, a cafe on the street, with an open door, and one small round table outside, just big enough for two persons, two glasses of wine, two small iron chairs, a diminutive cafe…shabby, with a faded sign, a dull window, lopsided walls, uneven roof. The smallness of it, the intimacy of it, the humanity of its proportion… A human being feels one can sit in such a cafe even if one’s hair is not perfectly in place and one’s shoes are not shined... One could sit there and feel unique, feel in tune with the world, or out of tune, feel human and open to human emotion... One could sit there if one felt the world too big and too barbaric, and feel once more in a human setting, a proper setting for a human being… Why did I feel warmed by imperfections, discomfort, and patina? Because intense living leaves scars…inner scars, softened, human wear and tear."
Repost via @__nitch
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patriciagraceewanika · 2 months ago
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Mario Sironi - Figura con libro (Figure with book), 1928.
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