oliviareviewsnasu

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Olivia Reads Fate/Stay Night ~Fate~ Route (Blind Readthrough) Part 1: Intro Sequence and Rin!

Before we begin with this readthrough I'd like to personally thank anyone and everyone who has come here to listen (or read I suppose) my maddened ramblings. You truly make it worth it. Now on to the readthrough. Intro Sequence By now this intro scene is engrained even into my mind and there’s not really much to say about it. As this is a blind review however here’s a basic summary of the events: Shirou, in a state of desperation, summons perhaps one of the most famous characters in the franchise to fend off an unknown attacker. The King of Knights stands before him and asks the iconic line: “I ask of you, are you my master?”. She then states that their fates (heh) are now entwined before the scene fades to white leading into the Rin prologue. On the more technical end; the music in the Realta Nua version is phenomenal. as is Ayako Kasumi’s performance as Saber even this early on in what would be a long career

What I think the anime (Unlimited Blade Works in particular) doesn’t quite convey is Shirou’s mystique and awe in the face of the King of Knights, nor his poetic heart. He’s clearly much much more intelligent and thoughtful than quite a few people give him credit for.

By all accounts this is true in a both a literal and meta-sense. 17 years later people are still discussing the franchise with nearly the same vigor as larger properties like One Piece or Dragon Ball. As for the literal, well, we all know Shirou’s dark fate. On the topic of darkness, I love how they portray Arturia. Awash in the light of the moon while Shirou is cowering in the dark. The contrast is beautiful and highlights just how important of a role she’d play in the would-be-hero’s future. What I find to be fascinating is how much imagery is loaded into these first few moments. That, coupled with Shirou’s prose, makes for a gorgeous introduction. My only issue with it is the whiplash bait-and-switch from Shirou’s perspective to Rin’s; especially with the knowledge that we’ll need to essentially re-read that part to begin with. It weakens some of the dramatic tension and choreography. Prologue: Day 1 (Part 1) And so the Rin prologue begins, in bed, with traumatic memories and regrets. So an ordinary morning for this reviewer. It’s also the first mention of the Holy Grail War that took place during the events of Fate/Zero. Rin’s final memories of her father do pull at my heart-strings however. Wanting to make someone laugh before you see them off is, in my opinion, a noble pursuit. Given what I know of Tokiomi from the events of Fate/Zero I can also agree that his character was perhaps one of the finer among the mages. At least compared to Kiritsugu “Sign a magical contract, can’t shoot, hire someone else to first for me” Emiya, Kirei “My religious views make my sadism and hedonism weird for me” Kotomine, and Lord El Melloi “Old Money, Old Magecraft” Archibald. Sound wise I’ve been listening to the flashback music for nearly ten minutes as I’ve been writing this up and I’m starting to see stars so we should probably move along- And so the Rin proloAnd so the Rin prologue begins, in bed, with traumatic memories and regrets. So an ordinary morning for this reviewer. It’s also the first mention of the Holy Grail War that took place during the events of Fate/Zero. Rin’s final memories of her father do pull at my heart-strings however. Wanting to make someone laugh before you see them off is, in my opinion, a noble pursuit. Given what I know of Tokiomi from the events of Fate/Zero I can also agree that his character was perhaps one of the finer among the mages. At least compared to Kiritsugu “Sign a magical contract, can’t shoot, hire someone else to first for me” Emiya, Kirei “My religious views make my sadism and hedonism weird for me” Kotomine, and Lord El Melloi “Old Money, Old Magecraft” Archibald. Sound wise I’ve been listening to the flashback music for nearly ten minutes as I’ve been writing this up and I’m starting to see stars so we should probably move along-gue begins, in bed, with traumatic memories and regrets. So an ordinary morning for this reviewer. It’s also the first mention of the Holy Grail War that took place during the events of Fate/Zero. Rin’s final memories of her father do pull at my heart-strings however. Wanting to make someone laugh before you see them off is, in my opinion, a noble pursuit. Given what I know of Tokiomi from the events of Fate/Zero I can also agree that his character was perhaps one of the finer among the mages. At least compared to Kiritsugu “Sign a magical contract, can’t shoot, hire someone else to first for me” Emiya, Kirei “My religious views make my sadism and hedonism weird for me” Kotomine, and Lord El Melloi “Old Money, Old Magecraft” Archibald. Sound wise I’ve been listening to the flashback music for nearly ten minutes as I’ve been writing this up and I’m starting to see stars so we should probably move along-

-Only for the lovely siren song of the world’s most annoying alarm clock to start ringing.

I agree with you there Rin, I feel like I’m being attacked as well. Terrible assault on the ears aside, we learn that Rin has been up late at night studying her Father’s will. A hobby that not even I would recommend. After struggling to get out of bed in time for class (Rin really is my spirit animal), she promptly complains about the coldness of her home. As someone who lives in Boston and has never heard of Central Air, this is painfully relatable. Have you had to sit on a toilet seat with ice in the bowl? I don’t recommend it. After the most uncomfortable scene of someone humble-bragging about their rich (literally in this case) background (likely because she can’t to anyone else), she explains that she is in fact a mage and what that entails. Persecution, isolation, and regular communion with forces beyond what most can comprehend. She also goes on to reference the 5 magics (familiar if you’ve played Melty Blood or read Tsukihime, something I’m sure to cover at some point).

What I find to be interesting here is that she fundamentally separates herself from the rest of humanity, treating herself as an outsider despite living what she’d consider ‘an ordinary life’. She shows longing and desire for the things that everyone else has access to and seems to disdain magic on it’s own. But to paraphrase Rin: “Let’s put off difficult discussions, they can wait till they’re old.” As Rin heads out she grabs a rather suspicious (and important) pendant that she managed to find after decoding Tokiomi’s will. It makes me wonder, did he lock up the Tohsaka family heirlooms in various vaults; hoping that someday his heir or maybe one of hers would be able to open them? Was he trolling his daughter? Or am I reading too much into this? Besides her finding the mystical cure-a-spear-to-the-heart jewel, Rin goes on to explain how Tohsaka family magic works. Essentially by slowly storing magic in jewels to draw upon at a later date. I’m reminded of Stormlight and its use of spheres, but that’s besides the point. There’s also a brief discussion of magic crests and how they’re essentially all the magical experiences of her predecessors engraved into her arm. Fun. Rin then goes on to finally leave her house after nearly thirty minutes of getting ready and shows a remarkable knowledge of German. Something that even I haven’t quite managed to master. There’s some brief world building with this area of Fuyuki being a blend of Eastern and Western architecture (as an architect myself this is fascinating to me) and draws a line of parallel between Rin and Shirou. Rin lives in a fancy Western-style mansion and longs for the future, while Shirou lives in the Eastern-style Emiya Residence and yearns for ideals that don’t quite exist anymore. As Rin hurries off to school, a sense of eeriness and unease washes over us, only for us to learn the most terrible and terrifying fact of all. She got up early and so her early morning panic was wasted. Oh and we also meet Ayako who is as exhaustingly energetic as usual. Somehow Rin’s clocks were all an hour fast. She suspects Tokiomi’s work, but I doubt the Tohsaka family Patriarch was one for pranks. Ayako drags Rin off the almost exorbitantly fancy Archery range and they begin to discuss their mutual search for a partner. Have I said that Rin is my spirit animal? I’m sure I must have by now.

This is the first glimpse we get at Rin’s competitive side. Ayako may have been the one to initiate the relationship, but any strong rivalry requires mutual input from both parties. A solid example of this can be seen in the relationship between Sanji and Zoro in One Piece. If I were less astute, I’d prop Ayako as up a potential antagonist later on during the route. As for the contest itself, it’s petty in the most realistic of ways. Attempting to get a boyfriend or girlfriend just to rub it in the face of your rival? I’ve definitely experienced that in my (admittedly brief) lifetime. Well we’ll have to find out another time as I’ve come to realize just how long this document is getting. Join me next week and we’ll continue along with the Rin prologue and hope we get to her summoning of Archer. This has been a fascinating look at the series I’ve adored for so long, just seeing the characters thoughts on the most simple of matters has been an eye-widening experience. This is Olivia Reviews and I can’t wait to see you next time.

[oliviareviewsnasu]

Greetings and welcome.

Greetings everyone I’m Olivia and I’m here to review those things that take hold of my interest. In this instance I’ve chosen begin with a series that I’ve always wanted to delve deep into and that would be Kinoko Nasu’s Fate/Stay Night. As someone who’s enjoyed the various media that has circled the original novel it’s almost a crime that I’ve never gave it a chance. So, for your entertainment, I have decided to begin a blind read-through with me covering each day and providing my thoughts and feelings on the matter. Starting of course with the Fate route (using Realta Nua). I can’t wait to see where this takes us!