cancer, 98 line // instagram - @artiz_thic // I like to draw stuff and I'm constantly suffering // any pronouns // swifties/TERFs/zionists/etc blocked on sight, DNI!!!! // icon by @nyatche
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(repeated like a mantra while rubbing my temples) i will stay silly and not allow the world to make me bitter and cruel. i will stay silly and not allow the world to make me bitter and cruel. i wi
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squeezing in one more fanart before the finale irrevocably changes me 🫠
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This is the energy Jayce pulled up with when he came out the arcane ready to take down his messiah twink boyfriend
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just had a convo with my friend. she mentioned she doesnt like sake cause its sparkling.
“wait, sake is sparkling? what have i been drinking?” i said. because i also dont like sparkling stuff.
i look at the sake bottle ive been drinking from for fun events for the past year. its vinegar.
i’ve been drinking strawberry flavored vinegar.
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the first law of tragedies: the end is already written and inevitable. the second law of tragedies: your actions are all your own and you can choose to get off this ride whenever you want. the third law of tragedies: we both know that you are never going to do that.
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Act II Ambessa is smaller than Act I, and that's probably because she lost weight due to Mel being missing. She looks thinner, even weaker?
idk just smth I noticed, she looks kinda ""fragile"" act II
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1.07 | 2.02 | 2.06
jayce understood, but it wasn't enough
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You don't get it Mel's greatest flaw in the eyes of her mother is that she loves those she's not supposed to, her enemies whom she is forbidden to love, and she herself is a love-child, quite literally the product of her mother loving someone she was forbidden to.
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So Viktor can see the arcane, interact with it
But that is just one side of it
There's a message hidden within the pattern
And it's the void.
And that's what Jayce is able to see through
The other side of that coin
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MY TA SHOT SOMEONE IN THE FOOT AND THE PROFESSOR WAS SO FUCKING QUICK LMAOOO
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viktor: i’d like to see you, come visit me jayce :)
jayce:
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