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voila - the Henry POV chapter
I did my best, everyone. I hope you can read it alright... if not, I'll try scanning the pages tomorrow.
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…close your eyes escape this town for a little while
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look at this godforsaken mess that you made me... (x)
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Masterpost: Taylor Swift & The Seven Husbands of Evelyn Hugo
Since I think the book The Seven Husbands of Evelyn Hugo (TSHOEH) helps in understanding bearding, lavender marriages and PR stunts, I thought I’d combine all the parallels I have found to Taylor’s life. Before I start, I want to point out that I could not have done this without various anons and other tumblr users (listed at the end of this post). I’m sure there are still some parallels missing, but I will try and update this post whenever I come across something new. If you have any questions or want to add something, just message me or add in the comments of this post. Now… sit back, grab a glass of wine and enjoy this deep dive. [Obviously this contains spoilers.]
Keep reading
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For years I asked, pleaded for a chance to own my work. Instead I was given an opportunity to sign back up to Big Machine Records and ‘earn’ one album back at a time, one for every new one I turned in. I walked away because I knew once I signed that contract, Scott Borchetta would sell the label, thereby selling me and my future. I had to make the excruciating choice to leave behind my past. Music I wrote on my bedroom floor and videos I dreamed up and paid for from the money I earned playing in bars, then clubs, then arenas, then stadiums.
Some fun facts about today’s news: I learned about Scooter Braun’s purchase of my masters as it was announced to the world. All I could think about was the incessant, manipulative bullying I’ve received at his hands for years.
Like when Kim Kardashian orchestrated an illegally recorded snippet of a phone call to be leaked and then Scooter got his two clients together to bully me online about it. (See photo) Or when his client, Kanye West, organized a revenge porn music video which strips my body naked. Now Scooter has stripped me of my life’s work, that I wasn’t given an opportunity to buy. Essentially, my musical legacy is about to lie in the hands of someone who tried to dismantle it.
This is my worst case scenario. This is what happens when you sign a deal at fifteen to someone for whom the term ‘loyalty’ is clearly just a contractual concept. And when that man says ‘Music has value’, he means its value is beholden to men who had no part in creating it.
When I left my masters in Scott’s hands, I made peace with the fact that eventually he would sell them. Never in my worst nightmares did I imagine the buyer would be Scooter. Any time Scott Borchetta has heard the words ‘Scooter Braun’ escape my lips, it was when I was either crying or trying not to. He knew what he was doing; they both did. Controlling a woman who didn’t want to be associated with them. In perpetuity. That means forever.
Thankfully, I am now signed to a label that believes I should own anything I create. Thankfully, I left my past in Scott’s hands and not my future. And hopefully, young artists or kids with musical dreams will read this and learn about how to better protect themselves in a negotiation. You deserve to own the art you make.
I will always be proud of my past work. But for a healthier option, Lover will be out August 23.
Sad and grossed out,
💔
Taylor
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ok but not at how bts members continue to stan taylor !!
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Track # 1 ,
Got out some popcorn , as soon as my rep starting going down, down, down .
Laughed on the school yard as soon as I tripped up and hit the ground, ground ground
But I forgot that you existed , and I thought that it would kill me, but it didn't ,
And it was so nice so peaceful and quiet
Track # 2
And it’s oh , whoa oh , it’s a cruel summer ,
It’s cool that’s when I tell em no rules ,
Unbreakable heaven but oh whoa , oh oh
It’s a crueeel summer with you .
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Don’t know what else to do
Guys - It’s been announced recently that the American Music Awards will be honoring me with the Artist of the Decade Award at this year’s ceremony. I’ve been planning to perform a medley of my hits throughout the decade on the show. Scott Borchetta and Scooter Braun have now said that I’m not allowed to perform my old songs on television because they claim that would be re-recording my music before I’m allowed to next year. Additionally - and this isn’t the way I had planned on telling you this news - Netflix has created a documentary about my life for the past few years. Scott and Scooter have declined the use of my older music or performance footage for this project, even though there is no mention of either of them or Big Machine Records anywhere in the film.
Scott Borchetta told my team that they’ll allow me to use my music only if I do these things: If I agree to not re-record copycat versions of my songs next year (which is something I’m both legally allowed to do and looking forward to) and also told my team that I need to stop talking about him and Scooter Braun.
I feel very strongly that sharing what is happening to me could change the awareness level for other artists and potentially help them avoid a similar fate. The message being sent to me is very clear. Basically, be a good little girl and shut up. Or you’ll be punished.
This is WRONG. Neither of these men had a hand in the writing of those songs. They did nothing to create the relationship I have with my fans. So this is where I’m asking for your help.
Please let Scott Borchetta and Scooter Braun know how you feel about this. Scooter also manages several artists who I really believe care about other artists and their work. Please ask them for help with this - I’m hoping that maybe they can talk some sense into the men who are exercising tyrannical control over someone who just wants to play the music she wrote. I’m especially asking for help from The Carlyle Group, who put up money for the sale of my music to these two men.
I just want to be able to perform MY OWN music. That’s it. I’ve tried to work this out privately through my team but have not been able to resolve anything. Right now my performance at the AMA’s, the Netflix documentary and any other recorded events I am planning to play until November of 2020 are a question mark.
I love you guys and I thought you should know what’s been going on.
Taylor
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Since we loving and appreciating INTHAF today, here are some things I’ve noticed:
The lyrics don’t talk about one linear story but moments when those feelings are evoked
The first part introduces those feelings (sharing gloves, playing video games, passing notes)
The second part finds them again much later in the beginnings of love (the nerve to touch my hand which ties back to the gloves, twenty questions which ties back to video games, conversation which ties back to notes), this person stirs feelings just as pure and true as the ones found in the innocent discoveries of childhood
The change from snow to a clear light pink sky shows the change in time and both literal and metaphorical season
The third part realizes these feelings in true love (sidewalk chalk covered in snow and rice on the ground looks like snow)
True love brings back the whimsy and sweetness we thought could only be found in childhood :’)
The simplicity of the writing and music are genius bc they reiterate those points as well as emphasize how simple true love is at its core (a theme found throughout Lover in general)
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