ohnomalora

[ohnomalora]

Bridget Riley (British, 1931), Painting with Verticals 1, 2006. Oil on linen, 76 ¾ x 152 ¾ in.

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meeps + alternate colors

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MARK & OHM as JAY & SANT in SWEET TOOTH, GOOD DENTIST (2025)

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Some closeups of the best graffiti I've ever seen

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Pixel forest art 🦌🌿💐🧚

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This is not an exit, Michael Pederson

[ohnomalora]

Earth's back tattoos

+

(cr. @/PHAY_91)

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❝I just... want to be your comfort zone. That's all.❞

HAPPY ONE-YEAR ANNIVERSARY, BE MY FAVORITE!

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lemons

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SWEET TOOTH, GOOD DENTIST (2025) dir. Banchorn Vorasataree

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In the Mood for Love, 花樣年華 dir. Wong Kar-wai (2000)

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Untitled (6:50:01pm), 2019, laser toner on paper, unique, 11 x 8 1/2" - Marsha Cottrell

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Does the word realism have any meaning to you as an actor? No. When you say realism, I think of naturalism, and I think about natural acting. And when I think about natural acting, I think about natural behavior. And I think sometimes that destroys movies, you know? Because we don’t just want to see imitations of life. We want to see something that is beyond that. Cinema is not just about telling stories. Everybody clings to this. Telling stories, telling stories, telling stories! It’s about light. It’s about space. It’s about tone. It’s about color. It’s about people having experiences in front of you, where, if it’s transparent enough, they can experience it with you. You become them. They become you. That’s the communion. That’s the experience.

--Willem Dafoe summing up my feelings about the obsession with realism and an impoverished notion of "storytelling" in film in an interview with Matt Zoller Seitz

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[ohnomalora]

Harper's BAZAAR Singapore April 2025 cover

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EarthMix at Bangkok International Book Fair fansign 4.4.25 (cr. on pics)